by Javier Loustaunau
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​People have asked me a bunch of times why an industrial engineer like myself would move to the USA and become a custodian. I think life is just more predictable here, the laws seem a lot more settled. When I say the law is looser in Mexico, I’m not just talking about bribing your way out of a parking ticket. The laws of physics, metaphysics, reality… they seem less predictable. You might stop at an amazing restaurant late at night while drunk and then never find it again after you sober up. People all over are getting “limpias” or aura cleanses to break streaks of bad luck. Don't even get me started on stories about Smurf dolls that bite children, which seems really funny until you are alone with one.
 
That is the way these urban legends work I guess, they all seem really funny when you first hear them but then when you are alone they are creepy as hell. That is in part why I moved… I was spending too much time alone, creeped out while working overnights, praying under my breath. Our country is very catholic, even if the government is not supposed to be. That's me, engineer on the outside, a dozen candles with saints and the Virgin Mary burning inside me. We are surrounded by progress yet we continue to see the devil in all aspects of our lives. He makes food spoil by tasting it if you leave it unattended. He dances with gorgeous young women at parties until they realize he has one foot like a goat and another like a rooster. He shows up as a huge dog and trashes your business. Most stories are mischievous and end with him being scared off by prayer, these stories are ultimately empowering to believers.
 
One day I heard a story I really did not like, especially since it took place on the highway from Los Mochis to Topolobampo which I drove through alone at night for work. Back then I worked at the oil refinery. I mostly ran around fixing leaks and sensor errors. I was fresh out of college and really grateful to instantly get a job in my field which would likely set me up for life with a series of small and evenly spread out promotions. In a few years I would be a supervisor, then in a few years a daytime supervisor, and finally I would have my own office and working nights would be a distant memory. But I never made it to my first promotion, because of that god damned road and a scary story.
 
I had been at a party which was kinda low key, nobody had brought beer, we were really just snacking and drinking soft drinks and telling scary stories. Then somebody asked me, “You take the road to Topo, don't you, to the refinery? I heard a really scary story about that road.” And they told me the story, about a ghostly baby that appears in the seat next to you and tries to get you to look at it’s teeth, but if you do it will lunge for your throat, so you have to ignore it while it repeatedly says “mira mis dientitos.” “Look at my little teeth.” My friend laughed. All my friends laughed. I pretended to, but deep inside I was actually really angry. I knew a seed had been planted in my head and now my drives to work would be really creepy.
 
For the next few weeks I would feel my chest tightening on my way to work, driving at night with banda or corridos playing. I could no longer nap at work, and after my morning drive it would take me a while to really relax. Sleeping during the day is weird, you listen to so much traffic, so many honks and car alarms. Dogs bark more, birds chirp. But it was usually the sound of children playing that would wake me up from a dead sleep. I could not make out what they would say but I was primed to hear the voice of a kid next to me, insisting I look at him. I was a wreck for a while, and I drank a lot of coffee to make sure my car did not end up a wreck, too.
 
Finally one night I’m on my way to work around 11:30 to start at midnight. There is a whole lot of nothing along that part of the road, just dried brush, billboards and occasional exits to farms or small towns. Then I felt the presence before I even heard it, my whole body just kind of cramped up and I felt an intense chill. There was also a smell, it smelled like fireworks, mold and earth. It was not pungent enough to make it hard to breathe, but it was certainly menacing. And then I heard the voice, childlike and casual saying, “Señor, mira mis dientitos.” “Sir, please look at my teeth.” It was the moment I had been dreading for the last month, suddenly every muscle in my body contracted and ached all at once.
 
It could not be real though, obviously I was just super tired, super primed, super obsessed with this one event so my mind was playing tricks on me. But then again, a little louder I heard, “Sir, please, look at my teeth.” I wheezed as all the air escaped me, and I fought to catch my breath but my lungs took a second to respond. It was actually happening after all that time dreading it, but I was not about to acknowledge it. I ignored the voice and kept driving. That is when I realized that my music had turned off, I went to raise the volume but for some reason it was not playing. I turned the knob all the way and nothing happened. “Sir, don't ignore me, all I want is for you to look at me.” I was alone with that thing in silence, so I kept my eyes forward and watched the road.
 
“Sir, please why are you ignoring me?” it said, sounding more desperate, more frustrated, more like a child who needed help. “Sir, please!” I continued to ignore it, the drive was short and I knew I would make it to the parking lot if I could hold out 15 more minutes. “Sir, look at me! I promise I don’t bite…” There was a hint of malice in that last statement, I could almost hear a smirk. Involuntarily, my peripheral vision turned just a little, just to confirm that it was smugly toying with me, and then my vision darted back to the road. I had seen a shape, black and gray, like something burnt and buried and dug up again. I saw no eyes, no reflections, just darkness. But it was not an object, not a corpse, it was swelling and deflating in big breaths and its arms had been moving when I caught that glimpse. I felt light headed, my hands swerved a little but I quickly righted them and fixed the steering wheel in their tight grip. I wanted to cry I was so scared, and so angry that this was happening to me, that this possibility had even been planted in my head in the first place. But I did not sob or scream, I started to pray.
 
“Padre nuestro, que estáas en el cielo, santificado sea tu nombre.” As I muttered under my breath the presence grew more agitated, with more urgency in its voice. “Señor, mira mis dientes!” it cried. “Señor… señor… stop praying and fucking look at me!” it growled. Between each phrase it yelled at me, I could hear it’s teeth snapping shut, like a trap that opened to spit curses and closed again. “Señor, you rude piece of shit, you won’t even fucking look at me, shut the fuck up and look at me!” I kept praying and fought the urge to have my vision stray into the seat next to me… but it did, I did not want it to happen but I was seeing so much agitated movement, I could not avoid looking. It was small, but not baby small. It’s limbs were gaunt, not chubby and cherubic. It was coiled like a cat about to pounce. Its features were all gray but it reflected no light so the shadows on it were extremely harsh. Its eyes were just two bottomless holes and finally it’s teeth, the one god damned thing I should have never looked at, were terrifying. Lip less, snarling, framed by swollen and infected gums, they were impossible to miss. Two rows of pointy yellow fangs, with the occasional normal looking tooth in between. They were sharp and deadly, and they were coming at me. I freaked out, I swerved and my car started to spin. I can't explain the physics of it but somehow the thing that was in the air coming for me ended up flying sideways into the back seat, and my car flew off the road.
 
When I awoke I was being pulled out of my upside down vehicle, radio at full blast. I flailed my arms and fought the paramedics who yelled at me to calm down, that I was OK. I mean obviously I was not OK, I ended up in the hospital with a concussion. The police showed up and told me I had fallen asleep at the wheel, and I did not argue with them. My friends and family visited and asked me what happened, so I also told them I had fallen asleep at the wheel. I had no interest in telling people the truth. I had no interest in telling myself the truth. I did not want to think about what happened or plant that seed in anyone else's head. I spent a few extra days at home recovering, working up the courage to go back to work. Then I got a Mexpost from the insurance adjusters. It was a box and an envelope… I opened the envelope first and there was a letter that said, “We were able to recover the following from your car: your registration, a pair of broken sunglasses, one thermos, one rosary, 4 air fresheners, 1 broken animal tooth charm.”
​
I did not know what they meant by an animal tooth charm. I did not want to know. I never opened the box. Instead I submitted my two weeks’ notice and decided to get far away, I went to live with an aunt and uncle across the border. Finding work on a tourist visa was hard. Keeping a low profile when that visa expired was harder. Becoming a US citizen was extra hard. But it was all predictable, a series of milestones on a long straight road. It was the furthest thing from the dark road to Topolobampo with its sudden twists and unexpected turns. I only travel that road in dreams now, and I’ve heard the voice next to me a few times… but it only gets so far as the word Señor and I wake up with my heart pounding. I remind myself that stuff like that does not happen here, I say a prayer, and I try to go back to sleep.

​Javier Loustaunau was born in Los Mochis, Sinaloa where he lived until his 21st birthday. Shortly after 9/11 he decided to move to the US to work for a while, taking a break in his studies as a biochemical engineer. Instead he worked his way up from restaurants to banking, from banking to operations and is now a data analyst in the HRIS and Insurance field. He is a published author of poetry and prose, specializing in short scary fiction. You can find his work on the NoSleep podcast and in the anthology Monsters We Forgot. 

by Carmen Baca

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The double doors of the capilla closed, pulled shut by the hands of el Hermano Mayor, the lock clicking into place before he removed the key. The interior lay in the muted sunlight coming in through hand-made curtains with crocheted hems. I came to awareness there in an atmosphere of silence meant for introspection and devout prayer. I stood to the right of the entry beside a large bin of wood filled and ready to feed the box stove in the center of the space between door and pews. A wide aisle between two columns of wooden pews led to the altar. Saints, crosses, candles, and statues of Mother and Child, Mother holding dying Son, and various other religious relics stood in no particular pattern. The rustic simplicity pleased me. There was a sacredness to the place, a peace I missed from when I towered atop the mountain.

The day I was brought down, I ascertained I was now at the bottom in the valley I had viewed every day. Day after day, the young man laid his hands on me in one way or another, with a small ax and wood carving tools, sandpaper, a soft cloth. His confident touch gave me no apprehension. I knew whatever he did to me would be pleasing to the eye. The young carpenter spoke to me as he worked. I knew from his fastidious attention to detail and his scrutiny of his handiwork I was intended for a special purpose. I tried to make him feel the joy he gave me by exuding a warmth from deep within me.

Day after day, I looked forward to seeing my visage in the reflection of his eyes. Where before I had been a round trunk of great size, then transformed into long blocks of wood, I was changed again into a cross, some symbol the people seemed to associate with their beliefs in the same power as I. The someone, the all-powerful who created us all. That realization gave me gratification deep in my heart, what was left of me. From a giant of a tree, I emerged as a thing of beauty, intricate carvings adorning my exterior, while the inside of me remained unchanged. I had been grateful to be alive in the shell I had been given and in that place where I spent the first century of life. I was now overjoyed to be of service to man as a symbol of hope for them for however much time I had left.

The heart of me which had been carved by the young man’s hands rejoiced for myself. But my keen sense of empathy allowed me to read into his eyes. They revealed an internal conflict I hoped perhaps to influence into giving him the spiritual awakening he so craved. I had to try; we were bound, he and I. There was no putting it off. It was time for his evolution as it had been mine from the moment he had cut me down. ​

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Much time passed as I grew old and weathered. The delicate carving of biblical scenes on my crosspiece had faded with the constant touch of los Hermanos’ hands over the many, many trips of the sun and the moon. While I stood against the back wall of the prayer room in the morada for long periods, I was taken out for special ceremonies. I was the centerpiece of the brotherhood’s attention during a time they called la Cuaresma, Lent. I came to understand when the morada’s doors and windows remained open and the fresh spring breeze blew through the three rooms for that duration, and my core throbbed with renewed energy from the excited noise of the men, women, and children of the community.

Each Lent I looked forward to a special day they called Jueves Santo when an Hermano carried me at the front of a procession from the morada to the capilla, the campo santo, and then back again. I was the center of every eye on this day, and I sensed my importance more, but not in a self-aggrandizing way. It was a deep honor to be a part of the community. I knew I  symbolized something great, something beyond my ken.

But this afternoon, with Matías now an old man at the edge of passing into the afterlife, carrying the cross despite his brothers’ protests, I sensed this day would end unexpectedly. The old Hermano bore the brunt of my weight on his shoulders and upper back, but it was made more bearable by his brothers. They shuffled along close by, shifting one out for the other after every Station of the Cross when they stopped to kneel in the dirt and pray. In this manner, each brother held the cross, three at a time beside and behind Matías, and all shared the burden of man’s sins as they walked.

A short rest after they returned to the chapel preceded the brothers finishing the procession to the morada where they ate their last supper together and prayed behind the locked doors. I had seen the Verónicas who came when the men rested earlier to leave pots kept warm on the stove and dishes filled with food, the table laid, and the rooms spotless. The women’s society—the wives, mothers, sisters of los Hermanos—served as an auxiliary to the brotherhood with their own leader and rules of conduct. They were freer in their discourse around me than the men when they cleaned the prayer house, and I was privy to their thoughts more than those of los Hermanos.

They and the rest of the community members were invited to attend the final ceremony

marking Christ’s last day on earth. The people walked by lantern from their homes to the morada. I remember seeing this display of bobbing illuminations from the mountain top. Groups and lines of lights traveled winding paths, single shining dots joined them at junctures, and the large body of lights made its way to the morada where I stood at the front of the altar with Santa Muerte to my left. The carved effigy sat perpetually poised in a small picket fence enclosure with an arrow pointed at any who stood before her. She faced me across the room every day since my usual location was against the opposite wall from her.

In the darkest hour of the night, the ceremony began with the lighting of thirteen candles placed along a triangular-shaped candelabra about five feet long standing on a four-foot-high pedestal. The candles, symbolic of Christ and His twelve apostles, illuminated the room with a soft, deceptive peace. We all knew the flames would be extinguished one by one, plunging us into the deepest black both physically and spiritually, evoking a most intense personal penance.

This was the most horrible and holy of nights, Las Tinieblas, the Earthquake Ceremony. It took us all back in time to listen and to participate in our own ways. Each attendee, whether Hermano, a Verónica, or layperson, chose the method best for them to experience with most poignancy the night of Christ’s death. Following each prayer, the mournful chanting of the alabados, like dirges, sent chills up our spines. 

