“No Soy Cholo” by Jacob “Jake” Teran The homies on the block always had something to prove. As mischievous misfits that did not fit in at home or at school, we found solace in the calles, perhaps because the streets had no barriers or rules to bar us from expressing what we thought or felt. We were young niños y niñas that dressed the way we wanted and expressed how we saw the world through our eyes. No parents to tell us to watch the profanity that spewed from our mouths, no teachers to correct the way we spoke, and no one to fear of getting into a fight because we all fought between ourselves. We did not belong to a gang, but we were prospects to the eyes of the gang on our street and they constantly tried to recruit us. As much as the thought of being in a gang flirted with our adolescent minds, it was something that none of us morros were down to do. At the time being, of course. One summer I vividly remember, would forever change my perspective on joining a gang. This experience began on one summer night I paid a visit to the hood headquarters on my block to pick up a dime of some low-grade mota. Weed always put me at ease, especially at night. The night was warm enough to rock some brown Shaka shorts and a white crisp Pro-Club shirt. It was an hour or so from midnight on this cool summer night and my mom was already asleep. I was craving to smoke a joint to help me sleep and had the Zags but no bud to roll it with. I became an expert at creeping out of my two-story apartment door with my skateboard on my hip without making a peep. As soon as I crept out from my apartment driveway and placed my foot on the pavement of my sidewalk, I took flight on my board. I rode down Sapro Street on this warm night, ollieing above all the cracks on the beat-up concrete that you could not see, but able to from the memory cemented from skating down my block so many fucking times. Although my street had an active and affiliated gang, us morros never saw them as “cholos,” or “gang bangers.” We just saw them as our “older homies” that had our back if anyone tried to fuck with us. They were also the connect if we ever needed some decent weed. I approached my destination and got off my board to not wake the homies’ grandparents up. I then made a distinctive pop with the tongue and roof of my mouth that we all made. Whether it was a whistle or a tongue pop, us barrio kids had ways to call each other, especially without the existence of today’s technology. I entered the homeboy’s lot and chilled under a lemon tree to wait for him to come out and serve me. The tree was as old as my homies’ grandparents. It had rusty pocketknife carvings that read, “Barrio 323” and “Sapro Locotes.” I snagged a lemon and hid it in my left pocket just before I saw movement at the backdoor window, hoping it wasn’t my homie’s abuela. The backdoor opened, followed by the screech of the metal screen door, and I saw Bomber come out sidestepping down his 3-step porch. Bomber was a slightly bald and light-skinned Chicano whose shoes looked bigger than his head. He had this stroll when he walked that resembled a penguin due to his flat feet. Stalky and wide at the shoulders, somewhat tall, Bomber was known for scrapping with other rival taggers after school. But he was better known for his name – getting his hood’s tag up on barrio walls, especially since he was a prospect for getting in the barrio gang. At thirteen years old, he had five years on top of me, making him an “older homie.” Until it was his time to get in the barrio and put in real work, he was a notorious tag-banger who was affiliated with Sapro Street by family and preached the street politics to us youngsters whenever we chopped it up and smoked with him. “What’s cracking, Guillermo, you good? What you doing out here so late?” Bomber’s eyes were wide open and looked as if they were about to pop out of his sockets as he glared at my hand that I stuck out before shaking it. We shook hands and bumped knuckles. “Chilling Bombs, are you on deck?” I quietly kicked the tail of my skateboard up to my waist to hold. “You already know you’re at the spot, Guillermo.” Bomber looked to his pad and then back to the street as if someone followed me. “Caile over here and chill behind the stairs. You already know what’s up, Guill.” Bomber’s pad was rumored to be a “halfway house” – a residential location usually for formerly incarcerated people. A place that usually offered parolees a second chance to the society that they offended to one degree or another. At least, this is what my dad used to tell me when we drove by, but I never bothered to ask him how he knew nor to challenge him that I knew the people who operated there. Bomber lived down the block from me in a three-building lot with his grandparents and tío that lived in the front, another tío and a distant cousin in an adjacent building to his own, and his mom, baby’s mom, and himself in the third. The third building directly in the back of the lot was where I hid since we both didn’t want his grandparents seeing any transas, although they knew what the fuck was going on. I hid behind the stairs and looked up to the sky and appreciated the stillness of the night. No jura sirens, no ghetto bird, no train howling, just the sweet calm summer night scent that filled my street as well as the fresh lemon scent that permeated from my shorts. That, and of course, the smell of the marijuana that flooded Bomber’s lot since they had pounds of weed in the garage lots that I hid near. Bomber opened the door, annoyed and rushed. “Come here!” Bomber exclaimed to me with his hand. I already had my $10 bill folded in the palm of my hand ready and Bomber had his bag of bud in his. We exchanged handshakes with a knuckle bump exchanging what was within. I could hear his grandma saying that it was late and that he shouldn’t be doing any transas or else the juras would come. “Vuelve a dormir, Grandma…fuck,” he told his abuela. I knew I overstayed my welcome. “Gracias, Bombs.” I stashed my sack of weed within my sock and was about to power step out of Bomb’s lot. “Hey Guillermo, you know you’re welcome here and shit, but come earlier if you want bud. You already know it’s hot as fuck right now and it’s late to be serving.” Bombs was annoyed from his abuela but also knew of the interaction me and the homies had on Olympic just a few weeks ago. Bomb’s tío’s rival gang, South Side, were lurking and banged on us morros just a couple of weeks ago to where straps were pointed in our faces, although none of us were affiliated, yet. On top of all that, he looked stressed and him being faded on whatever he was on didn’t help. “Spensa, Bombs, will do. I’ll come earlier next time.” I shook my head and headed out. I walked a few houses down before skating back to my pad traversing the crooked and broken sidewalk that was my home. The breeze of the summer night that blew through my long hair felt fresh as I dashed on my wooden deck on wheels. As I got close to my apartment, I got off my board and walked to the front of my laundromat where I faced down Olympic. I paused and stared at Olympic Boulevard for a few seconds to reminisce on how South Side pulled a chrome .45 that shined from the streetlight to my face… That spider-webbed tattooed motherfucker…Would he have pulled the trigger? If I get in the Barrio, I can look for that fuck…Fuck those levas. I was overthinking shit. The mailbox that was on the left wall of the laundromat always had junk mail and coupons for nearby pizza places that promoted new toppings every week. I grabbed one of the coupon pages to use as a surface to break up the twigs and seeds from the sticky yet mediocre mota I just copped. It was a little more than a half an hour to midnight. I had Zags. I had weed to roll in. I was comfortably alone. I could hear a couple cursing each other on the next block over about a dispute on finances. The sounds of distant ambulance sirens echoed as well. These sounds of the barrio may be unsettling to others, yet, for me, I felt right at home. **** About a week later, I got closer to what may have been a decision that I would not be able to undo. I was dry without weed and wanted to pick up some more bud from both the money I collected recycling from my place and from nearby neighbors’ recyclables that were left unguarded in their garage lots. I waited for my mom to fall asleep in her room as she usually did after saying goodnight. I wore the same clothes from last week, but this time, threw on one of my favorite black hoodies, and made my way to Bomber’s pad. I did my usual clucking sound to call Bombs, but instead of him, Bomber’s tío Funny, came out. “Who the fuck is this? You know what time it is?” Funny whispered violently. Bomber’s tío was always straightforward and never shy to scold who came, in worry of burning the spot. “It’s me, Guillermo, Funs.” I could only see the silhouette of Funny coming down from the same back metal screen door Bombs usually came down from. Funs was one of Bomber’s tíos from the neighborhood. He was way older and was one of the main heads from the barrio. He was a frightening bald-headed chingón with a red lipstick tattoo on his neck and sharp nose. Every time he spoke, his eyes blinked as if he just put in eye drops. Every response you gave him was sharply returned by a swift “aha,” quickly confirming what he heard. His hands were always moving by his crotch and the pockets of his pants as if he was ready to pull out something, listo, of course, even from a 13-year-old like me. “What’ssss up, little homie! What’s good?” His demeanor changed once he saw that it was me. His left arm wrapped around my shoulders as if an octopus found its prey, while his right hand was ready to pull something out of his pocket. I kicked up my skateboard to my waist as I usually did to act cool, but deep inside, I was scared of this fool. Too many rumors went around that he blasted and killed a couple of dudes from South Side. “Chilling, Funs. How you been? Just want to get some bud and smoke out,” I told Funny as I kept my eyes on his hands from my peripheral. Funny paused, almost knowing I was aware of his own paranoia as he blinked strongly at me. “What do you need, little homie? I know my nephew hooks it up with nickels and dimes, but I can’t be serving that small this late. Chales. If you and your little homies put your ins together, you can easily get a half ounce of this new green shit we got. Pretendo! Better than that fucking stress you little ass fools be smoking.” Back at this time, there were only three types of weed: Stress, the lowest grade of weed with seeds and stems (which I didn’t mind picking up), Mids or Pretendo, which was the medium grade that had less seeds and stems, and the last tier of course, was Chronic – the highest grade of weed. This was long before Kush and medicinal mota came out. “Here, smell this. Tell me that shit don’t smell bomb. Feel how sticky it is, too,” as he raised a baggie from his pants and opened it with his left thumb and index finger. I took a sniff, and the aroma confirmed what he previously stated. “Fuck it, I’m down.” Funs blinked hard and looked down, at his pad, the street, and down beneath the stairs of the building where his nephew was already asleep. “Alright. Go chill behind those stairs and I’ll come right back.” Funs instructed where to wait (where I usually went when I came). This time, I couldn’t snap a lemon like I usually did from their lemon tree. I waited longer than usual this time too, not knowing what the fuck Funs was doing or why he was taking so long. The grandparents must have not been there or were dead asleep since it was dead quiet this time around. Funs came out looking more serious and signaled me to come into the darkest spot of the lot… Fucking shit. “Hey, so Guill, when you gonna get hopped in? The big homies are noticing you more. You come through to the barrio…We want little homies like you to come through for the barrio now.” Funs was rolling up a joint for himself as he was telling me this, while still observing my facial expression. “You would be perfect for the barrio, homes…Think about it…on your skateboard, no one would suspect you…” Funs was measuring me out as he was fixing his joint. A perfect expendable soldier for the hood. Long hair, no tattoos, baggy clothes, a “rocker fool,” as some would call. “I don’t know, G… I don’t know if I am ready for all that shit,” I looked at Funs’ eyes, showing both fear and my seriousness that I wasn’t about that life. At least not now. From the look I gave Funs, he knew I could be properly groomed to be the right soldier for the barrio, especially to retaliate what South Side did not long ago. He knew we were scared what South Side did, but he also knew we didn’t like it, either. He capitalized on that. I just wanted to get faded and knew I had to say something if I wanted to leave without friction or some bullshit happening. “On the serio, Funs, I think I’ll be down soon. I see you and the hood. I know you got love for us, too. I just don’t feel ready, but I’m down…” I fronted. I gave him false hope that a youngster like me would be down and put in work as a soldier, because I knew I could. But, at the same time, I honestly felt like I was too young to be soldier; to get hopped in a gang. But in reality, there was no age limit. I knew this and so did he. Funs saw something in me though – the potential to ride and put in work. Maybe an expendable soldier to take someone out that was of a higher rank. “Trip out, Guill. Listen, I see you putting in work for the barrio. You already know the hood and all the bigger heads. Chino, Happy, Fader and my nephew Bombs all said you’re firme. That we can trust you. Trust don’t come easy in this area, homes. You ain’t dumb and I know you know what’s up with that. Can’t you see yourself posted with a .22 riding your board? Come on now. You been coming here more than any of these other younger fools in the neighborhood. I like you, Guill. Plus, you want those bitch ass fools like South Side to keep running up on you like that? You need to protect yourself and the people around you. Your familia.” Funs had rhetoric to his advantage. I kept my eyes on Funs holding his pocket, not knowing whether a cuete or a fist was going to come out. I heard stories of homies getting hopped in even without their consent. If the older heads wanted you in the hood, they’d jump you not giving a fuck whether you wanted to or not. Once you got jumped in, you were in. And if you denied you had affiliation, you’d get hopped again. It happened to one of my cousins while chilling with the White Fence Barrio in Boyle Heights. I didn’t feel ready but thought having a strap on me would be firme as fuck. If someone pressed me, I could pull out my strap and handle it. I felt powerful knowing I could be from my own barrio with a cuete on my hip. The thought of having that kind of power, I could take a life away… But something just didn’t feel right. Until then, I made excuses and was direct about not getting in just yet. Bombs and his tío Funs as well as the other members had respect for me for always coming through, especially alone. It showed them I wasn’t afraid, but maybe also showed them I was stupid enough, as well. “Naw, G, I feel like that’s some shit I’ll be ready for next year. I got some shit going on at home that has my mind occupied.” I too had rhetoric that allowed me to come this late to get served, but now, my street reputation was being tested. I kept my distance from Funs with my board ready to use either as a weapon or shield from his next reaction. Funs stared me down with his blinking eyes, sharp nose, and even sharper gaze, and I fearfully looked back. This is how it starts – before getting hopped. I was waiting for the putasos to start flying. He stuck his hand out, looking disappointed, but also knowing it was not the time and place. He shook and squeezed my hand hard, smiling, blinking at me, knowing I would come back. There is a reason why he’s called Funny in the barrio, but I didn’t care to find out. At this moment, I just wanted to get the fuck out of there. He knew I was scared, but he also knew I had heart for my age. Most of my homies on the street would bug me to roll with them to Bomb and Funs’ pad because I knew how to communicate and deliver transas without any pedo. But here I was, alone with Funs. He hadn’t let go of my hand yet. I couldn’t look away or flinch either. I stood my ground. “A’ight, little homie. Get home safe and I’ll be seeing you on the block soon.” Funs finally let go and I said al rato. I got on my board still in his driveway knowing it was loud but took off anyway. I got home and didn’t blaze it; I just went to bed. **** The very next day, the homeboy Turkey and I went to our local park. We were ditching school like we usually did and went to smoke out. The Montebello Park down Sapro Street had a firme program that would feed anyone who came during lunchtime regardless of age. It was to help homeless people, but they didn’t care if kids came to eat the free lunch, so we took advantage. A load of benches near the designated skatepark within Montebello Park was where all the marijuanos chilled at, and Turkey and I had our own special spot that nobody went to, by the second tallest tree of the park. From the bomb ass bud I got the night before, I pulled it out and showed Turkey. “Eeeee, some gourmet shit ‘er what?” Turkey chuckled as he snagged the bag from my hand. “You already know. Fucking Funny was acting weird last night, too. Bombs was knocked out or somewhere else, so Funs served me.” Turkey looked at me with his right eyebrow arched up. “You keep going at nighttime alone, something funny is gonna happen to you.” Turkey was looking down, breaking up the stems and seeds. “Fuck you, dick,” I let out a laugh. “But serio, that fool is either tweeking it, or not all there.” Turkey and I were tripping out how sticky and good the weed stunk. Just as we were done breaking up our bud, Bomber and his homeboy Rome came to our spot unexpectedly. Rome was taller than Bomber and about the same age. Rome already had tattoos on his arm and looked like most of his tattoos covered up some scars on his right arm. Bomber’s homeboy was notorious for starting fights with random people and this fool could scrap. Whether he was drunk, faded, or straight sober, he would speak less by using his fists, and was known for having manos. Rome eventually got hopped in the rival gang South Side a couple of years later, which betrayed Bomber and his familia, but before all that shit went down, Bombs and Rome were best of homies and got into a lot of shit together, especially for their age. “Orale! What’s crackin,’ Guillermo! What’s really hood, Turkey! What are you fools doing here?” Bomber always looked happy as fuck to see us. “Quiubo, Bombs! ‘Sup, Rome! Just chilling about to burn it. Want to throw some ends? Gonna roll a leno.” I offered a firme rolled joint to Bombs. “Fuck that! Put that pencil dick joint away. Rome and I got some shit that will have you stuck.” Rome pulled out a fat blunt with some Chronic. Because Chronic was so expensive and you got so little, it was always a treat when somebody came through. We got into a circle and started the rotation as laughter, cannabis smoke, and coughing ensued. We spoke about how fucking boring and stupid school was, the latest drive-by shooting, and rival taggers that were plotted against. Finally, the four of us started talking about how South Side came through the other night. This was the conversation – the cherry on top – that further influenced the direction I was going regarding getting jumped in the hood or not. Smoked-out Turkey bounced; he said he had to go somewhere but probably felt uncomfortable talking about South Side since it happened at his house on the corner of Sapro Street. Bomber, Rome, and I continued our smoke session as we all took turns packing bowls from Rome’s pipa. I was faded and just spoke my mind freely, “Who are the South Siders and why the fuck does Barrio 323 beef it with them?” “Because they’re bitches,” Rome jolted back with lightning speed while letting out a cloud of smoke. “They’re the enemigas, Guill. Fools that belong in the dirt,” Bomber added in. For me, that wasn’t good enough. My dumbass continued talking. “Yeah, I get that shit, but why does our hood have beef with those fools? Like how did that shit even start?” “It’s complicated, Guill. Years and years of beef from older heads and it gets passed down. It’s all politics,” Bomber got a little more serious. “But what about Raza? Yeah, I’m faded and not trying to sound like a fucking tree hugger and shit, but aren’t there other groups or hoods we should be beefing it with besides Raza.” Although my young mind was “white vs black” at the time, I really wanted to know why there was beef amongst our peoples. Sure, the Aztecs had beef with neighboring tribes and the North Native Americans did, as well, but I just couldn’t understand and let go of why hundreds of years later, we still beefed it with people that looked like us – amongst ourselves. Laughter erupted as Bombs and Rome looked at each other. Most likely thinking I was naïve and I was, but I could not wrap my mind around beefing with neighboring tribes because of some shit that happened years ago. “Don’t even trip, Guill. It’s all politics that you’ll get soon enough. Your ticket will clock in soon,” Rome said as he was getting up from our circle. We all said al ratos and took off from the park. I completely forgot to get lunch, but I wasn’t in the mood; I just walked home. On my way home, though, I came to the realization that I could not be a part of my barrio or any hood for that matter. I couldn’t fathom inheriting enemigas that I never met, let alone, never knew of. Not to mention having to represent your hood 24/7, while you could never reject, hide, or deny it, or you could face the consequences for ranking it amongst your comrades. I probably like the music and style of gangbanging, even would go so far as to say it looks cool. But when push comes to shove, when it’s time to do gangster shit, it’s straight up scary as fuck. Not too many people I knew at that point in my life ever had a gun pointed at them. Last week when South Side came mistaking us for their rivals, my life slowed down almost as if it was paused. But life does not go on pause. This shit is not a video game and there are no restarts. I was scared shitless when I saw the chrome .45 pointed at my face two feet away from me. I wanted to be down, represent who or where I come from, but I just couldn’t do it the way so many of my homies were doing it. I wanted respect and to be respected, but I couldn’t fuck someone up, let alone shoot them, unless I know I am in danger; unless they did something to me or my family and they deserved it. I looked at the blue sky above me as I walked down Olympic. I stared at the clouds trying to envision an image that might give me a sign, but they were just shapes and abstract figures as they hovered slowly. Maybe there is a point here. Maybe we are just clouds floating alongside our concrete world. I began to think I wanted to make an image or sign appear from these clouds in my mind; the same way I probably wanted to appear a certain way when others looked at me. I was just spewing a bunch of bullshit and must have been high out of my mind. I continued walking and took a deep breath and let it all out. I let it all out. I let all that shit out, while watching over my shoulder. Jacob “Jake” Teran is a proud Chicano living in the San Gabriel Valley, Los Angeles. Jake is a 2nd generation Chicano who was born in Montebello, Los Angeles, east of Los Angeles. He has published his first two short stories on Somos en escrito, called “A Quiet Night on the Boulevard,” “Niños del Sol,” one short fictional story at his community college at Rio Hondo College, and a master’s thesis for his graduate program, where he obtained his M.A. degree in Rhetoric and Composition. He was recently published in an anthology by Querencia Press where his short story “Soy Chicano” and two poems, “Mi Color” and “Bare Tierra” can be found. He is currently teaching composition to several departments in colleges that include indigenous and Chicanx literature. In addition, Jake is an advocate for social justice, self-care, and embracing the identity of others. Jake currently lives in the San Gabriel Valley where he is working on a novel based on his experiences growing up in his barrio that deals with gang lifestyle, drugs, violence, and finding one’s identity in a chaotic concrete jungle that he calls home.
