A Quiet Night on the Boulevard
by Jacob Teran
The block was not as active tonight. Olympic Boulevard is one of the gateways to enter our urban domain known as South Sapro Street and, on this night, it is absent of travelers and hostile combatants.
You can hear the last metro bus making its way down the Boulevard to the depot drop off—final destination. A long day of picking up hard workers, tweakers, cholos, and dropping them off to where they need to go.
Neither juras pass by with sirens, nor local tweakers roam the block looking for a potential vehicle to break into, just, the calm and quiet sound of the wind and train that makes its presence known to our barrio. These nights seldomly visit my barrio and when the sweet sound of silence makes its way to Sapro, the tranquility is always welcomed.
I am in my messy room of my mom’s 2-bedroom apartment that I have not cleaned for days, lying in bed. I can feel the temperature drop from my open window as the smell of rain and burnt cannabis roaches permeates my room. I slip on my already tied DVS skating shoes, grab my hoodie, and make my way out into the abyss of my barrio.
I head to the local Valero Gas Station to pick up a blunt wrap to indulge with my homeboy, Iggy. A light haze of cool droplets penetrates the dark sky making the lonely night that much colder. The smell of wet asphalt is refreshing with each sloshing step that I take. The local Valero was the place to buy a 3-pack of some cheap beer if no one was in the mood to go to Superior Market. The fluorescent lights beam blue and yellow, and read, “Valero Gas Station” with the “o” turned off or perhaps, dead. The people inside know me and even though I am still a minor by age, they never card me when I buy a pack of frajos, especially blunt wraps.
As I make my way back on the wet asphalt of the Boulevard, I can smell and hear all sorts of familiar elements that ignite my senses. Across the street from the Valero was Cedar Ave. Someone was always washing their clothes on the corner of Cedar and the Boulevard in the evening. An old steel clothesline is engulfed with colorful socks, white t-shirts, and blue jeans. Probably a small family since I always see a group of three to four kids playing in the street just before the sun sets. The scent of Suavitel Fabric Softener always reminded me of my Abuelos in Boyle Heights, as their neighbors used a similar product for their clothes.
The next thing I immediately notice is the fresh scent of cannabis burning nearby. It must be the homies from my block congregating at Cheddar’s pad since he lived two houses from the corner of Cedar. The thick skunky aroma of indica burning in the street at night always felt like I was home—a comforting feeling. Suavitel and marijuana were the telltale signs I am home.
Between Cedar and Sapro, an area on the Boulevard, is where I feel the most alone as I walk. As I walk pass Cedar, I look to the left side of the Boulevard stretches to its desolate side of abandoned buildings bathed with graffiti. To my right was a long fence of white wood that closed off the side of an apartment. This wooden canvas is marked “SLS,” for SAPRO LOCOS, the acronym for the locotes on my street. Other times, they were crossed out by the rival barrios in the surrounding area and down south of us, passing the railroad tracks, beyond the Boulevard and away from the domain of Sapro.
The spray on walls, scribes on windows, markings on wooden fences, trees, light posts, and curbsides, are all voices without faces that speak. A language that only people that live here understand.
I walk under the streetlight between Cedar and Sapro, probably the most remote section of the Boulevard where peculiar occurrences would take place. In this desolate part of the Boulevard, voices could be heard with not a single person around, tall, shadowy figures have followed people only to disappear in a blink of an eye, and the streetlight itself would flicker violently when someone walked under. I could never account for the first two things that homies and neighbors have spoken of, but the streetlight flickering, that was real. Probably some glitch with the wiring under the asphalt, but, whatever rationale could explain, it always made me feel like some ominous entity was following me.
I walk under it tonight. It does not flicker.
I pass by the streetlight and eventually the Cliff to walk across Sapro to a dark grey Astro van. I could see the radio’s light slightly brighter as I approach the van’s sliding door. I knocked on it twice before opening it to be greeted by my homeboy, Iggy,
“Fuckin’ Guill! Finally! Ah Ah! Ah!” Iggy’s laugh was always amusing. Iggy or Iggs, always sounded like his laugh was backwards.