“Mother Mary, look at Your Son…see the cross on His shoulders…His body bathed in blood…His head crowned with thorns…His final day has come…”

I felt the human pain as I envisioned the scenes of that day in the flickering of the candles on the walls. As though they cast shadows of those acts so many years before on the night of Christ’s death, those humans felt the pain of culpability which they projected toward me, the physical cause of their Maker’s mortal suffering.

Since my evolution, I had felt revered by the community. Only on the nights in all those years of performing Las Tinieblas was I made to feel abhorrent. I deflected their pain, accepting the reverence they also felt deep inside. I was a symbol of death, but also of the redeeming Passion and resurrection. I stood tall as after each alabado, a candle was extinguished. The act brought more darkness into the room as though it physically and slowly wrapped a shawl over us all or perhaps a death shroud, I ascertained after this night.

By midnight, we would experience His descent into hell when the last candle went out. The complete and utter darkness of the shuttered room, cloying with the scent of wax and incense, stifling with the fifty or sixty people crammed into the rooms—all contributed to the atmosphere of hell. The human wails and swift whooshes of whips, snapping and striking skin, the rapid turning of the multiple and different sized matracas, the noisy clackers, made the ears hurt. The cacophony symbolic of the chaos that is hell lasted only minutes, but always, always penetrated my heart, the heart of the tree I once was.

Our internal pain made worse by the doleful alabados, sung by los Hermanos, sent many of the women into tears. The children cried because their mothers did, and I thought perhaps they too sensed the solemnity of the ritual in their own ways. Then by some unspoken signal I didn’t understand, all quieted. One by one, the candles’ flames brought light and peace into the room, kerosene lanterns were lit, children quieted at mothers’ shushes, and deep breaths restored life to the prayer house. Quiet conversation, some with nervous, shaking voices, commenced.

Usually, no one lingered. The rooms were straightened out, the fires banked, candles and lanterns extinguished for the last time that night. The Hermano Mayor locked the door, and the humans left me alone again in the dark with la Muerte on her stool directly across from me.

This night was an anomaly I hope I never witness again. Bittersweet with great sadness and joyful rejoicing, the end of another beginning had started sometime during our clamorous man-made hell. Matías had evolved for the final time. Santa Muerte had aimed and penetrated the heart of the old man. But it was I who caused his death. Although it pained me greatly to know I played a crucial role in transforming him, I acknowledged our connection had been inevitable.
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He had changed me for good, and I had repaid him by transforming him into something better. The wailing and the praying commenced. The fast preparations for the wake of the long night ahead ensued. I observed from my place in back of the prayer room, but I knew only the shell of the man remained. I knew Matías had already emerged from the morada with wings. 

Carmen Baca retired in 2014 from teaching high school and college English for thirty-six years. Her command of English and use of her regional Spanish dialect contribute to her story-telling style. Her debut novel El Hermano published in April of 2017 and became a finalist in the NM-AZ book awards program in 2018. Her third book, Cuentos del Cañón, received first place for short story fiction anthology in 2020 from the same program. To date, she has published 5 books and close to 50 short works in literary journals, ezines, and anthologies. She and her husband live a quiet life in the country caring for their animals and any stray cat that happens to come by.

La mulatta Guadalupe López came to her new employment at the honorable house of the Alvarado Rosedale e Ibarra Betancourt family, on a thirteenth of March in the year of the Lord, 1967. It was a sweet-and-sour day for the missus, Señora Rosabella, who was on her eighth month of pregnancy. Sweet for the impending, and unbearable pregnancy, was soon to end, thank God and all his Saints; but sour, because she was on her fourth servant in the short time of her marriage, a year, to the very distinguished, Don Monce Alvarado Rosedale e Ibarra, Esq.
 
The loss of so many maids, (her own mother had had Lucinda in her service for over forty years), was not due to Rosabella’s temperament. Of that she was sure, temperament, pure nonsense, a fabrication of evil-tongues, jealous tongues. She was not temperamental. Far from it; in fact, she was indeed a saint. Like her favorite, Santa Rosa de Lima, who destroyed her beauty with bitter lime and pepper to abate all her admires, (this pregnancy had distorted all her features, even her nose was wider). It was part of what she needs to suffer, for she, like Santa Rosa de Lima, had asked God to increase her suffering in turn to increase God’s favor for her. But this expansion of abdomen, feet, and nose was ridiculous. To top it all, she had to be in bedrest for a month. A month! And if that was not enough suffering, that insulting doctor said she had an incompetent cervix. Incompetent! She was so offended. Calling her cervix, whatever that was, incompetent right in front both her parents and her dear beloved Monce. She felt so ashamed, the stupid doctor was talking about her female parts with all of them as if she was not right there in the room. She wanted to throw her pillow at the ugly doctor with his ugly words.
 
If anyone was incompetent it was those good-for-nothing girls that came to be at her employment. How hard could it be to keep her house, not as grand as her parents, but only two people for now lived here. It was only a matter of washing the floors, doing the laundry, ironing, making dinner, and making sure she was comfortable in her bed. ¿Was that so much to ask? The problem with all this incompetence, was the fault of the industrialization of the island by that idiot of a Governor. It was his fault that the pharmaceutical companies had settled on the island. Opening their doors to all kind of riff raff to do labor work at minimum wage—a salary that was outrageous for the fine families, who had Christianized this jungle into civility—minimum wage. ¡What a ridiculous idea! Too much money for those people, if anyone cared to ask her. But no one did, not even her sweet Monce. Rosabella, times are changing. You should not worry your pretty head with those things. Leave politics to the politicians. You just take care of our baby.
 
That governor and his idiotic impositions to pay such an unjust and outrageous fee just to wash floors and clean windows, etc. Of course, they could afford to pay more than Eli Lilly, but that would set the wrong precedent, wouldn’t it? And then where will they be? On the road to communism, that is where this would lead. If this continued, the governor would have the servants riding the Mercedes and the people of class, la crème de la crème, would be riding donkeys.
 
The island would turn to another Cuba, God Forbid! Equality for all. Just thinking about it made her tachycardia worsen and her ‘incompetent cervix’ go into spasms. She crossed herself, and tightened the grip between her legs. This baby wanted to be born too soon, and a suitable maid needed to be found sooner. This situation was making her first year as bride quite bitter.
 
La Guadalupe came well recommended. The Soler family, a family of pedigree, if not of great wealth, times had been hard on them, sent a lively recommendation letter on behalf of Guadalupe. In it they extolled Guadalupe, who preferred to be called Guadalupe—this should have set off all kinds of bell alerts—which Rosabella hadn’t noticed, her mind was elsewhere, consumed by the expansion of her belly and the unsightly bellybutton pushing out like a doorbell. It was a hint she missed; she likes to be called by the full extent of her name. Instead of the usual Lupe, a perfectly suited name for a woman of her class. In the letter, the Solers extoled La Guadalupe’s virtues; She is very clean, hard-working and efficient. We have noticed that she is even quite intelligent. She would do very well indeed. She could even be of great help in taking care of your future little one. Love, blessings, etc., etc. That was enough for Rosabella, who hired la Guadalupe on the spot without even seeing her, without the required interview.
 
La Guadalupe announced her arrival the following Monday. She was punctual. At precisely 7 o’clock sharp, that was a good sign, but it was a few minutes before Monce, her devoted husband, departed to his work. But even the remarkable precision of her arrival did not reduce the tachycardia and migraine that Guadalupe’s physical attributes precipitated on the delicate Rosabella when she entered the private marital bedroom, on account that Rosabella could no longer get out of bed and walk the few feet it took to get to the office, a more suitable place for greeting her new maid.
 
The Soler family had failed to mention the mulatta’s physical attributes. Tall as a Fichus tree, with a figure that even another woman would admire, this very appealing woman’s visage ended on what they called these days an afro! Rosabella took immediate offence to the hair and to the letter of the Soler’s which, undoubtedly, had not mentioned this point on purpose; therefore they must have intended some malice. Rosabella could imagine all of the Solers having a great laugh on her behalf. But the house was full of dust motes, the laundry piling in the laundry house, food lately had been just cold cuts, and her feet were the size of breadfruits. She was truly in need of someone to put order to her home and take care of her. Maybe I am not meant to be a mother, maybe God indeed had answered with impunity for the increase of her suffering.
 
Rosabella had been turned down by her own mother. Mama please, let me have Jacinta. Her mother had sighed with deep and sincere pity, but unfortunately, this was the season when the social calendar was so full. Ay, querida, this too shall pass, you will see, you will see. Have to go now, the Sotomayors are calling. Bye, besos, muah. So Rosabella swallowed her significant discomfort and allowed the magnificent afro headed bronze statue in front of her to proceed and begin to work for the day.
 
At the end of that first day, Rosabella gingerly stood and walked, against the advice of her doctor, to inspect. She was sure La Guadalupe’s work would be slovenly and she could terminate her on the spot. At least, that was her hope. She would rather tell her she was not up to snuff, instead of having to talk about the offending hair. These days the help was so uppity. Refusing to wear uniforms or living in the homes of their employers.
 
But here were no dust motes hiding in corners. The beds were made with precision. Clothes ironed and placed in good order. Indeed, the rooms were impeccable. And then, La Guadalupe had served her dinner. She tasted the dinner, with trepidation. Gandinga. Normally she did not like liver, but the baby apparently had been craving it and she had asked La Guadalupe to make this dish. A dish not even Jacinta could do well. This was the best gandinga she ever tasted.
 
It was Monce’s favorite dish, and she worried this would totally bind this La Guadalupe to his liking. Rosabella’s shoulders sagged. She knew she would find it near impossible to fire this maid. La Guadalupe had played her card well, ¿is that what the Solers had meant, that she was intelligent? She was forced to play her own pawn, that damn afro.
 
“Yes, everything is satisfactory. Here is your payment for today. But please, let me tell you, if you are to proceed to stay with us…,” Rosabella swallowed hard, times were changing, thanks to the idiotic Governor, and now these days even the help was hoity-toity. “tomorrow, when you come, you need to do something with that maraña. That tangle cannot do in this very proper home.”
 
La Guadalupe did not even blink. From her height, which really was considerable, for La Guadalupe stood close to six feet tall, she smiled at Rosabella in a smile that seemed quite petulant.
 
“I am sorry, Señora, but the hair stays or I won’t be back tomorrow.”
 
The affront was so unexpected, that Rosabella did not have a chance to react. No servant of hers, or anyone she has ever met, had ever spoken to their employers with such…, well, for a lack of another word, frankness. These new times, and their changes, were going to be the end of her. It was all the fault of those hippies, and of course the Governor. These new ideas of equality and commonwealth were going to be the end of their peaceful and quite satisfactory small island. The idiotic governor and his moronic followers were unsettling what needed not be stirred.
 
The next day, La Guadalupe was in the house before Rosabella had even awakened, and in fact, was awakened by the delicious smell of brewing coffee, an aroma that always made her feel the island in her bones. La Guadalupe walked into the bedroom armed with a tray she placed by the nightstand table next to her. The statuesque Guadalupe filled her a cup in plain street clothes, no uniform. Tall, clean, and with a cloud of black hair shaped as a round lollipop on her magnificent head.
 
“Here is your coffee, Señora, ¿do you like milk and sugar?”
 
Rosabella nodded, but could not stop looking at the halo of black hair that surrounded La Guadalupe’s face. A delicate face, she noticed, quite pretty, for a woman of her class. She reminded her of one of those black singers she had seen in The Ed Sullivan Show, ¿what was her name?
 
“Here are your eggs and toast. If you want anything else, just let me know. I’ll be back in twenty minutes.”
 
“You can make yourself breakfast too, Guadalupe, your dishes are in the left cabinet, marked for the service.”
 
La Guadalupe looked at her patrona squarely in the eyes, producing a cup already filled from the same tray she had brought the dishes. One of the porcelain cups from Mama-abuela, and in defiance began to drink from it.
 
“I guess, you did not hear me Guadalupe, that cup you are using is for the family only, servants use plates and cups from the cabinet clearly labeled in the kitchen.”
 
La Guadalupe smiled, finished her cup in a manly gulp, and left the room closing the door with care. Rosabella stared at the ceiling of her bedroom. ¿How was she going to deal with this impossible woman? The baby in her belly gave her a strong kick.
***
In the weeks that followed, Rosabella and La Guadalupe fought an incessant tug-of-war about the dishes, which bathroom she was allowed to use, and the infernal hair. Rosabella gave La Guadalupe a hair net, which she found later in the wastebasket of the master bathroom! The porcelain dishes from Mama-abuela were continually used, she found them washed and rinsed on the drying rack, the bathroom door to the guest bathroom locked during intervals. She was living the life of Santa Rosa de Lima, this was her insufferable passion. These things were so aggravating, making the baby in her womb kick and her incompetent cervix contract continuously.
 
Her mother visited her weekly, but she was no help. On the contrary, always praising La Guadalupe, as if she was some kind of hero. Oh my! This rum cake is better than Lucinda’s. Your house is so perfectly tidy, Bella mi niña, you should be so happy with this girl. So they talked about things she could not talk about with Monce. At least her mother was also obsessing about the damn war; the disgusting hippies on television, the idiotic governor, the horrors of the American television programs. Like The Ed Sullivan Show! Always showing blacks in his program. Once, she saw Mr. Sullivan kiss a black woman entertainer. Monce thought nothing of it. He liked the show, so she had to sit and watch with him. The world was changing, and they were witnessing the crumbling of the aristocracy.
 
