by Carmen Baca

​When it reached the community of Pendaries Village, it swooped down over the pine-covered mountains on either side, enveloping them in its fiery, destructive embrace. The plumes rose in billows of black; then they turned white, and finally brown as they covered the sky. The velocity of the winds gave breath to the fire-head on that day. As though a giant blew out a candle, the flames exploded before they whooshed between the mountains on both sides. Out of control, the inferno fed on the ancient pines and spruces, the fir, conifer, and the wild oak. All disappeared into towers of flames, entire mountain tops of trees glowing red, inspiring terror in all who saw them. Those woodland creatures which could escape fled. The sun glared in a fiery orange ball behind the yellow-brown haze, day after day, enveloping everything in a smothering, poisonous fog. Ash fell and embers glowed. Day turned to night for those closest to the danger.
 
And the now enormous enemy continued to fill its belly with everything in its path, devouring one house here and leaving the neighbor’s over there untouched. The monster didn’t choose its food; its wind-driven route determined which structure it ate and how many of them fed its hunger. The people from the hamlets, the villages, and the rural communities obeyed the orders to evacuate: San Ignacio, Las Dispensas, and Las Tusas first, followed by Rociada and Gascón, our closest vecinos in Tierra Monte several miles away, and us.

As the now enormous monster terrorized so many communities, TV news reporters interviewed those who lost everything, and from their helicopters, cameras panned out to show the world how our landscape went from pastoral meadows and verdant mountain forestlands to miles of blackened, limbless trees standing like tall arrows pointed at the skies, the ground beneath a mix of gray ash and black soot. Homes, barns, and outbuildings which had been in families for decades turned into piles of rubble, many topped with the bent and curled-up tin which had been their roofs.
 
The red beast played a game of Russian roulette with the land, ingesting one section of forest and leaving another over the next hill alive, devouring an entire rural community while bypassing the one beside it. Like Death, the beast was indiscriminate. It felt no empathy for those whose lives it afflicted, feeding itself with their priceless treasures, heirlooms, and family inheritances. It bore no sympathy for the flora or the fauna it consumed.
 
Close to 80 days passed as the monster fed itself, terrorizing the people and the animals in its path. In early June, with over 341 thousand acres of destruction in its wake, it slowed in consumption. Some days it held in containment; other days it grew by several hundred acres. We hoped the end of the nightmare was close.
 
But we also knew it could revive in any location where hot spots remained, those smoldering trunks or burning utility poles, dense material not easily extinguished. The beast, even in pieces, could threaten us once more. It wasn’t likely to return over the already destroyed areas since it sought fuel to reanimate. Our forestlands were burned or badly singed, but our Cañoncito, the valley between the mountains, remained mostly intact the night the fire head swooped over us and left our vecinos in Tierra Monte with nothing. A shift of the winds could bring the flames back upon us. We prayed for the beast to become more subdued by the day until we could draw deep breaths and let the anxiety fall off our bodies. We longed for blue skies and days without rising plumes.

​“This is the forest where my stories take place. The green growth is something we’ve never had before. The ground is gray from the ash, soot, and flood water debris.”
​Photo and caption by Carmen Baca. 

Carmen Baca taught high school and college for thirty-six years before retiring in 2014. Her 2017 debut novel, El Hermano was a New Mexico-Arizona Book Awards Finalist in 2018. Her third book, Cuentos del Cañón, received first place for short story fiction anthology from the same program in 2020. Her latest novel, Bella Collector of Cuentos, was published by Somos en escrito Literary Foundation Press in November 2022 (order a copy here). She has published five books and over fifty short works in online literary magazines and anthologies. She and her husband live a quiet country life in the mountains near Las Vegas, New Mexico, caring for their animals and any stray cat that happens to come by. 

by Linda Zamora Lucero

Papa’s funeral, spring 2009. In the tiny chapel are my sister Ellie and her clan from Phoenix, my brother Tito, both of Tito’s ex-wives, and Papa’s best buddies—Montez leaning on his cane, Garcia in his wheelchair, reeking of cigar—both retired welders from Hunters Point shipyard. Papa radiated so much love even my newly ex-boyfriend Julián shows his face to pay final respects. Only Mama is missing. When Tito went to pick her up, she insisted she was too distraught to come. Great, I think, although I don’t believe it for a second. Sure enough, just as the service begins, she materializes in the middle of “Gracias a la vida” in a red coat and yellow hat with feathers.
 
“I don’t need help to sit down!” Mama says, slapping the usher’s hand away.
 
“You’re late,” I whisper, grudgingly making room for her in the pew. Dressed up for Papa, I’m wearing a fitted black dress with tiny hand-sewn turquoise flowers, a Oaxacan shawl, large hammered gold hoops, black hair pinned up.
 
“Hello, Raquel,” Mama says pleasantly, sitting on the fringe of my shawl. “Such beautiful music.” And she commences to hum along with the vocalist. Yanking the shawl loose, I close my eyes and pretend she isn’t there.
 
                                                                ****
 
After the service, our family gathers at Tito’s house, where we wolf down plates of homemade chile verde, throw back shots of Herradura and recount the same cherished stories we always do whenever we get together. A favorite is how one Thanksgiving—this was before Mama abandoned us—we children were squabbling over the drumsticks—and Papa asked if he could just this once have some peace around the table. Seven-year-old Tito, thinking he was being real hilarious, smugly handed Papa the bowl of peas, whereupon Papa angrily slammed his fork on the table. We watched in horror as the fork slowly became airborne and cracked the kitchen window. We ate in chilly silence until the pumpkin pie with whipped cream made us boisterously happy again.
 
Tito says, “’Member?” We laugh at the timeworn anecdotes, fall silent with grief. At the ripe age of thirty-nine, Ellie gets up to dance, leading us in a raucous chorus of “Papa Was a Rolling Stone.” Missing Papa’s delighted belly laugh at his youngest daughter’s antics, I suppress a shuddering sob. Ellie’s kids bickering over a toy feels like the saddest thing in the world. Tito brings Mama a cup of té manzanilla and fusses over her. She eyes the proceedings from a corner armchair, the feathered hat like some ridiculous canary atop her head. She’s on her best behavior.
 
Of course, it doesn’t last. Barely three weeks pass before the director of the Thirtieth Street Senior Center calls me at Galería Libertad, the community art center I direct, asking to meet with Mama’s family, meaning Tito and me, since Ellie is safely back in Phoenix. Thirtieth Street is where Mama eats lunch on weekdays, takes piano classes, and is an active member of Mr. Topper’s Mission Tappers, no tapper under seventy-five. Before he died, Papa spent his Saturdays playing poker at Thirtieth Street.
 
“I realize this is a difficult time, so I do apologize,” Mrs. Whitmark says, her lipstick pomegranate pink. She pauses, looks up through bifocals, and an all too familiar despair washes over me. To most people, Mama is an eccentric elder with a mind of her own. Some of us know otherwise. “Mrs. Flores is accusing people of stealing from her purse. Everyone is suspect—the other seniors, the janitors, the cooks, even myself. It’s quite upsetting. Your father helped calm her whenever she got this way, and now we need her family to step in.”
 
“Of course,” Tito says, nodding. “We’ll talk with her.” Tito is a machinist for the transit system. He’s completely overbearing, but somehow women find him fascinating. He’s been married twice with no children, while I can’t seem to find my match, romantically-speaking. Tito has no idea what I do at Galería Libertad. He teases me by introducing me to his friends as “my sister, the starving artist,” and he’s not far wrong. But in the Mission arts community, I have found friendship, love, sustenance. My home.
 
“Losing Dad hasn’t been easy for Mom,” Tito continues. I love my brother, but when it comes to Mama, he ticks me off.
 
“She’s crazy,” I say flatly, brushing a strand of hair from my eye. After Papa’s funeral I’d shorn my long hair into an asymmetrical what-I-hoped-was-stylish cut.
 
Tito shoots me a foul look. But crazy explained my mother who, one ordinary morning after Papa had gone to work, made us children breakfast and sent us off to school, then took a train back to her hometown in New Mexico. To stay.
 
Tito was ten; Ellie, six. I was twelve.
 
In the chaos that followed we all pitched in to help Papa with shopping, cooking and housekeeping. That was the easy part. After Mama left, Ellie suffered from debilitating headaches and Tito was suspended from school every other week for one thing or another. Papa began drinking heavily. There was no one to turn to. My parents had grown up in New Mexico, but we were born and raised in San Francisco in four rooms on Shotwell Street, miles away from kinfolk who gossiped about the neighbors, shushed children at weddings and offered solace when worlds shattered. I was raw with anger at Mama, praying that she’d return to us, declaring that she wouldn’t dare.
 
“Maybe,” my best friend Anna said, “she ran off with a lover.” Prone to dramatic flights of fancy, Anna with her black cat’s-eye glasses concocted wildly romantic stories about our favorite middle school teachers. Now she had one for my mother.
 
Maybe you can just shut up,” I said. A weak response, but heartfelt.
 
Crazy explained Mama’s sudden reappearance in San Francisco five years later. That was the first time a social worker told us Mama was “mentally and emotionally unstable.” But I knew he meant crazy, and for that I was grateful. It explained her crying jags, her periodic paranoia, her denials that she needed help, her refusal to take prescribed medication. Crazy summed it up.
 
In Mrs. Whitmark’s office, Tito loudly clears his throat and promises that he will get Mama to take her meds.
 
“Good luck,” I say, grabbing my daypack.
 
Tito is uncharacteristically silent as we leave Thirtieth Street, his broad, good-natured face splotchy. As soon as we reach my beat-up Toyota, he lets loose. “You were out of line, Rocky, calling Mom crazy! She’s our mother!”
 
Tito and Mama wrote each other regularly after she left. She worked in a café near Taos, and, as we found out later, had reconnected with a high school flame. I was horrified. Tito and Ellie visited her summers, but I refused. When Mama returned, my siblings were elated, being younger and obviously needier than I was. In the five years she’d been gone, I had become 100% Papa’s girl, Athena sprung from Zeus’s head, full grown and battle-ready. Papa never dissed her, but I held her responsible for his alcoholism, his melancholy, for all of us having had to answer endless questions from teachers, busybody neighbors, and shitty strangers who felt sorry for us. Because what’s more pitiful than motherless children in a strange land?
 
So when Tito says, “She’s our mother,” I say, “You’re entitled to your opinion, Tito. I have to go. We have an exhibit of Cuban posters opening in a week.”
 
“Weird haircut,” he snorts. He gets into his car and peels out, as if he were sixteen instead of forty-one. I burst out laughing as his Midnight Blue Chevy leaves fat skid marks on the asphalt.
 
The next time I see Tito, I’ll ask about his prize roses. We Flores don’t say Sorry, even when it’s called for, or a straight-out up-front I love you, even though we do. After an argument, when one of us asks about the weather, it means I’m over it. Dancing salsa after a backyard barbeque means I love my family, or I love the whole fucking world and everything in it. Things go unsaid for days, even years, the love, anger or sorrow pent up inside like a great accumulation of molten lava below surface, wanting release. It’s the Flores way.
 
Friday evening, I’m at home on the computer, writing wall text for the exhibit, half listening to Jeopardy. The category is “Shakespeare,” the answer is “Doubtful Dane.” My cell buzzes—Ellie in Phoenix. I ignore it. We used to watch Jeopardy, Papa and me. He admired Alex Trebek. Debonaire, brainy and not above showing it.
 
A contestant hits her buzzer and shouts “Who is Hamlet?”
 
On Ellie’s third call, I answer, muting the TV.
 
“Mom’s not answering her phone,” my sister says.
 
“I wasn’t answering my phone either,” I chuckle.
 
Ellie ignores me. “Mom was perfectly fine yesterday—Tito says she’s taking her meds, but now I’m worried.” Usually, Ellie asks about what’s happening at the Galería, or about my mostly pathetic, sometimes hilarious dating forays in the six months since I broke up with Julián. Not this time. “Have you seen Mom since the funeral?”
 
On television, Alex Trebek’s lips announce Final Jeopardy, inspiring looks of consternation in the contestants. The category is “San Antonio, Texas.”
 
“Remember the Alamo?” I ask Ellie, wishing she didn’t live so far away. I miss our sisterly heart-to-hearts over her homemade biscochitos and wine.
 
“Come on, Rocky, would you just get over there and check on how she’s doing? Tito’s in L.A. this week.”
 
I sigh loudly, meaning yes.
 
“Great! Love you!” she says, and hangs up. And the burden shifts to me.
 
Mama lives in the same paint-peeling, rent-controlled Edwardian flat we were raised in, located in the heart of the Mission—what the realtors gleefully call “a neighborhood in transition.” No doubt. Since 1492.
 
The door cracks open.
 
“Hi.” I slide my foot inside before Mama can decide whether or not she wants a visitor. “It's me, your daughter.”  
 