“’Sup G, was’ crackin’?” Coming into the van, we shake hands.
“Nada güey, posted trying to get faded. ’Sup with you? Where da bud at?”
“Shit, I thought you had it.”
“Lying ass vato! Ah! Ah! Ah!”
I pop out the grape flavored swisher I bought from Valero as I come in slamming the sliding door after me.
“Firme! Grape will go good with this shit.”
Iggy starts cutting up the swisher with a dull razor as I begin to break up the sticky indica from the baggie I was clenching since the odd streetlight. Iggy hands me a ripped Home Depot cardboard he used to dump out the tobacco from the swisher. Bone Thugs’ “Resurrection” is playing in a CD player he installed for his mom’s van’s radio. The music suits the quiet night and the session we are about to have. The dank bud begins to stink up the van with a skunky aroma as I break up the sticky flower that sticks to my fingertips.
We start conversing about the extracurricular activities that have been making the block hot: South Siders and Veil Street have been coming through our block and hitting up their placas in our area. A few tweakers from a few blocks away stealing the vecinos’ recyclables. Really typical mamadas that occur in our barrio. Sometimes we laugh about it. Sometimes we get into heavier conversations.
I hand the cardboard with the potent shake I just broke up to Iggy, “Trip out G, isn’t tonight quiet as fuck?”
“Fuck yea, Guill…but…” Iggy licks the wrap’s end to seal the blunt, “…it’s firme, I like nights like this. Don’t you?”
“Yeah, it’s just trippy,” I kept looking down the Boulevard from the second-row window of the van. Usually, a suspicious car or jura patrolling would pass, but nothing.
Iggy hands me the lighter, “Do the honors and spark it up, Guill! Ah! Ah! Ah!”
I light one side of the blunt and roll it around slowly as if I’m hot roasting a pig, making sure the cherry got an even burn. I take a couple of light hits as if I was smoking a cigar to get the cherry just right. As the smoke enters my lungs, I can feel it spread throughout my chest making me want to cough. I hold it in and exhale through my nostrils, feeling the euphoria of both weed and Krayzie Bone’s lyricism.
Iggy is chain-hitting the blunt and seemed like he forgot I was in the session with him. He looks halfway towards me from the driver’s seat, “…Guill, I wanna tell you some shit that some OG told me a while back. This vato was a firme ass foo, a real one. The shit he said was the truth dog, palabra, and I still believe this shit to this day.”
I looked at Iggy thinking ahh shit, this foo is faded. “Handles, G.”
Iggy put the blunt down to his chest as it continues to burn, “And I don’t give a fuck what anyone says, don’t let anyone tell you otherwise either. You gotta believe this shit, Guillermo. You’re gonna have foos try to press you, call you a bitch and all that…but fuck that.”
I was thinking, Iggy is never going to get to the point, “Yeah Iggy, handles, I hear you foo.”
Iggy turns as much as he could to the seat behind him where I’m sitting, “You don’t got to be from nowhere and still be G wid’ it. A lot of foos think you gotta be from somewhere to be hard, claim a hood, get into mamadas and put in dirt, and all that bullshit, but chales, güey.” He pauses and takes another rip from the blunt.
“Escucha güey…Just be you dog…and that’s keeping it gangster.” A bit of mota and street wisdom Iggy shares as he takes one big rip and lets out a huge cloud of smoke that makes him start choking and laughing.
Iggs passed the almost finished blunt back to me as he was coughing all over the place. “Damn, foo, you aight, haha!” “Hit that shi…that shit…Mem…” Iggy kept coughing and all I could think about was why he was telling me this.
I sit there as Iggy is coughing his lungs out and felt this was the most genuine thing my homeboy ever told me. Growing up in the hood, I always thought I would eventually get jumped in the hood when the time came. But what Iggy just confided hit me profoundly. I couldn’t stop thinking about it during our session.
We kill the blunt and hear a few of Iggy’s primos coming back to interrupt our private hotbox. Fuck. Who is this? There are a chingo of us on the block and whoever comes to a session either has weed or none.