And it was not only the television. Just last week, her mother called her on the phone crying. Telling her that Carlos, her own cousin, was powerless to use his last name to stay out of that blasted war. He too had been drafted. ¿Can you imagine? Drafted just like a common man. Not even offered a ranking.
 
Rosabella felt that no one was listening to her in this time of need. Not even Monce, who was still working, going on for ten or more years, on the case of those horrific revolutionaries who had bombed Congress. And doing those infuriating pro-bono cases for the women who had been sterilized without their knowledge. He was so distant now, so preoccupied with his work. She hated pro-bono work. Monce, por favor, at least just work on the cases that pay. He had smiled at her but left her in the bedroom going to his home office instead.
 
She felt abandoned and alone with this sirvienta, who was the best cook, but also an insolent and confrontational monster that was making her suffer. Every day now she suffered from more tachycardia, migraines, and contractions than ever before, and these were real, not just to get a little attention. Maybe God was punishing her for using those conditions before as an excuse to keep Monce and her Mother by her side.  
 
The Solers were not answering her calls, they were probably in Spain. It was that time of year. It would have been her first trip to Spain with her Monce, but then the pregnancy happened and all that dream evaporated. Rosabella was also resenting Monce’s favor for La Guadalupe. He was loving La Guadalupe’s cooking so much, he reminded her every day, “That one is a jewel, make sure you keep her, we can’t let this one go.” Rosabella wanted to hold a frying pan over his lovely head when he said that, especially when he had that wink at the end of his sentence, and patted his stomach, that indeed looked like he had gained some weight from all the lovely cooking. That made her angrier even for all the charm he was putting in his words.
 
The sharp pang of pain was as sudden as the evaporation of the midday dream she was having in the many siestas that now seem to consume her days. The baby was coming. The doctor had said to still stay in bed, but the big danger was past. She reached for Monce; of course he was at work. No, not at work in his office. With dread she remembered he had flown to Washington the day before yesterday. Mother and Father were out of town too. They had joined the Soler’s trip to Spain. Don’t worry, dear, you will be just fine, we will be back in time for this little one’s birth.
 
¡Nooooo!
 
The pain was coming every ten minutes and as she stood to fetch her phone off her vanity table her water broke right on the brand new Moroccan carpet, a gift from the Solers for the wedding.
 
She sat with her legs pressed tightly and between contractions screamed.
 
“¡Guadalupe!”
 
The maid with the bouncing afro raced to her side, stepping right over the wet rug.
 
“¿How far apart are the contractions, Señora?”
 
“No sé, ¿maybe ten minutes apart? Call doctor Gustavo, he will come right by.”
 
La Guadalupe looked at her as if she had said monkeys live in the sea.
 
“Mire, Señora, I will take you to the hospital myself. No need to worry.”
 
“In what, ¿a taxi?” Rosabella felt a terror as another contraction crawled all the way up her spine.
 
“I’ll bring my car to the front of the house, don’t move.”
 
As Rosabella gripped the back sit of her vanity stool, she was astounded that a maid could own a car. Good God, in heaven, let it be something that won’t fall apart.
 
Guadalupe was back quite fast, she must park in our garage, and helped her off her settee. Gingerly, Guadalupe placed her left arm under Rosabella’s back helping her with each step, and had the presence of mind to grab the hospital bag she had helped her packed weeks before, you can never be too ready. Rosabella’s face was resting on a patch of fluffy afro as Guadalupe helped her into an orange Volkswagen that was still running, the passenger door open. ¿How can she afford this car?
 
After Moncito was born, Rosabella found she needed La Guadalupe more than ever. Those first nights, Monce moved to the guestroom so he could have a good night’s sleep, and she was left with the care of Moncito all by herself. This was too laborious a task for someone of her delicate constitution. Rosabella asked Monce for a night nurse and he solidly refused the request, “Bella, Guadalupe, can take care of Moncito while she is here during the day, and you can then rest all day if you want to.”
 
Rosabella fell into a deep sadness she could not shake. Moncito, darling Moncito, with his perfectly fine little nose and blond-red curls was a monster, wanting to be fed every few hours. Rosabella’s face was puffy with dark circles under her eyes, she felt so ugly. Her breast were finally without milk, and their shape was coming back, but all those bottles during the night would be the end of her. She needed that nurse at night, she would have to pay her from her own dowry, if she must. She decided that La Guadalupe needed to stay with her full time. Afterall, it made sense, Moncito already was familiar with La Guadalupe.
 
During lunch, she put Moncito on the beautiful Moises that Doña Claudia had made them, and asked La Guadalupe to sit on the balcony with her, not to share the meal, of course not, but to stand with her as she sat and ate the delicious crab pastelillo. La Guadalupe stood next to her, frozen as a statue.
 
Rosabella stated her request in a very civilized voice, modulating it so there was no hint of desperation. She celebrated Guadalupe’s virtues as a maid and did not mention the insufferable hair, not all the peccadillos of impertinence. She instead exalted the extremely capable maid. And after much discourse, without begging, of course, La Guadalupe answered a simple, “No.”
 
“¿Pero por qué no?” Rosabella was astounded.
 
“Lo siento mucho, Señora.” La Guadalupe answered in an unaffected voice, “but nights are my own and I am not giving them up.”
 
That night Rosabella did not sleep, and not only because Moncito demanded five feedings. There was this horrible certainty of why La Guadalupe did not want to work nights. Rosabella was certain that La Guadalupe was one of those women. ¡Good Father in heaven, that is how she could afford a car of her own! She had let a woman like that in her home! That Guadalupe had even eaten food, and had drunk, from the porcelain dishes of Mama-abuela. She needed to voice her concern with Monce. And the Solers would hear a good talking to when they came back from Spain. ¡What betrayal!
 
Early that morning, before Monce left for the Roosevelt Inn Restaurant, where he took his breakfast with all the members of the cabinet that were working on that horrendous case of the disgusting revolutionaries, she went to the guestroom to talk to him.
 
“Monce, mi amor. I think I have discovered something horrible about La Guadalupe.”
 
Monce was tying his tie and looked at this wife in the mirror, “Mi Bella, you are not trying to find a way to fire the best maid we ever had,” he said this smiling at her in that mirror, a wedding gift from the previous governor. Rosabella withheld the vision of the frying pan over Monce’s head. She took a deep cleansing breath, put her face in her hands, and began to cry.
 
“Yes! she might be wonderful to you!” her voice was not the modulated voice she liked to hear herself use, but her nerves were shattered. “but as much as you might think SHE is, there is something horrible, lurid behind that Guadalupe, and not just the hair.”
 
Monce sat on the bed and coaxed his wife to sit beside him.
 
“There, mi amor, tell me what is bothering you.”
 
Rosabella felt like she used to when she was little, and her father consoled her. Father had this wonderful, if a bit supercilious, way to soothe her. Monce did the same now, and she felt better but also annoyed with his patronizing voice. Still, it was nice to have someone that cared for her feelings.
 
“I think La Guadalupe is a woman of the night.” Her voice sounded small even to her own ears.
 
“¿Por qué you think that my love?”
 
“I asked her to work full days and nights with us and she refused! ¿And do you know she even owns her own car? I even offered giving her minimum wage like they do in the pharmaceuticals, and this very room for her to stay, so you could move in with me in our bedroom. But no! She said her nights were her own. What else do you think that could mean? It has to be something improper. Imagine the horror to find this out, she has cradled our Moncito in those hands!” Again, she covered her face with her hands and felt as the bed bounced slightly up as Monce stood. He let out sigh that made Rosabella feel so incompetent, just like her cervix.
 
“Amor, it is time for you to face that times have changed,” Monce was standing in front of her, and she did not like, or understand, the look in his eyes.
 
“Bella, Guadalupe, is studying. She goes to school in that new community college in Turabo. They have a night program for nurses.”
 
Rosabella’s head snapped. She looked at her husband and saw a stranger. How had she not noticed the changes in him. He no longer wore a fedora, true, but the hair at the back of his neck was touching his shirt. And those sideburns! Those hideous fuzzy caterpillars obscuring his features, ¿when did he let them grow? ¿Could he possibly have been listening to the idiotic governor’s ideas? ¡No! She refused to accept that; she could hear Moncito crying in his Moises in the living room. Then she heard Guadalupe’s voice soothing him with that sing-song voice of hers.
 
“Calabó y bambú. Bambú y calambó. El Gran Cocoroco dice: tu-cu-tú. La Gran Cocoroca dice: to-co-tó.”
 
Where had she heard those words before? It was in ‘El Show de las 12’, yes, that was it. That terrible television show from the island, not one from the States, that showcased the music, humor, talent of the common people of the island. Yes, those words were the horrible lyrics by that poet, ¿what was his name? Oh, sí, Palés Matos. That is how they get you, her Monce, the village, the island. ¡Clever! The idiotic governor and his mouthpiece, the television shows, putting the world’s axis on its ear. First, the pharmaceuticals, then the miniskirts, now the afros. Behind Monce, in the mirror, she saw La Guadalupe, no, Guadalupe, cross the hallway with Moncito in her arms, still repeating part of that poem, “cru-cru-cru.” Her afro a wide umbrella floating over the curls of her infant son, and she wondered if Moncito felt that cloud as a soft comfort on his face, just like she did that night. ¿Guadalupe, studying to be a nurse?
 
She looked at her Monce again, and he was quietly smiling at her, she could not read his thoughts, but she could see, she was standing on a plane different from his, there was a door and a threshold she needed to cross. The displacement took her by surprise. Like suddenly standing and feeling faint, but at the same time there was familiarity in it too. It was as if all along she had known this was coming. During her pregnancy, all the signs had been there. From the news on the TV, to her dear Monce’s refusal to stop doing pro-bono, and the streets with more cars than people of high breed. She had not been willing to see them. She was being left behind, like a maid with a higher education than herself.
 
Maybe, just maybe, she could get used to Monce’s new hairdo. His sideburns were not as bad as she had first been shocked to see there as he soothed his casual blazer on his shoulders, she stared at her husband and noticed that the sideburns looked good on him after all.

Born in Mexico and raised in Puerto Rico, Amelia Díaz Ettinger has written poems that reflect the struggle with identity often found in immigrants. She began writing poetry at age three, dictating poems out loud to the adults in her life who wrote them down for her. Amelia continued writing poems and short stories throughout her life, while working as a high school science teacher. In 2015, her first book of poetry, Speaking at a Time, was published by Redbat books. A second book of poetry, Learning to Love a Western Sky, published by Airlie Press 2020, and poetry chapbook, Fossils on a Red Flag, will be published by Finishing Line Press in 2021. Her poetry and short stories have appeared in literary journals and anthologies. Presently, she and her partner reside in Summerville, Oregon with two dogs, two cats, and too many chickens.

​​by Arnaldo Lopez Jr. 
​
"The Beat of Cabo Rojo" appeared earlier this year in Somos en escrito.  We enter any Extra Fiction regularly published into that year's contest.

Read:
Part One.
Part Two.
Part Three. 

by ​Toni Margarita Plummer
 
The dermatologist lifts the gown as she needs to, checking my limbs, my stomach, my back. Her hands are pleasantly cool, and she speaks intermittently of the various marks and spots on my body.

“This is fine.”

“I’m not worried about this.”

When she is finished, I sit up on the crinkly tissue paper and pull the gown closed over my chest. Dr. Baer is attractive, with blond hair, fair skin, and a wide face that needs no makeup. I detect a very slight accent. Maybe Eastern European. She hardly smiles, and I wonder if she thinks Americans like me smile too much.

I first met her two years ago, when I felt something buried in my right palm. She numbed my hand, dug out the mass while I looked away, and stitched me up. When I returned later to have the stitches removed, the nurse praised the perfectly even sutures. Now Dr. Baer has opened up her own office.

“If you come back this month, we’re giving facials half off with all skin cancer screenings.”

I am used to getting my facials done at a salon under the 7 train where a woman threads my eyebrows in quick, heated licks and squeezes the pores on my nose until I want to curse, all for $20 and a tip. Rather than ask the price of the discounted facial, I say, “That’s okay.”

“Just call if you change your mind.” Dr. Baer zeroes in on my face. “I see some extractions I could make.”

I nod politely, sure I will not call. The word “extraction” takes me back to geology class, where we learned about removing things from the ground, usually valuable things.

“What about these?” She catches me off-guard, her hand moving to my neck. “Have you thought of removing them?”

My hand follows hers, finding the familiar nubs. It had not occurred to me to ever ask a doctor about my longtime skin malady.

“Insurance wouldn’t cover it because it’s cosmetic, but I could remove them for $100. I’d freeze them off. You have a lot so we could do it over two visits.”

I have not been keeping up with my neck situation, and the idea of having someone else take care of it is appealing. I agree, and she finally smiles.
 
                                                                        ***
 
I don’t remember when they first appeared. But one day I must have noticed them. Then I noticed the necks of my great aunts, which were spotted with dark pouches of skin, some quite plump and shiny like rubber. Las tías were sedentary women, keeping to the shade during family parties, sometimes erupting into cackles over a joke in Spanish I did not understand. I spoke little to them, my mother serving as the link between generations by handing me clothes they had crocheted for my dolls and telling me to say gracias.  