“I know.” Hazel eyes peer up at me through huge red eyeglass frames. Mama is queen of her private little planet. She’s wearing a crimson apron with gold rickrack trim over a blue sweater shot with silver on top of a fuchsia dress. Purple leggings, lambswool slippers and a silver “Hottie” pendant complete the look.
 
We are nothing alike. Born in the history-rich Abiquiú, New Mexico, Mama grew up speaking Spanish but she looks like a gringa with pale skin, auburn hair, light eyes like a wary cat. I’m dark like Papa, and proud of it. His first language was also Spanish, but his maternal grandparents were Taos Pueblo. I dress in black: turtleneck, jeans, boots. I do rock the earrings, however; the showier, the better. Today’s earrings are humongous crimson Lucite hearts, a gift from a Oaxacan artist.  
 
“What happened to your hair?” Mama says.
 
“Why don’t you answer your phone?” I counter.
 
The flat smells of Papa’s Tiger Balm and tobacco. I have to stop and catch my breath.
 
“What’s wrong with you, fighting with me already?” Mama looks down the street before closing the door. “I thought you were someone else.” Her tone sweetens. “How are you, anyway, Raquel?”
 
An ordinary question in an affectionately maternal voice, perfectly calculated to derail me. She does this every so often, and when she does, my heart flips like a kite in high wind, and I wonder what it would be like to have a real mother. Would we go to museums together? Would we shop for shoes, get our nails done? What do regular mothers and daughters do? The question slams into me whenever I run into girlfriends with moms, enjoying themselves. Mama hadn’t been there to help me buy my first bra or see me win first prize in a high school art contest. There was more I’d missed, things more profound. I just didn’t know what.
 
The hallway is piled with boxes.
 
“What’s this?” I ask.
 
“I called Goodwill, but they’ve gotten choosy…your father kept everything: clothes, magazines, rusty tools.”
 
A wave of fear hits me. “Goodwill? Where’s his brown suitcase?” Blood thunders in my ears. I catch a glimpse of myself in the hallway mirror. I look exactly the way I feel, bug-eyed and off-kilter.
 
“There’s more in the garage. Not interested in old junk. Old junk, old men, old ideas.” Mama laughs, apparently delighted with herself.
 
Old junk? “Please, please, don’t give anything away! I’ll get Tito to bring his pickup next weekend and we’ll take it all.”
 
She disappears into the front room where the furniture—sofa, coffee table, Papa’s La-Z-Boy—has been moved against the walls. She pulls aside the lace curtains on the bay windows and looks out to the quiet street. “The piano should be here by now.”
 
“Piano?” She doesn’t need a piano. Tito gave her an electric keyboard on one of her birthdays. It’s programmable, so that she can play tango, classical or her pop favorites. Papa would read his detective novels in his recliner, foot tapping while she plinked out Beatles tunes note by note.
 
I never understood why he took her back.
 
“Respect your mama,” Papa admonished me when I gave her attitude. “No matter what, she is your mother.” Respecting Papa, I shrugged. I was seventeen when she returned to Shotwell Street, my eyes were already focused on college and the wider world.
 
Turning from the window, Mama says, “Can I borrow ten dollars until Friday?”
 
I dig into my bag and hand her a ten and a twenty. “Just keep it.” I feel vaguely virtuous, giving her something without begrudging it.
 
“I said borrow, Raquel, and only ten until Friday when my social security arrives.” The folded bill disappears into her apron pocket.
 
“Whatever. I’ll have some water and then I’m out of here.” Running the faucet in the kitchen, I check for signs to report to Ellie. Cereal bowl in sink, oatmeal encrusted. Golden moth orchids I’d bought for Papa at the Alemany Farmer’s Market, shriveled and fallen onto the windowsill like exploded firecrackers. Portrait of the recently-elected President Obama. Wall calendar from La Palma Mexicatessen, inked Xs marking the days. Today is April 6. No X as yet.
 
Mama is right on my tail. “I pay my debts. I’m not like that Julián of yours. He still owes me money.”
 
Here we go.
 
“Jeeze. It was change for a parking meter.” I feel my temperature rise. “I’ll repay you! And you can forget Julián because Julián and I are not together!”
 
Papa’s eyes got cloudy as he aged, but not Mama’s. Her eyes are like new-minted dimes, bright with gotcha. “I don’t forget. Julián shouldn’t be borrowing from old ladies. I’m glad you’re rid of him. It’s better to be alone, Raquel. You’re smart, like me. The smartest of my children.”
 
I’m floored. Mama has never expressed the slightest interest in my life or anyone else’s for that matter. Although mortified by the comparison, I can’t help being flattered that she considers me the smartest.
 
“So,” I say, softening. “You’re renting a piano?”
 
Her arms fold defensively. “It was on sale.”
 
“You bought a piano?” Baffled, I pull out a chair and sit at the kitchen table.
 
“For my music lessons, Raquel.” Still standing, she bristles with nervous energy, her pendant flipped so that it reads “eittoH”.
 
“What about the keyboard Tito got you?”
 
“I need a real piano. Besides, Tito steals from me.”
 
Yup. Genial to eccentric to crazy at maximum velocity. The woman who brought me into this world is fundamentally incapable of being the mother I long for. I know this in my heart, in my brain, in my gut, in my very pores, and yet she gets me every time. I rise to tighten the dripping faucet, then turn to face her.
 
“Look, Tito’s here every weekend, and when he can’t, he calls to see how you’re doing,” I say, defending my brother. “Why do you give him such a hard time?” A better question is why am I trying to reason with her?
 
“You know damned well I can’t trust him.”
 
I take slow, deep yoga breaths. Do not engage. Do not engage. Mantra for Mama.
 
Outside, a vehicle rumbles to a stop. “It’s here!” she says. I follow as she rushes down to the sidewalk, patting her hair in the mirror on her way out. A deliveryman in a maroon jumpsuit strolls toward us from a double-parked delivery truck.
 
“Piano?” he asks me. He has sleepy eyes, a pencil-thin mustache, a clipboard.
 
“You’re late!” Mama says.
 
“Sorry, ma’am.” He tips his cap back. “I’m Jesse and that’s Murphy.” Murphy is pulling a ramp from the back of the vehicle. Mama ignores Jesse’s proffered hand.
 
“Where does it go?” he asks me.
 
I blink, smiling. “I’m just an innocent bystander.”
 
“Up here,” Mama interjects, leading us up the steps and into the living room.
 
“You ordered a Yamaha grand?” Jesse is finally addressing questions to the right person. “Ma'am, we get a nine-footer in here and you won’t have room to sit down and play.”
 
“There must be a mistake,” I say.
 
“I don’t need much room,” Mama says, shooting me a dark look. “Move, Raquel, you’re in the way.”
 
So be it, I think. I’ve always been in your way, we all have, Papa, Ellie, Tito. You could have continued therapy, taken the pills, and avoided the crises that your family—not that you recognize us as family—have had to rescue you from over the years. Selfish, selfish, selfish. I back myself against the hallway wall as the movers expertly rotate the piano to make the tight turns. Well, I’ve done my duty. My report to Ellie: Mama is alive. Mama is well. Mama is impossible.
 
“I’m coming back this weekend for Papa’s stuff,” I say, “and will you please answer your telephone? Because Ellie and Tito worry about you.”
 
As I take off, I hear Mama telling the deliverymen, “There’s ten dollars for you when you’re done.”  

                                                                ****
 
On Sunday Tito is wearing his annoying “I’m just a regular vato from the barrio” get-up—Ben Davis work pants and his “Stay Brown” t-shirt from the San Jose Flea Market. We’re both wearing Giants caps. The sun is out, there’s a game this afternoon. I’m anxious to get back to the Galería where volunteers are painting the walls.
 
“We’re here for Papa’s things,” I say, when Mama comes to the door. She is channeling Cher today: red tunic, shaggy vest, ankle boots. Gray wisps escape a blue-sequined beret the size of a small pizza. “God, open a window! Aren’t you hot?”
 
“Leave me be, Raquel. You know I’m always freezing,” she says. “I'll make coffee now that you're here, Tito.”
 
My brother is definitely her favorite child. There are times I believe he is the only person in the world who can get through to Mama, but when I really think about it, I shake my head, No. Because after his visits she accuses him of stealing and she cries. Always.
 
“Momskh!” Tito says, draping his beefy arm around her shoulder, “Where’s the pianoskh?”
 
Mama’s eyes light up. Tito has invented this Russian-esque language just for her.
 
“Who told youskh?” she giggles, leading us to the living room.
 
Tito halts theatrically in the doorway, throws his hands up in wide-eyed astonishment, “Whoa! That’s some piano!” 
 
The piano is impressive, gleaming ebony, padded leather bench tucked underneath, filling the room like one of those clipper ships crammed inside a tiny glass bottle.
 
“What do you think?” Mama is giddy.
 
“What do I think?” Tito bellows. “What do I think? Takes up a lot of space!”
 
Somehow this is the right answer. Mama practically squeals with pleasure. If there were room she’d be pirouetting around the piano.
 
“It's ridiculous,” I say, addressing Tito. “If she needs a so-called ‘real’ piano, which I doubt, a used upright makes more sense.” Tito’s look tells me to can it. “This is a piano for professionals,” I emphasize, unable to help myself. I’m the director of a community arts center. I believe that everyone has the capacity to make art, to enjoy a creative life. This is my work, yet I can’t manage to extend this value to Mama. I feel like a miserable imposter.
 
“I love it,” Mama says, defiantly.
 
“Play us something, Mom!” Tito doesn’t have to ask twice. Mama climbs onto the bench and sorts through dog-eared sheet music. She begins playing “De Colores” and Tito, leaning over her shoulder to read the lyrics, sings with her. Both are seriously off-key.
 
I escape, taking the kitchen stairs down to the backyard where weeds are suffocating Papa’s tomato plants, and enter the garage from the side door. Underneath the floorboards, the caterwauling is mercifully muted. Papa sold his car awhile back, so the garage is now storage space. I wade through boxes and furniture before I find what I’m looking for: Papa’s brown leather suitcase. Wrenching it free, I wipe the cobwebs with an old t-shirt and sit cross-legged on a box, my heart at peace. The tarnished metal fasteners make a satisfying pop.
 
Lifting the lid, the faintest scent of tobacco in the yellow silk lining sweeps me back to another time. It must have been fall. The living room windows were dripping condensation. Mama had been gone a year. I was still crying myself to sleep.
 
Papa set the suitcase on the coffee table. “Let’s see what we have here,” he said, a cigarette in one hand, a can of beer nearby. His hair was still coal-black, but he was starting to get a paunch. He’d drag out the suitcase now and then, often during the holidays, to show us his treasures—a jumble of photographs and souvenirs—a pretext for his stories of back home.
 
That day it was only me sitting by his side on the worn sofa. I reached for a sepia-tone studio portrait of an elegant native woman in a 1940s fur coat. “Who’s this?” I knew the story by heart, but I never tired of his stories of wicked uncles and chain-smoking grandmas, homesteads and adobes, farmers and dressmakers, sheepherders and coal miners, pueblos and penitentes, trains, abductions, adoptions, fires: tales of love, tragedy and survival reaching back across generations to New Mexico Territory and beyond.
 
“My first cousin Josie, on my mother’s side. She had a tailoring shop in Santa Fe. She was a sharp cookie, married and widowed three times, the last husband a Navajo. She liked them young but it didn’t matter. They still died on her.” We chuckled.
 
I pulled up an unfamiliar snapshot of a couple picnicking on a blanket at Ocean Beach, the Cliff House in the hazy distance. “And this one?”
 
A shadow crossed Papa’s face. With a sinking heart I recognized my youthful parents in a happier time. Silence flooded the room. Papa’s thoughts seemed to alight on something not in the picture, the ashes on his cigarette trembled. Finally, he smiled, seemingly chagrined by his thoughts.
 
I switched the photo for one of Papa as a boy and his older sister posing in front of a Ferris wheel.
 
“I wished I’d known Auntie Rose,” I said. Papa never returned to New Mexico after he and Mama moved to San Francisco—his immediate relatives had moved away or died by then. If there were other reasons, he never shared them.
 
“You remind me of Rose, mi’ja,” he said. “Sparky as hell.”
 
Besides photos, there is a ledger of the early 1900s written in Spanish and English, discharge papers, faded postcards from distant relations we children never knew, yellowed newspaper obits, a ruby ring won in a poker game, a ring neither ruby nor gold. 
 
This is what I came to rescue from Goodwill. My father’s life in a suitcase—all we have left of him besides his stories etched into our memories, tales that kept our family tethered to our history, to this land, to each other. 
 
I secure the suitcase, one snap at a time, and haul it up the back stairs to the living room where Tito and Mama are hammering out “That’s Amore.”
 