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Excerpt from Sordidez |
| Joe Menchaca is an emerging Latino/Native writer of fiction, poetry, and nonfiction with a Master’s in Creative Writing from the University of Denver. Joe’s writing is marked by an unpretentious and gritty yet lyrical style. Unflinching in his examination of self, literature, and culture, his distilled style reflects a sensitive and perceptive exploration of life. His poetry can be found in Dissident Voice and Somos En Escrito. Joe currently lives in Fort Collins, Colorado, with his lovely wife of nearly forty years and Tiny, their Chihuahua. |
The Collaborator
The battered taxi up ahead weaves around a red mini and I know our guy’s spotted us. I stomp on the Mustang’s gas so our perp, Eddie Mears, can’t pull away from our headlights and lose us. I glance right. Kah-Haas my seven-foot-tall Slitha partner, knees jammed up under his scaly chin in a seat built for humans, calls dispatch for backup.
If our target keeps going straight, maybe some other feds will cut him off, if any are around. The local cops here in L.A. always take just a bit too long to assist. They don’t want other humans to think they’re too eager to collaborate with our alien masters. For them, there’s a fine line between doing the job and being a collaborator.
The taxi heads straight at a slow scooter but before it hits, swerves a hairpin left. A couple holding hands in the middle of the crosswalk freezes in the headlights. The taxi fishtails on wet pavement and skids forward. A pedestrian goes down. A woman screams. Kah-Haas tells dispatch to send an ambulance. In a better world, maybe I’d stop and help, but that’s not the one I get to live in. I slow a little, barely enough to turn clean and miss the pedestrians, then pull straight again. I’ve fallen back, but still see our target.
Our perp makes a sharp right, but I’m ready and take it fast enough to keep up. Out of the corner of my eye, I see my partner’s long, green fingers on his gun, but he doesn’t draw it. These days, Kah-Haas values human life enough not to shoot from a moving car and endanger bystanders. And, if the tip we got is good, we need to take this guy alive. Seems our quarry is trying for a secret escape route for people running from the law. And the same source told us somebody skipped town that way a couple weeks ago, carrying something the Slitha badly want to get back.
We’re gaining on the taxi and our guy brakes hard. The taxi fishtails again, skids, then rear-ends a parked truck. A second later, the driver’s door flies open. I can tell from the broad shoulders the guy who jumps out is Mears. He hits the ground running, into the January darkness swallowing the UCLA campus.
We pull up behind the dead taxi. I don’t wait for Kah-Haas, just get out and run after Mears. My partner needs extra time to pull himself out of a car made for smaller beings, but his long legs always help him catch up. I run down the walkway, trying not to lose the perp in the darkness.
A minute later, Kah-Haas’s voice crackles painfully loud from my earbud. “I see you. Do you have eyes on the suspect? Over.”
“Roger that. Over.”
The campus hasn’t completely shut down since the Slitha invaded fifteen years ago, but there’s more dark than light here. The glow from inside a three-story building outlines our man when he opens the door to go in. The perp ducks inside.
“Kah-Haas, I’ll go in. You go around. Over.”
I jerk the door open and see movement at the end of the long hallway. I run past a few humans talking. They do a double take when I run by yelling, “FBI, stop right there!”
The door at the far end of the building closes. A human leg disappears into the stairwell. I run to the end of the hallway, but Kah-Haas’s outside so I take the stairs up. I get to the second floor and draw my Glock. I see a bathroom and hear something inside. I bolt for the door, shove my way in, and raise my gun.
“FBI. Freeze!”
In front of me, the rust colored Slitha facing the mirror over the sink does just that. A couple seconds later, the loose skin under the sides of his jaw puffs out and flushes red. It turns around, slowly. The alien’s huge, yellow-green eyes with their black slit pupils look down on me.
I lower my Glock and swallow the lump in my throat. “Sorry, sir. I’m in pursuit of a criminal.”
The alien lightly brushes long, sharp black nails down a tweed jacket tailored to his eight-foot height. “Allow me to introduce myself.” The alien speaks perfect English. “I am Professor Sath-Osh.” He sneers down at me. “And there are few crimes greater than a human threatening a Slitha with a gun.”
I pull my earbud out and crank up the volume so we can both hear Kah-Haas arresting Mears. I smile the practiced, professional smile I always use for our masters. “Please, sir, my apologies. My senior partner is of the Race and I’m only following his orders - Kah-Haas can explain why I overreacted. After all, humans must obey their Slitha superiors, and I was just doing my best.”
His smile is cruel. If Kah-Haas can’t smooth things over, being out of a job will be the least of my problems.
Work ends and I head home. Leticia and the boys are asleep. I grab a glass and a cheap bottle of bourbon and sit by the front window cradling my Glock.
I drink, look into the darkness, and wait. Slitha Internal Security could be here any time. I feel the cold metal in my hand and think about who I’ll shoot when they finally come for us. Or just me, if I’m lucky. Our masters would consider eating a bullet honorable compensation for failure if one of them did it. But they look down on humans, so from me it’d just be the act of a coward. And a mortal sin. At least that’s what they told me when I was a kid. I look down at the Glock, then towards the back of the house where my family sleeps. How far would I go to keep Leticia and the boys from dying by inches in a Lizard concentration camp?
I holster my Glock, fill my glass, take another drink, and wait. Dawn opens its eyes and Internal Security still isn’t here. Maybe pointing a gun at one of our conquerors hasn’t earned me an all- expense paid trip to a Slitha concentration camp. Or the security goons might just be giving me time to sweat. I leave while my family still sleeps.
First thing that morning, Kah-Haas and I are standing in Deputy Director Curtis Booker’s office. Our boss’s snarling grimace tells me he’s furious and that his ulcer’s on fire.
“Listen up, you miserable excuse for federal agents, you caught your suspect but thanks to you, the Bureau’s in a whole new world of hurt.” He shakes his head.
Booker rubs his temples, scowls at me, then shoots a frown up at Kah-Haas. “Let’s take this from the top. You apprehended Eddie Mears, a suspect one of our informants told us was planning on going underground. He’s our only lead in finding out where at least a dozen other fugitives have disappeared to over the last three years.”
Booker glares at me. “But you’re supposed to catch little fish like Mears with no problem – not cause new ones doing it.”
Deputy Director Booker pulls a crusty bottle full of something pink out of his desk and takes a slug. “You clowns just had to turn a simple arrest into a train wreck.”
His hand shakes a little as he taps a form on his desk. For the first time in years, I see fear in his eyes, from a man who was still fighting against the Slitha invasion after most of the human race had laid down its guns.
Kah-Haas nods. “You speak of Professor Sath-Osh, the Slitha at whom Agent Cortez aimed his firearm.”
The Deputy Director won’t glare at a Slitha, not even Kah-Haas, so he just winces and nods.
My partner picks up the form and reads it. “This is a serious situation, but one which may yet be weathered.”
We look at Kah-Haas, waiting for the good and the bad news. “This individual is a professor of Slitha studies. Professor Sath-Osh teaches the Slitha language, proper behavior for humans in the company of our race, and history presented in a manner suitable for earth’s inhabitants.”
The loose skin under the sides of Kah-Haas’s jaw tightens up for a couple of seconds, so I know he thinks something’s funny. “I have made inquiries with others of my kind. While Professor Sath-Osh is of The Race and thus may never be spoken of with disrespect, he was assigned his teaching position on earth due to behavior in a military campaign which ‘failed to achieve the level of valor expected of a Slitha warrior against the empire’s foes.”
Booker and I look at each other. He’s not as angry as a minute ago, but his eyes still remind me of a kid roasting ants with a magnifying glass.
Kah-Haas’s mouth tenses again. “While no human should ever suggest that a member of my race lacks courage, were the fact that you pointed your weapon at the Professor to become common knowledge, some Slitha would speculate that Professor Sath-Osh felt considerable fear when this occurred. In fact, his complaint fails to mention a firearm at all, but insists only that Agent Cortez burst in and behaved with great disrespect toward a Slitha. It also suggests that my junior partner is a bumbling incompetent and that I have failed the Race by allowing my human underling to operate without sufficient supervision.” Kah-Haas’s eyes move back and forth, so I know he’s nervous and that the Professor’s still trouble for us.
The Deputy Director Booker nods. “I have to route this complaint up the chain, to Slitha Internal Security. Maybe it isn’t as bad as the Professor accusing Cortez of threatening him with a gun, but it’s still a time bomb. We’re all looking at demotion or worse.” My gut punches me and I almost ask Booker for a slug of that nasty, pink stuff.
Booker looks at me, then up at Kah-Haas. He points at the complaint on his desk. “I can move this slow. Nobody who’ll give you trouble will see it in less than a week.” He nods at us. “Close this case. Do that, and things should calm down.”
He nods. “Get out of here and find out what Mears knows.”
Eddie Mears sits in a metal chair, chained to a steel table, in the sweltering interrogation room, right over the floor grate hot air rises up from. Sweat pours down his face. We’ve been running him through our good cop, bad cop routine for two hours. Even though he’s not a hardcore Human Defense Force terrorist or even a tough repeat felon, he hasn’t cracked. Still, I see the signs.
I walk around behind him. “So, Eddie. You managed the spaceport fuel depot and set up a racket stealing gas and selling it on the black market. You took bribes from hungry people desperate for jobs and got a fat cut from every paycheck. There’s even talk you sold wakeup drugs to spaceport workers so they could stay sharp during double shifts. We have a witness who’s talked and more we’re going to talk to. What you did was illegal, but not exactly murder. For me, this isn’t personal.” I nod at Kah-Haas.
My partner leans down and spreads scaly, long-fingered hands on the table. He stares at Mears with big, slitted, orange-red eyes. “I, on the other hand, see your actions as violations of the trust the Race put in you. I take the acts of traitors very personally.”
Our perp looks away. Kah-Haas grabs his face, leans in close, and forces Mears to meet his alien eyes. Nails like black spearheads dig into pale cheeks. “I shall have you exiled from earth for the rest of your life to mine fire opals below twin suns on the desert moon of Zath-Hassa.”
The first time Kah-Haas used that line on a prisoner, I broke out laughing. I’d been studying the language and the culture and knew Zath-Hassa was from a Slitha children’s story. You might as well threaten to send somebody to Mordor. Mears doesn’t know that, closes his eyes, and sobs. Kah-Haas glances up at me quick and juts out his jaw, pretty much winking.
I move next to Mears, put a hand on Kah-Haas’s shoulder, and pretend pushing him back is hard. Eddie sits up a little.
I look our perp in the eye. “Eddie, my partner cares about something more than missing gas or some bribes or a few pep pills, something an informant told us you were trying to get to. You help us with that, I’m pretty sure he’ll agree to ask for a reduced sentence, maybe even just a year or two in a regular work camp. How does that sound?”
Eddie looks at both of us, eyes half-tough, half-hopeful. Kah-Haas and I wait. Then my partner glowers, clenching his fists. “There may be truth to Agent Cortez’s words.”
I look at Mears. “Do you know something that might calm my partner down?”
Mears talks fast. “There’s a pipeline to get away and get a new identity. It’s expensive. A couple of guys, Human Defense Force, I think, they told me to give it a shot if things got hot.”
Kah-Haas pulls back his glower a notch.
I nod to Mears. “Keep going.”
South of UCLA, in Westwood. You’re supposed to ask around for good luggage, say you can pay a lot for it. Then somebody contacts you. His eyes give me a sad, hungry look. “That’s where I was headed when you popped me.”