Mamá’s neck was also afflicted, but I learned she had a way of dealing with it. She began sitting me down at the kitchen table every several months. She would pull out a long, dark hair from her hairbrush and make a slipknot. I’d tip my head back, exposing my neck like a supplicant of Dracula, and she would slip the hair-lasso over one of the little sacs and pull until it stung. I was always happy to feel that sting. It meant she’d caught one. She’d pull more hairs from the brush and tie up the rest, whichever ones were not too small and close to the skin. And then she’d take the scissors and snip the ends of the hairs so they wouldn’t hang so long. Out in public, I would cover my neck, and over a few days the strangled sacs would harden, go dark. It was easy then to pinch them off. Sometimes I would drive my nail through their centers and feel them come apart like earth.

Some might call them skin tags. A date I had in college called them growths. You could even call them tumors, technically. But I always preferred my mother’s word for them—las quetas. Short for etiquetas de la piel. I led a mostly English life, but that was one of the words I did not translate.

I accepted las quetas as my inheritance, like my dark, straight hair and long eyelashes. They were passed down through generations of women. Women of Mexican extraction.
 
                                                                        ***
 
Mamá did not want me to move out. She thought I should live with her until I got married, whenever that might be, like my engaged brother was. But I was eager to be out on my own. In my new apartment, I tried to do what my mother did and tend to my quetas like weeds in a garden. But I did not know how to do a slipknot. Foolishly, I double-knotted my ties, an inferior method. The hairs came undone before I even got in the shower. Most of las quetas were impossible for me to grab hold of in the first place, because of the incompatible angle of my hands and neck. I’d stand in front of the mirror, frustrated at another failed attempt, longing for Mamá’s hands at the same time I cursed this trait. I was reluctant to ask her for help. The ritual tying of las quetas was never scheduled. It was just something that happened when we were both home at night. She would gather her supplies and beckon me, “Míramos tus quetas.” And the reason I was not home at night anymore was because I had chosen to leave, against her wishes.

The proliferation of las quetas weighed on me. I would find myself tugging on them. They itched. I considered simply cutting them with scissors. But when I raised the blades to my skin, I imagined a fount of blood pouring out my neck, saw myself passed out on the floor, my unsympathetic landlord standing over my body and telling himself he would keep my deposit.

My brother’s wedding was in a few months, and he had cruelly informed me that las quetas could not count as my anonymous plus one. So Dr. Baer’s offer was well-timed. That is what I thought at first.
 
                                                                        ***
 
For the first round of cryotherapy, Dr. Baer approaches me with a pressurized metal can. She aims the little straw pointing out of it like a gun. “Ready?”

She said we were freezing them, but it burns. It burns like hell. I am grateful I won’t have to endure the scorching of them all in one visit. My neck on fire, my mind turns to thrift. There doesn’t seem to be much technique involved. I try to sneak glances at the lettering on the can. Is this something I can buy myself and enlist a twisted friend to wield?

“All right. You’re all set. You can make the next appointment a few weeks from today.”

“Will there be scaring?” It’s a silly question coming after the fact, but I can’t help myself.  

“There shouldn’t be. But if there is, I can take care of that too.”

Back in the waiting room, I see myself in the mirror. The red-hot riot of my neck. Mamá’s tying was a gentle smothering by comparison. This is something different. It is chemical warfare. It is cigarette burns. My neck is inflamed, but the result is the same. Over a few days, las quetas harden and fall off. A smooth neck is within reach.
 
                                                                        ***
 
The second visit begins like the first. It is no less painful, and I find it hard to believe there are still so many left.

Finally Dr. Baer steps back. “One more to go.” She hands me a mirror and points at the brown spot just below my collarbone.

“Is that one of them?” I ask, feeling the familiar bump. The skin is slightly raised there, the spot shaped like a cameo. It is nothing like the ones on my neck. There is no stalk, nothing to pull.

Dr. Baer nods, her blue eyes boring into mine.

I imagine how the burn will feel there, on my chest, but I also think of that mark missing. It’s the mark I see in the mirror every day, in pictures of myself. For it to disappear… “No thank you, I need to keep that one.”

She watches me, and I instinctively finger my remaining queta, protective.
​
At last she sighs, as though she is the one who has been getting her neck singed the past fifteen minutes, and sets the can back on the counter. “You’re all done.”
 
                                                                        ***
 
I know my future sister-in-law’s favorite color is red, but a red bridesmaid dress strikes me as tacky. Make it red tulle on red satin, and you have something unholy.

The dresses are sleeveless, so we wear tulle shawls to cover our bare shoulders during the church ceremony. In the church restroom, I remove the itchy fabric, glad to be free of it. But my relief vanishes when I see my neck has broken out in some kind of rash. It must be the cheap fabric of the shawl. We’re about to take group photos, so I have but little choice to redon the offensive garment. A rashy neck would not be tolerated.

We arrive at the reception hall for cocktail hour, and my neck is flaming. I don’t want to remove the shawl though. I don’t want to draw attention to myself. I flee to the restroom, certain I am breaking out in hives. There I see it’s worse than I feared. I am bright red, and not just that, but I see something small, something brown on my neck. It can’t be, I think. They were all gone. But it’s there, and as I watch it, it grows.
​
I think I must be seeing things. But la queta is there, and it is becoming too big to be imagined. Panicked, I run into a stall and sit on the toilet seat. Someone knocks on the door.

“Estás bien?” My eardrums are pounding with blood, and I can’t even make out the voice.

“Sí! I’m fine!” I am not fine, but what can I say? I nuked my quetas and now they are returning to exact revenge?

La queta continues to balloon. I can feel it. I will die here, I know. I will die a virgin sitting on a toilet in an unbecoming dress. La queta will grow until it absorbs me, the lesser lifeform.

But the stall door bursts open. There stand las tías, and by their faces I can tell they mean business. Without hesitation, one punctures the giant queta with her crochet needle while another ropes it with a loop of yarn and the rest of the women yank. I think I am going to pass out from terror when there is a deafening pop and blood splatters us all. Grasping my neck, I look down to see the severed queta lying on the floor.

My mother steps out from behind las tías and looks at it on the tile. “There is more than one way to skin a cat.”

“How did you know?” I ask, gasping, incredulous.

Tia Meche, the eldest, scoffs. “Mi’ja, tú eres una de nosotras. No necesitas decir nada.”
​
Mamá pulls me out of the stall and holds my hands out to the sides. “At least the blood blends in with your dress.” Las tías start to cackle.
 

Toni Margarita Plummer was born and raised in the San Gabriel Valley of Los Angeles, the daughter of a Mexican immigrant mother and white father. She is the author of the story collection The Bolero of Andi Rowe, won Honorable Mention for the 2019 Reynolds Price Prize in Fiction given by the Center for Women Writers, and was a finalist for the inaugural Tomas Rivera Book Prize. A Macondo Fellow and graduate of the Master of Professional Writing Program at USC, she is a contributor to the anthologies East of East: The Making of Greater El Monte and Latina Outsiders Remaking Latina Identity. Plummer lives in the Hudson Valley.

Mamá is ripping weeds from vegetable beds, her focus deep between the stalks of the tomato plants—her trance, as Pablo calls it. I monitor her from the side of my vision, knowing better than to look at her directly, but she knows I am watching, perhaps because my hands do not move as quickly as hers do, not as deftly. I work faster to compensate, and not just because her brown eyes flash for a moment over mine in silent command; it is summer and every hour the jungle encroaches on our clearing, sending its tendrils into the garden, the wood pile, between the very boards of the house if it could. Mamá has completed her side of the patch and turns her attention to the soil in front of her while she waits for me to finish.
 
The dirt rises in mounds between her palms, and I don’t need to watch to know what she is making. She continues as I yank at weeds, the small stingers of the melon vines sinking into my fingers as they accidentally collide with one another in my haste. Mamá pinches the soil between her fingers, attaching a smaller mound and four appendages to each of the twin mounds. She pats their surfaces, smooths them.
 
“In the beginning God created the heaven and the earth,” she begins, and my mouth forms around the next verses while I work. We recite it together, our voices barely above a hush.
 
“So God created man in his own image, in the image of God created he him; male and female created he them,” she says, then rests her knees in the dirt. She doesn’t need to finish the story; we both know how it finishes. And we both know how she will finish it.
 
“God gave us a second chance,” she concludes, looking down at her creations. “He gave us a second chance.”
 
She smiles out at the line where the bare dirt succumbs to a wall of green, of fronds and vines and leaves alive with the hum of insects, of birds calling to one another through the gloom.
 
“And why you and Papá called me Edén,” I add for her.
 
“That’s right,” she chuckles, nodding. “That’s right.”
 
I have been expecting this ritual since just before dawn, when Mamá’s groans woke Pablo and me and stirred the younger children, and Papá had to shake her awake, rocking her in his arms.
 
“You’re safe, woman, you’re safe,” he whispers, and I can hear her sharp breaths ease into sobs. “We made it.”
 
“We made it,” she repeats.
 
“We crossed the wilderness,” he says.
 
“We crossed the wilderness,” she says.
 
“We crossed the sea,” he says.
 
“We crossed the sea,” she says.
 
“And we arrived in the promised land. We are in the promised land.”
 
Her voice is calm again. “We are in the promised land.”
 
Pablo and I see the whites of Papá’s eyes through the twilight as he returns our stares, and without a word we push the blankets off us, dress ourselves, and go outside to ready the firepit. He lights the lamps and the fire, and I fumble in the darkness to hang the pot over the burgeoning flames. Pablo’s eyes roll toward mine, and mine to his. And I think of Mamá’s cracked hands and dirtied nails, fashioning the soil after her own image.
 
These fits come like freak storms, but I learned early that they almost always come when I ask questions, when I invite the past to come creeping in from its hiding place just beyond the tree line. Suddenly, my vision fills with white light and I am small again, not much older than the twins, the top of my head just barely reaching Mamá’s hip. She has given up on coaxing me to help her shell the peas and instead smiles, allowing me to embrace and kiss her swollen womb. Juana. Pablo plays with something on the floor, barely able to walk.
 
“Mamá, do you got a mamá?”
 
“I told you: In the beginning God created the heaven and the earth…”
 
“But that was Adán and Eva. And they had to leave the Garden. And they had Caín and Abel, but Caín killed Abel, and then he and his family wandered the earth.”
 
She says nothing, her smile unwinding at the edges.
 
“How’d we get back?”
 
“Why you ask so many questions?” She’s trying to be playful, but there is a command behind her question.
 
“Are we the only ones here?”
 
“Go play with the doll Papá made for you,” she says as she gestures to the wooden doll on the floor with her knife.
 
That was the first time I remember her screaming in the night, Papá cradling her, chin atop her head.
 
The next morning, Mamá perches me in a chair beside her at the table and makes me watch while she makes bread with the flour she bought from the trader. She pulls at the dough, rolls and unrolls and rolls it again into a perfect orb. Finally, tearing off a handful, and then another, she makes two human forms on the table in front of us.
 
“In the beginning God created the heaven and the earth,” she begins.
 
I don’t understand, and wait for her to continue.
 
“Say it with me. ‘In the beginning God created the heaven and the earth…’”
 
“‘In the beginning God created the heaven and the earth…’”
 
We recite it all the way to when God sent Adán and Eva from the Garden, and cursed Eva with the pains of childbirth, my eyes roving over Mamá’s distended belly.
 
“We got back. And that’s all that matters. You understand?”
 
“Yes, Mamá.”
 
“Everything that happened before—it doesn’t matter.”
 
“Yes, Mamá.”
 
But still I find ways to ask my questions in the years that follow, sprinkle them in among the scratch while I help her feed the chickens, drop them into the holes she makes in the soil with her fingers when we plant for the new season.
 
“Mamá, why you and Papá got brown eyes, but I got green ones?”
 
“Mamá, why is Papá’s skin darker than ours?”
 
“Mamá, where does the trader get all our flour and seeds and…”
 
Mamá grunts and holds her back. She leans back onto her haunches. At this point Juana is about five, and her successor, Diego, four, and Mamá has begun to show again, her belly like a squash growing on the vine. I count out on my fingers like Mamá taught me: There are one-two-three-four of us, and this one will make five. Mamá blows air through her lips, but then leans forward again and returns to gardening.
 
“Is the baby coming?”
 
“No, it’s too soon. My back must just be cramping.”
 
But she wakes early in the night, in the grips of one of her bad dreams, and Papá carries out their ritual. But this time, it is not enough; her breaths continue fast and sharp in the back of her throat. Papá rises and dresses, then plops me into the bed next to her.
 
“I gotta go get help for your mother,” he informs me, “take care of her while I’m gone.”
 
Mamá pulls me into her, takes my hand into hers, but it is hot, sweaty. Pablo watches from our bed, his eyes shiny in the candlelight, and she opens her other arm in invitation to him too. We sit on either side of her, but soon she breaks free from us, screaming. Papá returns with the woman who delivered us. She strokes my cheek in recognition before handing me to my father, who returns Pablo and me to our own bed. But we do not sleep, cannot sleep over Mamá’s agony. By sunup, Papá orders us to feed the animals, and we do it in a rush so that we can return to our vigil. But he tells us to stay outside, shuffles Juana and Diego out with us. We sit on a cluster of stumps not far away, swinging and hitting their bark with our heels, stomachs empty and livid. Finally, the commotion in the shack subsides, and the silence is filled with the sound of insects. No one opens the door for a long time.
 