Tito insists on getting burritos and a six-pack for lunch. We dine on the kitchen table of our childhood, while Tito tells us about his new lady friend, a teacher. Mama tracks his every word, the better to throw in his face one day. Tito is oblivious.
 
Someone in the building has the game on, radio turned full blast. “The bases are loaded with two men out! Herrrrrre’s the pitch!” When we were kids, listening to the Giants with Papa was the best. Halting in the midst of whatever we were doing—peeling potatoes or washing the car—to visualize the players at the ballpark, we held our breaths, waiting to hear Jon Miller yell, “The ball is up, up…it’s out of here!” My spirits lift remembering how we’d yell and high five each other. Then the heaviness in my chest returns.
 
I claim the suitcase when it’s time to go. The rest of Papa’s things will go into Tito’s garage until Ellie can come out to help sort it all. On the sidewalk, Tito stretches and grins. “Mom’s doing okay,” he says. “We’ll just have to check in on her more often.”
 
“Do you know what a piano like that costs?”
 
Tito’s smile vanishes. “Don’t worry about it, Rocky, I got it covered.”
 
“She can’t wait to get rid of his stuff.”
 
“You can’t know how anybody feels except for your own damn self.” Tito’s voice is hard. “Mom does the best she can. You’re past forty. Is this who you want to be? We grew up with her too. And what’s with that haircut?”
 
Glaring at my brother, I slam the trunk lid closed and get into my car. Wiping away tears, I turn onto Valencia Street, glad to be heading to the Galería. Three signal lights later, I realize I’ve forgotten my Giants cap and make a U-turn in the middle of the street. On Bartlett I drive by two little girls playing hopscotch on the chalked sidewalk like Ellie and I used to do, and pull up in front of the Lermas’ building that has a For Sale sign. Sal is sitting on the stoop, drinking beer and listening to oldies on KPOO.
 
“Hey Rocky. Sorry about your father,” Sal says, as I exit the car. “We lost a good man.”
 
“Thank you.” I’ve known the Lermas since forever and wonder whether they’ve found a place to move to. Before I can ask, I’m distracted by the faint sound of music coming from Mama’s flat. I climb her stairs and peer through the open bay window, past the lace curtains, where she sits half-hidden behind the big, lacquered instrument. Her fingers strike the keys as she squints through her enormous, red-framed glasses at the sheet music, her voice tentative.
 
“Sweet dreams till sunbeams find you…”
 
The playing is measured and precise. The voice not so much, even as it picks up tempo and exuberance.
 
“Sweet dreams that leave all worries far behind you…”
 
I take a breath as my heart unexpectedly catches on a surging memory of Mama sitting on my bed when I was a girl, singing me to sleep. Cozy in pajamas, bed covers pulled up to my chin, lulled by her voice, drowsy. Back when she was still my Mama.
 
“And in your dreams, whatever they be…” Mama warbles with joyful enthusiasm.
 
The afternoon’s heat has eased. Rising above the ambient sounds of the street—a plane overhead, a skateboarder rolling past—is my mother’s voice falling in and out of tune like a kid learning to ride a two-wheeler. Mama in her blue-sequined beret is swaying, creased fingers moving over the black and white keys of the piano, focused on the task, determined like all of us to catch beauty in this precarious life. The sound of the music awakens a raw tenderness in me, if only for the moment. Brushing unexpected tears from my eyes, I sink onto Mama’s front steps to listen.

Linda Zamora Lucero is writing a collection of short stories set in San Francisco’s multicultural Mission District where she was born and raised. She identifies as Chicana, and attended Mission High School, City College of San Francisco and SFSU. Her published short stories are: “ZigZag,” LatineLit Magazine, 2022; “Speak to Me of Love,” first prize winner, DeMarinis Short Story Contest, Cutthroat: A Journal of the Arts, 2021; “When It Rains,” Yellow Medicine Review, 2020 Pushcart nominee; “Mexican Hat,” Puro Chicanx Writers of the 21st Century 2020 Anthology; “Balmy Alley Forever,” Yellow Medicine Review, 2016; and “Take the Money and Run–1968,” Bilingual Review, 2015. Lucero's day job is directing the Yerba Buena Gardens Festival, an admission-free outdoor performing arts series in San Francisco.

by José Antonio López

In addition to sharing our early Texas history with others through my Rio Grande Guardian online newspaper articles, I also wrote about growing up in El Barrio Azteca in Laredo, TX, such as the example below, first published on December 24, 2013.  It describes the time when I first learned of the special Gift of Giving during the Christmas season, and whose message still applies today. Wishing you and yours a very Merry Christmas (Feliz Navidad) 2022.

For most people, childhood Christmas memories serve as imaginary gold nuggets treasured for a lifetime.

One of these gems is also my earliest recollection of when I first learned the true meaning of Christmas giving.

It was 1953; I was about nine years old and in Third Grade at Central School in Laredo, Texas. Mrs. Reed was my teacher. Authoritative, yet warm and friendly, Mrs. Reed was a classic elementary school teacher. Effective and practical in her no-nonsense approach to teaching, she constantly challenged us to learn. In her classroom, “Eyes and ears on the teacher” was the rule.

A few days before the Christmas holidays vacation, she would purchase a small Christmas tree and placed it in the middle of one of the classroom work tables. She also bought the tinsel and garland. Then, each student in class was asked to donate one ornament. They could either make it in class or bring one from home. Trimming the tree was an extra treat for us students. As a reward for good behavior, she allowed us to help her adorn the tree, which was done a little each day. By the time we had our class Christmas Party on the last day of school, the tree was finished. Not all teachers went the extra mile. So, after lunch on that special Friday, teachers formed a line outside our classroom and brought their students to view and admire our creation.

Barrio El Azteca was mostly poor blue-collar. Most of our neighbors were hard-working day-labor folks and migrants. They arose before day-break and returned home at nightfall; dead tired after their day at a building site in town or working at one of the area’s ranches and farms. The next day, they did it all over again. Their pay was dismal; and employment for day laborers was erratic. Knowing that Christmas trees were a luxury in some children’s homes, Mrs. Reed responded with her own style of kindness. During the last day of school, she put all our names in a bag. She then asked a fellow teacher to pick a name from the bag. The student whose name was drawn won the Christmas tree.

More than anything that particular Christmas, I prayed that I would be the lucky winner. Having overheard my parents a few days earlier, I knew money was tight in our monthly budget. It seemed that they might not be able to buy a Christmas tree for us that year. That’s not to say that our house wouldn’t be decorated for the season. Mother always did a great job decorating our home with very limited resources. Too, the center point inside the house was a small Nativity set in the living room. Yet, the spot reserved for the tree was empty.

So, it was with great anticipation that I welcomed the last day of school before our Christmas break. The Christmas Party was well underway that afternoon, when all of a sudden, I heard my name called. I couldn’t believe it. I had won the prize. When the dismissal bell rang, I asked Bernardo, a classmate, to assist me in carrying it home. He agreed.

Mrs. Reed helped us remove some of the breakable ornaments and she put them in a small box. As soon as we reached the outside of the school building, every step of the way became difficult. First, we had to maneuver a steep stairway in front of the school entry. In one arm, Bernardo carried our notebooks and in the other, the small box with the ornaments. I carried the tree still sporting the tinsel and garland. Second, balancing the tree upright in front of me, my view was very limited. Walking on the unpaved, gravel, street was tricky. So I walked on level ground, avoiding any large rocks that might make me fall. A slight wind was blowing and small bits of tinsel were dropping off the tree, marking our way. We were a sight to behold!

Our house was about six blocks from Central School. Bernardo’s house was half-way to mine. So, before we knew it, we had already walked the three blocks to his home. I placed the tree on the ground and waited for him to drop off his school books and tell his mom he was helping me get home. After a moment, his mother walked out to admire the tree and went back inside. It was then that I realized Bernardo’s home didn’t have a Christmas tree.

Suddenly, a hard-to-explain powerful feeling overcame me. I asked Bernardo to open his front door. Before he had a chance to ask why, I carried the tree inside and placed it by the front window. Hearing the commotion, his mother walked out of the kitchen and I asked her if she would like to keep the tree. She was stunned, and began to weep. She gave me a big hug, nodded “yes”, and thanked me. Then, I helped Bernardo put the ornaments back on the tree. It immediately brightened up the room. As I left, the two of them were quietly standing admiring their beautiful Christmas tree.

When I got home, other kids had told my mother of my winning Mrs. Reed’s Christmas tree. As soon as I entered our home, Mother asked me where it was. When I told her what had happened on my way home, she began to cry just like Bernardo’s mom. Mother gave me my second big hug of the day. She then called Dad at work and told him what I had done. My father, a stern man of few words, but possessing a big heart himself, approved of my charity. That evening, he returned from work with a Christmas tree strapped to the top of his car.

In summary, I tell this story to focus on the plight of today’s needy. Having lived the experience, I am in a position to say that poor people don’t enjoy being poor. Nor are they lazy. That is why they don’t deserve the unkind treatment they receive almost daily from politicians and some news commentators. The fact is the poor are in a never-ending struggle to improve their quality of life. They only ask for a compassionate helping hand to grab onto the next rung in the ladder of success. This Christmas let’s all be part of the solution by helping them do it.

by Daniel Acosta, Jr.

The Hardin House
 
I should talk more about my job at the Hardin House—that exclusive dorm for co-eds that parents paid big bucks to have their daughters fed and protected while they attended the mostly white University of Texas. There were a few Black students at UT in the 1960s. The percentages for Hispanics, mostly of Mexican heritage, were in the low teens. It is now around 23%.
 
I was hired by the head cook, a wonderful Black woman who deeply cared for her student workers and treated us with respect. I looked forward to working each night to hear stories about her life, and she really liked to joke around and laugh with us.
 
However, a few months later a dining room manager was hired to run the entire dining experience at the Hardin House, including the kitchen and the fancy dining room for the girls and their guests. When she was in the kitchen, there was less talking and laughing. I eventually had a run-in with her.
 
Working in the kitchen was sometimes hard and dirty work. The other student workers were at the Hardin House because, like me, we needed the money to attend the great University of Texas, or as stated in the Texas Constitution—a World-Class University! I was the only Mexican student in the kitchen, and the other workers were white and came from small towns in Texas—they did not receive much financial support from their families to make it through college.
 
As a joke, my roommate, Jim, gave me a copy of George Orwell’s Down and Out in London and Paris, with its classic description of what a kitchen “plongeur” did in the bowels of an expensive hotel restaurant in Paris. My kitchen job at the Hardin House did not compare to Orwell’s experiences, but there were several times I was down on my knees cleaning out the grease trap under the sink and removing clogged food from the disposal so it could start working again. Unlike the “plongeurs,” we Hardin House kitchen workers had a fancy dish washer to help us with washing the many dirty pots and pans and dishes. Mopping up the kitchen floors was somewhat enjoyable because we knew that a delicious meal would be waiting for us after our work was done. The head cook prepared marvelous meals for the girls and staff. I can honestly say that the kitchen was relatively clean and hygienic and did not compare to the filth described by Orwell at the hotel restaurant kitchen.
 
When it became very busy at mealtime, I was sometimes asked to serve portions of the meal to the girls.
 
“Good evening, which entrée would you like—the roast beef or the Chicken Parmesan,” I asked with a goofy smile or at least it was a fake smile.
 
One evening, the manager caustically remarked that these girls did not know how good they have it:
 
“Here is one girl who asked for a full dinner plate of food, and she barely touched any of the food. What a waste.”
 
Not realizing it was a rhetorical remark, I replied: “her parents paid good money to have their daughter live at the Hardin House and she can really do anything she wants with the food.”
 
She glared at me and walked away.
 
The manager often stood behind us servers, making sure that equal portions were correctly given to each girl. When all of the girls had been served and had finished their meals, the kitchen crew picked up remaining plates, cleaned the tables, and swept up any food scraps under the chairs and tables. Then we feasted on our meals at a table in the back of the kitchen. I tried secretly to sneak out a second dessert to eat later at my apartment, but I was caught by you-know-who. I was instantly fired on the spot; she got her revenge.
 
My favorite singer, Frank Sinatra, was singing his hit song about the time of my firing:
 
“That’s Life: You’re riding high in April, shot down in May…”
 
After I was fired by the manager, I found another job at another rich girl’s dorm; did you really think that I would now have trouble buying my car? The kitchen student workers were allowed to sit in the main dining room at a table reserved for us lucky dishwashers, bus boys, and servers. We had to be more careful with our conduct in front of all those very attractive co-eds.

My First Real Date
 
Lest I forget, let me tell you about one more episode I had at the Hardin House before I was fired. Mrs. Stella Hardin allowed only sophomores and juniors to reside in her house. The parents knew that she treated their daughters as if they were her own children, and she had strict rules on their behavior while they lived in her house.
 