“Eeeeee, look at you scandolosos right here,” Iggy’s primo Fat Boy always loves putting people on blast.
Iggy looks up and blasts back, “fuck you dick, where were you when I hit you up earlier to blaze it?” Fat Boy smirks. “Don’t even trip, I share my shit homie, not like you assholes,” Fat Boy starts opening up a bag with his own weed that he had.
Looking to me, Fat Boy laughs, “’Sup Memo, where’s all da bud at? You and Iggy are straight holdouts.”
I smirk and laugh. “Dick, you foos had your own VIP sesh, so Iggs hit me up. Got ends? Still have some leftover yesca.” Fat Boy ignores me as his brother Scraps and Cheddar come through pushing themselves in the van talking mumbling and complaining that Iggy and I were smoking without them, although they just smoked without Iggy and me.
“Hey dick, my Jefa is gonna come out trippin’ with all you foos in here being all loud and shit,” Iggy always snapped when unexpected dudes came, even if they were his primos.
“Don’t even trip, my Tía loves me,” Fat Boy said as he was breaking up some of his bud nudging me for the cardboard with the leftover bud on it.
“Not you fat ass, you’re burning the spot,” Iggy capped back as he was looking for a track to play on the van’s CD player stereo. Scraps, Cheddar, and I all started busting up laughing from the exchange between Iggy and his primo, Fat Boy. DJ Quik’s “Pitch in On a Party” surrounds the van’s speakers as the van gets louder and I kept thinking about what Iggy told me.
Fat Boy looked back at Scraps and Cheddar, “Shut the fuck up turkey and you too cheddar.” Fat Boy’s hermano Scraps was chubby like Fat Boy, but shorter. Everyone called him “Turkey” or “Danny DeVito,” which he hated. Cheddar had pretty poor hygiene when it came to his teeth. He never brushed his teeth, and the result made his dientes look like picante corn nuts.
“Dick, you’re fucked up,” Cheddar shakes his head.
“You’re a scandalous vato too, ‘Gay-mo,’” Fat Boy looks to me. The homies would either call me “Guill” or “Memo,” short for Guillermo. Other times, “Gay-mo,” because it sounded funny to them, and I also hated it.
“Just be you dog,” I pat Fat Boy hard on the back of the shoulder.
“Fuck, let’s go finish this shit out in the front of your pad Fat Boy, you burned the spot.”
“Fuck it, let’s bounce then,” Fat Boy said as we all get up to leave the van.
We all walked to the front of Fat Boy and Scrap’s pad. Their mom was asleep, so we had to creep and crawl if we didn’t want to get kicked out of the yard. Fat Boy and Scrap’s oldest brother Beaker wasn’t home either, probably getting all pedo with some lady that he would always say he was going to marry but then break up with weeks later.
We all post up on the bed of Beaker’s 1987 El Camino, laughing quietly, talking about how cold the night was. We start packing bowls from Cheddar and Scrap’s weed pipes and begin a new rotation. Iggy’s stomach was bothering him, so heads to the restroom. The four of us, without Iggy, sit in the back of the El Camino getting faded as the night continues to get colder and quieter.
Suddenly, a car comes out the cut from the corner of the yard where we are posting up, on the Boulevard. Fat Boy and Scraps lived at the corner of our street and had thick bushes that made it hard to see who was walking or driving by, especially at night.
* * * *
We then see four shadows running around the corner of Fat Boy and Scraps’ pad outside the fence. The moonlight was our only aid in seeing through the darkness. One shadow stood at the corner keeping trucha, while one other dude stood outside of the gate. The other two shadows came up to us in front of the fence where we happen to be sitting.
“Where the fuck you from, Ese?! This is big bad Southside Greenwood Gang! Fuck ‘Scrape’ Street!”
The bald shadow brandishes a .45 cuete and points it to each of our stunned skulls. All of us with our sweaty palms open, shield our chests, afraid and frozen in an already cold evening. The nefarious shadow, only three feet away from the silver diamond-shaped fence that separates us, stands fiercely. The streetlight reveals his inked face, a black spider web trapped his entire face with the center of the web starting from the shadow’s nose. Eyes as black as obsidian, stabbing us with his soulless glare, listo for anything.