When Papá lets us back in, Mamá is sleeping while the woman still tends to her. Papá summons us around the table. A wadded rag is the only thing on top of it, wetted with what looks like dried water and blood. He removes a corner so that we can see the face, its unformed features.
 
“This was your sister,” he tells us. “We’re gonna give her a name before we put her to rest.”
 
“What about Mamá?” I ask. “She gonna make it?”
 
Papá looks at the woman, who glances back at him and nods. He relays her nod to us.
 
We named her Petra. Papá digs the hole extra deep so the animals cannot get to her and carefully places her inside. We place stones over the scar in the earth as we pray. I feel a hot tear wind down my cheek.
 
Mamá’s womb remained empty for years after that, but when it was ready to accept life again it was blessed twofold. Aurelia and Pía. It is slaughter season, and Pablo and I shadow Papá as he kills, drains, and cleans the pigs. Juana and Diego, still too young to help, play in the clearing. Papá disappears around the back of the shack to find something.
 
“Edén,” Diego calls out to me.
 
“What?” I reply.
 
“Why does Papá walk like that?”
 
“Walk like what?” I know what he means, but hope he will catch my disinterest.
 
“Like he’s hurt.”
 
Pablo’s eyes roll toward the shack, where Mamá is working, seemingly every part of her swollen with the new lives she is about to bring forth, then meet mine. I stomp toward the two of them and cover his mouth with my hand.
 
“Don’t ask questions like that.”
 
“Let me go!”
 
“You’ll upset Mamá.”
 
“Stop!”
 
He bites my hand, and I send him backward into the dust. He cries, holding his bottom, and tears off toward the shack.

                                            **** 
 
I think Mamá’s latest nightmare has something to do with the visit from the trader the day before.
 
He and Papá are standing outside the shack, arms folded across their chests and their voices low, as I bring in the water. Both regard me for a moment and stop talking as I make my way toward the front steps; for a moment, I note their curious differences. They share the same dark hair and dark skin, and yet Papá’s features are softer, his hair a net of curls while the trader’s sticks out in straight, jagged tufts from under his hat. I noticed the same differences between Mamá and the woman who delivered us, who is the trader’s sister or cousin or some other relation, her sheets of hair always wrapped round and round into a knot at the back of her head. I hasten up the steps.
 
The murmurs begin again as the door closes behind me. Mamá has propped open the flap of wood that serves as our only window, and stray words leak in. “War.” “English.” “San Agustín.” “Cuba.” I recognize only the first, think about Jericho and Josué and his trumpets. A sound disrupts my sprawling thoughts. It is a sigh, almost a whimper, and I turn to find its source. Mamá has been sitting at the table, taking a break from her work, and she stares at the wall—in her trance—as if she is looking through it, to the trees just beyond it.
 
Tonight, I think I have seen a spirit. It was only for a moment, before it turned away and slipped between the trees, but it was a man, his skin pale and translucent. But he looks like no man I have ever seen, that is, he looks nothing like Papá or the trader or the other men Papá says are the trader’s kin, who I see hunting from time to time in the forest. Papá and Mamá have taught me that spirits are as much a part of the landscape as the creatures who dwell in the forest and in the swamp that rings our patch of land, though this is my first time seeing one. They are from the time before we returned to Edén, they explain, people who never accepted God or who were condemned to purgatory for their sins. My heart thumping, I scurry up toward the path to the shack before the sun goes down for good.
 
The fire is still going, though dinner was more than an hour ago. Mamá sits off to the side, the flames illuminating her face. Papá is silhouetted, his back to Mamá and the fire, and he glowers out on the trees. He does not look at me as I approach.
 
“Go find your siblings and get them ready for bed,” he commands.
 
“I saw a spirit,” I mention, my excitement somewhat diminished by the shortness in his tone. His eyes drop to the ground, but he says nothing, does not move. He and Mamá remain outside some time; their whispers awaken me as they grope through the darkness toward their own bed, some hours after the girls and I fell asleep in a tangle on our mattress, Pablo and Diego on theirs. I smell the smoke on their clothes as they pass.
 
I lay awake afterward, too hot and my mind too restless. Papá has left the flap open to allow in the fresh air, but it is just as stifling and heavy as that inside the shack. It is furious with the sounds of frogs and insects. Twigs snap as something moves through the trees at the edge of the clearing. Perhaps it is a deer or some sort of scavenger, or maybe even a puma attracted to the smell of the animals tucked safely away in their huts. The ruckus continues, and I roll to my side, trying to bury one ear into the pillow, press my fingers over the other. I hear Mamá or Papá turn over in their own bed as well.
 
My body lurches upward, and I realize I had drifted off, for how long I do not know. Papá and Pablo are sitting up too, and Mamá grasps onto Papá’s elbow, asking him what is wrong.
 
“I heard a voice,” I whisper to them.
 
“Me too,” Pablo says back.
 
“Stay where you are,” Papá orders as he tosses off the thin blanket covering him. Mamá remains paralyzed in her spot on the bed.
 
Papá prepares a lamp and edges toward the flap. He lets the orange ring of light spill onto the ground just outside the shack, moves it from left to right, opens the flap as far as it will go to gaze further into the darkness. Suddenly, he startles and drops the lamp, breaking it. The flap slaps shut.
 
“What is it?” Mamá hisses. “What did you see?”
 
“Boy, grab a knife,” he barks at Pablo, who complies. He selects one of the machetes hanging near the door, next to where Papá keeps the knives he uses to kill the pigs.
 
“What is it?” Mamá repeats.
 
“It’s them,” Papá utters, and there is panic in his voice. “They found us.”
 
My mouth is agape, wondering who he means, but Mamá must know for she hurries to the knives and selects her own. The younger children are awake now and squeak like baby birds over having been woken, asking their own questions about what is happening, but Mamá shushes them and herds them into her and Papá’s bed. I at last rise to my feet and grab my own knife, one of the ones I’ve seen Papá use to cut through bone, and shuffle back toward the other children, feeling stupid and helpless as I hover next to the bed, not quite sure how to wield my new weapon.
 
We hear it again, a voice, but this time there is another, and another, and still yet another—a whole chorus. Suddenly, all four walls of the shack begin to clatter with the sounds of fists and rocks and sticks against the boards. It stops just as abruptly. Laughter. I can hear them talking to one another, but I cannot understand them.
 
A high-pitched whoop pierces the thick air. One of them calls out in a strange chant, one that sounds like when Papá summons the pigs to their slop. The banging and cackling begin again, until I think the shack will come down. Mamá is praying under her breath, the knife clutched between her palms. Papá and Pablo have barricaded the door with the table and chairs, and hold them in place as the boards rattle around us. Papá glances back at Mamá, who opens her eyes and stares back at him. It is like they are communicating.
 
“Come on, now,” Mamá says, and she starts pulling boards from their place in the floor, as if by some god-like strength. Papá nods at Pablo and he joins her. Finally, when they have removed about half a dozen boards or so, she gathers all of us around her.
 
“Pablo, Edén—take your brother and sisters and follow the swamp south. Just stick to the water, and you’ll find Cesar’s village,” she tells us, referring to the trader.
 
She pushes Pablo through the hole and under the house first, then me. Papá has built the shack up so high on its stilts in case of a flood that I can almost stand my full height under there. Mamá begins to toss the smaller children to us, who lay down in the dirt on their stomachs and wait for directions. I can feel spider webs on my skin and I am certain that their occupants have crawled into my hair and clothes. My skin begins to itch. All six of us in the hole now, we look through the panels; torchlight seeps from the front of the shack, and all of the commotion now seems gathered around the door. I crawl over and peer between the panels: there are one-two-three-four-five-six figures hovering just behind the torches. Their skin is illuminated, pale—spirits. I gasp.
 
Pablo carefully removes a panel on the furthest most corner from the noise and ushers us through it, and we run into the darkness. We stumble through the forest toward the swamp, tripping on roots and fallen branches and bushes, until we can hear the voices no more.
 
We drift so far into the forest that not even the slightest of light can pierce through the canopy, and we must wait until dawn before we can continue. The younger children sleep in the branches of a drooping old oak. Eventually, we follow the blue haze of twilight toward the water. My head floats with hunger. The sun has reached its highest point when we find a gathering of shelters near the marsh, and filled with a newfound panic, we shout and run toward them. Their inhabitants meet us as we approach, bewildered. We collapse at their feet, panting and sobbing and still shouting.
 
“Cesar,” I say again and again, hoping that we have found the right place.
 
It is some time before I see him rushing toward us, some of the other villagers having gone to fetch him. Some of the women have managed to calm us and now sit with the twins in their laps, holding food for them as they eat. The rest of us sit in the dirt, still shaking, partaking in our own meals. We tell him what happened, and he wipes a hand over his face.
 
Cesar invites us into his family’s home, and it is days before I am able to rise. Later, Cesar’s wife will tell me that I slept for some three days. Diego and the twins soon develop fevers, and they remain that way nearly a month, as the first illness begets another.
 
Some of the men, led by Cesar, go to look for Papá and Mamá. But the shack has been burned, the animals run off, our parents vanished.
 
A couple weeks after we fled, Cesar summons Pablo and me to his boat, but offers no explanation as he pushes off from the shore. Some half-hour into our journey, more shacks rise from the marshes, and surprise and dismay and even a sense of betrayal wash over me. The inhabitants look like us, and a few wave to Cesar as we pass. We disembark and he takes us to a home near the center of the settlement, where a man stands outside waiting for us, arms crossed. Cesar introduces him as Señor Padilla.
 
“Come on,” Padilla says, “We got a lot to talk about.”
 
Padilla invites us to sit on a couple of logs he has converted into seats around his family’s firepit, then takes his own. His wife pushes a couple of clay bowls into our hands, fills it with some sort of rice dish.
 
“I knew your father,” he tells us. “We served together, over in San Agustín.” He reviews the blank expressions on our faces. “But I gather he never told you about any of that.
 
“He still came here, once in a while. I told him he should move here with the rest of us, that it would be safer, that we could protect one another, but he refused. He and your mother thought they knew a better way to protect you.”
 
“From what?” Pablo asks.
 
“The truth,” Padilla snorts, “the past. Their past. I thought they were crazy.” For a moment, I remember Mamá and her dolls made from dough.
 
His eyes pass from my face to Pablo’s. They are sharp, impatient, yet read of pity.
 
“Look, I don’t know what all your parents told you, but we—all of us,” he gestures to the other shacks, “We were born into bondage. Up in South Carolina. That’s a colony up north, belongs to the King of England.”
 
I think about Hagar and Moses and the exodus and the destruction of Jerusalem and the re-enslavement of the Israelites…
 
“But the King of Spain, he said that if we ran away here to Florida, we’d be free, so long as we became Catholic and served in his military. That’s how I met your father—doing my military service, over in San Agustín. It was our job to defend the city against the English. He got hurt, during one skirmish. I’m sure you saw how he walked. But we did our job, and then we were free. And most of us, we came and settled out here, but your parents, they went out even further. They didn’t want anything to remind them of what they left, didn’t want you to know about a time we were anything but free. Not til you were older, anyway.”
 
He trails off, taken over by his thoughts. We continue to eat. Finally, he takes a deep breath, as though he’s been holding it this whole time, and shifts in his seat.
 
“The English. That’s probably who attacked you all. They made an agreement with the king: they get San Agustín, he gets Cuba. I’ve seen a few of them the last couple of weeks, sneaking around the marshes. Probably fixing to take us back up to South Carolina or Georgia. We don’t intend to stay to find out. We’re going down to Cuba. All of us. I think you all should come with us.”
 
Pablo finishes his meal and sets the bowl down beside him, and leaning forward, he looks into Padilla’s eyes as if it hurts him, as if he is starting into the sun. “Our people—we got any people here?”
 
Padilla pauses. “Not that I know of. Your father, he made the journey by himself. I don’t know much about your mother, except that she came here from South Carolina, too. They met at church, there in San Agustín.” He stretches his legs out in front of him, inspects his boots. “But we’d look after you. Make sure you all have what you need.”
 
I am hollow as Cesar takes us back to his village. I mull Padilla’s revelations. Renacido—that is our family name, we learned, one Papá gave himself after he crossed into Florida. And I think about Padilla’s proposal, about Cuba. Maybe Mamá and Papá escaped and are already headed there.
 
Or maybe they are out wandering in the forest, like Adán and Eva, exiled from their beloved garden. Maybe they have been taken back to South Carolina, like Padilla said would happen to us. Or maybe they are dead. And maybe the way to honor them is to return to their land, land they owned, and rebuild the shack and pens and gardens, or if not there, then in the jungle that surrounded it, feral. Or maybe it really is to go to Cuba, to tend our parents’ legacy like an ember until its flames are full. To not merely survive. I close my eyes, and I see Mamá’s hands forming figures in the soil. “God gave us a second chance.”