A Hardin brochure stated very clearly her rules:
 
This is my house with my rules; if you are to live here, you are to follow my rules.
 
Mrs. Hardin was a gracious woman, a refined Southern lady. I would see her one last time near my graduation date.
 
This last incident involved the breaking of one of Mrs. Hardin’s cardinal rules about no dating of kitchen student workers. One evening, I was able to catch the eye of a cute sophomore as she waited in the serving line to get her meal. One thing led to another, and we exchanged names. She was a much younger sophomore than the other girls, having just turned 18. Starting my fourth year of college I was the proverbial older man—I was 21. Perhaps it was due to my age and my Latin good looks (?) that she finally accepted a date with me.
 
I think she accepted my date offer because every time I called to ask her for a date, her roommates answered the phone and made it clear that she was not in and to stop calling. She was nice to me when I saw her in the serving line, and she finally agreed to talk on the phone when I gave her my phone number. I believe her roommates dared her to go out with that unknown Mexican guy who worked in the kitchen.
 
We agreed I would not go into the lobby of the Hardin House and ask for her to come down from her room. She suggested that we meet me outside at a specified time as if she were going alone to the library.
 
The date was no big thing. We went to a movie at the Varsity Theater on the main drag across the street from the Texas Union. It was the Audrey Hepburn movie, Wait Until Dark, about a blind girl and drug dealers. The only time we really touched was when she jumped out of her seat and grabbed me during the classic scene when the dealers had no lights to find Hepburn in the darkness of her apartment until they opened the refrigerator door, and the room turned all bright. The whole audience screamed.
 
We left the movie laughing and talking, and she complimented me on my new Mustang. She was waiting all evening to show me one last thing. When we arrived at the Hardin House, I walked around the car to open the door. She got out and unloosened the strap on the trench coat that she never took off during the movie and quickly flashed me that she was only wearing a shortie nightgown. She grabbed me and abruptly gave me a brief French kiss, daringly darting her tongue into my mouth for a nanosecond, and then ran to the front door. I never saw her again because it was close to finals, and I was fired shortly thereafter. I guess she won the dare with her roommates to go out with a Mexican.
 
For some of those girls at the Hardin House, but not my particular date, I am reminded of a Beatles’ song.
 
“Baby You’re a Rich Man: How does it feel to be one of the beautiful people?”
 
Marking Time: My Final Year
 
Now that I had my Mustang, I was able to have more dates after my first encounter with the Hardin girl. Actually, the first time I took out a girl in my Mustang was within a few weeks of buying the car. It was with a girl I had met at Ward’s when she came in as a customer. I would not call it an actual date because when I asked her out after work for burgers at McDonald’s, she brought her younger brother without telling me; he was in his teens and had a developmental disability. Unwisely, I let her drive my Mustang up I-35 to Round Rock and then back to Austin. We were lucky that we were not caught for speeding. Later that same night we returned to my apartment complex, which had a swimming pool; not having any swim trunks we jumped into the pool with our jeans on and sat there talking for a couple of hours. After that episode, I knew that I had to be more careful in the selection of my dates.
 
There were a few girls who worked in the cosmetics section at the drugstore, but they had no interest in college. I had a few dates with a couple of them but there was nothing in common that kept our interest to see each other again. There were some female pharmacy students that I was able to know better, but I found out that having dates with two of them created too much gossip to endure and that ended my attempts at romance with fellow classmates. I did not try to get dates with any of those co-eds at my second job. They were older than the Hardin girls, and to be truthful I was somewhat intimidated by their snobbery and arrogance.
 
I know what you are thinking—what about my studies? I would be lying if I said that it did not have an effect on my studies. My going out during the summer and fall semesters of my last year in pharmacy school did reduce my studying time, and for the first time I had to struggle to eke out two B’s and two A’s, after a near perfect two years of A’s in my earlier classes.
 
UT professors posted exam grades on their office doors so everyone could see what you did on a test and what your final grade in the course was. I remember a female student, not a pharmacy student but who was in two of my science classes, asked me just out of the blue why I did not do better on one of my tests. I did not make the highest grade in my physiology class on that one exam. We really had never talked much out of class. But I aced the final exam with a 98. She did not say anything to me then.
 
Not to stereotype people, she was a pleasant, good-looking sorority white girl who I remember dressed very preppy with cute short skirts, stockings, and expensive loafers. I did not wear my Mexican heritage on my sleeves while I was at UT, but anyone born in Texas recognizes who is Mexican and who is not. I am sure that she knew I was a Mexican.
 
In my final semester, I made all A’s in some of the more difficult courses in the curriculum. That made up for that fall semester. I graduated first in my class.
 
Relaxing
 
After putting in a full day and night working and studying, my idea of relaxing and having fun was to listen to two Austin radio stations, KNOW-AM and KAZZ-FM, in the late evenings. KNOW played top 40 songs and KAZZ was the progressive station covering folk, jazz, and blues. I went to sleep listening to these stations.
 
Most Saturday evenings after working at Ward’s, I returned to my garage apartment around 10:30 PM. A fraternity house was near my apartment, and I often heard a rock band playing and frat boys yelling and screaming during one of their Saturday parties after a Texas football game.
 
One night a local band was particularly good, singing Van Morrison’s hit song:
 
“And her name is G… L…O…R…I… A and I’m gonna shout it all night.”
 
It turned out to be a blast of a party with the band singing the lyrics of “Gloria” over and over for about 10 minutes straight. I was tempted to sneak over to the frat house to see the wild orgy scene. But I had to work at Ward’s that weekend, both Saturday and Sunday, and I needed some sleep. A myth spread throughout the Texas fraternity community that the song was sung for more than 45 minutes.
 
As I was drifting to sleep, I heard these lyrics reverberate in my mind throughout the night:
 
“By the time I get to Phoenix she’ll be rising.”
 
I wished that I had had a girlfriend to think about.
 
Closer to the End
 
Late one evening I was listening to a Paul Simon song on the radio. I know what you are thinking, and it was not that song. It was from the album of the movie, The Graduate, Mrs. Robinson. It was my final semester of pharmacy school in 1968. I had seen the movie, and it made me realize I was about to begin my real life after completing my degree at the University of Texas. There was an obnoxious guy sitting behind me at the theater who made wisecracks throughout the movie about how dumb the main character, played by Dustin Hoffman, was, and it sort of ruined the movie for me because I later learned that the asshole was a pharmacy student in one of my classes.
 
For my final two semesters, I got up around 5:45 AM and made it to work by 6:30. KNOW AM played the Top 40 hits and it seemed to play the same hit in the morning when I was driving to work. A particular song that I heard for the last several weeks before I graduated was the one by Dionne Warwick—”Do You Know the Way to San José?” It really got to me because I was getting antsy on where I would live and whether I would work as a pharmacist or go to graduate school to earn a doctorate in pharmacology and toxicology? The Vietnam War was really heating up in 1968. My decision was made for me when the government offered draft deferments for admission into graduate school. I took the GRE, applied for fellowship support, and filled out several applications to four or five universities. Then I waited.
 
For the last several months of the spring semester, I was content to wait it out because several of my professors had written excellent letters of reference for me and told me that I would be accepted into graduate school without any problems. However, the year 1968 was a very traumatic time in American history: the assassinations of MLK and RFK occurred; there were major race riots in several large cities; there was the resignation of LBJ because of the Vietnam War; there was the rise of the Chicano Movement; and there were massive protests at the Democratic Convention in Chicago to decide who ran in place of LBJ against Richard Nixon.
 
I began to realize how much power and influence the Democratic Party had lost in Texas by observing those rich co-eds’ reactions to the deaths of MLK and RFK. Early in June after RFK had won the California Democratic primary over Gene McCarthy, the news of his death was being shown on TV in the lounge of the girls’ dorm I was working at. It was next to the dining hall as I walked to a table with my tray of food. I heard loud screams, laughing, and clapping by the girls at the announcement of his death. I was so glad that I was leaving UT, Austin, and Texas right after my graduation.
 
My Future Is Decided
 
A month before graduation, I learned that I had received a prestigious, nationally competitive fellowship from the National Science Foundation, which allowed me to use the fellowship funds to attend a university of my choosing. I soon realized that this award was something big because several of my professors were trying to persuade me to stay at Texas for my graduate work. I chose the University of Kansas on the recommendation of my favorite professor, Dr. Delgado, the only Mexican American on the faculty. I would leave Texas later in June right after I had taken my board exams in pharmacy.
 
A few weeks before graduation, I was working a Saturday shift at Ward’s, which on that particular day there was a sale on many OTC drugs and several cosmetic products. I was working one of the registers and out of my right eye I saw Mrs. Hardin at the next register. I tried not to look at her. I thought to myself that even the rich like to buy things that save them money, even if it’s at a discount pharmacy. The interior of Ward’s was not that fancy, and all types and classes of people came into the store. The prices of each product were placed on the shelf with a piece of masking tape right below the product. This meant I had to memorize the prices of the products because there were no price stickers on the items. Anything to save money and time for Ward’s.
 
“Young man, how are you doing with your classes?” Mrs. Hardin pleasantly smiled at me.
 
“Quite well. I will graduate soon with a degree in pharmacy and plan to go to graduate school in Kansas.”
 
I had only seen Mrs. Hardin in the kitchen a couple of times and never thought she’d recognize me a year later.
 
She looked straight into my eyes and said:
 
“Good for you and best of luck in your new studies.”
 
I was at loss for words and simply replied, “Thank you”! She walked out of the store with her toiletries and drugs and that was the last time I saw her.
 
Epilogue
 
My parents, my older sister’s family with her husband and three kids, and my unmarried younger sister came to Austin to celebrate my graduation and send me off to attend graduate school at the University of Kansas. After the College of Pharmacy graduation ceremony, where I received several pharmacy textbooks for graduating at the top of my class—Summa cum Laude, I took my family back to my apartment to eat. My new roommate, Nick, and I went to Kentucky Fried Chicken and got several family meals. We ate, talked, and laughed.
 
We also planned to attend HemisFair ’68 in San Antonio the next day after graduation. I had set up my family in a small family-run motel near campus on Guadalupe Street, the so-called “Drag.” It was not fancy, but it was inexpensive and easy to get on I-35 to go to the World’s Fair. I was to pick up my parents in my Mustang.
 
Early Sunday morning the next day, I arrived at the motel and my father was wearing a sleeveless T-shirt getting some fresh air in the gravel-dirt parking lot outside his motel room. It was going to be a hot June day in Texas. A truck suddenly did a U-turn in the near empty street and came to a screeching halt in front of the driveway to the motel.
 
The driver yelled from his truck: “Are you looking for work—you can make an easy $25 for a small project at a building site!”
 
The white builder thought this Mexican man would jump to work for him that morning. My father laughed off the offer and told the man he was visiting his son in Austin. I turned my back on the man and angrily said to myself—this is Texas.
 
The next day I said good-bye to my family and took off for Houston to take my board exams. My next stop was Kansas to begin graduate school. But that part of my life was interrupted by the cancellation of my graduate deferment, and I had to serve a two-year stint in the US Army. And then I started my PhD work in 1970 at the University of Kansas. ​

Dan Acosta is a Mexican American born and raised in El Paso. His grandparents emigrated to the US in the early 1900s. His career spanned 45 years as an educator, scientist, and administrator in academia and the federal government. He recently retired at age 74 in 2019 in Austin and plans to write about his experiences with discrimination and bias during his life and career. He received a B.S. degree in Pharmacy at UT-Austin and a Ph.D. in Pharmacology at the University of Kansas. He has had a few of his stories published in the Sky Island Journal, The Rush, Somos en Escrito, and The Acentos Review.

A una anciana

Venga, madre— 
         su rebozo arrastra telaraña negra
         y sus enaguas le enredan los tobillos;
apoya el peso de sus años
en trémulo bastón y sus manos temblorosas
empujan sobre el mostrador centavos sudados.
¿Aún todavía ve, viejecita,
la jara de su aguja arrastrando colores?
         Las flores que borda
         con hilazas de a tres-por-diez
no se marchitan tan pronto como las hojas del tiempo.
         ¿Qué cosas recuerda?
Su boca parece constantemente saborear
los restos de años rellenos de miel.
         ¿Dónde están los hijos que parió?
¿Hablan ahora solamente inglés
y dicen que son hispanos?
         Sé que un día no vendrá
         a pedirme que le que escoja
         los matices que ya no puede ver.
Sé que esperaré en vano
         su bendición desdentada.
Miraré hacia la calle polvorienta
refrescada por alas de paloma
hasta que un chiquillo mugroso me jale de la manga
y me pregunte:
                                    — Señor, jau mach is dis? --

To an Old Woman

Come, mother— 
         your rebozo trails a black web
         and your hem catches on your heels,
you lean the burden of your years
on shaky cane, and palsied hand pushes
sweat-grimed pennies on the counter.
Can you still see, old woman,
the darting color-trailed needle of your trade?
         The flowers you embroider
         with three-for-a-dime threads
cannot fade as quickly as the leaves of time.
         What things do you remember?
Your mouth seems to be forever tasting
the residue of nectar hearted years.
Where are the sons you bore?
         Do they speak only English now
         and say they’re Spanish?
One day I know you will not come
and ask for me to pick
the colors you can no longer see.
         I know I’ll wait in vain
for your toothless benediction.
         I’ll look into the dusty street
         made cool by pigeons’ wings
until a dirty kid will nudge me and say:
                  “Señor, how mach ees thees?”
 