#
Two days later I’m walking slow through a warm drizzle in Westwood. I keep my shoulders hunched and pull the old, black baseball cap’s brim down close to my face. I’ve got a small, brown suitcase, and phony papers inside my jacket that say I’m Eddie Mears. My weight and height are close to his, and my hair’s been lightened to match. Eddie’s still in solitary, in a dry cell, while I’m getting rained on. Not that I’d want to change places. Of course, if we don’t find our missing man and whatever it is he took, I could soon be joining Mr. Mears.
Every neighborhood in L.A. has gone downhill since the invasion, and with most UCLA classes closed down, Westwood’s worse than most. Student housing turned into cheap motels and seedy apartments. Crowded coffee houses and pricey stores are now mostly cheap bars and second-hand stores. Lots of storefronts stand empty, staring out at me, broken windows for eyes. Paint peels from the walls of once-prized homes. Here and there sit empty lots covered with blackened wreckage, squatter-set fires gone out of control. I’m old enough to remember a better time, when humanity thought it was alone in the universe.
I glance up at a brick wall. One of those big signs stares down at me—the alien metal glows with a rippling inner light. It shows a Lizard, one hand up, fingers spread out, holding up a tiny earth. Written above him in glowing Slitha letters and below in English, the sign says, “Peace and Order.” Our masters started putting up signs like that right after the invasion. Within a week, every one that wasn’t in a high-security area got tagged, usually with something obscene. The Slitha switched to ones with a frictionless coating. The tagging stopped. It isn’t that people like the new signs any better. Paint just doesn’t stick to them. A few rounds of public executions didn’t hurt either.
Worn-down women with hungry eyes lean against walls. A pale blonde with a chipped tooth smiles at me. “I’ve got a place around the corner,” she says, then sneers when I shake my head. There are no Slitha around. It’s not that they’re afraid rebels might be hiding here. There’s just nothing here our alien masters want.
Cheap Rooms is a bottom-of-the-barrel motel. I go into the office and breathe the musty carpet smell while I study the prices on the wall. I slide one night’s worth of cash across the dirty counter. I’ll pay tomorrow if I need to stay another night. The old man with dandruff-spotted, slicked-back grey hair slides over the key.
“Checkout’s at eleven and there’s no cooking in the room.”
I frown. The idea of eating in this place makes me want to swear off food forever. I head up the badly lit stairs.
The room’s small, but the door’s solid, evidence of long-gone, better times. A solid door’s mostly why Kah-Haas and I chose this place. I lay on the bed, then pull out my half-dollar-sized comm unit and call Kah-Haas.
He picks up and I start talking. “I’m settled in and about to go out.”
He responds. “Any problems?”
I scratch a suddenly itchy scalp. “Not unless you count the valiant efforts of the bedbug resistance.”
Kah-Haas’s quiet for a couple seconds, so I can tell he liked that one. I smile before he talks again. “You’re starting with the leads we got from Mears?”
I study a vent on the wall. “Unless something changes.”
“Let me know if you need anything. I’ll continue to find out what I can at my end and let you know what I learn.”
“Roger that. Later.”
I hang up and look at the vent again. Too obvious. I lift the bed and quietly drag it away from the wall. I draw the black-bladed folding knife I keep clipped inside my waistband, flick it open, then use the four-inch, half-serrated black blade to work the edge of the worn carpet loose from the floor. The floorboard pries up easy so I stash my holster and Glock and the comm unit in the space underneath. I open the suitcase. The cash goes in the hole, along with the collection of gleaming, pre-invasion Rolexes. The cash is almost-perfect counterfeit, but the Rolexes are real, part of Eddie Mears’ stash. Anyway, this juicy haul makes the story about being a rich criminal willing to pay to escape believable. Once everything’s hidden and the bed’s back where it belongs, I leave the room, stopping to stick a hair between the door and the jam. If it falls off, I’ll know someone’s gotten into my room.
I walk out into the night. Light shines from scattered homes and struggling businesses and the street people’s trashcan fires. Among the clusters of people warming themselves, men and women with intelligent eyes in deeply lined faces hunch together. I wonder how many had teaching positions before the Slitha decided a new narrative needed to be taught. I look away from the lost souls. No good comes from thinking like that.
First stop is The Noodle Bar. I grab a little table in a corner and study the menu. A skinny waitress drags her feet over, tired as my soul. Her nametag says “Maria.” I order a cheap bowl of ramen and a beer.
“Anything else?” she asks.
I ask just loud enough for people at nearby tables to hear and pitch my voice just a little anxious. “Know where I can score some quality luggage? A friend of mine who passed through bought some around here.” Normally I’d be more subtle, but we’ve got to solve this mess before the Professor’s complaint makes its way to Slitha Internal Security.
Maria flashes a bored smile. “Quality Pawn’s around the corner.” She heads off.
The beer comes. I drink and watch the customers.
The noodles aren’t bad. I take my time eating, order another beer and grab a copy of the Los Angeles Times somebody left on the next table. Newspapers made of real paper were pretty much dead when I was a kid. They’ve made a comeback since our occupiers shut down most of the Internet and new computers are rare and expensive. Tame reporters write stories about how good things are under the occupation and how they’d be even better if humans cooperated more with our masters. Still, you can find classified ads and weather forecasts and stories about what local music scene’s still around.
Somebody comes in and plays guitar for tips. I nurse my beer and work the Times’ crossword puzzle. When my drink is done, I give Maria money and ration slips, then head back to my room.
Outside, I feel eyes on me and stop at an unbroken shop window to look at the reflection, but it’s too dark to see if anyone’s following me. A car comes this way, so I move fast and cross just before it gets here. Across the street is a big dark shape. Could be a man. Could be nothing. No need to risk getting jumped to find out.
Next day, I check in with Kah-Haas. No new leads. I hide the comm unit under the floorboard again. I think about the dark shape and almost take the Glock but decide against it. The noodle place stays open all day, so I sit at the bar and get dishwater coffee and a dry, tasteless roll. A pale, young guy with a metallic-red ponytail works the counter. I read his nametag and meet his eye. “Morning, Roy. I’m Eddie.”
He wipes the counter. “What do you need, my man?”
“I’m taking a trip and need some high-quality luggage. You know where I can score some?”
Roy stops wiping and looks at me for a long second, then nods. He points at a cork board on the far wall with ads on it. I finish my roll and take my coffee over and look.
No one’s advertising secret escape routes for fugitives, but people are selling just about everything else. I grab a three by five card that says “Best Luggage for Sale” with a phone number, then fold it in half and stick it in Mears’ wallet by some lawyer’s business card. Another cork board ad shows a picture of a crystal ball and proclaims that Madam Sabina can provide “all life’s answers.” Don’t I wish.
I pull out Eddie Mears’ cheap burner phone and make the call. A mechanical voice tells me to leave a message. “A friend of mine came this way and said somebody could hook me up with quality luggage.” I pause, talk a little faster. “I want to take a trip right away and I can pay.”
It’s a slow walk down the street to Quality Pawn. I push the buzzer and an older, Asian woman in tidy jeans and a faded Metallica t-shirt comes to look.
Her sharp eyes peer through the glass and her head leans to one side. She buzzes open the door. “Good morning. Let me know if you need any help.”
I go in and look around. The place is clean and well-kept, like every store back before the invasion. A smiling, gold cat by the register waves mechanically. I browse and keep up my trying not to be afraid act. “Do you have any luggage? I’m looking for something nice.”
I say this even though I’ll look stupid, since I already saw shelves with luggage on them. The woman looks at me like somebody must have once dropped me on the head, but I need to make sure she knows what I’m looking for. She points at the obvious row of waiting suitcases.
“Yes, but I mean something nicer.”
“Just what you see.”
I ask a few questions about the luggage and who pawned it. She brightens at the possible sale but gives me only vague answers while trying to get me to buy something. I leave empty-handed.
The rest of the day, I check out other places we think fugitives visited. Evening comes. I walk back to the room, go in, and lock the door.
I pull out the comm unit. “Kah-Haas, you there? Over.”
My partner speaks with a quiet, serious voice. “I am here, agent Cortez. What have you found? Over.”
“No breakthroughs yet. I’m waiting for a couple of leads to develop.”
Kah-Haas says nothing. I look at the time, then the power light on the comm unit. Still green. I wonder what’s causing the holdup.
“I have called in favors and learned exactly what it is we seek.” Kah-Haas’s hissing accent lowers in pitch. “It is a journal.”
“A journal. I got it. And?”
Again, Kah-Haas keeps me waiting.
Finally, my he speaks. “Someone stole this and passed it to a fugitive who fled two weeks ago.” He pauses. “Agent Cortez, you can never reveal to anyone what I am about to tell you.”
My hands feel damp. Kah-Haas is scared.
“There are Slitha who keep such journals, and a senior officer of the fleet who did so was slain in battle. His possessions were recovered with the intention of delivering them to his heirs on our home world. Someone stole the journal and passed it on to one of our missing fugitives.”
That’s when I know my partner wouldn’t tell me about the journal unless he thought it was the only way to crack this case. Kah-Haas’s also warning me that learning too much about this journal could get both of us disappeared.
I barely hear him speak. “This senior officer wrote extensively about the course of the war. He documented certain embarrassing defeats our fleet has suffered which have, as you humans say, been hushed up. Such details, should they come to light, could ruin the careers of several of our top political and military leaders and bring chaos to the empire.”
No wonder the Slitha want this back. Somebody might read it and figure out how to contact the aliens the Lizards are fighting, maybe even recruit them as allies against our occupiers. This journal could be a goldmine for the resistance, maybe even give humanity the political leverage to make the Lizards stop grinding their boot on our necks. No wonder our alien masters want it back so badly.
“I have said too much, Agent Cortez. If anyone should learn what I have told you, our lives would be forfeit.”
“If anyone asks, all I know is that we’re looking for a journal written in Slitha, but that I don’t know who wrote it or what’s in it. If it comes to that, I’ll also tell them that my Slitha isn’t that good.”
Kaah-Haas responds. “You’re clever – for a human - Frank Cortez.”
“You’re not too slow for a big lizard either.”
“Goodbye, Agent Cortez. Until tomorrow.”
I try to sleep before going out into the night but thinking about the journal keeps me up. The rain’s ended by the time I head into the darkness. I walk to Rocco’s Tavern, a dark wood and brick bar where a now-dead informant spotted two Human Defense Force bomb makers before they disappeared. I do the same drill and ask about luggage and friends who came through here. The waiter gives the same useless answers.
I feel something in my gut and look around the room. A man walks up to the table. He limps just barely enough I can see it. He’s got coal-dark skin and a buzz cut and wears an oversized military coat. The guy sits down and pulls a plastic case out of his pocket. He opens it with gloved hands. The open cover hides its contents from passersby. Inside is what looks like a sniffer for finding bugs. Seems like leaving the comm unit in the room was a good call. He pulls an earbud out of one of his pockets and plugs it into the sniffer and his right ear.
Some kind of West Indian accent comes out. “Let’s see the phone.”
I pull Eddie Mears’ cheap, burner phone out of my pocket and slide it across the table.
“Password?”
I tell him. He uses it and hooks the phone to the sniffer. I’ve made some calls consistent with being the fugitive I’m impersonating. I watch the crowd, drink my beer, and let him work. He finishes, slides the burner back, then puts away his gear.
“Call me Sharp. You’re looking for a way out and can pay.”
I could ask how he knew, but Sharp probably wouldn’t tell. He’d probably think I was stupid for asking.
I ask a different question. “How do I know I can trust you?”
We shut up while a waiter stands by the next table for too long. Then he talks. “Lester Moore, Bill Carson, Libby Schultz, Ignacio Salazar.”
I let the smile spread out. Two of those are aliases used by the Human Defense Force explosive experts who went missing. The others were criminals who also disappeared around here. Sharp probably figures I know at least one of those names. No common thief or con artist would have that information.
Sharp pulls a shapeless dark green beanie out of a pocket. “Wait ten minutes. I’ll be out back. Keep your distance and follow me.”
His expensive gear and what he knows tells me he’s no common criminal. Just in case, I say something to protect myself. “What I have that’s valuable isn’t on me.”
Stifling a laugh, Sharp gets up and leaves. Ten minutes later, I settle my tab and follow.
#
I get to the alley behind Rocco’s. There’s a human shape at the far end of my vision that looks like it’s probably Sharp. It starts moving. I follow.
I listen to night noises. A loud argument from an open window. Atonal Slitha classical music, just loud enough to hear. A cat’s rising yowl. Something big breaks loose from the shadows.
A fist the size of a small ham flies at my face. I drop down and raise my left arm. My forearm moves the punch off-line, just barely, but huge knuckles scrape my skull and rock my head. I drive my right fist at the center of mass. My punch lands solid, but there’s barely a grunt and my hand feels like I drove it into a side of beef. The big man steps to my right so I circle to keep us face to face, left shoulder forward. My left hand stays up while the right drifts low and close. I’ll be on the ground if this monster lands a solid punch. The big man shuffles forward, hands up like a boxer. I move back. He throws a jab, then a cross. I slip to my right, just in time to keep from ending up on the ground. He pulls back his next cross and I step in fast and whip my open left hand at his face.
One of my fingers hits his eye. The big man curses. Before he can do anything, I pull the knife from inside my waistband with my right and I flick out four inches of steel. The big man backs up a few feet and raises his hands. Smart move. I’m about to tell him to run when I hear a gun’s hammer pull back.
Behind me, I hear a slight Jamaican accent. “Drop the knife.”
I do what Sharp says, slowly, then raise my hands. The big man lifts a hand and rubs his angry eye.
Sharpe says more. “My friend and I have a proposition.”
Somehow, I don’t think they’re really giving me a choice. These guys are smart and cool-headed, and no common criminals. I’d bet my badge they’re Human Defense Force.
The big man slides over to my side. I tense my stomach, ready for a revenge gut punch. Instead, he pulls out a little flashlight, turns it on, and gently searches my pockets. I get my first clear look at him. Male Caucasian just under six feet, huge chest, thick arms and legs, bearded blond, but bundled up too much for me to see more. He finds my fake papers, reads them, and puts them back. He digs out Mears’ wallet, takes out the business cards, looks at them, shows one to Sharp.
A deep bass rumbles. “Lawyers.”
Both men laugh.
The big man keeps looking through the wallet, “And Doctor Delaveau’s luggage.”
Silence follows. The bearded man gives me back the wallet and puts away his little light.
Sharp says something I half expected. “You’ve been asking around. My friend and I are also unpopular with the Lizards and need the escape route you’re looking for.”
I start to speak but one big hand grabs the back of my head and the other covers the half of my face my mouth is on. The big man squeezes, and lifts and my feet leave the ground. My head feels like it’s in a vice. The big man could break my neck without trying. I sweat, but don’t do anything stupid.
“The man who left this card, Doctor Delaveau, he controls part of this escape route. You need to make contact and find out if he can get us out.” He pauses. “Now you can talk.”
The big man puts me down and takes his hands away.
Now I understand why these two jumped me. They needed to know how I act under pressure, if I could walk into a dangerous situation without falling apart.
“Why don’t you two just go in there yourself?”
“Things are not always what they seem. Who knows? Maybe Delaveau’s working with Lizard Internal Security and they’re sending anyone who looks for help to some concentration camp.”
I take my first relaxed breath in days. These guys have given me my big break. And if this Doctor Delaveau is a stooge for Slitha Internal Security, doing what Sharp wants is just going to help me close this case faster. The journal Kah-Haas and I need is probably still sitting on the doctor’s desk or maybe waiting to get processed in some backlogged Internal Security property room.
This wouldn’t be the first time two law enforcement agencies worked the same case from different ends without either one knowing about it.
I make my voice tremble but add a note of defiance. “So, I could end up in a concentration camp?”
“We don’t consider it likely, but, as I said, no need to take chances… at least on our end.”
I nod, “So, how do we do this?”
Sharp’s quiet for a few seconds even though I know he already has a plan.