C.L. Martín is a descendant of farm laborers who first arrived in the United States from Mexico in the 1920s. During the Great Depression, her Arizona-born grandparents were forced to settle in Mexico as part of the so-called “repatriation” of more than one million people of Mexican descent, sixty-percent of whom are believed to have been American citizens. They permanently resettled in California in 1961, where Martín was born and raised. She went on to receive a bachelor’s degree in English and History, with a focus in creative writing, from Mills College. She currently lives in Washington, D.C., where she works as an attorney and continues to write short fiction. This is her first time getting published. 

by Matias Travieso-Diaz
 
The greatest danger for most of us is not that our aim is too high and we miss it, but that it is too low and we reach it.
Michelangelo​

Eufemio Pérez Pérez was very unhappy with his name. As a youth growing up in Cuba in the nineteen forties, he rankled every time someone referred to him—whether in jest or seriously—as “un Pérez cualquiera,” a derogatory phrase that branded him a member of the lower classes, a pariah of society. The multiple “Pérez” in his surname tainted him even more—twice as common, cheapest among the cheap. Eufemio reacted to his perceived stigma by making his purpose in life to become a somebody, a man of fame, stature and accomplishment. 

In High School Eufemio exhibited a decided lack of distinction. He flunked more courses than he passed, and ultimately dropped out without ever graduating. He was unemployed for a while until he was able to enroll in a trade school where he received training as a draftsman. He was hired by an engineering firm to help prepare technical drawings for a number of projects, and his performance was barely adequate. He was kept on the job mainly because he had learned to be obsequious with his superiors. Nonetheless, he saw no possibilities of advancement and bemoaned how his vulgar name kept holding him back.

Things took a turn for the better in January 1959. The country’s ruling gang fled and a new team of bearded rebels came to power. Soon, drastic changes to the Cuban society began to take place, and industries and commercial concerns were seized by the government. Nationalized enterprises were put in the hands of apparatchiks with no qualifications other than loyalty to the Revolution. The engineering offices that employed Eufemio were seized and a minor “comandante” was put in charge.

Eufemio saw the changes as an opportunity to advance himself. He proclaimed: “I’ve been a true revolutionary from day one,” and formed one of Havana’s first “Committees for the Defense of the Revolution” (a network of vigilantes whose function was to spy on other citizens and foil potential anti-government activities). He marched in all the parades, attended all mass rallies, and went to the countryside on weekends to cut cane and help with the sugar harvest. He spied on his co-workers for potential counterrevolutionary infractions, and reported several people to the Interior Ministry for prosecution and incarceration. He was secretly branded by his co-workers as a “chivato” (informant) and universally despised. He defended his snitching on others by arguing: “It’s their fault for not getting in step with the Revolution. Al camarón que se duerme se lo lleva la corriente” (The shrimp that falls asleep is carried away by the current). 

By late 1961 he was well connected within the government and had become a promising low-level member of the ruling class. He was then offered a position as personal assistant to the manager of the Matahambre copper mines in the western province of Pinar del Río. The job required him to move to the village of Santa Lucía, a hamlet ten kilometers from Matahambre. Santa Lucía was nowhere: a shabby village of under a thousand inhabitants, mostly mine workers. 

The town’s main attraction was a little harbor built for mined ore transport. When he was not busy helping the manager ride herd on the miners, Eufemio sat on the harbor’s pier to do a little fishing and coordinate contraband deliveries of copper ore to Mexican smugglers who resold the mineral in the American markets. He also went frequently to the only bar in Santa Lucía; there he met Cecilia, a buxom, good natured country girl who waited on tables and fraternized with the miners. Eufemio courted Cecilia and soon turned her into his common-law wife. He did not love Cecilia, who he felt was beneath him in every respect, but availed himself of her favors. He felt women were weak creatures whose only virtues lay in their orifices capable of receiving a male’s attentions.

In October 1962 a new face was seen in Santa Lucía. The man, one Miguel Angel Orozco, identified himself as a researcher from Oriente University, come to Matahambre to study the varieties of copper ore found at the mine for comparison with those from the El Cobre mine near Santiago de Cuba. Eufemio met Orozco by chance at the bar, and after a few beers concluded that Orozco’s knowledge of copper mining was not much greater than his own. Eufemio found it hard to believe that the government would allow someone so ignorant of mining matters to travel from one end of Cuba to the other analyzing ore.

As he had done to his some of his neighbors years before, Eufemio felt no compunction about turning the stranger in. He made a quick call to the security police to report potential counter-revolutionary activity. Agents arrested Orozco and another man, Pedro Vera Ortiz, who was Orozco’s accomplice. A large quantity of weapons and explosives was discovered in Orozco’s rented quarters.

The government said the captures smashed a plot to blow up the Matahambre and Nicaro mines in the Pinar del Rio and Oriente provinces. Under interrogation, Orozco admitted that he and Vera had landed clandestinely in Cuba, sent by the CIA to carry out acts of sabotage. For starters, they planned to destroy the aerial transport system at the Matahambre mine. Four hundred miners could have lost their lives if workers operating the aerial link cars had not seen the explosives that Orozco intended to detonate at the base of the towers anchoring the cable railway.

Eufemio was interviewed many times by the Cuban and foreign press and did not miss the chance to play up his alertness and revolutionary zeal. In the interviews, he proclaimed himself a revolutionary hero and stated for the record that his name was “Eufemio del Cerro,” a name under which he had chosen to be known in the future. His change in name was noticed by the state security but acquiesced to--it was not the first time that a revolutionary figure had found it desirable to adopt a new name to improve his image.

Thanks to his unmasking of the Yankee saboteurs, Eufemio del Cerro was promoted to assistant general manager of the Matahambre mine, and helped preside over an operation that, at its peak, produced 50,000 tons of ore a year and gave employment to more than 1,000 workers. Eufemio pocketed the proceeds of selling 1,000 additional tons to the Mexicans on the black market, an activity for which he grossed--after sharing with his partners in the enterprise--$100,000 a year. Half of this he had to kick back to his superiors at three levels of government to be allowed to continue with his scheme but the balance, $50,000 a year, allowed him to live as a prince in a country where misery ruled most of the population.

Eufemio was reluctant to seek political asylum in the United States, for he was certain that the CIA was aware of his involvement in quashing the Matahambre operation. He decided to drop out of sight for a while and lose himself in the amorphous Latino community in Miami. As most Cuban government officials of rank, he had spirited thousands of dollars away from the country and deposited them in a Miami bank, with the account under his birth name to better hide the assets. Ironically, he had to become again a Pérez Pérez in order to retrieve his money. “I’ll get my good name back as soon as I am legit” he promised himself.

Eufemio was already in his mid-seventies and had intended to keep a low profile for the rest of his life. However, his need to restore his public image made him become involved with the Cuban Republicans in southern Florida, a motley group that included among its members individuals once associated with the pre-Castro Batista regime, former businessmen and property owners who had been dispossessed by the Communists, and people who still resented the failure of the Democrats under John F. Kennedy to provide military support to the Cuban expeditionary force that was decimated in the 1961 Bay of Pigs disaster. Joining this group represented a complete reversal of Eufemio’s political allegiances, but he was never much of an ideologue and was able to adapt easily to the beliefs of his new friends.

In the presidential election of 2016, Eufemio did some campaigning for Donald Trump among the Cuban expatriate community and welcomed Trump’s victory. He was hoping to get tapped for some work in the new administration, but his being an undocumented alien was a major obstacle that had to be overcome. 

He sought to enlist the help of the Florida Republican Party to regularize his legal status. He bragged: “I’m an expert on Cuban politics. If you can get me admitted legally into the United States, I’ll give you the Cuban vote, which is wobbly these days.”

The party leaders offered him a trade: they would get him political asylum and maybe even a “green card” if he would campaign widely among the general Latin population in South Florida, not just the Cubans. He would extol the virtues of the President and his administration and excoriate the deep state, the lying press, the corrupt intelligence agencies, the illegal aliens, and the liberals that wanted to keep the country on its knees.

In early 2018 Eufemio was invited to give an address to a group of non-committed Latins in the social hall of a Catholic church in Little Havana. His remarks were intended to sway the audience and bring them into the Republican fold. He defended the President, which “every patriot should do, no matter what who he is or where he comes from.” He acknowledged the man’s faults, but pointed out that the country had been brought down by his predecessors, and “he is the only one who can get us out of this mess.”

Eufemio had just finished giving his speech when there was a disturbance in the back of the room. A dozen burly men wearing black jackets that displayed the initials “ICE” burst into the gathering and ordered: “Everyone remain where you are. You are all under arrest!” The organizer of the meeting cried out in protest: “What’s this? Why are you breaking into a lawful meeting?” An agent responded curtly: “This church is known to give sanctuary to illegal immigrants. Anyone who is a U.S. citizen or a legal resident will be released as soon as his status is confirmed.”

Two buses were parked outside the church. Eufemio and several dozen people were herded into the buses, taken to a police station, and interrogated. Most detainees were released after several anxious hours; Eufemio and half a dozen Guatemalans and Salvadorians were kept in custody due to their inability to demonstrate their lawful presence in the country.

Efforts by Republican Party officials to free Eufemio were thwarted by the intelligence agencies. They leaked to the press Eufemio’s true identity and his role in defeating a covert U.S. operation to overthrow Castro. The attendant notoriety made Eufemio’s release a difficult public relations task for the politicians, who had little interest in protecting a tainted Latino. 

At his deportation hearing, an FBI agent confirmed that the man who called himself Eufemio Pérez Pérez was in fact Eufemio del Cerro, a member of the Cuban Communist Party who had foiled efforts to restore democracy in the island and had infiltrated the United States for nefarious purposes. He was a prime candidate for deportation. 

Eufemio was flown back to Havana on a cold February morning. Police and Cuban intelligence agents were waiting for him as he deplaned, for his deportation had been well covered in the media on both sides of the Florida Straits.

​Three months after his arrest he was found guilty of corruption and multiple acts of theft of public property dating back to the sixties. He was given a thirty-year sentence and sent to a prison farm in a remote area of eastern Cuba. His enfeebled condition spared him the back-breaking work on the fields, but he was assigned to carry out sanitation duties throughout the camp. Watching his figure, bent with age and humiliation, as he mopped around urinals and cleaned filthy toilets, some of the inmates would question who the wretch was. The invariable response, accompanied by a shrug, was “bah, es un Pérez cualquiera.” ​

​Old Simeón’s right hand was permanently clawed. His curled, yellowing nails converged towards each other in a longing gesture, as if he were trying to grasp the last strands of something long gone. Sometimes Vanessa wondered why such a particular fate had infested Old Simeón’s phalanges. She hypothesized that the clawing probably happened gradually, like the shrinking of a flower’s petals as water breathes itself out. But another, much more grim possibility had come to her one night as she was falling asleep on her unshared bunk bed. She envisioned that fatal agglomeration of blood obstructing Old Simeón’s left brain, and his extremities instantly recoiling at the evaporation of half a life.
 
Every morning, when Vanessa took it upon herself to massage Old Simeón’s wrinkly fingers, she felt a piercing worry that her body would betray her in that same way. She thought of all the inexcusable curses she had directed at her limited limbs when her feet couldn’t bear two days of walking after crossing the Venezuelan border. At the time, driven by impatience, she had collapsed on the side of a jungle-ridden highway, where only blades of dried grass had pierced her back into consciousness. She had asked God why none of the passing cars acknowledged her stretched out thumb, and jerking her damp sneakers out of her feet, she asked why her throbbing toes wouldn’t allow her to reach a couple kilometers further, where maybe she would find a hospitable town. 
 
After many years, Vanessa found herself able to take pride in some things again. Small things. For instance, she claimed all credit for the slight tremble of Old Simeón’s fingers whenever his wife took his stiff hand in between hers. She took pride now, in his ability to juggle up a pair of dice and throw them on a parqués board, with the help of his left hand, which was spared by some impossible bifurcation of the brain’s connections.
 
The dice clinked against the glass board and showed a pair of six dots protruding from the white cubes.
 
“How much is that, Don Simeón?” Vanessa said, lifting his arm from the table to prevent him from accidentally pushing the pawn-shaped pieces off.
 
Old Simeón let out a brief growl and stared at the blank air behind Vanessa’s curls.
 
“Twelve,” she answered herself. She took Old Simeón’s red pawn and hopped through the boxed trail. “One, two, three, four…” Vanessa then took advantage of her turn and threw the dice on the board. They spun around until the odds settled for two and four dots.
 
A prolonged sigh coming from the other side of the room stopped Vanessa from killing one of Old Simeón’s red pieces. Doña Rosario’s glasses reflected the blue light coming from a box-shaped TV. The bulging screen showed footage of flooded streets and fallen palm trees, brown heads peering out of hills of roof tiles and window frames.
 
“Not one house is still standing, can you believe it?” Doña Rosario said, noticing Vanessa’s shared interest in the news report on hurricane Iota.
 
“The island will need a full reconstruction, they say,” Vanessa had been following the case from a blue radio that she kept in her room. The numbers were most astonishing. 1600 families, 98% of infrastructure. Still, she found it hard to sympathize with the victims. She couldn’t help but think that her people had probably gone through worse, just nobody had bothered to quantify it. 
 
“Providence Island is a beautiful place,” Doña Rosario said, in her unusually high-pitched tone. “You know where my last name comes from? Abraham Robinson, my grandfather, immigrated from Britain to Providence Island.” The way Doña Rosario pronounced every one of those words with utmost pride kept Vanessa from coming up with any reasonable response.
 