 — RAFAEL JESÚS GONZÁLEZ
© 2022 BY RAFAEL JESÚS GONZÁLEZ

Nací y me creé en El Paso, Texas con familia a través del Río Bravo en Ciudad Juárez, Chihuahua y la identidad se convertía cada vez más en un problema. El español era mi primera lengua y hasta los mediados de los 1960s cuando me convertí en chicano, era simplemente mexicano aunque sabía que era ciudadano de los Estados Unidos de América. Aun hoy en día cuando se me pregunta, “¿Qué eres?” mi respuesta inmediata es “mexicano” aunque cuando estoy más alerta digo, “Chicano.” Aunque cuando se me pregunta, “Cual es tu ciudadanía” no titubeo en absoluto.
 
No aprendí inglés hasta los siete en la escuela pública Lamar y a principio no fue fácil. Ya leía y escribía básicamente en español y el sonido impredecible de las mismas letras en inglés me confundía. Estuve en la oscuridad la mayor parte del tiempo. Un día mi madre con mi hermanito me acompañó a la escuela y se fueron a casa de mis abuelos a unas cuadras de distancia. Me encontré en un patio de recreo totalmente vacío, las puertas de la escuela cerradas. Estuve aterrorizado. Caminé de regreso a una casa vacía. Me senté en el portal confundido, asustado, sólo hasta que mi madre y abuela vinieron con mi hermanito y me cubrieron de abrazos y besos. La maestra había anunciado un día de fiesta pero yo no había entendido.
 
No ayudaba que fuéramos castigados si se nos escuchaba hablar español en la aula, los corredores o el patio de recreo. Si le preguntábamos a un compañero de clase, “¿Qué dijo la maestra?” se nos hacía pararnos en un rincón o nos mantenían después de clase. Tengo la distinción de haber reprobado el primer grado. Sobresalía en dibujo y pintura y recuerdo a una amable maestra, la Sra. Hall en cuarto grado, que me elogió y animó. Pero el director recomendó que mis padres nos llevaran a mí y a mi hermano Arturo (dos años menor que yo) a la Escuela Bailey para niños “retrasados.”
 
Mi padre lo hizo y el director de la Escuela Bailey que no pudo habernos tenido allí más de treinta minutos, le dijo a mi padre que no pertenecíamos allí y recomendó que nos cambiara de escuela. Mis padres se endeudaron y compraron su primera y única casa para que pudiéramos cambiar de distritos e ir a la escuela pública Morehead donde nuestros problemas desaparecieron. (Dos maestras se destacan: la Sra. Patricia Robinson, maestra de arte que hablaba excelente español e invitaba a algunos estudiantes a su casa para dibujar y pintar. Y la Srta. Mary Hignett, maestra de inglés, con quien hice amigos en mis años universitarios hasta su muerte.)

Para entonces en 1950 me había ajustado, aculturado si quiere; no fui asimilado (lo que para mí tiene la connotación de ser masticado, tragado y digerido). Para mí, el lenguaje ha sido una piedra de toque de asimilación. El indio mexicano yo había sido asimilado hacía mucho tiempo; mi abuelo materno Papanito, don Diego González Sosa a excepción por su color y facciones y su decir que éramos indio no hablaba lengua indígena para indicarlo sino solo un castellano formal. El mexicano mestizo yo, no así. Fui bendecido con padres, Jesús Fidel González de Coahuila y Carmen González Prieto de Durango, (traídos a los EE.UU. a los 13 y 12 años respetivamente) quienes siempre insistieron en que habláramos y escribiéramos tanto en español como en inglés. Tomé cursos en español durante la escuela secundaria y me gradué de la universidad con un bachillerato en literatura inglesa con suficientes horas en literatura española para una doble especialización. En una ironía del destino, he pasado la mayor parte de mi vida como profesor de inglés en universidades y colegios.
 
Resistir la asimilación es una lucha, especialmente en un imperio que impone su hegemonía (militar, económica, política, lingüística, cultural) en el mundo. Toda mi vida he tenido que defender aun mi nombre. Personas que deberían saber más insisten en escribir Rafael, Raphael (la ph no existe en español), omitir los acentos en Jesús y González y escribir González con S. Y algunos han tenido el descaro de dirigirse a mí como Ralph, entre ellos S. I. Hayakawa, un lingüista japonés-canadiense, firme oponente a la educación bilingüe y fundador del movimiento “Solo Inglés” para hacer el inglés el idioma oficial de los Estados Unidos.
 
Por supuesto que la asimilación implica mucho más que el nombre y la lengua materna de uno. Las presiones para asimilarse son grandes en los EE.UU. y se logra grado a grado por lo que sea que uno emprenda: educación, profesión, activismo político, participación social. Pero, como con la conquista de las Américas, se debe resistir. La pregunta es, ¿en que medida? Para mí una línea de identidad que se debe respetar es mi nombre y mi lengua materna aunque reconozco que algunos de mis compatriotas chicanos que más se resisten a la asimilación se les dieron nombres en inglés al nacer y se les enseñó sólo inglés por padres ansiosos por asimilarse para tratar de salvar a sus hijos de la discriminación virulenta, el racismo, endémico de los EE.UU.
 
Dos razones principales por las que vine a la Bahía de San Francisco fueron su sistema de colegios comunitarios. En el Colegio Laney, Oakland donde enseñe durante treinta años, muchos de mis estudiantes hablaban español, ebonics (dialecto africano-estadounidense), cantonés, japonés, tagalo, pachuco, náhuatl, quechua, un idioma maya y otras lenguas demasiadas para listar. En mis clases siempre enfaticé que enseñaría inglés estándar, no como un sustituto del idioma o idiomas que ya conocían sino simplemente como uno más para agregar. En muchos lugares y situaciones, como en su hogar, barrios, iglesia, su lengua materna serviría excelentemente bien. Al mismo tiempo, en otros lugares como la academia, el trabajo, la política, el banco, el inglés estándar sería un instrumento para abrir puertas que de otro modo estarían cerradas para ell@s. Cuídense y eviten los falso dilemas, les decía a mis alumn@s. Cuando se me pregunta si quiero helado de vainilla o de chocolate, respondo que sí, por favor, tomaré de los dos.
 
La resistencia terca, a veces vehemente, a la educación bilingüe en los EE.UU. solía desconcertarme. Cada idioma es un mundo en una Tierra compartida, una forma particular de formar una realidad, una aventura de la consciencia humana. ¿Por qué negar a l@s niñ@s un segundo idioma a una edad en la que pueden aprenderlo tan fácilmente? ¿Por qué insistir en la ignorancia?
 
Ahora me desconcierta menos. El excepcionalismo, como el narcisismo, es una identidad frágil que no tolera la variedad, las comparaciones. Prefiere un mundo en su imagen, su propia marca de realidad, su hegemonía. El excepcionalismo insiste en la “pureza” de raza, de política, de religión, de cultura, de idioma, etc. Celoso de sus propias fronteras, el excepcionalismo no vacila en violar las de los demás. Insiste en la asimilación, o si no . . . Se podría decir que el idioma es el aspecto más importante de la identidad, no solo de la nación, sino a menudo de la clase social. El objetivo de impartir clases sólo en inglés estándar en las escuelas públicas es, por supuesto, la estandarización, la homogeneización y la asimilación que son requisitos del estado nación en el que el angloamericano se considera el estándar étnico.
 
No soy partidario del estado nación; prefiero mucho más el estado multinacional, y por mucho que haya resistencia a él, históricamente violenta y genocida, los Estados Unidos es en hecho tal. No soy nacionalista. Cuando se me pregunta mi ciudadanía, lo más probable es que ahora responda, “del mundo”. O Berkeley (destinado a fronteras, la línea divisora entre la ciudad de Berkeley y la ciudad de Oakland pasa justo por el medio de mi casa así que preparo el desayuno en Berkeley y lo como en Oakland.)
 
Soy habitante de frontera; crecí sin creer en las fronteras. Me gustan las diferencias, soy tolerante con la contradicción, cómodo con la paradoja. Me gustan las distinciones pero también me gusta la mezcla, la difusión, las sombras y los matices. Entendí cuando mi cliente la viejita me pedía hilaza matizada para sus bordados.
 
En cuanto a mi escritura, negarme a sacrificar mi español no menos que mi nombre, me hace heredero de dos musas, hermanas congeniales, y no abandonaré la una por la otra. Nunca sé cual me hablará primero pero en cuanto una me da un verso, una frase, la otra inmediatamente me da su equivalente en la otra lengua, un diálogo, una discusión que afecta a cada versión tal que casi todos mis poemas son piezas únicas en dos lenguas, ninguna versión de la otra. Los editores a menudo no entienden el bilingüismo y preguntan que versión es la traducción de la otra, cual debe estar en cursiva. Parece desconcertarlos cuando digo que ni la una o la otra. Y aun más cuando insisto en que tampoco las palabras solas en el cuerpo del texto.
 
También podría notar que aunque respeto la mezcla, también me gustan las distinciones y que escribo tanto en inglés estadounidense bastante estándar como en español mexicano bastante estándar, cada uno por separado y distinto. Temo que esto no solo habla de mi identidad sino también de mi enseñanza y quizás de mi clase. Así sea el chicano que soy.
 
Pero hay que responderle a la pregunta del chiquillo en mi poema: Demasiado mijo, mucho muy demasiado; too much, much, much too much. ​

by Rafael Jesús González

From my experience working there came my poem “A una anciana/To an Old Woman” in 1959. I had formed a bond with a regular customer, a very elderly woman who often consulted me about embroidery floss to match or complement the colors of her exquisite embroidery. Beyond that, the poem is a work of my imagination. She did not trail a rebozo nor trip on her hems, nor did she pay for her purchases with “sweat-grimed pennies.” She could see well enough and our discussions of colors were purely aesthetic. I embellished her image for my own purposes as a writer and imagined a situation which might or might not have been hers to present a problem that had (has) always concerned me: assimilation.
 
I was born and raised in El Paso, Texas, with family across the Río Bravo in Ciudad Juárez, Chihuahua and identity increasingly became a problem. Spanish was my first language and, until about the mid 1960s when I became Chicano, I was simply Mexican though I knew that I was a citizen of the United States of America. Even today, when I am asked, “What are you?” my immediate response is “Mexican” though when I am more alert, I will say, “Chicano.” Though when I am asked, “What is your citizenship?” I do not hesitate at all.
 
I did not learn English until I was seven at Lamar Public School and at first it was not easy. I was already doing some basic reading and writing in Spanish and the unpredictable sound of the same letters in English confused me. I was in the dark most of the time. One day my mother with my little brother walked me to school and went on to my grandparents’ house a few blocks away. I found myself in a totally empty playground, doors of the school closed. I was terrified. I walked back home to an empty house. I sat on the porch confused, afraid, lonely until my mother and grandmother came with my little brother and covered me with abrazos and kisses. A holiday had been announced by the teacher, but I had not understood.
 
It did not help that we were punished if we were heard speaking Spanish in the classroom, the halls, or the playground. If we asked a classmate, “¿Qué dijo la maestra?” we were made to stand in a corner or kept after school. I have the distinction of having failed first grade. I did excel in drawing and coloring and I recall a kind teacher Mrs. Hall in fourth grade who praised and encouraged me. But the principal recommended that my parents take me and my brother Arturo (two years younger that I) to Bailey School for “retarded” children.
 
My father did so and the principal at Bailey School who could not have kept us there more than thirty minutes or so, told my father that we did not belong there, and recommended that we change schools. My parents went into debt and bought their first and only house so that we could change districts and go to Morehead Public School where our problems vanished. (Two teachers stand out: Mrs. Patricia Robinson, art teacher, who spoke excellent Spanish and would invite a few students to her home on weekends to draw and paint. And Miss Mary Hignett, English teacher, with whom I became friends in my college years until her death.)