“My friend will walk you to your stash. Then you’ll make contact with Doctor Delaveau.”
“How do I know your big friend won’t put my head through a wall and take everything I’ve got?”
Sharp grabs my right shoulder and turns me around. His black, snub-nosed revolver is leveled at my right eye. I take a deep breath. Sharp lowers the pistol and presses it into my hand.
He looks me straight in the eye.
I flip open the cylinder. It holds five, .357 rounds. I check them one by one. None are blanks. Sharp must think whatever valuables Eddie Mears has are worthless compared to a chance for freedom. He also believes I’m smart enough to understand that. I nod and slip the gun into my right coat pocket and pick up my knife. Of course, he and his friend might try to rob me later. But with any luck, Kah-Haas and I will arrest them first. The big man, who I’ve decided to call Silent, walks with me through the dark. We reach Cheap Rooms and head up the stairs.
The fight’s adrenaline rush fades. I’m tired and my head throbs where Silent’s fist rocked my skull. I open the door and we walk in. The big man stops just inside the room and shuts the door. I put the suitcase on the floor, pull the bed from the wall, and kneel on the carpet. My body blocks Silent’s view. I glance over at him with my peripheral vision. The counterfeit bills and the Rolexes go in the case. I leave the Glock and the comm unit. I can’t talk to Kah-Haas with Silent here and, if I take it, Sharp might run another scan and figure out I’m a cop. I replace the board, carpet, and bed.
Now for my doctor’s appointment.
#
Silent walks me most of the way, but I go alone the last block to Dr. Delaveau’s house. Homes and yards are big, though not like the Beverly Hills mansions a couple miles east. Thick-leaved trees line the street and create a sense of privacy. My head aches from when Silent hit me and my left forearm throbs where it blocked his punch. Maybe the Doctor can do something about that.
Before I go up to Delaveau’s house, I hide the suitcase by the bottom of the stone steps leading to his door, back behind a black, wrought-iron bench mostly hidden by sweet-smelling lavender.
I climb the steps to the two-story house. Before the invasion, doctors didn’t work from home. Now, many do. I hammer the front door with the tarnished brass knocker.
A tiny metal hatch opens near the top of the thick door. An eye examines me.
A man speaks. “Is there an emergency?”
“My name’s Mears. Someone said I could buy luggage here.”
A pause. The man has a slight French accent. “Do you have references?”
I name a criminal who told the real Mears about the escape route before he disappeared. I hear a bolt slide. The door swings open. Male Caucasian with a medium build, just under six feet, with swept-back iron-grey hair. He wears a loose, grey jacket and keeps his right hand in his pocket.
Light shines from inside and he looks me up and down. “I’m Doctor Delaveau. Please come in. But don’t make any sudden moves.”
I walk in with my hands by my sides. We head down the hall to a dining room. “Please sit. Would you like coffee?”
I sit. “Sure… please.”
He returns with two cups. There’s cream and sugar on the tray, but neither of us use it. He gestures towards me. “You’re injured. Is it anything serious?”
“I wouldn’t turn down some aspirin.”
Delaveau gets up. “Please excuse me.” He leaves the room.
I look around and drink up, hoping coffee will fight my fatigue. The rich, smoky, dark-roasted flavor is like heaven. Twelve years of alien occupation and food rationing hasn’t cramped the doctor’s style. I see expensive furniture and shelves heavy with leather-bound books and beautiful crystal sculptures. If this is a Slitha sting, the doctor left to call his bosses. After they show up, I’ll identify myself. Then, maybe we can figure out where the journal went.
The doctor comes back with aspirin and an ice pack. I swallow the pills and hold the ice pack to my head. “Thanks.”
“I enjoy taking care of my guests.” He smiles. “And speaking of that…”
He takes our empty cups and comes back a few minutes later with fresh ones, and a pot on the tray. “You may wonder how I came to provide the service you seek.”
I stay quiet and drink. Delaveau’s the kind who likes to talk.
“I lived well before the Slitha arrived, though their arrival made maintaining my lifestyle difficult. But strange as it seems, the invasion improved my life. As with others, events forced me to live by my wits in a way I never would have otherwise. Consider the black market. Everyone uses it, and by so doing, all become lawbreakers. And those who survive best are the ones who have become exceptional criminals. So, while I still practice medicine, my humanitarian sideline supports a fine lifestyle and gives me the pleasure which comes with being exceptionally clever.”
I finish my coffee. He pours me a new cup.
Delaveau talks about how humanity had become soft and how the Slitha occupation sharpened our dulled minds and put us in touch with our primal instincts. The doctor barely lifts his cup as I suck down my coffee, instead going on and on about how the invasion was some kind of great gift.
I yawn, too wide. “Can I use the bathroom?”
“Of course.” He smiles. “In the hallway.”
I nod, get up, use the bathroom, throw water on my face. I step back in the hallway, but decide to lean against the wall, just for a second. As I slide down, I think about how Doctor Delaveau kept talking and talking after he finished his first cup of coffee while I drank deep.
My head feels fuzzy when my eyes open. I see a ceiling, but not in the hallway. I try to get up but can’t. I look down. Three heavy, canvas straps pin me to a stainless-steel table with a raised metal rim. One goes across my chest, the second crosses my upper forearms and lower stomach. The third holds down my legs, just above the knees. My jacket’s gone. Shoes too. I blink and look again. My head feels fuzzy. I laugh. At least I’ve still got my socks. I shake my head and look around.
This room’s bigger than the dining room. There’s an incinerator in one corner, probably for medical waste. By that, gas cans. Between my feet, not far off, I see a metal door with a heavy bolt. I turn my head to the right. There’s a desk maybe five feet away. Spread out on the top are Eddie Mears’ identity papers, his wallet, the burner phone, and Sharp’s revolver. Other IDs sit in an “in” basket nearby. Next to that is a thick, yellow folder and a big book with the black, metallic cover Slitha like to use.
Slitha words glow in silver on the black book’s tall spine. I shake my head and make myself focus. Chronicles of a Time of War. I exhale slowly. I’ve found what Kah-Haas and I need, but I might not live long enough for it to do us any good.
I notice something else. Next to the desk sits a row of mismatched suitcases. Above those, on hooks, hang backpacks, a few purses, and a single, lonely baby carrier. I fight my bonds and arch my neck. Fifteen feet from my head, I see a normal-looking door. Much closer sits a tray of medical instruments, heavy on knives and the surgical saws. Directly above my scalp, built into the table, is a drain. My throat goes dry. I know where all the fugitives have gone. Piece by piece into Doctor Delaveau’s incinerator.
I listen for an opening door but Delaveau is taking his time. When the Doctor stripped off my jacket, he pulled the bottom of my shirt loose from my pants. I reach under the loose fabric for the knife clipped in my waistband. One finger touches the handle, but the strap pinning my arms keeps me from doing more. I inhale deep, then exhale everything. The bonds still feel tight, but not as bad as before. I keep my lungs empty for a couple of seconds, just long enough to grab the bottom end of the knife handle between two fingers. I draw the folder, breathe in, get a solid grip, then flick it open with my thumb. I lay the edge under the strap holding my forearms, inhale to make a tiny bit of extra room, then saw away with the serrated half of the blade.
Just when I’ve cut the strap a little over halfway, the doorknob rattles. The strap doesn’t feel as tight as before. I slip the knife inside my waistband, flip some loose fabric from my shirt over the cut I made, and move my hand back by my side. The door opens, Doctor Delaveau walks in, wearing green surgical scrubs. His medical mask is down, and he has a clear, plastic visor ready to be lowered. The final touch is a white, plastic apron.
He’s right over me and I see his quiet smirk. “My dear Mr. Mears, you had a bit of a fall, so I decided you needed to lay down.”
“Doc, I’m feeling a lot better. I think I can get up now.”
He smiles wider. “Be my guest.”
I can tell he likes the banter, so I shut up.
Doctor Delaveau frowns. “I see you’ve discovered my escape route.”
I keep quiet. His smirk turns into an icy frown.
“I’m disappointed in you Mr. Mears. I found nothing of value on you.”
I get an idea. “I’m not a fugitive.” His frown gets bigger. I talk faster. “Just hear me out.”
He stares. “I was hired to recover an item. What you do for criminals isn’t of interest to me. There’s a big reward.”
He nods. “Go on.”
“A collector wants that black book on your desk, no questions asked.”
Delaveau purses his lips, then smiles. “Though far from fluent, I am a student of the Slitha language. Over the past weeks, I’ve had few patients, and been translating this diary in order to further my education. The contents is quite fascinating.”
He pauses, as if he wants me to say something, maybe to beg. Maybe to tell him how smart he is. I can tell Delaveau isn’t interested in my offer, so I stop talking again.
The doctor raises his voice. “Do you know what, Mr. Mears? Like more than a few of my clients, I believe you hid your ill-gotten wealth before you came to my door.” He watches my face. “Some who come to me in search of sweet freedom hide their valuables in one of my neighbors’ yards, or even my own.” He shakes his head and smiles again. “Please excuse me for a moment.”
Delaveau walks to the desk and picks up Sharp’s revolver. “As you’ve just learned, one can never be too careful.” He flips open the cylinder, smiles, and closes it again. “Never fear. I’ll be back soon.”
The door closes behind him and I attack my bonds again. Seconds later, I cut through the middle one. Now my arms are free.
That’s when I hear the first gunshot. I jerk my legs, trying to pull them out from under the strap that holds them down, but it’s too tight. Two more shots go off; one close, the other farther away. I start cutting the strap over my chest. Voices echo through the house. More shots ring out. I tell myself Kah-Haas could be out there, but I’m lying to myself. None of those shots came from a Slitha weapon.
My chest is free. I sit up, but whatever drug Delaveau gave me makes my head spin. Only the strap over my legs keeps me from falling off the table. My knife saws at the last strap. A gunshot again, just on the other side of the door. I cut too fast and slice my leg. The last bond splits. I stand up. My legs buckle. I grab the edge of the table to keep from falling.
Another gunshot cracks down the hall. I take a breath and stumble towards the door. I reach out to lock it. Before I can, it starts to swing open. I see part of a plastic visor and red-spattered white apron. Another shot pops. A muzzle flash lights up the hallway. A dull, wet slap sounds on the other side of the door. I fall against it, turn the lock, take another deep breath. It looks like Human Defense Force has come to avenge their murdered friends.
My legs almost feel steady. I walk to the desk fast, stuff the burner phone in one pocket and grab the journal. I rush to the back door and yank the bolt. The other door crashes wide open. A gunshot cracks and a bullet slaps the wall by my head. I shove the back door open and run into the night.
When I’m sure no one’s following, I stop, get my breath back, and flip through the journal. My fingers smooth pages passed hand to hand across years and lightyears. Flowing Slitha cursive documents fleet logistics and weapons systems. Tables list kills and casualties. Star maps show enemy positions and battles. I wish I had the time to sit down and read it.
Finally, I use Eddie Mears’ burner phone to call Kah-Haas for backup.
I got the journal, but maybe Sharp and Silent will find Doctor Delaveau’s partial translation. They might escape before Kah-Haas arrives with reinforcements. The resistance could get the leverage it needs to become a force for real political change. And now that we’ve got the thing back, I doubt our masters will pay much attention to complaints from some puffed-up Slitha night-school teacher.
I could have grabbed Delaveau’s notes when I took the journal. It would have been easy. But I didn’t. I need to return the journal to my alien masters to keep my family safe. But the Slitha don’t know about the Doctor’s notes and I don’t have to tell them. Like I always say, there’s a fine line between doing the job and being a collaborator.
“Working Man”
Miguel left around eight in the morning. That morning, before he left, as he sat on their bed and was putting on his pants, Maria asked him what time he thought he would be back. He said probably eleven in the morning. While Maria was currently praying, it was soon going to be one in the afternoon. She hoped he didn’t lie to her.
After she felt satisfied with the amount of praying she had done, she began thinking of what could still be done around the apartment. Although she had basically completed all the necessary work, she still behaved like an employee on the clock, trying to find something to do so as to avoid being seen by their bosses doing nothing. She first went to the kitchen to see if the floor needed to be mopped. There were some footprints on the kitchen floor, most likely from Miguel’s boots when he was mowing lawns. It should have only taken somewhere around five minutes or less to clean it but she took her time. After she was done mopping the kitchen floor, she checked to see if there were any dirty plates in the kitchen sink. There were only two dishes and three glass cups. She washed them, just as slowly as she mopped the floor. After the dishes, she checked the wooden living room floor, but unsurprisingly, it was pretty clean. She checked all around the apartment to do any kind of cleaning, but there just wasn’t anything to clean. She thought of praying some more, but she didn’t think it was necessary, as she was taught by attending mass over the years, that it’s more about the sincerity behind a prayer than the amount of praying one does in a day.
Suddenly, Maria got the idea to go to church. If Miguel wasn’t going to come home anytime soon, then she would go to church, even if it wasn’t Sunday. She knew that Miguel would get annoyed if she did this, and ask her why she went to church, even if she told him there was nothing to do at home. She ignored these thoughts.
She changed into a loose fitting dress, brushed her hair and put on black block heels. Before she left, she told her kids if they were hungry, to serve themselves a bowl of the albóndiga soup she made. She told them that she would be back in an hour, and if their dad asked where she had gone, to tell them she had gone to church.
On her way to church, although she felt like she was partially going to church out of spite, she felt happy. She was happy because she felt like she was improving, becoming a more resilient person, each time she went to church. This happiness slowly faded away though, when she tried to push open the front doors of the church, only to find they were locked. She was very confused. She thought the church was open at all times. She went to the back of the church to see if there wasn’t possibly a mistake. When she was in the back of the church, standing behind a black steel gate, she expected there to be parked cars and people walking across the parking lot of the church, but instead she didn’t see any cars and or anybody walking. Just then, she saw someone. There was a man, coming out of the side doors of the church, who then started walking across the parking lot.
As soon as she saw him, she yelled: “¡Señor! ¡Oiga!”
The man stopped and turned towards the direction of where the yelling was coming from. He squinted his eyes, trying to find whoever it was who was yelling. Finally, his eyes met hers, and he began walking towards Maria.
“¿Está cerrada la iglesia? ¿Pensé que estaba abierta toda la semana?”
“Antes sí. Pero ya no porque gente de la calle se estaban metiendo, y eso estaba molestando a la gente.”
“¿De verdad? Nunca sabía que eso podía pasar. Bueno, gracias por decirme.”
She walked away, a bit saddened and disappointed. She was looking forward to going to church, especially since it was her first time going to church on a weekday. Unsure of what to do, she began walking home. All she wanted was to spend some time with Miguel. Now she couldn't even go to church on a weekday, which she thought wasn’t asking for much.
When she came back home, to her surprise she saw Miguel’s green truck parked on the curb right in front of their apartment. She remembered when he first brought the truck home, it was so bright and shiny. Now, because the car stood out in the sun for some years, the green paint was so faded that it almost looked like there were clouds painted on the hood and roof of the car. He bought the car from his boss, who sold it to him cheaply. When he brought home the truck, it seemed to Maria like a luxury, to be able to have another car. Now, she despised the truck, just the sight of it made her angry, because it symbolized one thing to her: money. Part of the reason her husband had bought the truck wasn't only because he wanted another car, but because he saw an opportunity to make money. The green truck enabled him to go quickly from lawn to lawn, with all the necessary equipment in the bed of the truck.
She opened the door to the living room. One of her sons, Daniel, who although wearing headphones that prevented him from hearing her come in, still did not turn around even when a line of sunlight directly hit the screen of the computer he was using when she opened the door. She was about to tap his shoulder to ask if his dad was home when she heard someone coming from the kitchen and down the hall to where she was. It was her husband, wearing his gray, long sleeve shirt, which was now sweaty and dusty and grass stained. Sweat poured down from his balding head. On top of his head were thin, short strands of hair, which were matted down from wearing a hat, which almost made him look like a newborn baby that was just taken from their mom’s womb. He was sucking on his long neck bottle of Corona.