“Hey dog…we’re from nowhere…we don’t bang. I live right here,” Fat Boy being the oldest of us speaks, shaken up, choosing his words carefully. The shadow looks at him with disdain and then all of us. He points his cuete at each of us asking us individually if we claimed Sapro Street. With our arms raised, palms open, not knowing what to think or do, we deny because we are in fact not from the hood, yet.
“I don’t give a fuck! You’re caught slipping out here! This is Southside Territory! Fuck Sapro Street! Bitch ass levas! The spider webbed shadow looks to his homeboy for confirmation to off us right then and there. The shadow raises his less dominant hand and cocks his cuete. Coming back from the restroom, Iggy comes out to a situation he was somewhat familiar with.
The second shadow by the fence gate sees Iggy and hails out, “Who the fuck are you?! Southside Greenwood Gang, ese!”
Iggy opens his palms towards the second shadow, “Hey, I don’t bang dog. I live right here in the back, this is my Tía’s pad. These are all my primos, we’re just right here burning some bud. My primos are kids G, they ain’t soldiers. We are family right here.” Iggy being much older than us already knew the street lingo—along with his street intellect and rhetoric, Iggy’s response disheartens the shadows.
Although this was a typical night in my barrio, we never had a neighboring group roll up on us like that. This night made me realize the brevity of life, the choices I make and the words I choose influence what can happen next. Iggy’s words echoed in my mind and made me realize a lot of shit—life is short and can be taken in an instant. I want to change and do better, but it’s difficult when you have no direction or positive influences. But Iggy made me think and that was perhaps one of the most impactful things someone ever told me.
The dude with the cuete throws up his insignia, claims his hood one last time so we could all remember it, and dashes off to the car with the other shadows and drove off into the abyss.
The rain never came but the smell remained…Some fuckin’ quiet night.
Jacob “Jake” Teran is a proud Chicano living in the San Gabriel Valley, Los Angeles. Jake is a 2nd generation Chicano who was born in Montebello, Los Angeles, east of Los Angeles. He has published one short fictional story at his community college at Rio Hondo College and a master’s thesis for his graduate program, where he obtained his Masters Degree in Rhetoric and Composition. He is currently teaching composition to several departments in two colleges that include indigenous and Chicanx literature. Jake currently lives in the San Gabriel Valley where he is working on a novel based on his experiences growing up in his barrio that deals with gang lifestyle, drugs, violence, and finding one’s identity in a chaotic concrete jungle.
Tony Resolvo – Private Ojo
She turned and left, her high heels calling me a heel all the way down the stairs. To tell you the truth, I didn’t know what to think. Was I losing a well-off client or a bien loca?
I spent the next week thinking of her. But it went from wondering about a questionable client now gone to wondering about what a beautiful doll had come and gone. The only other person to visit me was George Itazmo, detective, Los Angeles Police and former partner of mine. George was one of those personas Jung referred to as petrified pillars of the past. George will be trying to solve a crime his last day, his last moment on earth with no change in method or approach.
“You’ll be crying to come back soon,” he said as he sat on the same chair the angel had occupied. He didn’t fill it nearly as well. Still, I listened to what he had to say. “You gave up a pension for this?”
He waved his hand around the room, his face frozen in a tragic grimace, much like the mask of Melpomene, the Greek Muse of tragedy as he tossed his Fedora on my desk as if to emphasize my sad state.
“It takes a while to get rolling. Word of mouth, you know.”
“Word of mouth is that you soon will be begging to be reinstated.”
“No, I like being free.”
“Free? Looks like you’re a slave. To poverty,” he said, now looking around the office just like…then it hit me like a sack of frijoles to the head. I didn’t know the dazzling woman’s name. I have to ask for names. Names are important in my business.
“I didn’t get her name,” I cried to the world, which happened to be represented by police detective George I. at the moment.
“Who is that?” he asked, ever the detective.
“My first client.”
“You have one?”
“Can you blame me?”