By then in 1950 I was adjusted, acculturated if you will; I was not assimilated (which to me has connoted being chewed, swallowed, and digested). For me, language has been a touchstone of assimilation. Mexican Indian me had long been assimilated; my maternal grandfather Papanito, don Diego González Sosa except for his color and features and his saying that we were indio spoke no indigenous language to indicate it, but only a formal castellano. Mexican mestizo me not so. I was blessed with parents, Jesús Fidel González of Coahuila and Carmen González Prieto of Durango (brought to the U.S. at 13 and 12, respectively), who always insisted that we speak and write both Spanish and English. I took Spanish courses throughout high school and graduated from college with a degree in English literature with enough hours in Spanish literature for a double major. In an irony of fate, I have spent most of my life as a professor of English in universities and colleges.
 
Resisting assimilation is a struggle, especially in an empire that imposes its hegemony (military, economic, political, linguistic, cultural) on the world. All my life I’ve had to defend even my name. Folk who should know better insist on spelling Rafael, Raphael (the ph does not exist in Spanish), leaving out the accents in Jesús and González, and spelling González with an S. And some have had the effrontery to address me as Ralph, among them S. I. Hayakawa, a Japanese-Canadian immigrant linguist, adamant opponent of bi-lingual education and founder of the English-only “U.S. English” movement to make English the official language of the United States.
 
Of course, assimilation involves much more than one’s name and one’s native tongue. The pressures to assimilate are great in the U.S. and it is accomplished by and to degrees by whatever one undertakes: schooling, profession, political activism—social involvement. But, as with the conquest of the Americas, it is to be resisted. The question is, to what degree. For me a line of identity to be respected is my name and my mother tongue though I recognize that some of my Chicanx compatriots most resisting assimilation were given English names at birth and taught only English by parents eager to assimilate to try to save their children from the virulent discrimination, racism, endemic to the U.S.
 
Two major reasons for my coming to San Francisco Bay were its community college system and the rich racial and ethnic variety of its people. At Laney College, Oakland where I taught for thirty years, many of my students spoke Spanish, Ebonics, Cantonese, Japanese, Tagalog, Pachuco, Nahuatl, Quechua, a Maya language, and other tongues too many to list. In my classes, I always emphasized that I would teach Standard English, not as a substitute for the language or languages they already knew but simply as another one to be added. In many places and situations such as in their home, ‘hoods, church, their native tongue would serve most excellently well. At the same time, in other places such as academia, work, politics, the bank, Standard English would be a tool to open doors otherwise closed to them. Beware of and avoid false dilemmas, I would say to my students. When asked if I wanted vanilla or chocolate ice-cream, I would reply, yes, please, I will have both.  
 
The mulish, sometimes vehement, resistance to bilingual education in the U.S. used to puzzle me. Each language is a world in a shared Earth, a particular way of shaping a reality, an adventure of human consciousness. Why deny children a second language at an age when they could so easily learn it? Why insist upon ignorance?
 
It now puzzles me less. Exceptionalism, like narcissism, is a fragile identity intolerant of variety, of comparisons. It prefers one world in its image, its own brand of reality, its hegemony. Exceptionalism insists on “purity” of race, politics, religion, culture, language, and so on. Jealous of its own borders, exceptionalism does not hesitate violating those of others. It insists on assimilation—or else. Language is arguably the single most important aspect of identity not only of nation but often of social class. The goal of teaching classes only in Standard English in public schools is of course standardization, homogenization, assimilation which are prerequisites of the nation state in which the Anglo-American is viewed as the ethnic standard.
 
I am not partisan of the nation state; I much prefer the multinational state, and much as there is resistance to it, historically violent and genocidal, the U.S. is in fact such. I am not a nationalist. When asked my citizenship, I would most likely now reply, “of the world.” Or Berkeley (destined to borders, the dividing line between the city of Berkeley and the city of Oakland runs right through the middle of my house so that I fix breakfast in Berkeley and eat it in Oakland).
 
I am a denizen of the border; I grew up disbelieving in borders. I like differences, am tolerant of contradiction, comfortable with paradox. I like distinctions but I also like the blending, the diffusion, shades and hues. I understood when my customer the old lady asked for hilaza matizada (variegated floss) for her embroidery.
 
As to my writing, my refusal to sacrifice my Spanish no less than my name, makes me heir to two muses, congenial sisters, and I will not forsake one for the other. I never know which will speak to me first, but as soon as one gives me a line, a phrase, a verse, the other will immediately give me its equivalent in the other tongue, a dialogue, a discussion that affects each version so that almost all of my poems are unique pieces in two tongues, neither version the translation of the other. Editors most often do not understand bilingualism and ask which version is the translation of the other, which should be set in italics. It seems to disconcert them when I say neither. And even more when I insist that neither should be individual words in the body of the text.
 
I might also note that though I respect blending, I also like distinctions and that I write in both fairly Standard U.S. English and fairly Standard Mexican Spanish, each separate and distinct. I am afraid that this not only speaks to my identity, but also to my schooling, and perhaps my class. Such be the Chicano I am.
 
But the kid in my poem “A una anciana/To an Old Woman” must be answered his question: Demasiado mijo, mucho muy demasiado; too much, much, much too much. ​

Previous publication credits:

To an Old Woman, González, Rafael Jesús. “To the Old Woman.” New Mexico Quarterly, vol. 31, no. 4, 1961
 
A una Anciana, González, Rafael Jesús, New Poets of the American West; Lowell Jaeger, Ed.; 2010, Many Voices Press.
 
Riffs on the Poem “A una anciana/To an Old Woman”, English Journal, Vol. III no. 5, May 2022, of the National Council of Teachers of English.
 
Riffs sobre el poema “A una anciana/To an Old Woman”, Uncommon Ground, Seigel, Shizue, Ed.; San Francisco, Pease Press, 2022​​

Rafael Jesús González, profesor de escritura creativa y literatura enseño en varias universidades antes de establecerse en el Colegio Laney en Oakland, California, donde fundó el Departamento de Estudios Mexicanos y Latinoamericanos en 1969. Cuatro veces postulado para el Premio Pushcart, Rafael fue honrado por sus escritos por el Concilio Nacional de Docentes de Inglés en 2003. Recibió un premio por logros de toda una vida César Chávez en 2013 y uno de la ciudad de Berkeley en 2015. Rafael es el primer Poeta Laureado de Berkeley. Visite [email protected]. 

Rafael Jesús González, a professor of creative writing and literature, taught at several universities before he settled at Laney College in Oakland, California, where he founded the Department of Mexican and Latin American Studies in 1969. Four times nominated for a Pushcart Prize, Rafael was honored for his writing by NCTE in 2003. He received a César Chávez Lifetime Achievement Award in 2013 and one from the city of Berkeley, California, in 2015. Rafael is Berkeley’s first Poet Laureate. Visit [email protected].

by ​Elena Dolores Solano

Recently I made migas for breakfast.  I ripped the tortillas up and placed them in a cast iron pan of hot olive oil and cooked them until they were golden colored. There are a myriad of ways to make migas, a traditional Mexican dish. While the tortillas fried, I chopped onion, garlic and green pepper on an old cutting board mi mamá bought for me years ago.

After the tortillas were crispy, I added the vegetables. I sautéed them for a minute and then gently folded in the eggs and waited for them to cook, stirring the dish occasionally. The best corn tortillas are made from three ingredients, corn, lime and water, but when the lime is fried it lets off a peculiar smell of bitter tones. Eventually the smells of the green pepper and garlic catch up, and the mezcla, the mixture of flavors fills the air.

My mother taught me to cook that dish and many others. When we made migas, she handed me the bag of corn tortillas wrapped in paper and told me to rip them up. If the pieces were too big, she told me to rip them up smaller. If I cut them into pieces with a knife, she said, “No, no, no,” and shook her head. I eventually figured out what size she wanted for them. For some reason I was always determined to learn how to cook from her, so I let her tell me again and again what to do in the kitchen.

She believed in my ability to become a good cook. For her, being a “buena cocinera,” a “good cook,” as I often teased her, was important for many reasons. It meant you could take care of yourself. You could stock a pantry and fill your kitchen with homemade food.  

But her cooking was also tied to being a traditional Mejicana, where culture, faith, identity and being a woman, were also a mezcla. She was renowned for her cooking in our small barrio in Detroit. She constantly offered food to anyone who walked through her doors or sat on the stoop. I recall her making me take a full plate of fried chicken, mashed potatoes and corn to a homeless man who was sitting outside on the stairs to our building. At that moment I learned, not by words but by action, to serve others, to give freely, even when you have a large brood of your own to feed.
 
She cooked with her comadres, making menudo to sell after mass. They sold the menudo to raise money for flowers for the feast day of Our Lady of Guadalupe. To her, cooking was second nature.  When I use her recipes, I sometimes look around the kitchen, as if she is here, waiting with a toalla, a kitchen towel, draped over her shoulder, waiting to eat. Cooking was a gift of love you gave to yourself and others.
 
I am eternally grateful that I learned to cook from her—and that she had the patience to put up with me. I remember being five years old, making tortillas with her. She let me roll small tortillas on her wooden board. She put them on the comal for me. I always let them burn. I loved the smell of the burnt masa. But more so, I loved her turning to me, saying, “You're fired, vayase.” I feigned resignation.

When I was in my twenties, she gave me several of her molcajetes, a tool made of smoothened volcanic stone. In English it is called a mortar and pestle, but there is so much more. It is a touchstone, a memory stone, a portal to the past. When I grind garlic, tomatoes or peppino in the heavy bowl, I feel deep calls to tradition and culture. 

I feel my mamá, her comadres, my abuela and tías when I use those molcajetes.  I am filled with memories that cause me to yearn for arms that are no longer here, to dial a phone number that no longer exists. I strain to hear a voice that has passed to the other side.  I yearn for the smell of her comal, fire—hot, ready for tortillas.

This longing is the hardest to bear. It is the call from the deep that causes such surprise. I know it well. I have seen it in the face of friends as they talk about husbands and wives, abuelos and abuelas, and friends now gone. I have heard that yearning in the voice of my siblings.

​Elena Dolores Solano was born and raised in Detroit, Michigan.  She is one of fifteen children. Her parents were migrant workers who moved north in the 1940s.  She is a certified school counselor and works with Latino/a students in the public school system of Detroit.  She is also a Licensed Professional Counselor.   Ms. Solano  has written for many years of her experience growing up in a large Mexican American family in Detroit.  In her spare time Ms. Solano enjoys collecting anything old, a Solano family tradition, cooking Mexican food and spending time with her children, her family and friends.  

by Ricardo Romo

The seventies are remembered as a monumental decade for most Americans. In the early years of the decade President Richard Nixon’s resignation and the Supreme Court decision in Roe v. Wade dominated the news. Earth Day, Godfather movies, and disco music fascinated young people. The advent of the computer revolution marked a major change in society.​

For Latinos, the decade included significant events as cities across the Southwest experienced school walkouts, and California farmworkers won important union and legislative policy victories. Talented youth introduced Chicano poetry, plays, and film, and universities developed Chicano Studies classes and programs. 
 
Chicano artists who grew up during the seventies witnessed great transformations as they saw for the first time a flowering of their own artistic cultural creations. Jacinto Guevara of San Antonio emerged as one of the fortunate individuals who rode the early waves of this artistic movement. His story provides some important insights into one of the most significant eras of Chicano artistic creativity.
 
From an early age Jacinto Guevara discovered that art represented an important means of communicating. Guevara came of age artistically during the early 1970s while attending Belmont High School in East Los Angeles. At the time, few Latinos went to museums but most grew up surrounded by commercial art, usually in the form of billboards and posters. Significantly the early expressions of Arte de La Raza appeared in public art. ​

Chicano art originated with the mural movement in California. Art historians place the birth of Chicano art between 1968-1973. Guevara was a teenager when Chicano artists painted a mural at the headquarters of Cesar Chavez’ United Farm Workers Union in Del Rey, California. Some of the earliest Chicano murals originated in the heart of East Los Angeles, in close proximity to Guevara’s home.
 
When Joe and John Gonzalez decided to convert an abandoned meat market into an art gallery, they recruited two future Chicano art stars, David Botello and their brother-in-law Ignacio Gomez, to paint what UCLA art historians have identified as the first public Chicano mural in East Los Angeles. Muralism became the most prominent creative development of Chicano art.
 
Guevara enrolled at California State University Northridge [CSUN] in 1975, a time when colleges throughout Southern California were reaching out to East Los Angeles students. Guevara had seldom gone to the San Fernando Valley, home of the Northridge campus, but he liked CSUN’s Chicano Studies Program which was in its sixth year. He majored in Ethnic Studies and took classes with famed Chicano historian Dr. Rudy Acuña. Guevara loved music and joined the mariachi band headed by Professor Beto Ruiz. Guevara became a frequent art and cartoon contributor to El Popo, the Chicano student newspaper founded in 1970. 