Doña Rosario had a way of talking. When she had given Vanessa the keys to her recondite bedroom, Doña Rosario made it clear that she came from a long tradition of landowners who knew how to manage helpers in the household. “Your nursing title does not make a difference,” Doña Rosario had said. “I still expect obedience and respect in your care for my husband.” Throughout the many months that Vanessa had worked for Doña Rosario, she had come to realize that behind her harsh words stood her unconditional love for Old Simeón, but also her self-remorse for having married a man 15 years older in age. The old man’s life was coming to an end, and he was swallowing Doña Rosario’s own life along the way.
 
From beneath the open windows, not only moonlight leaked through the iron bars, but also the flickering lights coming from a neighbor’s balcony. Behind linen curtains, dark silhouettes danced to the congas in Rodolfo Aicardi’s La Colegiala. It was only late November, but the people of Acacías were already playing New Year songs over indecently loud speakers. At least in that respect, Acacías wasn’t all that different from back home, Vanessa thought. She had also noticed they had the same tradition of making a dummy filled with gunpowder and setting it on fire just as the clock struck midnight. Old Simeón and Doña Rosario never engaged in such activities though, because no matter what day of the year it was, they always went to sleep promptly at 8 p.m.
 
Old Simeón tapped Vanessa’s shoulder with a poignancy that disoriented her. He pointed at the color-lit balcony.
 
“They must be having a party, Don Simeón,” Vanessa said, assuming that was the information that Old Simeón was requesting.
 
“And you?” Old Simeón responded, his words as clear as they ever got, carrying the rasp of an underused voice.
 
Vanessa was not entirely sure what Old Simeón meant. Perhaps he found it strange that someone of her age was playing parqués with an old man instead of curling her hips to tropical beats, or he was wondering why the neighbors had not invited her. Vanessa smiled at the thought of these possibilities.
 
“None of us are supposed to be partying,” she said. “There’s a very bad virus out there, so we have to stay home.”
 
In some corner of the world inside Old Simeón’s mind, he knew it was the pandemic that had insulated his days so much. But Vanessa was not aware of this. She was rather excusing her situation, considering that maybe once it was all over, things would be different for her.
 
“You heard that, Simeón?” Doña Rosario said, projecting her voice to make herself audible to Old Simeón’s almost deaf ears. “Our last years of life, at home.”
 
By the time the news broadcast was over, Old Simeón had already fallen asleep on his wheelchair. His nightly routine consisted of Vanessa and Doña Rosario collaborating to strip him of his clothes and tie his diaper around his waist. The diaper was rather an ornament, since Old Simeón would wet his bed sheets every night, and every day Doña Rosario would replace them with a new set. 

***

​Vanessa had little to complain about. Her salary, although less than legal minimum wage, was enough for her personal expenses. Since Doña Rosario and Old Simeón provided her with a place to sleep and three meals a day, she also had enough money to send to her family in Venezuela every month. She planned to keep saving up to bring her mother with her too, away from a dictator’s injustices and a husband’s infidelities.
 
There was a catch to her living arrangement, though. Some days, Doña Rosario would wake her up particularly early and ask her to make breakfast. Vanessa could tell that Doña Rosario did not like her cooking, as she always complained that she put too much salt on the eggs, or not enough cheese in the arepas. Therefore, Doña Rosario’s request took place only when strictly essential, like when she had to go get fresh milk at the plaza on Saturday morning, or when she attended early morning mass.
 
This time, Doña Rosario had woken her up with a phone pressed against her ear. Doña Rosario had learned to pick up calls, but never to make them, so when some relative or friend called her, she made sure to catch up with them for at least an hour. However, when Doña Rosario had tapped on Vanessa’s door, her furrowed eyebrows and trembling lips suggested that this was not one of her usual bubbly phone calls. Instead, she was quiet, while a female voice at the other end of the line spoke in mechanical shudders.
 
As Vanessa walked up to the kitchen, Doña Rosario took a seat on the adjacent dining table. Old Simeón, his eyelids still struggling to stay open, sat on his wheelchair in front of the TV at the end of the room. In between the whisking of eggs and the patting of arepa dough, Vanessa managed to catch some slivers of Doña Rosario’s conversation—“What do you mean?”, “Hmph,” “God Bless,” “Why don’t you come over?”
 
Judging by Doña Rosario’s choice of the pronoun Tú instead of Usted, the person at the other end of the line could only be her daughter, Nadia. She was Old Simeón’s and Doña Rosario’s only daughter, even after 60 years of marriage. Less often than Doña Rosario would’ve liked, she took her Chevrolet Swift down the narrow road between Villavicencio and Acacías to visit them. When Old Simeón’s pension fell short, her teaching paychecks would pay for the house bills, as well as Old Simeón’s medicine.
 
Vanessa knew rather little about Nadia, but what she’d heard pushed her to garner utmost respect. She heard that Nadia had been in the house when Old Simeón had gotten his first thrombosis attack. He’d fallen on the floor, shaking and salivating as if being possessed by an evil spirit. Doña Rosario had stood frozen, covering her eyes away from the sight of her convulsing husband. But Nadia had been the one to pick her father up from the floor and place him on a chair, before calling every relative in town in search for an after-hours doctor. She was the reason he was still alive.
 
Once Vanessa was done helping Old Simeón eat his breakfast, Doña Rosario gestured for her to sit at the dining table.
 
“Nadia is coming later this afternoon,” Doña Rosario said, but she wouldn’t meet Vanessa’s gaze. “Vanessa, I need your full discretion on what I am about to tell you.”
 
Before making breakfast, Vanessa had tied her black curls into the shape of an onion. The pull of the low-hanging bun tugged at her hair as she nodded.
 
“Simeón’s brother Alberto passed away last night,” Doña Rosario said in a soft voice. “He caught that damned virus.”
 
Even though Vanessa had never heard of said brother, she made sure to state her condolences as politely as possible.
 
“You know he can’t know, right?” Doña Rosario briefly glanced at Old Simeón. “He’s not in the proper state to hear this.”
 
In spite of the prolonged coexistence of the three members of that household, Vanessa was the only one who made an effort to converse with Old Simeón. Sometime after Old Simeón had become speech impaired, Doña Rosario had lost all her patience, seeing that her only companion could no longer reciprocate her interactions. Now she limited herself to short words, and the warmth of touch. Vanessa, instead, would talk to him about the warm weather, the dogs barking outside; anything that crossed her mind. His answers consisted of low groans, unintelligible mumblings, and the occasional phrase that one could judge as either gibberish, or the enigmatic findings of a mind sorting through an extensive past. Vanessa liked to think it was the latter. 

***

​Whenever Vanessa heard Nadia and Doña Rosario talking to each other, she couldn’t help but wonder how it was possible that she sounded so different from them. She was puzzled by their ability to give every syllable a distinct tonality. They seemed to have every unit of sound recorded in a dictionary, that they would parse through in every uttering. They took no shortcuts, unlike Vanessa, who could not find the time to bring her tongue to the roof of her mouth swiftly enough to whistle her words—her ‘s’ sounds would descend into brief sighs. However, she had learned to minimize her vocal sloth during her time in Acacías. Doña Rosario had told her that not everyone in that town would be as kind to her people as she was. 
 
Nadia and Doña Rosario sat on the dining table, their short coffee cups steaming next to their fidgeting hands. Vanessa glanced at them intermittently through the windows, as she pushed Old Simeón’s wheelchair around the house. She could tell that at one point Old Simeón had made a habit of walking around the house, because he seemed to have picked favorite spots to glance at throughout the perimeter. At the back of the house, he liked to look at one of the columns that held up the clay roof where the white paint had peeled off in a shape resembling a trail of mucus left by a slug. At the right side of the house, the edge that faced a living fence which separated their neighbor’s house from theirs, he liked to look at a patch of red ground where grass had refused to grow. From the turning of the soil, Vanessa could only assume that a tree had once stood there, and she imagined it to be as high as the neighbor’s balcony.
 
At the front of the house, Old Simeón usually stared at the plastic bowls filled with brown cat food that sat next to the front door. They owned three cats who spent more time on the streets than at home and would only let themselves be petted by Old Simeón. Today, there were no cats to be seen, and Old Simeón was instead looking through the window, towards where Nadia and Doña Rosario were sitting. Vanessa could tell by the disparity between Nadia’s age and the number of wrinkles that crisped around her eyes that she had a tough disposition. Her downturned lips were unphased by both the taste of black coffee and Doña Rosario’s slow tears.
 
“You must’ve been a really good man, Don Simeón,” Vanessa said, pushing the wheelchair into motion away from the window. “You raised a very strong daughter.”
 
The feeble white hairs on Old Simeón’s scalp trembled with the gush of the wind. Otherwise, he remained motionless to Vanessa’s words. She continued.
 
“I think that’s what matters. Knowing that you’re leaving this world having created something good,” Vanessa said. “Is that more or less right, Don Simeón?”
 
This time, Old Simeón let out a deep mumble and twitched his head in a manner that could’ve been a nod, or an attempt to shake away a mosquito’s itch. Vanessa noticed that Old Simeón seemed particularly light on the wheelchair today. One of the reasons why Doña Rosario had hired her was because of her big arms and thighs. She could manage the weight of pushing Old Simeón’s chair down Acacías’ unpaved roads and steep bridges.
 
“I’ve got a lot to learn from you, believe it or not,” Vanessa continued, ignorant to Old Simeón’s droopy eyelids. “I’ve been thinking about what comes next. For me, you know. I’ve been thinking that maybe after all of this virus thing is over, I could move to the city. Work for a retirement home, maybe? And meet some people. Build something of my own. Wouldn’t that be good?”
 
Old Simeón’s clawed hand suddenly stiffened around the wheelchair’s armrest. He sat with his spine straightened out, fighting against a decade-old hunch.
 
When the clock struck 2 p.m., the designated time for Old Simeón’s daily stroll was over. Doña Rosario and Nadia were still sitting at the dining table, but their urgent whispering had stopped and transformed into vociferous complaining about why the chicken delivery had not arrived yet. Doña Rosario instructed Vanessa to heat up some of the leftover rice from the day before, so she wheeled Old Simeón’s chair to the dining table and secured the brakes before walking up to the kitchen.
 
She had just struck a match alight when the squeak of sliding wooden chairs called her back into the dining room. Back there, Old Simeón was still sitting in his wheelchair, and Nadia and Doña Rosario were kneeling at each of his sides. His expression was twisted so that every one of the creases that time had encroached on his skin were sunken in, and dense tears were running down the labyrinth of his face.
 
“You told him.” Doña Rosario said, turning towards Vanessa’s newcomer presence. She took a step back and kneeled to Doña Rosario’s height.
 
“I swear I didn’t. It must be something else that’s troubling him,” Vanessa said, the sighs in her speech as heavy as ever.
 
Doña Rosario stood up and the folds on her long skirt swirled wind at Vanessa’s face. “He fought in the military, for God’s sake. He doesn’t just cry.”
 
Vanessa continued to excuse herself while she picked herself up from her kneeling trance. Behind Doña Rosario, Nadia took a pack of Kleenex out of her bag and handed it to Old Simeón. He folded his once clawed hand around the tissue and groaned into the white cotton. But all Vanessa could notice was the tightness of the tendons on Doña Rosario’s neck, which pulled her entire face into a murderous stare.
 
“You Venezuelans can’t keep your mouth shut,” she said.
 
That night, Nadia left without saying goodbye to Vanessa, but she found a funeral invitation wrapped in violet ribbons sitting on her lower bunk bed. After writing down an event reminder on her phone, Vanessa turned on her blue radio and pulled out the long antenna to tune in to the nighttime news broadcast. She fell asleep to the sound of a clinical female voice announcing the hopes for a successful vaccine against COVID-19 in early December.  

Laurisa Sastoque is a student of Creative Writing and History at Northwestern University. She was born in Bogotá, Colombia, and currently resides in Evanston, Illinois. Her poetry work has been previously published in Somos en Escrito and the Helicon Literary & Arts Magazine. She is the winner of the Mary Kinzie Prize in Nonfiction for her essay "Contradicting Home; Anecdotes and Aphorisms." She is excited to make her short fiction debut with "To Grow Young," a piece about complicated family dynamics in rural Colombia. In addition to writing and reading, Laurisa likes to spend her time researching Latinx and Latin American history, and taking pictures of her favorite cities. 

​Synopsis:

Felon turned private eye Gus Corral isn’t doing too well after getting whacked in the head with a baseball bat following his last big case. He was unconscious for a couple of days and still can’t see right. Plagued by headaches, there are days he can’t think straight. Tired, sore and disoriented, he takes his sister’s advice to get out of Denver and help their cousins in Eastern Colorado.

George Montoya’s son, Matías or Mat, has run off again. The seventeen-year-old has run away before, but he always came back. This time, his dad and Aunt Essie know there’s something wrong. As Gus begins to talk to the boy’s family and friends, a picture emerges of a smart kid with strong opinions who fought a lot with his dad. 
 
Did he run away because of his father? Or did he leave because his girlfriend broke up with him? Her father, the town doctor, definitely didn’t want his daughter dating a Mexican. But when Gus tracks the missing boy to a shelter for runaways in Pueblo, the ailing investigator discovers something much more sinister. The boy was helping victims of human trafficking. Could the criminals have caught on to him? All too soon, men with guns are threatening Gus, warning him to get out of town, or else! 