“¿A dónde fuisteis?” He took a sip of his beer.
“Fui a la iglesia, pero no estaba abierta.”
“¿A la iglesia? Pero no es el fin de semana.”
“Ya sé.”
Her husband said nothing, just took another sip of his beer.
“¿Qué hiciste de comer?”
“Albóndigas.”
She walked to their room. While she was taking her block heels off and putting them under her bed, she asked him, “¿Pensé que ibas a llegar a las once de la mañana?”
“Yo pensé que iba a llegar en ese tiempo, pero los chinos querían que hiciera otro trabajo, y los acaparadores también me pidieron que hiciera otra cosa.”
“¿Por qué no les dices que no puedes, pero que lo puedes ser para otro día.”
“Pues, es que no quiero quedar mal con la gente. Es importante que les diga sí, o no sería capaz de hacer más dinero.”
He reached into his pocket to get his black worn out wallet and took out four twenty dollar bills and showed them to Maria. When she saw the bills, this did little to nothing to change the indifferent expression on her face.
“Gané ochenta dólares hoy. Y todavía hay dos personas que no me han pagado.”
“¿Son las mismas personas que no te pagaron la última semana?
“Uno sí. Es el blanco.”
“Deberás parar de trabajar por él. Nomás se está haciendo tarugo.”
“Ya sé, ya sé. A lo mejor sé.”
“¿Ya quieres comer?”
“Sí, dame.”
Maria walked to the kitchen to heat up the pot of albóndiga soup and got the griddle to heat some tortillas. Miguel took his time drinking his beer and then slowly walked over to the small kitchen. Once he sat down on a chair, Maria asked him “¿Cuántas horas trabajastes?”
“No más de cinco horas.”
“¿No más cinco horas?”
Miguel, unsurprised at his wife’s reaction, chuckled.
“Cinco horas no es mucho.”
“Y te aseguro que no descansaste.”
“Los hombres no se cansan,” he said.
“Ya para diciendo eso. Los hombres pueden sentirse cansados,” she said with her face hardened, tired of the joke.
Miguel laughed, his head bouncing up and down, and said, “Okay, okay.”
Once the albóndiga soup was hot enough, Maria got a bowl from the cupboard and started pouring the soup into the bowl. As she was pouring the soup and albóndigas into the bowl she was holding, Miguel asked her “¿Por qué fuistes a la iglesia a hoy?”
“Pues, no más se me ocurrió.”
Her husband, suddenly serious, didn’t immediately answer.
“No creo que sea necesario ir a la iglesia hoy.”
“Ya sé, pero me gusta ir a la iglesia cuando puedo.”
Maria placed the bowl of albóndiga soup in front of him. He didn’t eat more than one albóndiga when he asked: “Deberías enfocarte en lo que ser en la casa en vez de pensar en la iglesia.”
“No había nada que hacer aquí. Terminé todo.”
“¿Y no te vas a cansar mucho yendo a la iglesia durante la semana?”
“Si vamos a hablar de quién se cansa más, vamos a hablar de ti.”
Her husband laughed.
“¿Por qué te rías?”
“Okay, pero yo me canso por una buena razón,” he said with a grin on his face.
For the first time, she laughed, too, out of impatience for the way her husband spoke to her.
“De verdad tienes un problema. No más quieres trabajar, trabajar y trabajar. Dices que trabajas de necesidad, pero te pasas, como si no tuvieras dinero. Algunas veces, en el momento que vienes del trabajo, ya te quieres pelar para trabajar otra vez, no comas muy bien o no me dices que ya te vas a ir. Y cuando–—no me callas, deja mi de hablar–—llegas de tus otros trabajos a la casa, estás irritado, te enojas cuando los niños o yo no te ayudamos rápidamente a bajar todas tus herramientas del camión. Tú solo te haces infeliz por hacer algo que es de necesidad.”
“¿Qué quieres que haga? Si trabajo mucho, me canso, pero tengo dinero. Si no trabajo mucho, no estoy cansado, pero voy a tener poco dinero. Si realmente quieres que trabaje menos, ¿por qué no me ayudas o encuentras un trabajo?”
“Miguel, tú ya sabes que no puedo ser eso.”
“¿Por qué no? Creo que puedes hacer la mayoría de lo que no haces ahora y seguir trabajando.”
“¿Qué estás diciendo? ¿Que no trabajo?”
“¿Piensas que estar sentado casi todo el día es trabajo?” he said and laughed a mocking laugh, which made him appear like a child.
“Ya me estás ofendiendo.”
“Pues, no te mates.”
“¿No me mato? ¿Tú piensas que pudieras tener un trabajo y llevar a las niños a la escuela, comprar y hacer de comer, llenar la botella de agua, llevar los platos, limpiar la casa, lavar la ropa, tirar la basura, juntar a los niños de la escuela, y dar atención a los niños?”
“Todo lo que dijiste son trabajitos que se pueden hacer rápido.”
“No se puede prestar atención a los niños rápido, solo se puede hacer lentamente y con paciencia.”
Fed up with her arguing, he got up and left.
“¿A dónde vas?”
“Voy a regar el zacate.”
She was going to say more to him, but she knew when to stop talking, because at some point, in the middle of an argument, her husband would eventually start to tune out everything she said, even when she did have a point. She noticed he had barely eaten anything from his bowl. From where she was sitting at the small kitchen table, she could hear him in the backyard getting the hose to water the front lawn. She didn’t know what to do. After sitting in silence for a few minutes, she got up to get her wooden rosary from their room, and started to pray once again.
A Cuban Soap Opera Remake
the child of my oldest daughter Maria Elena.]
Don Rafael del Junco’s silent litany in El Derecho de Nacer by Felix B. Caignet
José (“Pepe”) Cubero, a brilliant movie and TV producer and director, was the proponent and strongest defender of the project. He acknowledged that the 1948 soap opera would have to be modified a bit to make it consistent with the culture and politics of twenty-first century Cuba, but felt the changes would be small and well within his creative abilities.
The proposal met opposition from some of the most orthodox members of the Communist Party. They claimed that the original story was rife with the type of bourgeois, capitalistic ideology that had been eradicated after almost ninety years of Socialist rule. Other opponents, more practical, pointed to the chronic economic crisis that bedeviled the island with words like these:
“Anything we broadcast must encourage the Cuban people to work harder, make sacrifices, concentrate on rebuilding the economy in the face of the heartless Yankee blockade. El Derecho is a frivolous, escapist diversion that would get us sidetracked from our mission. And it will run for many months, compounding the damage.”
The matter was kicked upward to land on the lap of Miguel Diaz-Canel, who had been President and First Secretary of Cuba’s Communist Party for almost thirty years. He was in his mid-eighties and getting ready to step down, so he was in no mood to mediate in ideological disputes. He ruled:
“Let Pepe Cubero come up with a proposed screenplay and give it to the President of the CIRT and the Minister of Culture. Let those guys decide what changes to the screenplay are required to render it acceptable, make those changes, and run with it. Don’t bother me with this shit again.”
The Minister of Culture, Haydée Alonso, who had studied in Paris, quoted Sartre, and prided herself on being open-minded and liberal (within the ideological bounds of the Party), was enchanted with the idea of a revival of El Derecho, so she was inclined to give Cubero a relatively free hand. This was good news to Cubero, although no one else liked Haydée. No one forgave her for her unpatriotic preference for smelly Gauloise cigarettes that stunk up the studio, and that she did so “in the land where the best tobacco in the world used to be grown.”
The CIRT President, Danylo López, was an old, dried-up bureaucrat concerned mainly with toeing the Party line and avoiding controversies, and was not amenable to letting Cubero get away with much. Torn between polar extremes, development of the new version of the soap opera proceeded in painful fits and starts.
The first bone of contention was the character of Don Rafael del Junco, the villain of the story. Everyone agreed that Don Rafael, a haughty unscrupulous landowner, was a proper embodiment of the pre-Revolutionary capitalistic class. However, at the end of the original 314 episodes, Don Rafael reconciled with his daughter and grandson, and ended up being presented in a somewhat favorable light. “We have to change the ending” argued Danylo. “There can be no redemption for the enemies of the people.” Cubero reluctantly agreed to modify the end of the series so that Don Rafael got his comeuppance. He was hoping against hope that by the time the last episodes were filmed Danylo would have changed his mind.
Then there was María Elena, the daughter of Don Rafael and mother of the hero of the series. Again, everyone agreed that she showed courage in refusing to have a late term abortion and insisting on giving birth to her illegitimate child. However, in the original series she sought shelter for her grief in a convent, where the nuns and other members of the community treated her with compassion and understanding. Danylo was loath to include any episodes that praised religious people. “Religion is the opium of the masses, and the State must not condone it in any manner.”
Cubero had to change the script to have María Elena become a sort of hermit, seeking solace from the apparent loss of her child on a deserted shore. That in itself was problematic, since Cuba had implemented an internal passport system that was rigidly enforced. In the new Cuba, there was nowhere to hide. At the end, this discrepancy was allowed as poetic license, hoping it would not be noticed by anyone who had the power to object.
In the original El Derecho María Elena leaves her newborn baby boy in the care of her once wet nurse, the black María Dolores, who saves the infant from being slain on orders from Don Rafael, manages to give Don Rafael the false impression that she and the baby are dead, and escapes with the infant to a remote village. There, she raises the boy as her own child, naming him Alberto (“Albertico”) Limonta.
One salient and recurring problem was the relationship between “son” and “mother,” due to the fact that María Dolores claimed he was her son, even after his infancy. Yet, the actor chosen by Cubero to play Albertico, Ontario (“Guapito”) Ledesma, was white. Very white. Blondish. On the other hand, the lady portraying María Dolores was black, as stipulated by Caignet in the original soap opera. Coal black. No one seemed to find the discrepancy odd except for Haydée, who said that the role of María Dolores seemed taken out of Gone with the Wind. Her remark was met with a deadpan silence, for nobody in Cuba remembered or cared about old Yankee movies.
The racial disparity problem did not fully surface at first, because the boy who played Albertico as a child had a darker complexion that made his relationship with María Dolores more credible. But later on in the show, when Ontario assumed the role of 25-year-old Albertico, María Dolores’ claim that he was her son began ringing hollow. Different suggestions were considered: darkening Ontario’s skin with blackface make-up like Laurence Olivier in Othello, other things of that nature. Haydée opposed them all, because, she said, it was not impossible that Albertico could still be María Dolores’ biological son. So, things were left unchanged. There was one scene, however, when the script called for older Albertico to run up to his mother and say, “Mamá, I love you so” as he hugged the black woman. The scene had to be redone many times because the crew in the studio—and later on, even Albertico and María Dolores—could not control their laughter. In the end, the scene was filmed as it was and prompted sarcastic comments among the viewers once aired.
Much was done in the original series to highlight the discrimination and ill treatment that both María Dolores and Albertico endured on account of her race. Danylo liked that and wanted to accentuate the criticism of the racist society that existed in the country before the Revolution, but was opposed by Haydée, who warned not to overdo that aspect of the plot. “Remember, Danylo,” she said, “there are still people left in this country who believe blacks are inferior, although they won’t openly admit to it. There is no point in rubbing their noses on our commitment to equality among the races.” At the end, Danylo carried the day. Albertico, who was white, would be repeatedly abused and discriminated against for having a black mother and being a mulatto.
In one scene intended to bring more “realism” to the story, a classmate of Albertico has a fight with him and calls him an “hijo de puta” (a bastard), not an uncommon insult in Spanish. Danylo objected to the use of such foul language, as it was not in keeping with Socialist morality. Haydée replied that this choice of words was used by ordinary people and prude sentiments to the contrary were a bourgeois atavism. A heated debate ensued and, at the end, Haydée seemed to say that the language in the series should not be controlled by a “partido de hijos de puta,” which many people took to refer to the Communist Party. Haydée, however, swore that she had not said “Partido” but “partida,” meaning “bunch” or “group,” without any political connotation. Since no one could produce a definitive argument, the matter was dropped, along with the entire scene.
Many episodes later, thanks to María Dolores’ innumerable sacrifices, Albertico manages to make it through the university and becomes a famous doctor. In the original version, Albertico gets to be rich and lives in comfort with his aging “mother.” Both Danylo and Haydée objected to this turn of events. Cubero was required to rewrite that part of the story to have Albertico live modestly, see indigent patients for free, and travel to Haiti to help treat the victims of a devastating earthquake. In the rewrite, Albertico returns to Cuba with a newfound social conscience, alert to the inequities of the capitalist society and committed to fighting them.
Later in the series, Albertico is doing night duty at a public hospital’s emergency room when several injured people are brought in after a traffic accident. One of them is an old man who is bleeding to death. The victim’s blood type is AB negative, the rarest type, which is unavailable at the ill-equipped public hospitals of pre-Revolutionary times. Albertico, AB negative himself, gives a transfusion that saves the man’s life. The victim, who is no other than Don Rafael del Junco, recovers and as he convalesces, he invites his savior to come to dinner and meet his family. There Albertico meets Isabel Cristina, daughter of María Elena’s sister Matilde, and a budding romance blooms between the couple, unaware that they are cousins. Danylo was not in favor of retaining potential incest as part of the plot, and Cubero had to add another twist at the end of the story where it is revealed that Isabel Cristina is not the natural daughter of Matilde, but only an adopted one, eliminating another potential offense to Socialist morality.
Don Rafael, now fully recovered, is one day taking a stroll near an outside market, when he spots an old black woman that he immediately recognizes as María Dolores, who he had written off as dead many years before. He follows the woman, overtakes her, and confronts her. María Dolores acknowledges that she and Albertico are alive and well, and rebukes Don Rafael for his cruelty. Cubero is asked to add language to the confrontation scene wherein María Dolores lists once again all the aristocrat’s misdeeds and concludes with a stirring pronouncement: “Beware, for your days are numbered. The people soon will hold you accountable for all the crimes you have committed against your family and against society.”
Staggered by these revelations, Don Rafael returns home, where he promptly suffers a stroke (“derrame cerebral”) (a common mishap in soap operas) and falls into a coma. In the original version, Don Rafael stays in a coma for many months, burning with desire to impart the crucial news of the existence of his missing grandson to his wife and daughter, but is paralyzed and unable to speak. Here, however, science rather than politics interferes with the progress of the story. By 2047, a process had existed for years by which an artificial intelligence (AI) could accurately decode words and sentences from brain activity. Using only a few seconds of brain activity data, the AI can guess what a person is trying to say and translates it into a voice recording. The AI was commonly used throughout the world, including Cuba, to help people unable to communicate their thoughts through speech, typing or gestures.
The existence of the AI technology rendered a crucial portion of the original version of El Derecho vulnerable to ridicule by the viewing public. There was no way Don Rafael could linger, speechless, for several months. Cubero and his creative team struggled with the problem for weeks and finally had to come up with a lame solution: Don Rafael suffers a “derrame cerebral,” but recovers almost immediately and, instead of bringing the existence of his grandson to the attention of everyone, has a change of heart and continues to cover up his earlier nefarious crimes by accusing María Dolores of theft and charging Albertico with complicity in the black woman’s schemes.
Isabel Cristina, whose love for Albertico has not been diminished by Don Rafael’s accusations, alerts her boyfriend before the police can seize him, and Albertico escapes to a bitter exile in Tampa, where his mulatto identity subjects him to additional discrimination and mistreatment at the hands of the American imperialists. Meanwhile, María Dolores lingers in jail and ultimately dies of sorrow.
From that point on, the plot of the revival diverges entirely from the original radio show. Albertico becomes a revolutionary hero and travels back to Cuba to take up arms in the mountains against the corrupt government. He alerts Isabel Cristina of his whereabouts and she joins him to continue, together, their fight for justice. Through one of his comrades, who knew Isabel Cristina’s parents, it is revealed that Isabel Cristina and Albertico are unrelated, whereupon the couple is chastely married in a civil ceremony conducted by a rebel leader. They are enjoying a brief honeymoon when they learn that Don Rafael has been killed in a terrorist attack against the Presidential Palace, where he was attending a reception. Albertico and Isabel Cristina kiss and hug each other, relieved at the evildoer’s death, and the series ends.
