“They say that the families of the poor should have been honored”

​​“The Mothers of Llullaillaco”

by Julia Aguirre

I heard the story of The Children of Llullaillaco, and the thousands that preceded and followed them. I wept for them, though it was hundreds of years ago, and I was angry for their bodies, kept from their families in life, in death, and hundreds of years after. But in between all that, I thought of their mothers.

The mother of El Niño, what she might have felt, when her baby was taken that day. She always knew he was beautiful, from the moment she held him in her arms, he was the most beautiful thing to her, and he would have been even if the elite declared him ugly. But they declared him beautiful. Was it because she looked at him like he was? If that was the reason, would she have taken it all back, treated him as a monster, if just to let him live?

They say that the families of the poor should have been honored, honored that their beautiful peasant children looked like they could be the children of kings, honored that their precious sons and daughters would be sacrificed, to save the true royal blood that graced the earth. How could you not be grateful, they said as they bound the children like slaves, that we get to kill your child?

The mother was not grateful. Another may have been able to lie to their children, to fake a smile until they were out of sight. He is just a child, just a baby, and she cries, she screams and fights even when they beat her into the ground. She knows she might not see tomorrow for her outburst, but she will not let her baby go, no, not without him knowing that this is wrong, that she didn’t want this, that he should have lived and been happy. She will take his place, she will carve out her own heart for the gods, place herself on the altar to appease the wealthy who crave the blood of her son.

El Niño cries, and in a moment, he is gone. His mother is not dead, not yet. But she wishes she was.

In five hundred years she will be called a barbarian by white men who steal from the grave of the child she lost. A woman who knows nothing will call herself El Niño’s protector and mother, and keep him from his true family.

The mother of Llullaillaco will find comfort will be knowing her son died knowing she loved him, and that knowledge made him fight, fight until his very last breath, even as the wealthy dug drugs between his lips and forced him to chew, even as they fed him meat so he felt like a king in those last moments, with the cold unforgiving mountain suffocating him, even with his mind swirling frantically, he knew he had to get back to his mother’s love, that she didn’t want this. He died knowing this was wrong.

There were other children, who died a little more peacefully, perhaps, and there were others who lived safe and sound. I imagine another mother of Llullaillaco, wrapping her arms tightly around her ugly, royal-born child, who would have been sacrificed if El Niño had been ugly too. She does not want to watch, but she does, as El Niño fights for his life, his ribs breaking against ropes that tie him down as he tries to get up.

She does not weep. She will not, until later, when her baby is asleep. She will cry and thank the gods for giving her this ugly child. And deep down, she will hate herself all the same. If ever there is a day her son grows, and is horrified by the altar and the blood on his mother’s hands and the drugs and the ropes, she will scream and beg his forgiveness, tell him she had no choice, that she was a monster, yes, she would be called a barbarian by the white men who dug up bones that didn’t belong to them, but she loved her son, loved him enough to kill another child if it meant keeping him safe.​

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Julia Aguirre is a 24-year-old woman living in Texas. She graduated with her bachelor’s degree at Brigham Young University. She majored in English and received a minor in Spanish. Her focus as a student was on creative writing, and she hopes to one day be a full-time novelist and part-time writing professor for university.

Julia Aguirre is part Mexican, part Native American, and part white. Her bisabuela immigrated to the US with her parents when she was very young. With each generation, the love and traditions in the family continues to live on, and Julia has found more ways to reconnect with her ancestors through her writing.
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This is her first submission to a magazine. She plans to attend graduate school to receive her MFA in creative writing. Until then she will do what she does best- write until the ink runs out.

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