​Manuel Ramos is the recipient of several literary awards and the author of numerous books, including The Golden Havana Dream: A Sherlock Homie Mystery (Arte Público Press, 2018), My Bad: A Mile High Noir (Arte Público Press, 2016), Desperado: A Mile High Noir (Arte Público Press, 2013), The Skull of Pancho Villa and Other Stories (Arte Público Press, 2015), Brown-on-Brown: A Luis Móntez Mystery (University of New Mexico Press, 2003) and The Ballad of Rocky Ruiz (St. Martin’s Press, 1993; Northwestern University Press, 2004), an Edgar Award finalist. He lives and works in Denver, Colorado.

by ​Arnaldo Lopez Jr. ​

The man who had just introduced himself sat in a motorized wheelchair, his index finger rested on the small joystick near his right hand. His large dark eyes and dark hair were in stark contrast to his pinched, pale features. He wore a lab coat, and was covered from the waist down by a thin, white blanket. White gloves covered his hands, and a white scarf was wrapped around his neck.
 
“It’s good to finally meet you, Professor,” Jones said, extending his right hand. “And it’s Detective Jones by the way.”
 
Lamboi glared at the proffered hand until Jones put it away. “I wish that I could say the same,” he said. “I’m not used to the police barging into my facility and questioning my employees.”
 
Lamboi turned his formidable glare on his assistant before whipping his chair around and soundlessly scooting away. “Follow me,” he said as he rolled down one of the corridors.
 
Annoyed, Jones hurried to catch up. “I didn’t just barge into your facility,” he said once he’d caught up to the professor and his chair. “I’m here on official police business.
 
Lamboi ignored him and continued past the doors of what were obviously offices and meeting rooms.
 
“Why don’t we just stop at one of these offices?” Jones asked. “What I need to ask should only take a few minutes. And, by the way, I have to admit that I’m impressed at how quiet that chair is, it makes absolutely no noise.”
 
“The offices are the domain of my assistant and the other drones,” Lamboi answered dismissively. “I prefer to conduct my business in the labs.”
 
Lamboi ignored the detective’s observation about the chair.
 
They passed through two sets of double-doors that opened automatically into what the professor described as the main lab. Then he spun the chair around so that he now faced Jones.
 
“So what business is it that brings the police to my facility unannounced and unwelcome?” Lamboi asked.
 
Jones hid his annoyance and sighed inwardly. “I apologize for the intrusion, Professor,” he said. “But I’m here investigating a series of murders…”
 
“And what does that have to do with me?” the professor asked shortly.
 
“Have you heard about the recent killings that have taken place right here in Cabo Rojo?” Jones asked.
 
“I’m a very busy man, I don’t have time for television or newspapers,” Lamboi sneered, “Or the garish goings-on of the internet.”
 
“I understand,” Jones said as he glanced around at the rows of stainless steel and plastic contraptions that filled the enormous lab. “Well it appears that these killings may have been committed by a very powerful creature—an ape in fact.”
 
Lamboi rolled his eyes, “There are no apes here,” he said.
 
Jones took out his notepad and flipped through the pages. “According to a Mr. Benitez, your facility received a donation of a large, adult chimpanzee…”
 
“Oh yes, that creature,” Lamboi sniffed. “I accepted that animal mostly as a favor to the desperate young man that runs that particular facility, but once I’d received it—and after a thorough examination—I’d concluded that the creature was far too damaged to be of any use to me.”
 
“So where is it now?” Jones asked.
 
Lamboi smirked. “Follow me,” he said as he spun his chair around and headed to the far end of the lab.
 
Jones followed.
 
Lamboi stopped his chair in front of a bank of stainless steel racks filled with glass containers of various sizes. “There’s your ape,” he said, indicating one of the large containers with a thrust of his chin.
 
Jones looked and was immediately repulsed and sickened. Floating in the fluid that filled one of the larger jars was an ape’s head, its face frozen in a perpetual scream.
 
“What happened to it?” Jones asked once he’d composed himself.
 
“I euthanized it, of course,” Lamboi said matter-of-factly. “As I said, it was far too damaged for it to be of any use to me.”
 
“Where’s the rest of it?”
 
“What’s left of its body is a pile of ashes in our on-site crematorium,” Lamboi said. Then he added with another smirk, “Feel free to take its head with you if it will help with your investigation.”
 
“No thanks,” Jones said, irritated with the professor’s condescending attitude.
 
“Very well then,” Lamboi said as he spun away and headed towards the doors through which they’d entered the lab. “In that case, I assume that our business here is finished.”
 
“Yeah, I guess it is,” Jones said as he snapped his notepad shut and put it away.
 
Lamboi led Jones back to the lobby where he and his personal assistant, Anna Vasquez, watched Jones exit through the front door and go out to the parking lot. Lamboi then turned his chair towards Anna Vasquez, his face twisted in rage.
 
Detective Perfecto Jones stepped out into the parking lot and walked the short distance to his car. The day had become overcast and Jones could hear the boom of thunder in the distance. The incoming weather matched his mood—this path of his investigation had basically come to an end—his theory, as crazy as it was, of a rogue ape being somehow involved in the killings in Cabo Rojo had ended in a pile of ashes, and a pickled head in a jar…
 
Suddenly a terrified scream came from inside the facility, followed closely by a loud thud and an even louder inhuman shriek that made the hairs on the back of Jones’ neck stand on end.
 
Jones yanked his pistol from its holster and ran back into the lobby of the facility…and into a nightmare!
 
Anna Vasquez’s body lay on the tiled floor in a rapidly spreading pool of her own blood. Her head was missing. Crouched over her, his gloved hands covered in blood, stood Professor Lamboi—his wheelchair lay on its side.
 
“Hold it right there, Professor!" Jones yelled. “Don’t move!”
 
Lamboi slowly turned his head, looking first at Jones’ raised gun, and then directly into Jones’ eyes. He smiled. “It was your fault, you know,” he said calmly. “She knew how I value my privacy. She knew better than to allow the police to come nosing around in my business.”
 
Outside, thunder rumbled and announced the approaching rainstorm with a dramatic series of bass drumrolls. Inside, the two men ignored it and kept their eyes locked together.
 
“It was only a matter of time before you were caught, Professor,” Jones said evenly.
 
“Don’t you want to know why? Or how?” Lamboi asked.
 
“I can find all of that out once I have you cuffed and in a cell,” Jones answered. “Right now what I want is for you to lay face down on the floor right there.”
 
Professor Lamboi glanced down at the slowly congealing pool of Anna Vasquez’s blood. “That can be quite messy,” he said.
 
Jones quickly took a glance at the blood too, just as a sharp crack of thunder exploded outside.
 
Lamboi leapt at the detective, reaching for the pistol in Jones’ hand. Jones squeezed the trigger but at this close range he couldn’t tell if he’d hit Lamboi or not. As the two men struggled over the gun, Jones was able to fire off two more shots but they went wide; the bullets burying themselves in the fancy receptionist’s desk. Lamboi then succeeded in knocking the gun out of Jones’ hand, nearly breaking the detective’s wrist in the process.
 
The thunder, now accompanied by brilliant flashes of lightning and the staccato sound of rain, continued to boom outside even as the two men inside savagely fought for the upper hand.
 
Jones, although he was larger than the professor and trained in hand-to-hand combat by the military, could tell, to his horror, that he was losing the fight. He latched onto the professor in a futile bid to wrestle him to the ground, but Lamboi managed to knock his hands away and shove him back. Jones sprawled onto his back, tearing away the professor’s blood-spattered lab coat as he fell.
 
Jones quickly raised himself up onto his elbows; the lab coat still clenched tightly in his hand, and looked around wildly for the professor.
 
At first, Jones’ mind was incapable of processing what he was seeing, and he just sat there propped up on his elbows trying to will his eyes to see reason. But his eyes betrayed him, because what they insisted on seeing was the professor’s head attached to the thickly muscled body of an ape!
 
“Like it?” Professor Lamboi asked, puffing out his chest and standing a little straighter. “Quite by accident I found that the amalgamation of chemicals in the ape’s body not only negated its natural ability to reject foreign tissue while maintaining a more or less uncompromised immune system, but the ape’s physiology was such that it seemed to welcome and even embrace multi-tissue interfaces while still remaining capable of fighting off the typical microbial invaders that cause infection. I considered it a miracle that this animal found its way to my facility. Due to my unfortunate disability, I’d already conducted a massive amount of research on the probability of performing a successful head transplant, and after that it was a matter of programming my surgical robots to perform the surgery.”
 
Jones stood up on legs that felt like rubber, and tried to keep his hands from shaking. “I have no idea what you just told me,” he said. “But is all that the reason you killed those people—for some kind of research?” Jones inched his way to the door as he spoke.
 
“Oh no,” Lamboi said. His eyes, feverish and shiny, followed Jones’ every move. “Even though the surgery was a complete success, I’d made one slight miscalculation…I had opted to keep the ape’s brain stem intact, it’s the reptilian part of the brain that controls base functions such as breathing. Unfortunately this eventually had the effect of somehow transferring the creature’s substantial, and for the most part, uncontrollable rage to me. In essence, its madness became my madness.”
 
Jones could make out a viscous line of drool leaking from the professor’s mouth and making its way down to his chin. When he looked back up to the professor’s eyes, all he could see were the dizzying depths of his insanity. In desperation Jones threw the lab coat at Lamboi and ran out into the storm.
 
The wind and rain lashed at his face, blinding him. He fumbled for his car keys, but his trembling hands wouldn’t cooperate and he dropped them on the ground. Jones heard the building’s door open behind him, and he turned to see the monster that used to be Professor Lamboi framed in the open doorway. Lamboi tore the gloves from his hands and flexed his powerful fingers.
 
“Your head will make a fine addition to my collection, Detective!” Lamboi called out before bursting into maniacal laughter that ended in a series of ape-like hoots and shrieks.
 
“My God no!” Jones gasped before turning and running across the parking lot and out through the still open gate.
 
At first Jones ran along the road, but then he heard the beast that had been Professor Lamboi gibbering and shrieking insanely behind him, and he plunged into the darkening forest in a panic.
 
Jones soon lost his bearing as he crashed through the trees and underbrush, his breath coming in ragged gasps. He had hoped to somehow get to the lighthouse, with its promise of shelter and people, but now he had no idea where he was going and he was too afraid to care. All he knew was that every instinct, every sense, indeed every fiber of his being screamed at him to get away!
 
Another flash of lightning lit up the sky, burning the image of the forest into monochromatic relief before his eyes, and revealing the glint of water in its strobe. Jones stumbled towards it.
 
He’d almost made it when he was forced to stop short. He thought that he had been headed towards a beach and the possibility of more people, but instead he now found himself standing on a muddy knoll that abruptly ended right in front of him. The hurricane must have washed away a chunk of the land here, and created a ragged outcropping that jutted out about ten feet above the water.
 
Jones searched the immediate area desperately as he tried to figure out which way to go, but it was no use—he was trapped.
 
Jones turned towards a blood-curdling shriek that came from the forest behind him just as a bolt of lightning silhouetted the nightmarish figure of the professor hurtling towards him!
 
Professor Lamboi barreled into the detective, wrapping his long, powerful arms around his torso as both men flew off the knoll and into the water ten-feet below.
 
The shock of hitting the cold water caused Lamboi to loosen his grip on the detective who, despite having the wind knocked out of him, managed to kick and flail his arms until he found himself free and swimming towards the surface.
 
Once he’d broken through to the surface and had filled his lungs with air, Jones nervously scanned the surrounding water for any sign of Lamboi.
 
A few moments later, sputtering and coughing, the professor surfaced about three feet away from where Jones was effortlessly treading water. The detective could see that Lamboi was having trouble staying afloat.
 
“Help me you fool! Help me!” The professor coughed.
 
Jones could only stare.
 
Professor Lamboi let out a terrible shriek and reached out with one of his long, monstrous arms in an effort to grab Jones, but the sudden movement only caused him to momentarily sink beneath the water. He soon returned to the surface again, his dark eyes wide with fear. “What’s wrong?” He asked. “I can’t stay afloat!”
 
“An ape’s muscle-mass is too dense for it to swim,” Jones recited, remembering being told this earlier in his investigation. “It would just sink.”
 
“No!” Professor Lamboi spluttered past a mouthful of seawater, his arms beating frantically at the water around him. “Save me! You must save me-e-e…” And then he sank beneath the waves one last time, his pale face still visible for several feet under the sea’s covering before disappearing into the depths.
 
Jones looked away, noticing for the first time that the storm had passed. He saw lights and heard distant music coming from a strip of beach about 50 yards away and tiredly made his way in that direction. Back to the world of comparative normalcy, and away from the final watery resting place of the Beast of Cabo Rojo.

Arnaldo Lopez Jr. was born of Puerto Rican parents, and raised in Brooklyn, NY.  He’s sold articles to Railway Age magazine, The Daily News magazine, Homeland Defense Journal, and Reptile & Amphibian magazine; scripts to Little Archie and Personality Comics; and short stories to Neo-Opsis magazine, Lost Souls e-zine, Nth Online magazine, Blood Moon magazine, The Acentos Review magazine, Feed Your Monster e-zine, Fangs and Broken Bones horror anthology, Swallowed by the Beast horror anthology, Trembling with Fear horror anthology, Monsters Attack horror anthology, Mythic horror & Sci-fi anthology, and the A reflection of Me: An AAMBC Anthology.   He was also editor of Offworld, a small science fiction magazine that was once chosen as a "Best Bet" by Sci-Fi television. His first novel, Chickenhawk, is the winner of two International Latino Book awards.