As the first six episodes were filmed, José Cubero had increasing misgivings about the product he was going to set before the public. Technically, the series was as good as he was capable of putting together: photography, score (instrumental renderings of Cuban ballads going back to the 1800s), sound effects, customs, editing, were all first class. He had assembled a cast of experienced actors and actresses, with a famous Spanish TV personality in the role of Don Rafael. Much of the series was shot in locations selected for their beauty or historic interest.
Artistically, though, Cubero felt he was doing a disservice to—actually, betraying—Caignet’s original work and regretted all the compromises he had been forced to make to get the project approved. As a way to hide his guilt, he made sure of the destruction of all copies existing in Cuba of the audio, TV and movie versions of the series, be they from Cuba, Puerto Rico, Ecuador, Peru, Brazil, Venezuela or Mexico. Cuban censorship saw to it that no written materials describing the 1948 series were available to the public.
Since there was nobody alive who had listened to the original broadcast, Cubero felt confident that he would not be confronted by critics of the savaging he had been forced to perform on the original. Still, he went to bed the night of Tuesday, March 31, 2048 with a heavy heart, in anticipation of the premiere of the series the following evening. He tossed and turned in bed all night and, in the few minutes of actual sleep, was accosted by the image of a dapper slim man sporting a trim moustache and a mane of black pomaded hair, who appeared and disappeared before him making menacing gestures and repeating incessantly a single word: “Why!!?”
The first episode of the new rendering of El Derecho de Nacer was shown on Cubavision at 9 p.m. on April 1, 2048. The show ran, Monday through Saturday, for 310 episodes, the last one playing in the spring of 2049. While initially garnering much public attention, interest in the series wore off quickly, so that the last episodes were seen by almost nobody. Many concluded that much of what was shown and said in the series was predictable and no different, except for its excessive duration, from other political indoctrination efforts by the government.
José Cubero finished producing the last package of ten episodes and sought and was granted permission to take a short vacation abroad to recover from his massive effort. He was last spotted taking an Iberia plane bound for Madrid on April 15, 2049.
He was never seen again.
Honorary Mention Extra Fiction 2022
May We Be Named
Humanity’s voyagers always came on ships, back when Sol was the closest star and home stayed within the ecliptic. They came from the places the maps would no longer show as star charts guided them towards lands where Terra would be but a distant memory. With skin colored from equatorial sunbeams and languages forged from centuries of cultural contact and strife, they were ready when the Exodus finally occurred, and generation ships whisked them away across a sea wider than the Atlantic.
Marcela tore her eyes from the screen that displayed the full weight of generations of ship born ancestors when a thin stream of light coming from the hallway alerted her of Zamora’s presence.
“¿Tienes chisme?” Zamora asked, sauntering into the room like only a little sister could.
Marcela relaxed her stiff shoulders and let out a breath she didn’t realize she was holding in. She’d tracked enough of the gamma lineage for this wake cycle. With the lights back on, she started reshuffling the notes she printed out on carbon copies that littered her desk.
“Yeah, turns out they meant to put you on the Calabaza ship and got the paperwork mixed up,” Marcela smirked, waving one of her notes in the air.
“No way! You know I can’t even cook frijoles right; I don’t belong on a restaurant ship. Unless, you know, I got to be the engineer and eat up all those delicacies.”
“You wish!” Marcela nudged Zamora with her elbow.
“So, made any progress today?”
“Five generations of lineage gamma from three centuries ago found in the data sent by laser from the Prerromano ship, no está mal,” Marcela shrugged and looked back at the data in front of her.
She continued, “It’s strange, really. There seem to be fewer lineages than active ships. I can’t find us in all the data. You know even Tía Flora gave up ages ago on this project.”
“¿A qué te refieres con lo de ‘find us’? I thought this was about the ancestry of the whole fleet. What do we have to do with anything? What does our ship’s history matter?”
“It means everything! I know I’m supposed to be collaborating on this project for the good of the fleet, but you know I’ve been doing some research on the side.”
“But they’re always telling us that we’re all siblings and that race doesn’t exist anymore, that we’re all homo sapiens. Somos de la raza…”
“Cósmica, literalmente. Pues ya lo sé, pero es un mito, uno de esos que vinieron con los primeros cohetes.”
Having just finished her own school lessons for the day, including a lecture on how the old ways no longer applied, Zamora was utterly perplexed. She perched herself on a free corner of Marcela’s desk and took a closer look at the branches of the family tree, thinning out as they got closer to the present moment of year 534 of the Exodus.
“Mira Zamora, where is our family in this?” Marcela zoomed into a patch only a few years removed from Zamora’s birth in year 523.
“It doesn’t matter…”
“Humor me.”
“¿A quién le importa?”
“Pues a nosotras, a todos los del Arbolito. Look, before I crunched in the data for gamma lineage, I already noticed some irregularities from the beginning. They’re telling us we’re doing something meaningful by putting together these lineages, that it’s for the good of the fleet and our history. It’s just busy work, Zamora.”
“Fine. I don’t know who all our family is, but Marcela tengo haaaaambrreeee. Can we pleaseeeee go the mess hall now? I heard Tío José is making pupusas and I want one that isn’t spicy.”
“Ya vamos, but I still want to learn more about this. Maybe I can bug Tía Flora about the genealogy research after dinner.”
Sure enough, Zamora piled her plate high with pupusas and maíz, freshly made from their onboard hydroponics garden. Marcela, ever the apprehensive about her research, took a smaller portion of food and joined the other kids and teenagers huddled around a game of dominos made from scrap cardboard. Zamora enjoyed the camaraderie but couldn’t wait to finally talk to some adults. For some reason they always stayed quiet about what they knew of their families, and though they praised her for her research, they never asked many questions or gave her any good leads. She always had to look elsewhere, like taking chances asking the Prerromano ship with a complicated array of laser networks to reach them five lightyears away.
Tía Flora was watching her favorite zero g handball game and knitting. Approach with caution, Marcela thought to herself. She sat herself next to her only biological aunt and engaged in the requisite small talk. By the second half of the game Marcela had steeled herself for the conversation.
“Tía, you know I’ve been doing a lot of work on the lineage, and I don’t need to bore you with it, but…”
“Mi’ja, I’m glad you’re doing that research project, but it doesn’t interest me anymore. What are you doing, hunting down lineage omega or something?”
“I’m working on lineage gamma now actually; I have five more generations worked out. In fact, I’ve already sorted out adopted and biological parents and have some diagrams for the research team I’m going to send by laser tomorrow…” Marcela needed to stop herself before she lost sight of what she came to talk to her aunt about. Tía Flora had already focused back on the game, the clinking of the knitting needles in synch with the pace of the game.
“Sorry, force of habit. Tía Flora, I want you to tell me about us. ¿Quiénes somos los del Arbolito? ¿De dónde venimos?”
Tía Flora finally perked up and cracked a smile, “It took you seventeen years to ask me that, eh? It took my friend Adriana over twenty and she quickly became disinterested again.”
Marcela relaxed in her chair and tucked herself into the story Tía Flora was inevitably going to launch into. Tía Flora switched to Spanish, as she was wont to do when talking about the past, but her tone of voice changed, and it was as if she saw herself somewhere else. The youth proudly tout the fact that the past was light minutes away and wholly unreachable while elders grieve that chasm of memories.
“Hace ya treinta años, Adriana me preguntó sobre nuestros antepasados. Y, a pesar de la falta de información que tenía, yo sabía que había que compartirla con cualquier persona que tenía el mismísimo deseo. Me imagino que hasta la Zamorita sabe recitar las historias oficiales de quienes somos, ¿cierto?”
Marcela smiled, “Justamente me las estaba contando según lo que va aprendiendo en la escuela.”
“Pues, la Adriana me dijo una frase que nunca jamás saldrá de mi mente. Me dijo basta con esas historias del Éxodo con las ramas de los árboles y que ‘I don’t want your tender history, give me the truth’. So I did.”
“Tender history, huh? Is it, though? Now that I really think about it, es un cuento de hadas. I’ve always wondered about how the data was received on these family trees and why I couldn’t ever find myself on them. You know, I always thought I was different for asking about my own heritage. Pero, there’s something they’re not telling us and it’s going to be bittersweet.”
“Yes, but I have no doubt you are as ready as you’ll ever be to hear it. Éramos muchos durante los primeros cohetes y hemos venido desde zonas muy lejanas de la tierra. Había gente de los ríos, de la selva llamada la selva amazónica, de islas y grandes continentes. Había de todo.”
“Pero nos han dicho que han venido todos de la península de Florida y que allí empezó la migración.”
“Que no, que la península solo tenía las bases de lanzamiento.”
Marcela muttered to herself, “that sure does make more sense…”
Tía Flora stared at the screen transfixed in thought, as if recalling the very thread of the ancestors she was to spring forth from her mind like Athena.
She continued in English, “I found…a packet of data. I was going through some of the earliest data sent about the different lineages and I found a diary. It was a real book too, scanned of course, but I hope somewhere those pages are still preserved. I had half a mind not to tell anyone about it and keep minding my business, especially since it’s not mentioned anywhere in the ever-expanding literature on Exodus genealogy. It was the diary of someone named Hortensia from the beginning of the exodus. She talked about several ships we still have in the fleet, la Calabaza, el Ateneo, el Dominicano, however there was something greater I learned that day. People who couldn’t afford passage on the Exodus fleet sold the only thing they had left. It confused me, because I know those people were so connected to their plastic items and chucherías.” The clicking of her knitting needles reminded Marcela of the noise of plastic toys her sister played with.
“But you figured it out, right?”
“Mi’ja, they had nothing left to give, no currency or valuable metals and they could barely even secure a kilo in the bulkhead, so they sold their names.”
“¿Qué dices? Ya tenemos todos los nombres. Nos han nombrado a todos nosotros.”
“Pero tú y yo solo tenemos un solo nombre, la María Victoria tiene dos, pero así son todas las Marías.”
“But we each have a name, tía. I still don’t understand.”
Tía Flora put down her knitting needles and beckoned Marcela closer. Parting her wavy dark hair, she began making a large braid.
“Nos han dicho que nosotros del Arbolito somos latinos. Somos de distintas regiones del continente de las Américas y todos hablamos español e inglés. There are at least five other ships like us with slightly different accents and facial features, and they make us believe we’re all the same.”
“We come from Terra, there’s no difference, is there? The skin color is just from the different melanin produced in sunnier, warmer places compared to colder ones.”
“Eres muy inteligente, you know there’s more than that. Yes, these colors used to define us and now we think more logically, but the Exodus took away our names and our culture. We had special foods, and, while I know most aren’t religious anymore, there were special ceremonies and festivals just for us. We gave that up the moment we named ourselves part of the fleet.”
Left, right, middle, Tía Flora’s fingers made quick work of Marcela’s hair. Marcela thought the braid felt odd, a bit lopsided, but she didn’t want to criticize her aunt. It’d be easy enough to readjust later.
Tía Flora secured the bottom of the braid with an elastic band and Marcela went in search of a mirror and finally saw what her aunt had so lovingly knitted into her hair. Her thick hair had been carefully sectioned into different braids, all coming together to form a larger braid that ran down the right side of her head.
“Mira, ¡qué bonita!” Tía Flora exclaimed, admiring her work.
“Thank you, tía. It’s your best creation yet. Where’d you learn to do something like this? We almost never wear our hair in braids. We’re supposed to keep it tied neatly away from our face with a ponytail or bun.”
“I got the idea from our ancestors. Thousands of years ago, our ancestors, the ones with wavy hair, textured hair, and hair dark as the hulls of our ships wore braids as a source of cultural identity. They wove patterns into braids to chart maps towards the homes they left behind just as we leave drawings as marks of each ship in the fleet.”
“That’s really beautiful,” Marcela reflected. She felt a tightness welling up in her chest and a newfound appreciation for the ancestors from Terra bloomed within her. Not even when conducting her research did she ever truly feel the full weight of the bygone generations who attempted to pass their knowledge to her. She was the product of dozens, if not hundreds of generations of sentient homo sapiens who kept humanity moving forward without forgetting their roots.
“It suits you well, your ancestors would be proud of you.”
“Thank you, tía. I have to ask; did you ever figure out any of the names they gave away?” Marcela was suddenly anxious, knowing she’d remember this moment for years to come. This was to be the moment when everything clicked, when she no longer was one of a multicultural fleet, but the daughter of people from countries she could find on the old globe.
Tía Flora harrumphed, ostensibly at the terrible play that had finally ended the handball game, but Marcela knew it was really meant for her.
“Pues, ya te lo conté, we gave them up centuries ago. We tucked our braids into our helmets and some of us were smart enough to use the braids to spell our histories in Nahuatl, like the Calabaza ship. They’re the Xolapa from México. But us, we weren’t so lucky.”
“But couldn’t we take a DNA test? Contact other ships for information that might’ve been overlooked in the existing lineage. We could…”
“It’s too late for that. We’re never going to have their names or the certainty of knowing who our ancestors truly were, but I do have something you might want to see.” Tía Flora turned off the projector and sent her off to find Zamora. She needed to see this, too.
The chefs had already gone off duty and the sisters and Tía Flora huddled under the dimmed light of the mess hall. Zamora looked unsure of herself as she shuffled her feet in place, and Marcela wished the photons from the nearest star system could illuminate the dark portholes but they were once again too far in the black.
Tía Flora flipped through a few recipe books and finally settled on the one that looked the most battered and full of stains from centuries of moles and salsa.
“Pues mira. Ni el dedo de Colón podría apuntar a lo que está escrito aquí. Zamora, can you read for us?” Tía Flora put her hand on her shoulder in encouragement.
Zamora twisted her face like she’d just eaten a lime. “It’s in Spanish?”
“Claro, mi’ja. Así fueron escritos todos los libros de nuestros antepasados.”
“Pero solo hay una lengua escrita, el inglés,” Marcela chimed in.
“Pues me parece otra ridiculez de esa escuela…obvio que todos los seres humanos podían escribir con pluma. ¿Creen que los latinos iban a escribir sus historias en el idioma de otro contiente? Sound it out, you’ll figure out what it says pretty quickly.”
Zamora began, “Las galletas de Elisa. Se preparan con…con sus ingredientes favoritos. A ella…le gustaba hornearlas para días festivos como…como los cumpleaños y las quinceañeras.”
Looking over Zamora’s shoulder, Marcela read the recipe to herself and said, “It’s a cookie recipe, but it’s telling us about someone named Elisa. And the one on the page next to it says ‘Los pasteles de tío Oswaldo’. What is this, tía?”
“Girls, when they sold their names and left Terra with the Exodus, they made these recipe books to share their favorite dishes. They turned recipe books into the ancestors they couldn’t take with them. These are their obituaries.”
“But there’s hardly anything about Elisa in this…” Marcela protested.
“You must read the whole book; each recipe gives you a little more about each person’s story. I’ve been piecing together when people were born and that sort of thing.”
“So we can finally put together this lineage?”
“No, so we can read about their lives. We can honor them even without the branches on the Arbolito all filled out. Many of these people likely aren’t related to us anyway.”
“Marcela, basta con your research. Tía, have you ever made these recipes?” Zamora interrupted.
“We still make some of them, but without the animal products they had access to on Terra they probably don’t taste the same.”
“Can we still try?”
Tía Flora chuckled to herself, “I’d thought I’d never see the day when you’d want to try to bake something. Sure, tomorrow morning you don’t have any lessons so why don’t you bring some of your friends to the kitchen and we’ll whip something up.”
The next day, Zamora and a few of her friends were busily churning out cookies under the careful watch of Tía Flora using ingredients rationed for those who weren’t on the team of cooks. Notwithstanding Zamora’s occasional clumsiness and trepidation around the oven, the lunch rush was ecstatic to try something new. A few of the adults even petitioned to add the sugar cookies to the dessert menu, the highest honor for the young bakers. Zamora later tearfully told Marcela that it was all her fault if they ship her off to the Calabaza ship now that she can properly bake.