“Did her husband get himself lost and now she wants you to bring him back hog tied?”
“Her daughter ran away con un mariachi sin vergüenza?”
“She is a missing person but can’t remember who she belongs to?”
“To whom she belongs. No.”
“She found a man’s cold body in her bedroom and wants you to justify it being in her bedroom?”
“Close. She doesn’t want to be a cold body in her bedroom.”
George looked at me and I could hear the rusty tornillos turning in his head, rusted from all that Kentucky bourbon he had downed over the years. Then the light turned on in his alcohol-soaked head.
“You mean, someone tried to kill her?”
“No. He just whispered in one of her pretty ears that he would love to do that.”
“I have to get back. Still trying to nail a bartender and his pal who pushed some wanna-be-actress over a cliff at the end of Franklin in Hollywood. All because she didn’t want to do a romantic scene with one of them in the back seat of a car. But first, I’m going to get me a big ham sandwich at the Grand Central Market. Come along, I’ll buy.” He said this while again examining my surroundings.
“Thanks but I have to find clients. Tell you what, once I’m on my feet, we’ll go get some Barbacoa at the Azteca Restaurant on Main Street. It’s been a couple of years since I been there. And I’ll buy.”
He got up, paused then he looked at me with what looked like disenchantment. He then put on his Fedora and headed for the door then turned for a postscript.
He left without telling me why.
So, here I was once more alone with my problema. Should I treat this spooky woman as a victim or vampire? I needed a drink. I put on my own Fedora, grabbed my coat and headed for the door. Standing there as if materializing upon demand was the victim. Or vampire.
She, framed by the doorway again, looked at me with a smirk. Ordinarily, smirks count a lot from a wonderful-looking gal, but at the moment, I got nervous. Her smirk shot out from under another wide-brimmed hat, this one pink.
“You’re back,” I croaked in uncertain complaint.
“I came back to see if you wanted me.”
She said this while repeating her walk toward me wherein she unloaded all her sex had to offer in a walk. Her hips moved from north to south and back, while the black dress she had on was doing a dance of its own.
“It’s not a question of possessing,” I said in a fatherly tone, “it’s a question if I can help you.”
“Sure you can. Someone from long ago has come back and for some silly reason is trying to kill me.”
She stared at me as if expecting an answer quickly and expecting it to be the right one. I was at a loss. Then it hit me like the sweet aroma of a Banana Daiquiri. I could just tell her my fees, ask her name, address and anything else that came to mind. That would call her bluff. I put on my own smirk before I spoke then I proceeded to do so.
“By the way, what is your name?”
“Carmen Fiolencia,” she shot back without hesitation.
“Oh, yeah?” I said with a frown, wondering if it was her name or one she had just pulled out of the city air.
“What’s wrong with it? You don’t seem to like it.”
“I think it’s a swell name, but—“
She laid her purse on my desk with a thud and sat down empathically on my one client chair. I accepted her challenge and sat with a firm thump on my own chair. She pulled out a utility bill and handed it to me. It reflected her name and her address on Lorena Street. She then pulled out her driver’s license which also reflected the same name and address. I tried to look at the birth date but she pulled it away before I could. None of these documents had her photograph so I could not match her face to any of them.
The brim of her pink hat now shadowed her eyes but their brilliance shot out like two rounds from a .38 Special.
Okay,” I said, trying to regain control, “there is the question of money.”
“Money?” she said as if it were a new concept she had to familiarize herself with. The two blazing bolts from under her hat went dark. I assumed she had her eyes down in shame for being broke. I began to feel sorry for her, thinking of a way to tell her that she would have to move to another part of the planet to avoid being murdered, which would be cheaper than hiring me.
For Installment 1, click: Tommy-WhisperofDeath
Tommy Villalobos, an inveterate serial thriller writer, regales us with another of his novel affairs, set as usual in Los Angeles and its environs, filled with characters larger and funnier than life drawn from the streets and callejones of the City of Angels (and Devils). His first of five novels, Lipstick con Chorizo, was serialized in Somos en escrito ala Carlos Dickens. He lives incognito in northern Califas.