In 2016 Lewis Fisher published Saving San Antonio: The Preservation of a Heritage. It told a story of the San Antonio Conservation Society’s organized efforts to save historical houses from destruction. Guevara is also “saving San Antonio” through his paintings. His work captures the essence of the city, areas where not all the houses and buildings are spectacular, but they contain meaning and beauty for their owners. Guevara’s structural portraits, such as that of the 1880s building, “Liberty Bar,” which became a hangout for many Chicano artists, capture a heritage that makes San Antonio unique. ​

Ricardo Romo is an author, educator, and Latino Art connoisseur. He has degrees from the University of Texas at Austin (BA) and UCLA (PhD).

by Daniel Acosta, Jr.
  
                                               
Prologue

I grew up calling my grandmother—Cuca-- and my aunt--Babe--by their first names; I don't know why but Louie (Babe’s son) and I always did.  Babe was my mother's younger sister and Cuca was their mother.  Babe, Cuca, and my mother were very close.  They seemed like sisters.  Louie was named after our grandfather, Luís.  Louie was five years older than me and was the one who taught me about life.  My maternal grandparents did not have any sons; Louie and I were the boys in the family.  A good part of my early childhood was split between my parents' run-down rental home and Cuca's house, which seemed like a palace to me because it had a bathroom with a tub.  My parent's home finally got a stand-up shower when I started first grade because there was not enough room for a tub with a shower.  When I started first grade in the fall of 1951and until I completed the 4th grade, I remember spending many days and nights with Babe, Louie, and Cuca.  Papa Luís had died when I was very young, and I do not remember him. 

 
Cuca’s House

I really liked staying over at Cuca's house on Piedras Street.  From her front door we could see the dirt-brown Franklin Mountains looming in the distance.  Her house had a small front yard with a white picket fence and vines growing on the enclosed screen of the front porch.  There was an unpaved driveway to park the car and further down the driveway was a detached garage, which was used mainly for storage of old furniture.  Next to the garage was a wobbly gate that led to a tiny backyard with a peach tree and some scrubby bushes. The backyard was mostly dirt with a few, scattered patches of grass.  The house next to hers had a large backyard; a rickety wooden fence separated Cuca's house from the neighbor's yard. 
 
Over the fence I could see my parents' rental home on Hamilton Street, which was essentially two houses away if I wanted to take a shortcut by jumping over two fences.  Instead, I ran up the rocky alley between Hamilton and Idalia, which dead-ended on Piedras.  One could enter the house from the back by entering a half-door that that connected the unfinished part of the basement to another area with a locked door that was finished into a bedroom for Babe.  Outside of Babe's bedroom door was a small area where an old-time washer was located.  It had a wringer attached to the washer and once the clothes were washed, they were placed through the wringer and were wrung dry by physically rotating the handle of the wringer.  The clothes were sun-dried in the backyard on a small clothesline.  Right above the washer was a small basement window just small enough for a small boy like me to squeeze through, which I did a couple of times to get into the house.    
 
The other way to get into the house through the back was to walk up some shaky wooden steps to a door that opened into a small breakfast room and then to the kitchen.  At the top of the stairway was a small landing with a window on the side of the house where Cuca's bedroom could be seen.  Next to the breakfast room, off from the kitchen, was the bathroom, directly opposite Cuca's bedroom.  Leaving the kitchen there was an area I guess one would call the formal dining room, which had a dark mahogany table with six matching chairs.  From the dining area there was an arched opening which immediately became the living room, where there was an upright piano under the north window and a sofa next to the piano.  Later when I was older a large black and white television was purchased by Babe and Cuca.  We spent many nights watching professional wrestling and boxing matches.  I learned to recognize many of the fighters from Babe and one of my favorites was Sugar Ray Robinson.  We would keep the front door opened so a nice breeze from the west came through the screened front porch into the living room.   One could reach Babe's basement bedroom by going down a very narrow staircase which came off from the dining room.
 
During the winter months, Louie and I often slept together on the sofa in the living room; a large gas heater was in the dining area which was turned on in the early morning by Cuca so Louie and I could get warm before we had breakfast.  During the warmer months we slept downstairs with Babe in her large queen-size bed.  In the summer the basement was always much cooler than the rest of the house, and I liked the dampness and darkness of the basement, where I could read my comic books under a small lamp. 
 

Babe and Louie

What I remember most about Babe is the way she treated me, as if I were much older.  Babe, Louie, and I often watched the soap operas on TV during the summer months, and she would explain things to us about why so and so was divorcing her husband and who was stealing money from the company.  We all laughed when Babe got it right and gasped in horror when someone was killed in an accident without any warning.  When there was time in between the shows, I jumped up from the couch and ran down Piedras to Beacon’s grocery store to get her favorite drink--not the stubby Coke bottle but the long, thin Pepsi which was sold cold.  I also remember watching "A Tale of Two Cities" with Babe, and when the novel was required for my ninth-grade English class, I already had a good idea of the plot. Through Babe and TV, I learned much about how white people lived in America. I instinctively knew that we were different from the Anglos, but it was Babe who taught me to be proud of my Mexican heritage. 
 
With Louie’s guidance, I learned to play all the sports, especially baseball.  I was able to play with boys 4 or 5 years older than me and picked up many tricks on how to become a skilled ballplayer.   I became interested in organized Little League and Pony League baseball, playing first string as a centerfielder and shortstop for two different teams.  Babe, Louie, and her long-time boyfriend, Johnny, were the only ones in my family who saw me play baseball during the summer months.  Cuca called Johnny El Árabe; there was a large contingency of Lebanese families (but not really Arabians) living in El Paso.  I was not much of a hitter, but I played first string because I was the best defensive outfielder and shortstop on the team and made several outstanding plays each game.  They would be in the stands each night rooting for me.  After the games, we often walked down Piedras to eat out at two greasy spoons which were near Beacon's.  There were two bars directly opposite each other on Piedras—Jimmy's and Pike's--and both had small kitchens.  When we were in the mood for good tacos we ate at Pike's Bar and when we wanted great hamburgers we ate at Jimmy's.  We leisurely ate and listened to songs on the juke box that the bar customers had selected.  
 


Babe and the Authorities
 
One summer Babe decided to paint the interior of the house and she said let's go, Danny, and get some paint on Paisano Street, the supposedly dividing line between the Mexican and Anglo neighborhoods in El Paso.  Cuca's house was in Manhattan Heights where there were mixed neighborhoods of whites and Chicanos.  We got into her old 1950-something Ford Fairlane and took off.  Along the way she pointed out the differences in the neighborhoods and the types of people.  We both laughed when we saw a man turning left using both his blinking turn signal and sticking his arm straight out with fingers extended; Babe said he wanted us to know where he was really going.  On the way to the paint store, we were pulled over by a cop for not coming to a complete stop at an intersection.  Babe was very polite and smiled nicely at the policeman, who eventually gave her only a warning ticket.  Babe told me that it pays to be always friendly!
 
When my cousin Louie and I were both going to Rusk Elementary School in El Paso during the 1950s, I remember seeing Babe talking fast and excitedly about her son, Louie, to the principal and some teachers after school.  He had been reprimanded for speaking Spanish on school grounds during recess; it was a school rule that only English could be spoken at school.  It is a cliche to say now that Babe was a woman before her time.  I only wished I could have heard her take down the authorities for what they did to Louie.  A few days later she told me what happened, and broadly smiled that Louie would have no demerits on his school record. 
 
One night, when all three of us were sleeping in the basement bedroom of Cuca's house, I heard someone jump over the back gate and look through the bedroom window next to the gate entrance.  I nudged Babe and told her that I saw a man outside.  She jumped out of bed and took Louie and me to Cuca's back bedroom upstairs.  We sat on her bed while Babe called the police and made sure the doors were all locked.  It was fortunate that were two locked doors in the basement which made it difficult for the intruder to get into Babe’s bedroom.  However, while Babe and Cuca were in the front of the house, Louie and I heard steps on the back stairs.  When he reached the back door, we saw his profile against the moon light through the thin curtain of the window.  He banged on the back door to make it open but was unsuccessful.  He then ran down the steps because police sirens were now getting louder.  We heard him yell when he slipped and fell.  It was on that same bed that Cuca would often tell us stories of her life and family in Mexico.  We learned from her that David Siqueiros, the famous Mexican muralist, was a distant relative.  She smiled wickedly that he was a Comunista!
 
The last thing I remembered seeing was Babe in the living room calmly talking to the police about the intruder, who had fled the scene.  A few years later Louie told me that the intruder had recently been paroled from prison and made the mistake to try to break into Cuca's house. He had to go to jail again when he was caught by the police.  I also learned much later in life that he was Babe's former boyfriend. 
 
When I was in my fourth-grade class later that same year, our teacher, Mrs. Shlanta, gave an in-class assignment to write a personal story about our family, all within an hour of class time.  I thought quickly and decided to write about the intruder.  I titled the story, "The Burglar", to make it more interesting and which I could write about without much difficulty in one hour.  I left out the part of seeing the intruder a second time on the back stairs.  She was very impressed and asked if I was scared.  No, I said.  It was because Aunt Babe knew exactly what to do to keep the burglar out of the house.   Louie and I were really scared to see the intruder so close to us and to hear the banging on the door.  I guess we were so lucky that he did not get in. But I couldn't tell Mrs. Shlanta that.  I was given an A for the story.
 


Louie and Danny

Two years later our family had moved to another rental house, still on Hamilton Street, directly across from our first house.  Louie was now in high school and was driving a cool, light green Studebaker.  I did not spend as much time at Cuca's house as I used to, but I still went over to see Babe and Cuca after school.  Having a car and being a teenager, I did not see Louie as often.  But one evening around 10 PM my mother and I heard Louie knocking at our front door.  He was out of breath, and he told us that a Mexican gang from Chivas Town (several blocks west of Piedras near Alabama Street) was chasing after him.  He had left his car up the block on the corner of Piedras and Hamilton, next to Mr. Wicks' house.  We called Babe and she said for Louie to sneak over to the back yard, just a few houses from ours.  She would be waiting for him at the small basement half-door.  About an hour later, we heard police sirens and saw police cars parked near Mr. Wicks' side lawn.  My mother and I walked up the street and saw that Louie's old Studebaker front windshield had been completely smashed in with rocks and bricks.  Again, I saw Babe calmly talking to the police and asking them what would have happened to Louie if he had been in the car?  Louie was not at fault; the police had to go after the gang members.  That was my Tía Babe. 
 
The only gangs near my neighborhood were Mexican.  There were two Mexican gangs who fought mainly among themselves over territory and if you did not belong to either gang, you had to be careful about showing any preference for one gang over the other.  There were no white gangs at my school, and I never saw any whites trying to beat up Mexicans in my neighborhood.  Louie taught me to avoid any interactions with the Mexican gangs, unlike his run-ins with some of the gang members.  Seeing his front car window completely smashed on that summer night made a deep impression on me.  I kept a low profile at school and stayed away from gang members. It didn't hurt that I was known for being an A student, who academically outperformed many Anglos in the classroom.  The word in the street was to not hassle Danny.  However, there was a time when I had to intercede when some female Mexican gang members were trying to beat up an Anglo girl, who I knew in one of my classes.  This incident occurred as I was walking home after school down Piedras about a mile from Cuca's house.  Luckily for me none of the male gang members were around and I was able to convince the Mexican girls from hurting the white girl."
 
I was friendly with many of my Mexican classmates, and several of them advised me to not associate with the gringos and to keep my Mexican identity untainted.  But I wanted to be accepted by the more popular whites at school.   I tried out for the 8th grade football team and started as the first-string end, offensively and defensively, which gave me status with some of the white elites.  I began to walk a fine line between my white and Mexican classmates by trying to please both groups.  In the end, I had problems with my ability to accept my Mexican heritage and my desire to be part of the elite whites in school.  It was later in high school that I became proud of my Mexican background.  My deficiency in speaking fluent Spanish, like the rest of my Mexican friends, was beginning to be more difficult to hide from everyone
 
In my 8th grade Spanish class, our Spanish teacher, Mrs. Curry, complimented several of the Mexican students for their excellent pronunciation of Spanish words.  Because I was the straight A student in all my classes and recognized openly by many of my teachers, it became noticeable to several of the Anglo students that I was not highlighted for my proficiency in speaking Spanish.  An Anglo member of the football team in the class jokingly asked Mrs. Curry about my Spanish abilities.  There was dead silence in the class, except for a few giggles.  Mrs. Curry quickly started a new topic, and that started my decision to be less sociable with my classmates. Throughout my years at home and school I refused to speak Spanish.  I thought by being less Mexican I would be more accepted by my white classmates.  Of course, when I spoke in Spanish to my Mexican friends, it was terrible, and I was mocked for trying to be more Anglo.  Still, I had some good Mexican friends.  Many of my Anglo classmates attended Austin High School and were cordial and somewhat friendly, but I knew my secret was out and that I really did not belong entirely to any one group at school. 
 