Marcela sometimes wished she were as capricious as her younger sister, but age and her research kept her curious. She wanted to beam to everyone else on the research team that it was just a project to keep people busy. They were fed packets of data and crunched the numbers all day long so the ships with the most resources could continue chasing after habitable planets and building new spaceports. Those very families must have taken her own ancestors’ names hostage centuries ago.
Indignant, Marcela clenched her hands and closed her eyes. She breathed deeply, imagining a warmth spreading through her body as if she were spirited away to her ancestors’ hot and humid homelands.
She closed out some of the programs she had been running with the ancestry data and set aside a data packet for herself to send to a few trusted friends she had on the Arbolito and other ships. Speaking clearly into the monitor in front of her, she spoke a language she hoped to one day be able to write.
“Soy Marcela, del Arbolito. Créeme cuando les explico que nuestros antepasados tenían nombres para sus familias. Mi tía me dice que sus nombres fueron vendidos a los que controlaron el Éxodo y que fueron tirados como basura de plástica. Ya no quiero repetir esa historia, así que quiero que nos nombren. Hasta que tengamos anclados a los linajes todos los nombres, me llamaré Marcela Nombremos. Puede que parezca contra los deseos de la flotilla, pero quiero identificarme como persona con una historia. Cualquier interesado puede usar este nombre. No lo daré a mis hijos si los tenga. Es un nombre a alquiler, un nombre que declara su intención. Espero que les sirva.”
Winner 3rd Place
Extra Fiction Contest 2022
Major Juan to Earth Control
From the fanzine The Missionary, dated July 1990, by Willie Colon (real name and address withheld by request)
My favorite episode of the classic TV series Mission Venus (1) is without a doubt “Major Juan.” That episode was significant not only to science fiction and to Latinos, but especially to moi. The strange thing is, it only aired once (on October 9, 1970).
The low-rated series, which ran only October ’69 to May ’71 on Friday nights on ABC, achieved cult status in syndication in the late ’70s. The series was never a favorite of network executives, one of whom infamously deemed it “not cerebral enough.”
Yet the “Major Juan” episode—while undeniably campy in some respects, which you have to remember was part of the aesthete of the times (2)—demonstrates how clearly wrong that executive was.
As all of you know, the series has not been released on video. But this spring at I-Con IX in Stony Brook, I was fortunate enough to obtain a pirated cassette of the episode. I had not seen the episode since that one time it originally aired, so it was with great anticipation, as well as a giant bowl of popcorn, that I sat down to rewatch it. And rewatch it I did, 17 times in a row.
As with every episode of the series, this one started with a brief cold open.
A Terran rocket ship nears a planet. A navigator announces, “Approaching Jupiter, captain!" (The planet Jupiter is played by a rather good matte painting of Saturn by legendary sci fi artist Emsh.) We see the captain of this ship and his crew are handsome men and women, who seem to spend more time giggling and flirting with each other than attending to their duties. The camera closes in on a short, swarthy man with a thick mustache who is mopping the deck. (Yes, in the future they still use mops!)
His overalls are dark and drab. Two male officers dressed in primary-colored uniforms walk by. One of them, with a nametag that reads “Abbot,” stops and gives the janitor a mock salute. “Aloha, Major Juan,” he says. The other man, with a nametag that reads, “Costell,” takes the mop, spilling the bucket, and says, “I’m sure you could use this to fight evil aliens, Major Juan, huh?” The two officers exit laughing.
The janitor, crestfallen, looks down at the mess they’ve made.
An imposing authority figure then comes by. His nametag reads “Capt. Jackson” and he says, “Don’t just stand there, you lazy git! Get to work! What are we paying you for?”
The camera lingers on the spilled mopwater and at that moment the transparent form of the Dutchman rises up through the riveted floor to his waistline. The janitor continues to swob the deck, sometimes passing the mop through the broadly smiling apparition.
Played, as we all fondly remember, by veteran actor Van Johnson, the Dutchman (3) was the spirit of the dead skipper of the ill-fated Earth ship Dutchman. In exchange for having lost his entire crew, he was cursed to wander through the galaxy and witness the misadventures of humans in space. (4) He would materialize out of thin air or emerge through a bulkhead or hover over an alien world, and, unnoticed by that episode’s characters, would introduce the story and then reappear at the end to wrap up things with a piquant moral.
In this episode, hands across his broad chest and in Johnson’s distinct baritone, the Dutchman intones: “Meet Jose Ortega, a simple, hardworking man with a dream: To own and operate his own space ship. His fellow crewmen on the United Earth vessel Maine laugh at him and his dream, but they won’t be laughing . . . for long.”
As the camera pulls back from the Dutchman and out through a porthole, he adds, “The Maine’s mission: reconnoiter a fleet of UFOs heading directly toward planet Earth. What do these aliens want? What will happen to Earth when they arrive? And can one simple man make a difference?”
The series’ music and credit roll at this point, accompanied by the infectious theme song, with its distinctive mix of theremin and surf music, and the lyrics we all know:
We're out of space and we’re out of time, my love
Let’s go where no one can see us
Out of here before we lose our minds, my love
Let’s go . . . let’s go on a mission to Venus!(5)
A commercial break follows, with ads for Goodyear tires (“When there’s no man around…”) and the Frito Bandito.
After the commercial break, we see Jose putting away his mop and bucket. Judy, a scantily dressed blonde communications officer, is sitting nearby, smoking a cigarette.
“Don’t let those bullies get you down,” she says. “There’ll be a time for you. A time for both of us.”
Jose shakes his head. “I don’t know, Miss Judy. All I have ever wanted was to have a ship of my own to go gallivanting around the cosmos.”
“Such a man! Major Juan, why don’t you settle down with a good woman and have a few bambinos?”
She hugs him tightly, and we can see from Jose’s leery reaction and the bawdy musical cue that he thinks she could be that good woman, but she just smiles and turns away.
Suddenly, alarms blare! Red lights blink! Three alien spaceships looking a lot like pie tins dwarf the Maine. (According to The Mission Venus Compendium, these were indeed made of old pie tins.) At her post, Miss Judy (how she got there so quickly is never made clear), the scantily dressed blonde communications officer, tells Capt. Jackson that she can’t get the aliens to respond. Jackson orders nuclear missiles to be armed. The camera cuts to two empty chairs on bridge. Then there’s a smash cut to the crewmembers who are apparently in charge of the missiles frolicking in a radioactively-heated hot tub not noticing the “DANGER OVERHEATING” sign (which we’re led to assume is being caused by their ardor).
At that moment, Ortega is outside in a patch-covered space suit scrubbing the sides of the ship. (How he got there after putting away his gear is never made clear.) No one has bothered to warn him or call him back inside. Suddenly, the ship begins to rock back and forth, we hear explosions, and then see a blinding flash of light. We see Van Johnson’s ghostly image waving as Ortega’s spins away into space, unattached to the ship and out of control.
Suddenly, after a cut to black, we find Ortega unconscious in a circle of light. Next to him is the unconscious Capt. Jackson, for some reason. Dramatic theremin music plays. As he stirs, three tall, silver aliens with big heart-shaped heads emerge from the darkness. (According to The Mission Venus Compendium, these were made of papier-mâché and footballs.) Their expressions are fixed, wide eyes and eyebrows up in big curves. Ortega holds up a scrub brush to protect himself when, suddenly, one of the hyperencephalic alien speaks: “¿Que es su nombre?” The subtitle reads: “What is your name?”
Ortega is dumbfounded. To himself he says, “Madre de Dios!” Which is translated as “Oh my!” Then when he finally makes his reply, it’s fascinating. He says, proudly, “Me llamo Major Juan."
This—this is an important moment! This janitor, thought of as lowly by the rest of the Maine’s crew, has appropriated their derisive nickname for him in order to empower himself.
“We have come to seek friendship,” says the head alien--in English. But we are meant to realize the rest of the conversation is still in Spanish, which is admittedly confusing. Per the Compendium, the producers thought switching to English made it easier for the predominantly English-speaking audience and/or for the people who hated subtitles.
“Tell us of your planet, Earth,” says the leader,
“There is so much to say. I don’t know where to begin,” answers Ortega. “It is blue and green and beautiful. It is rich with resources, enough for everyone to live and live well.”
“Humans such as you are in charge of this world?”
“Well, such as me and not such as me.”
The lead alien looks surprised still, but with the musical cue we are meant to realize he is horrified. “Are all the humans on Earth not treated fairly?”
“Well, some of us could be treated a little better.”
The lead alien remains looking horrified.
Capt. Jackson rouses himself them. He says, “What’s all this Martian gobbledygook?” He grabs Jose by the color and shakes him.
“They’re speaking my language, captain. They are speaking Spanish.”
“What?! That’s impossible!”
“But they are!”
“Listen here, you nitwit: If you collude with these aliens, you’re betraying your country and you’re betraying your planet! But most importantly your country!”
“Mucho gusto,” the aliens say (returning to on-screen Spanish; the subtitle reads “Hello, friend”).
The captain’s eyes almost come out of his skull. “Jesus, Mary, and Joseph!”
There is a flash of light—and then we cut to commercial! Some of the old ads included Kool-Aid (“Kool-Aid, Kool-Aid, so great, once you try it no can wait!”) and Fresh Stick (“I did everything you said, but my boss still hasn’t asked me to lunch!”).
We come back to what looks like a courtroom situation, with the three aliens behind a tall bench, and Ortega and the captain in two docks. The lead alien asks if the society of Earth is a fair and just society. Capt. Jackson vehemently says it is. “Everyone on Earth, at least in my country, gets a fair share. But they have to work for it. We can’t just give stuff away. That would be Communism.”
The lead alien then turns to “Major Juan” and asks him what he thinks.
Ortega is silent for a long time while the show’s suspenseful theremin music plays. Sweat beads on his swarthy face. (Note: The Greek actor’s ethnic features were amplified with dark makeup). His first words are “The burdens of generations of poverty . . .”—and then suddenly, as if someone somewhere pulled a giant switch, the screen goes blank!
I remember this happening in 1970. I was five years old, and I remember screaming at the television, “Wait! What happened?!” And I remember my father, rarely at home in the evening, pounding the box on the side forcefully, to no avail. The screen went to a test pattern, then commercials until it was time for that week’s episode of Judd, for the Defense.
We know that the decision to cut off the broadcast came from the network, but we do not know who made the decision. Rumors abound that an affiliate or an accountant or a lawyer finally read the script or saw the completed cut and decided that America was not ready for it.
What we do know of the ending comes from Ready to Explode, the biography of the script writer, Corinthian Tody, aka the pen name of the late series co-creator Jack Hoffman Sr., as well as his collection of essays, Under the Electric Udder. Apparently, he had written several endings. Here is a reproduction of his own personal notes:
--Jose allies with aliens to conquer Earth. Speaking only Spanish they swoop down and start invading. (Forget this! Will put me on FBI list. I hate my life!)
--Jose befriends aliens and brings them to Earth to celebrate. Note: Reject inevitable request by Scott to play “La Cucaracha” during this scene. FUCK ME.
--The aliens capture Judy and Jose rescues her, and they fall in love. Would have to be careful about casting. She couldn’t be too pretty or viewers would balk.
--Jose leaves solar system with the aliens to find himself. Very Ram Dass. Very Razor’s Edge. Could be backdoor pilot to series, like Route 66 or Then Came Bronson, but in space! (Fat chance getting this greenlit!!!)
--Aliens cook and eat Jose like livestock. Serling did already, no? He did everything already!
--Jose somehow at ship’s helm. In the background, Capt. Jackson and ensigns are swobbing the deck. Cut to an exterior shot that shows Jose leading the alien ships toward Earth. To what end? Who knows! Jose asks the comely communications officer to hail Earth: "This is Major Juan to ground control. I’m coming home." (6) Then, floating into the control room from stage left, the Dutchman turns to the audience and concludes: “What happens next? At the very least, we can say that, to the people of our small blue marble of a planet, the stars are going to be looking very different from now on. Buenas noches all, and to all a good night." Note: Network will never let me do this!
So which one was actually filmed? With Hoffman dead, every one of his four wives silent on the matter, and no existing original finished prints of the episode, we may never know!
But I will tell you it is Hoffman’s final idea here that I would have killed to see. Here we have Jose finally fulfilling his dream of owning a space ship. It would have said to me at that age, a four-eyed, little Hispanic boy who barely spoke anything at all, let alone English, that I could be a space hero one day! (7)
Maybe one day, someone will find the finished shooting script. Maybe one day the truth will be uncovered. (8) — Willie Colon.
FULL CAST
Jose Ortega Michael Constantine
Captain Jackson Robert Culp
Ensign Abbot Frank Sutton
Ensign Costell Ron Masak
Communications Officer Judy Lynne Marta
Ensign in Hot Tub Dick Gauthier
Girl Ensign in Hot Tub Judy Carne
1 As we all know, Mission Venus was the brainchild of writer Jack Hoffman Sr. and producer Scott Forbin. Hoffman wanted to do a serious anthology show, but it was Forbin who retooled the pitch and sold the show as “a sexy romp to the stars.” Why Venus is in the title is also never explained—though a star chart of Hoffman revealed he was “Pisces, venus rising.” Each week the ship encountered different humans and alien species in crisis—like the mad scientist who searches for his lost android in “Robby Come Home”; the superintelligent insect man who starts a rebellion at a research facility in “Ant Misbehaving”; or the meek bookworm who gets stranded on a planet with a beautiful woman but no Dickens in “Almost Paradise.”
2 Many fans have noted the series could be characterized as Twilight Zone meets Star Trek meets Love, American Style.
3 Obviously a play on the Flying Dutchman legend.
4 As you know none of this was stated in the actual series. But we know the Dutchman’s origin story from the pilot script, written by series creator Jack Hoffman, which was never filmed and never aired. Forbin attempted to rewrite but gave it up because he said, “It gave me the blues, man.”
5 Every schoolboy knows the dirty version of these lyrics, so there’s no need to reprint them here.
6 David Bowie was a close friend of Scott Forbin’s and a frequent visitor to the set of Mission Venus. Whether this episode inspired his song “Space Oddity” in any way is the subject of another column. But we have to note: He was listed as co-owner of the famous Mission Venus disco in Manhattan.
7 However, I ended up becoming a pornographer.
8 The truth was never uncovered.
Felisa flipped off the translator and raised her head from the brittle manuscript she had been examining. “¿Qué estupidez es esto?” she said to her lover.
Zita turned from the console, where she had been struggling to map planets that no longer existed, that had been swallowed by a swollen star, whose hydrogen was slowly depleting. Meanwhile, their ship’s computer steered them through a field of space dust and debris. “Cualquier tonto que fuera tenía una gran imaginación.”
“Todas hablan español en el universo.”
“Lo sé, mi amor, ciertamente cualquier persona con inteligencia.”
Felisa wrapped her arms around Zita and kissed her. “No puedo creer que perdí tanto tiempo leyéndolo.”
“Es nuestro trabajo examinar lo que encontramos en este sistema muerto. ¿Eso estaba en la caja de metal?”
“Sí, pero la mayor parte se desintegró cuando abrí la caja. Lo que sobrevivió fueron figuras anatómicas de las criaturas que deben haber escrito esta tonta historia.”
“¡Basta de estas criaturas muertas! Guarda eso y ven al hidromasaje y muéstrame tu figura anatómico.”
“Pero tenemos trabajo.”
“Olvídate de trabajo ya. Hueles a polvo. Ven aquí.”
“Estas tan fresca, mi amor!”
“Déjame mostrarte cuánto.”
Matchmaking and Taxes
Grandmother wasn’t the only one who thought I needed a partner. My mother gently told me last month, “I keep looking for a saint we could ask to help you find a novio.” I didn’t have the heart to tell her that the chances of the Catholic Church creating a patron saint of queer relationships was infinitesimally small.
