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Rosa Martha Villarreal's collection of short stories is a journey into illuminated darkness. Here is a writer who took Octavio Paz's admonition to heart: "to close your eyes, and lose yourself in the darkness under the blood-red forest of your eyelids." I cannot remember ever reading a contemporary author writing in English that so fully embraces the night, darkness, and the wisdom of death. Here burns the unashamed desire to see the in-between world beyond the hanged man, to hear the songs of vultures in ancient Pecan trees, to be blinded by starlight, and to awake to find scratches on one's face from the devil himself. Taken together these stories feel like an intoxicated evening spent in a literary garden of fragrant moon flowers, with Edgar Allan Poe and Jorge Luis Borges; mysterious, mystic, in the logic of dreams, and nightmares, but also pulsing with eros. Framed as a conversation between the author and the Latin American and Anglo speaking writers that inspired her, it is also a dialogue with her own identity as an American Latina, awake in English, but dreaming in Spanish, a writer happy to live and write on the border between the other side, in conversation, in mystery: A welcome spirit in our grimly polarized and binary times. Paul Bargetto, American Theater director in Warsaw, Poland. |
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