Epilogue
 
By the time I was three, I had decided on my own to not speak Spanish at home or at school; I thought that I would be more accepted by my white neighborhood friends and classmates and by my teachers.  My parents would talk to me in Spanish and English and did not force me to respond in Spanish.  Babe never made me feel ashamed when she spoke Spanish to me and did not care if I responded in English.  She mainly spoke Spanish with me when she wanted to make an important point about some matter. 
 
I learned a lot from Babe:  she was a forthright woman, who was proud of her Mexican heritage and spoke out when confronted with discrimination and racism.  She had a long and good life, passing away when she was in her late eighties.  Louie became a captain in the El Paso Police Department. and later in his career, Chief of Police at El Paso Community College.  He received a letter of reference from Mr. Wicks when he first joined the department.

Daniel Acosta is a Mexican American born and raised in El Paso.  His grandparents emigrated to the US in the early 1900s. Daniel's parents never completed high school, and he was the first in his family to graduate from college.  He has a professional degree in pharmacy and a doctorate in pharmacology and toxicology.  Daniel's career spanned 45 years as an educator, scientist, and administrator in academia and the federal government.  He recently retired in Austin, and plans to write about his experiences with discrimination and bias during his career.   He hopes that he can help young minorities with their careers by writing about the barriers he encountered in academia, professional societies, and the federal government.  ​

My mama, Rosa Castillo-Diaz, was born in central Texas, in a small town called Penelope, nestled in Hill County, squarely between Waco and Dallas. Although she lived in Detroit most of her adult life, her heart belonged to Texas. She spoke of it in endearing terms, and proudly called herself a Tejana—a native Texan of Mexican descent. She visited family there regularly. When we shared a cup of coffee or went on long drives, she described Texas in great detail, the curves of the land, the scorching sun and the fields that stretched on forever.

I visited Penelope many times in my dreams. I flew there con mi mamasita. Hand in hand we went over rivers and streams, when the sun was shining and the moon was beaming. We never stopped flying, even when the wind blew, and rain came down hard and lightning bolts flashed around us. Our hands became one, and all the while she told me cuentitos, little stories of her motherland, stories of her childhood.

We finally arrived at the ranchito where she was born. We hovered over it, we were still in time and space, taking in the land that held her heart. She pointed out the details she talked about over the years.

There was the church where she was baptized, but it had been rebuilt since she was a child. There was the one road that ran through the center of town. Offshoots of the main road led to dirt roads that ran in various directions. There were fields and farms and row upon row of neatly planted crops. Gentle hills that were more like slopes rose from the earth, as if they were mountains that forgot to keep growing. And all around us was an endless blue sky and a sun that burned forever.

But this was all in my mind’s eye, in my heart, where I kept it hidden for years. I made a vow I would go to Penelope someday. Someday.

I visited Penelope several years ago. But I didn’t fly there as I had in my dreams. I was visiting friends in Austin and decided to take a daytrip to make this long awaited pilgrimage. My heart fluttered as I got into the rental car and studied a map of the area. I felt solemn. I didn’t know what I would find or what I was looking for; I only knew I needed to see this storied place.

I headed north on the freeway, and eventually passed Waco. We visited Waco regularly when I was a child. My parents packed us tight into a station wagon and made the trip to see my abuelo and tías and tios, and myriad of cousins. My abuelos took their children and settled there after leaving Mexico. I remember the thick heat of the air and old, clapboard houses, running in the sun and walking down to the river. As I drove past Waco, I felt my heart lurch, I wanted to stop and visit my cousins, but I was on a mission that day.

I followed the map and finally turned off the freeway. I drove down what felt like an eternity of long, endless roads. After what seemed hours of driving, I noticed a lonely sign on the side of the road that simply said ‘Penelope’, pointing in the direction of the town. Seeing the sign made my heart jump. This place that captured my mother’s heart was suddenly real. I pulled over and looked at that sign long and hard as if it were a message from Diosito or my mother. I continued driving and a few miles later another sign appeared. It simply said, Penelope 2.
​

My heart leapt again. I stopped the car and got out and stepped into what felt like an oven. The heat was suffocating, and my lungs felt like they were on fire. I took picture after picture, as if I were afraid the sign and the stories from my mother would somehow disappear, like fantasmas, ghosts, or a mean trick of my eyes.
The two miles stretched on forever.

But Penelope suddenly appeared, and it was indeed a ranchito, a small town, a spit town, a blink your eyes and it’s gone town. I drove slowly as I entered the outskirts of town. There appeared to be a main road that made a loop connecting back to the thoroughfare, which led in or out of town. I noticed the casitas, little houses, spread out through meandering streets. The yards were large and dry and spoke of hard work. Cars were propped on bricks and work rags hung on open hoods. Cactus and scrub brush grew everywhere, and just like my mother, everything here was neat and tidy.
I drove back around to the main road and out of town, and when I came to the end of it, I turned the car around and drove through it again. I can’t tell you how many times because I stopped counting.

My abuela, Nicasia, and my mother, Rosa, left Penelope shortly after her younger sisters died from diphtheria. My mother was six or seven at that time. We have one family photo of my mother’s sisters, my tías. It is a sepia tinted portrait of them in their wooden coffin. Their two small bodies are dressed in white, lace bonnets adorn their heads, tiny bows tied neatly under their chins. They rest side by side. They have the same cherub cheeks as my mother. Their angelic faces appear asleep when I look at them.

There was little to hold my abuela in Penelope after her daughters died. Other voices called her south and west. There was too much grief here, and the land too hard. There was cotton to be picked, fields to be harvested and pecans to be shelled, all outside of this ranchito.

The main pecan shelling factories were in or around San Antonio, and fields of cotton and farm work waited in the Waco area. But I still looked with hunger for any sign of her and my mama.

I took countless pictures of the roads, and as I headed out of town for the umpteenth time, I noticed several lonely abandoned buildings. I parked my car and stared at them, even after years of being forgotten, they were still tidy and impossibly sweet. I held my breath as I got out of the car and crossed the road. The hot air still took me by surprise.

There were two buildings and in between them was what might have been a courtyard, or another building. It was hard to know. The space now held a wild array of scrub brush and pines, reaching up between the buildings for the blue sky above. An old picket fence, long worn of any paint, held up a massive trumpet flower vine. Their orange color popped against the faded fence.

​One of the buildings was made from red brick, its bones still strong and in place. A large white sign painted on the facade gave away its lineage. It said, “Penelope Grocery.” Another building, short and squat, bustled up to the lot, it was whitewashed and padlocked, layers of white paint made for thick flakes from the bright sun.​

A wooden bench sat forlorn in front of the buildings, as if it was waiting for company. The head of a lion decorated the cast iron arms of each end. Clay flower pots full of cactus sat at attention in the mid-day heat. I walked up and down the swatch of sidewalk in front of the buildings, searching for my mama and abuela. Tenacious prickly pear cactus grew out of the concrete, bright yellow blossoms adorned them like golden crowns. The intense color of the flowers added to this already surreal scene.

My mother was always a surprise, while other parts of her were a mystery. Walking on the sidewalk where she may have walked with her mother, I should not have been surprised by the bright orange trumpet vines, the yellow flowers of the prickly pear cactus, the faded sign that said Penelope Grocery, and the lion’s head adorned bench—but I was. Somehow, all these details were her.

The day wore on. I spoke with the church secretary where my mother was baptized. She answered so many questions I had, as if she had the keys I had been looking for to open the doors of my mother’s past. She helped me to see my mother’s truth, and she told me where to look for the past.

I have a habit of taking rocks, large and small from trips I take. I picked up a rock as I left the church and put it in my pocket. It was late afternoon, and I decided to visit the cemetery the secretary talked about in detail. I got in the car and began to drive again. In front of me was another endless road, but just as I got to what felt like the edge of town, there on a cerrito, a gentle hill, was the cemetery.

I pulled in and sat in the car. I thought about how I had dreamed about this moment for so long. I closed my eyes and remembered the stories she told me about this place. I listened for her voice. Finally I got out slowly and walked to the edge of the cemetery, and the sun swallowed me whole.

I stood there and looked around me. There was sun everywhere, but this was not the kind, gentle Michigan sun that bows down and kisses the north during the summer months. This sun knew no kindness. It scorched the land around it. The blinding light and a cloudless baby blue sky went on for eternity.

Light gusts of wind came and went, but they too were filled with what I can only call an inferno. When I took a breath, I felt there was more fire than oxygen in the air. The burning heat penetrated my clothing, my skin, my soul. I thought surely this light must purge all sin, all darkness, all wrongness, and nothing can live here that is not true, or pure, because everything else has burned away.

A deep truth settled in my soul as I stood there looking out at this land that claimed my mother’s heart. I realized that every story, every word she ever told me was true, and that realization filled my bones, my marrow, my being. That truth felt like a convergence of angels, all meeting at the same time, in this ranchito where she was born.

This was the land she longed for, the quiet and stillness she craved filled the air around me. En la tierra que ella no puede olvidar. In the land she could not forget. I found her.

Stories swirled at my feet. There was no bitterness in her stories. There was only her truth. She and her mother and her sisters and brother ate lard, sprinkled with sugar or a pinch of salt to make it more palatable. Her mother spread the concoction on tortillas, there was no other food to eat.

Her mother, Nicasia, loved coffee. She sweetened it with a little sugar and watered down milk. Nicasia deliberately spilled it onto her saucer, so my mother could have a sip of that watered down, sweetened coffee.

Together they shelled pecans to perfection, because the pecans that were whole and unbroken sold for a higher price. They burned the shells to heat their one room shack. They boiled vats of water to do other people’s laundry. My abuela was a skilled artisan, she tatted and crocheted complex patterns from sight, it was one more way to earn money.

But it was the indignities or racism and poverty that hurt my mother the most. She was slapped for speaking Spanish, her mother tongue. She learned to swallow her voice. She never yelled or spoke loudly and she spoke English without a trace of Spanish. She never, ever, sang above a whisper. She was left handed, but that was also not allowed. There was the teacher who would not touch her hair, but used a stick off the ground to look for piojos, the dreaded lice on her head.

She longed for her sisters who died from diphtheria. Their small bodies dressed in white, were laid in a simple wood casket. But the Mexicans were not allowed to be buried in the cemetery, according to the church secretary. The Mexicans buried their dead in fields, close to their homes, alone and unmarked, on the rancho.

As I stood there and looked at that sky and felt that harsh sun, I could see all the stories come down at once to where I stood, like a communion of saints. All those ghosts and echoes from the past were all there in town, going about their lives as best they could. I could see them, cooking and cleaning, picking cotton, going to la misa, mass, boiling water for laundry and sewing, and looking for a way to stave off the hunger that haunted them at times. It was all there.

Standing in the scorching air that seemed void of any oxygen, I felt a mixture of emotions. Parts of me felt gears that had been missing were suddenly in place, while other parts felt devastated by the truths of my mother’s words. I felt a loss for my tías and abuela, but also I felt whole and filled up. I felt anger for the shame my mother carried for being Mejicana and poor. But I also felt an incredible pride to be the daughter of a Tejana, that odd breed of toughness, hard-work, and sweetness. I felt proud of this little ranchito where prickly pear cactus and trumpet vines blossomed in the most random places, and the neatness of a community prevailed.

I felt a deep gratitude for my abuela y mama. Adversity was a given, but tenacity and grace were a gift. My mother loved flowers and anything that was beautiful. My abuela was an artisan whose incredible tatting and lace-work were worthy of being framed. Both of these women were smart and resourceful. They didn’t just make do, they made beauty where there was none. They brought life to the darkest of corners, and created a legacy that continues to grow and blossom. I come from strong Mejicana-Tejana women.

We are drawn to our pasts planted by our antepasados, our ancestors. Their words and stories are passed on generation after generation. Our abuelos and abuelas call out to us over time and space to listen to stories told and untold. Their stories become our story, embedded in who we are, their traits become our traits. What draws us home are those people who didn’t give up, their ghosts follow us now, cheering us on.
​
I looked at that cloudless baby blue sky and knew every word mi mamacita told me was true and I smiled. My heart was glad with a bittersweetness that tasted of her cafecito--con un tantito de leche, y un poquito de azúcar--her strong coffee, softened with a drop of milk and sweetened with a bit of sugar. ​

​Elena Dolores Solano was born and raised in Detroit, Michigan. She is one of fifteen children. Her parents were migrant workers who moved north in the 1940s. She is a certified school counselor and works with Latino/a students in the public school system of Detroit. She is also a Licensed Professional Counselor. Ms. Solano has written for many years of her experience growing up in a large Mexican American family in Detroit. In her spare time Ms. Solano enjoys collecting anything old, a Solano family tradition, cooking Mexican food and spending time with her children, her family and friends.