It didn’t matter who or what you were, my family thought no one should be single. My Aunt Davida kept pushing me to go out and meet guys. “Sleep around until you meet one you like,” was her advice. “That’s the best way to find true love.” This from a woman who married my uncle when she was sixteen and was still blissfully with him nearly fifty years later.
One cousin suggested I should sign up for a dating service, not knowing all the apps I had on my phone, and another told me it was time for me to think about children. “You aren’t getting any younger,” he admonished. They preferred I meet a nice Mexican man, of course, or at least someone Latino. But that wasn’t necessary. Everyone just wanted me to be with someone.
I had four siblings, all of whom had at least embarked on a long-term relationship even if they didn’t last. It was my turn, if only to give everyone something to gossip about. “I’m sure there is someone wonderful out there for you,” Elena promised me. “And we will all talk behind your back about why he puts up with your annoying habits.”
I was twenty-six, out of school, and living on my own. I had graduated with a business degree and was an independent adult gainfully employed. On paper at least, it was time I acted like an adult. While my family was otherwise proud of me, Mom still had a picture of my league champion soccer team from my high school up in the hallway, they thought that being single made me incomplete.
On the other hand, I felt like I was just starting out in life. Despite the low-cost education I received from the California State University system and living at home my first two years, I graduated with huge student loans I can barely make the payments on. I drive an old car that embarrasses me and live in a studio apartment my brother Mike calls the smallest in Silicon Valley. I have far too much Indian blood in me to pass for anything but Mexican so if that isn’t a guy’s taste, I am out of luck. An accountant for a real estate company, my only luxury is my gym membership. Now that I think about it, maybe I was too dull to be marriage material.
If you want to hire a matchmaker, Señora Alba is a great choice. Not only is she a well-respected bruja, she also dabbles as a curandera, and during tax season prepares returns for half the neighborhood. Thus, she knows everyone: the good, the bad, the broke, and the single. In my family alone, she found Uncle Rodrigo his second wife, cured my cousin Manuela of hiccups by brewing a special herbal tea, and helped Elena straighten out her 401(k) roll over. “You weren’t too proud to go running to Alba to have your taxes done,” Elena taunted me. “What makes matchmaking so different?” Still, the idea of Alba assessing my physical, emotional, and financial strengths and weaknesses disturbed me. And though Alba has excellent taste in men, her love life is legendary, I was put off by her meddling. Angry that they thought I was a pathetic loser at romance, I vowed to Elena, “I am going to reject anyone that Alba picks out for me.” Childish, but they had hurt my feelings.
The next evening at the gym, I found out my humiliation had gone public when Mike and his buddy Alejandro teased about the matchmaking going on all around me. “No ring yet,” Michael reported to Alejandro as he held my hand up. “I’ve heard Alba has interviewed over a hundred men in three languages and none have agreed to woo my hermanito.”
“It’s his baby face,” Alejandro suggested as he pinched my cheek. “He’s cute in that muchacho next door kind of way but dating him would be like going out with a puppy dog. That’s not everyone’s taste.” Michael and Alejandro laughed while I turned red. They were best friends, having met when they started working at Mayfair High School where Mike taught Drama and Alejandro ran the ESL program. Though Alejandro was handsome and gay, I never paid much attention to him because he never expressed any interest in me. However, he had the key as to why Abuelita had made my love life her priority.
“Last Saturday, your grandmother was at Pancho González and Julian Chávez ‘s wedding. You should have been there, it was spectacular,” he explained. “They wore matching tuxedos and arrived in separate coaches drawn by white horses. There was a sit-down dinner at eight prepared by a chef from Oaxaca, and a midnight buffet that featured sushi and a taco bar. They had a band inside rocking the best norteño music I’ve ever heard, and a DJ blasting party tunes out on the patio. Your grandmother danced for hours. Everyone did. Sometime after her third glass of champagne, Abuelita told me you were her only chance to have an over-the-top gay wedding in the family.” I was doomed.
Over the next several days, I kept my eyes out for a setup, but nothing happened until Friday when Abuelita asked for a favor. “I bought a new television online and didn’t want it stolen off my porch, you know how bad the crime is on my street. So I had them deliver it at Santiago’s Market where I need you to pick it up for me. When you get there, see Tony, Santiago’s son. He’ll help you get the TV into your car and then come over with you to bring it up the stairs to my apartment. I arranged it all.” This was so obvious that I had a hard time not laughing. Still, if Abuelita asks me to do something, I do it.
Again, my humiliation was public and there was a crowd at the market when I got there including my mother, two aunts, my brother, and Alejandro. It was as if someone had sold tickets. “This is too entertaining to pass up,” Alejandro said, smiling.
To punish him and to thwart Alba’s machinations, I asked Alejandro to help me with the television. I admit I was tempted by Tony. He was mad handsome and still as built as he had been during his high school wrestling days when I had drooled over him. But I was determined not to let Grandmother run my love life and refused Tony’s offer to help. Abuelita must have been surprised when Alejandro and I carried her television into her apartment, but she didn’t say anything. I had won the first round in this war, but I didn’t gloat.
Afterwards, Alejandro and I went out for burgers to dissect the setup. “You know Alba would lead with a Dominican, she loves their music,” he teased. “Let’s face it, your family could use some outside blood.” That was true. Just about everyone in the family had married someone from Coahuila. Abuela had married a second cousin from her little village while Mom and Dad had lived across the street from each other growing up. My family never went too far afield to find our mates.
“Nothing against Tony, I’d have a roll in bed with him anytime.” I wondered why we had never hooked up. Maybe I was too timid to act on my crushes. “But he has no ambition beyond running his father’s store. I want someone who wishes he could go to Mars, even though he knows it will never happen,” I told Alejandro. “I want a guy who lives in his dreams. Tony is too literal.”
“Dang, you are tough,” he replied. “I’m lucky that Alba isn’t pushing me on you.” We both laughed.
Thanks to Alba, I started getting all sorts of strange requests. A guy I barely knew wanted me to be his date at his sister’s quinceañera party, a one-night trick from two years ago suddenly resurfaced to ask me to dinner, and a man at the gym invited me to go home with him. “You’re hot as hell, bro,” he said as he stood next to me in front of one of the wall mirrors by the free weights. “I want it right now.” Fortunately, Mike and Alejandro didn’t see us leave together. Gym guy was not one of Alba’s setups, however. Though I had a good time, it turned out he had a boyfriend.
The hits kept coming. A guy on Grindr texted me that he was “Grandmother approved” while a bartender asked me how the matchmaking was going as he slipped me his phone number. “I am exhausted from all this,” I complained to Alejandro the next evening at the gym.
“Cheer up,” he said as he hugged me. “Now you know everyone wants your hot body.” His arm around my shoulder felt good.
The next Thursday, everyone went to see Mike’s students perform Romeo and Juliet. With a party of thirty in an open seating auditorium, it was chaos with people trying to figure out where to sit. At the very last second, Alba ordered Kyle Moon, a gym coach, to take the seat next to me. This may have been innocent, but with Alba in action, I suspected everything. As far as I knew, Kyle was straight and I was pretty sure that Abuelita would prefer me to date a Latinx guy, but under the circumstances, I was annoyed by this blatant setup. To make matters worse, Alejandro was sitting on the other side of Kyle, rather than next to me, and by this point, I was convinced that he should be the one I go out with. But of course, he wasn’t anyone’s idea of a proper boyfriend for me. Keeping my anger hot, Abuela and Alba sat behind me, and before the play started, they loudly assessed the romantic potential of every young man in the audience. I seethed.
The family had found out I was gay ten years ago when I stupidly left a Valentine’s Day card from a classmate on the kitchen counter. Billy Martínez was a dream and had worked for a week to create a giant card that opened up into a three-dimensional football stadium with our names in a pink heart at the fifty-yard line. My parents were cool, though I was mortified when they put the card up on the mantle to show off. Elena helped me through that time. “Be grateful,” she told me. “Mom is trying to tell you the family loves you more than anything.”
Not everyone was nice about my being gay. Aunt Julia’s boyfriend is always making crude jokes, and a cousin pointedly told me that I was never allowed to be near her kids. There were guys at my high school who threatened to kill me, and a group of girls nicknamed me mariposa rosa and painted pink butterflies and obscene drawings on my locker. I was happy to get out of there alive.
Watching the doomed romance unfold on stage, I kept wondering why I was single and ultimately decided I was too shy. There were several men that in hindsight would have loved to become involved with me, but nothing ever happened because I was too scared to initiate a relationship. When this matchmaking ended, I vowed, I would go out there and act on my feelings. Then I decided not to wait. I abruptly asked Alejandro to go on a date as we walked out of the auditorium.
“Sure, if you want,” was his response. I didn’t find that reassuring.
Regretting my spontaneity and fearing more public humiliation, I said, “Please don’t tell anyone about this. You know how everyone is watching me.” He agreed to keep it quiet.
Alejandro is so handsome, he makes me nervous. He is two inches taller than me with a perfectly proportioned body, well-muscled arms, and a widow’s peak that draws attention to his big sparkling eyes. We are about the same dark shade of brown and he has a way of talking with his hands that I find irresistible. Three years older than me, he was much more grounded than I could ever be. Though he likes to laugh and is always full of jokes, he is serious while I am all giggles. Thus, I didn’t have high hopes for us going forward. I figured he was only going out with me out of pity.
It turned out to be the best date I had ever been on. We were blissfully happy and totally in sync with each other. At one point I was suppressing the urge to laugh and tell him I was having a great time because I didn’t want him to think I was a gushy romantic when Alejandro leaned back, laughed, and said, “This dinner with you is so wonderful, I don’t want it to end.” I was hooked.
He spoke a lot about his family. “As the youngest, I am the only one with status; everyone else stays in the shadows so they don’t get picked up. From the start, I had to interpret for them and represent them when we faced the outside world.”
I felt all of my privilege for being born in the US, but I also knew the pushes and pulls he had experienced. “We all have to work together to protect the most vulnerable of us,” I told him. “A lot of folks are here without documents. We live intertwined together, we share our lives. If we lost any one of them, we all would suffer,” I felt helpless as I always do when the topic is immigration.
“I teach ESL to help the kids who are like me when I was young,” Alejandro told me. “There is so much pressure to get ahead, yet at the same time, their families so depend on them that they can’t keep up.” Mike had told me how Alejandro’s students adore him and how he is always helping them navigate the bureaucratic mess that ensnares non-citizens.
“I know how our families frame our lives,” I said. “My father wouldn’t let me become a social worker or a community organizer. No. I had to major in something practical like business. ‘We gave up your brother to teaching to help our people. You have to look for other ways to make something of yourself,’ he told me. You’ve met my father. I couldn’t ever go against his wishes.”
“I understand. We are all still trying to figure out our way between our families and the world,” Alejandro nodded. He still lived at home, though Mike told me he wanted to move out. “I’m always second guessing myself. I wonder if teaching is the right way to go. Sometimes I think I should run for office to change things. My father thinks that I am crazy when I talk about that, but I like to aim high.” I just stared into Alejandro’s eyes, lost in their possibilities.
After a brief silence, Alejandro said, “When you give me that cute puppy dog look, I have to ask if your apartment is really as small as your brother says it is.”
“It is pretty cramped,” I answered. “When I have a guy over, we have to be on top of each other all night long.” I let that sink in as I explained, “I moved out of my parents’ place when my sister and her three kids came to live with us. I was too old to sleep on a couch every night.” Then I took another bold step. “Want to come back with me?”
When Alejandro looked around my tiny apartment, he smiled and said wistfully, “You are so lucky. I wish I had a place like this.” Then he pushed me down on the bed.
Within a week Alejandro was spending every night with me. By the end of the month, he had moved in. We alternated Sunday dinners, one with his family, one with mine, and we did everything together: the gym, soccer, and knocking on doors to get our candidate elected to the city council. Still, as far as I knew no one had a clue we were seeing each other, and I was happy I had outsmarted Alba. I wanted to keep things quiet but the news of our relationship began to leak out. Elena saw Alejandro’s car parked in front of my apartment early one morning, and Mike caught us sharing a drunk sloppy kiss after our soccer team went out to celebrate a big win. He confronted us when he saw me wearing Alejandro’s beat up Mayfair High tee shirt at the gym. “Listen up, lovebirds. Either you go public, or I am going to tell everyone. I can’t keep a secret.”
It is hard to overstate the status of Mexican grandmothers. Fathers may love us to pieces, but they always have unreasonable expectations. We have to have perfect in every way. My father even had an opinion on what car I should drive. “Get a dark sedan. Cops always pull over a Mexican driving a red SUV.” Daughters have it even worse. Mexican fathers’ primary role in life is to make their daughters miserable by being overprotective. They hate every boy who even glances at their virginal little girls.
Mexican mothers are similarly ambiguous. They will fight to the death to protect us, but they also feel it is their duty to wheedle, threaten, prompt, and cajole their sons to do what they think is right. It drove my mom to madness if I left the house in a wrinkled shirt, for example. “If the teachers see you disheveled, they will blame me,” she said, tears running down her cheeks at the thought of the humiliation. Again, Mexican daughters have it worse because their mothers try extremely hard to prevent them from making the same mistakes they did. Daughters are too much like their mothers to get along.
Grandmothers, however, are the warm source of unconditional love. There are never any fights, never an argument or raised voice, and they never hurt our feelings. Abuelita would slip me cookies when my parents weren’t looking, and she let me stay up late to watch spooky movies when she babysat me. I admit to being annoyed when she made me say the rosary with her, and I grew bored the hundredth time she told me how bad things were in Mexico before she left. But those were minor quibbles.
Abuelita was the tough matriarch of our family. Denied the opportunity to go to school, she had taught herself how to read and write Spanish and after she moved to California, learned it all over again in English. She organized everyone to come to the United States, and when the window to citizenship opened up in the eighties, she had everyone apply. She and Abuelito raised seven children, and thanks to their force of will, none of their children or grandchildren succumbed to gangs or drugs. After a lifetime of hard work cleaning hotel rooms, Abuelita was at last retired, but only because her children demanded she rest. We all did whatever we could to please her.
Imagine my fright that I was going to confront her, perhaps the first time since the time of the fifth sun—the Aztec creation myth says we are in the fifth world—a grandson was going to directly contradict his grandmother. But I owed it to her. I couldn’t let her keep spending her money finding me a match.
My opportunity came while we were at Tía Agueda’s house. Alejandro was out back teaching Mike’s four-year-old and the other kids how to merengue; by now he had spent so much time with my family that if I showed up someplace without him, everyone asked where he was. My parents and their siblings were playing cards around the dining table while arguing over who was responsible for the latest defeat of the Mexican National Soccer Team. Abuelita and I were cleaning up in the kitchen. She is a tiny woman; I could easily lift her up over my head. Her short hair had turned gray before I was born; now it was mostly white, which made her dark skin glow. While she talked about her volunteer work at the parish, I kept looking at her to assess her mood. But she is as undecipherable as a marble statue. No one knows what Abuelita is thinking, but we always know what she wants. And here I was about to go against her wishes.
Surprisingly, it went very well. “Alejandro is a good boy. His family is very proud of him.” That is the greatest complement Abuelita has for anyone. “Es muy guapo,” she added. “Though both of you need to put on some weight.”
“No hard feelings?” I asked. “I am so sorry you were worried about me. I apologized for making you go through all this.” It was heartfelt.
“Pues, it was worth a try. I only wanted to help,” she said with a smile. I offered to reimburse her for Alba’s fee, but she refused. “This is a business transaction between the Bruja and me. Don’t go poking into it.” I backed off and put it out of my mind because I was excited that I was in a full blown, open, happy relationship with Alejandro. And I was with him on my own, without anyone pushing us together.
My sister finally told me what happened. “You really are a fool,” Elena rolled her eyes at my innocence. “No one can outsmart a bruja. It’s impossible to stop an abuela when she sets her mind to do something. Everyone knows that Alba planned to set you up with Alejandro from the beginning.”
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