by Jacob Teran

The block was not as active tonight. Olympic Boulevard is one of the gateways to enter our urban domain known as South Sapro Street and, on this night, it is absent of travelers and hostile combatants.
 
You can hear the last metro bus making its way down the Boulevard to the depot drop off—final destination. A long day of picking up hard workers, tweakers, cholos, and dropping them off to where they need to go.
 
Neither juras pass by with sirens, nor local tweakers roam the block looking for a potential vehicle to break into, just, the calm and quiet sound of the wind and train that makes its presence known to our barrio. These nights seldomly visit my barrio and when the sweet sound of silence makes its way to Sapro, the tranquility is always welcomed.
 
I am in my messy room of my mom’s 2-bedroom apartment that I have not cleaned for days, lying in bed. I can feel the temperature drop from my open window as the smell of rain and burnt cannabis roaches permeates my room. I slip on my already tied DVS skating shoes, grab my hoodie, and make my way out into the abyss of my barrio.
 
I head to the local Valero Gas Station to pick up a blunt wrap to indulge with my homeboy, Iggy. A light haze of cool droplets penetrates the dark sky making the lonely night that much colder. The smell of wet asphalt is refreshing with each sloshing step that I take. The local Valero was the place to buy a 3-pack of some cheap beer if no one was in the mood to go to Superior Market. The fluorescent lights beam blue and yellow, and read, “Valero Gas Station” with the “o” turned off or perhaps, dead. The people inside know me and even though I am still a minor by age, they never card me when I buy a pack of frajos, especially blunt wraps.
 
As I make my way back on the wet asphalt of the Boulevard, I can smell and hear all sorts of familiar elements that ignite my senses. Across the street from the Valero was Cedar Ave. Someone was always washing their clothes on the corner of Cedar and the Boulevard in the evening. An old steel clothesline is engulfed with colorful socks, white t-shirts, and blue jeans. Probably a small family since I always see a group of three to four kids playing in the street just before the sun sets. The scent of Suavitel Fabric Softener always reminded me of my Abuelos in Boyle Heights, as their neighbors used a similar product for their clothes.
 
The next thing I immediately notice is the fresh scent of cannabis burning nearby. It must be the homies from my block congregating at Cheddar’s pad since he lived two houses from the corner of Cedar. The thick skunky aroma of indica burning in the street at night always felt like I was home—a comforting feeling. Suavitel and marijuana were the telltale signs I am home.
 
Between Cedar and Sapro, an area on the Boulevard, is where I feel the most alone as I walk. As I walk pass Cedar, I look to the left side of the Boulevard stretches to its desolate side of abandoned buildings bathed with graffiti. To my right was a long fence of white wood that closed off the side of an apartment. This wooden canvas is marked “SLS,” for SAPRO LOCOS, the acronym for the locotes on my street. Other times, they were crossed out by the rival barrios in the surrounding area and down south of us, passing the railroad tracks, beyond the Boulevard and away from the domain of Sapro.
 
The spray on walls, scribes on windows, markings on wooden fences, trees, light posts, and curbsides, are all voices without faces that speak. A language that only people that live here understand.
 
I walk under the streetlight between Cedar and Sapro, probably the most remote section of the Boulevard where peculiar occurrences would take place. In this desolate part of the Boulevard, voices could be heard with not a single person around, tall, shadowy figures have followed people only to disappear in a blink of an eye, and the streetlight itself would flicker violently when someone walked under. I could never account for the first two things that homies and neighbors have spoken of, but the streetlight flickering, that was real. Probably some glitch with the wiring under the asphalt, but, whatever rationale could explain, it always made me feel like some ominous entity was following me.
 
I walk under it tonight. It does not flicker.
 
I pass by the streetlight and eventually the Cliff to walk across Sapro to a dark grey Astro van. I could see the radio’s light slightly brighter as I approach the van’s sliding door. I knocked on it twice before opening it to be greeted by my homeboy, Iggy,
 
“Fuckin’ Guill! Finally! Ah Ah! Ah!” Iggy’s laugh was always amusing. Iggy or Iggs, always sounded like his laugh was backwards.
 
“’Sup G, was’ crackin’?” Coming into the van, we shake hands.
 
“Nada güey, posted trying to get faded. ’Sup with you? Where da bud at?”
 
“Shit, I thought you had it.”
 
“Lying ass vato! Ah! Ah! Ah!”
 
I pop out the grape flavored swisher I bought from Valero as I come in slamming the sliding door after me.
 
“Firme! Grape will go good with this shit.”
 
Iggy starts cutting up the swisher with a dull razor as I begin to break up the sticky indica from the baggie I was clenching since the odd streetlight. Iggy hands me a ripped Home Depot cardboard he used to dump out the tobacco from the swisher. Bone Thugs’ “Resurrection” is playing in a CD player he installed for his mom’s van’s radio. The music suits the quiet night and the session we are about to have. The dank bud begins to stink up the van with a skunky aroma as I break up the sticky flower that sticks to my fingertips.
 
We start conversing about the extracurricular activities that have been making the block hot: South Siders and Veil Street have been coming through our block and hitting up their placas in our area. A few tweakers from a few blocks away stealing the vecinos’ recyclables. Really typical mamadas that occur in our barrio. Sometimes we laugh about it. Sometimes we get into heavier conversations.
 
I hand the cardboard with the potent shake I just broke up to Iggy, “Trip out G, isn’t tonight quiet as fuck?”
 
“Fuck yea, Guill…but…” Iggy licks the wrap’s end to seal the blunt, “…it’s firme, I like nights like this. Don’t you?”
 
“Yeah, it’s just trippy,” I kept looking down the Boulevard from the second-row window of the van. Usually, a suspicious car or jura patrolling would pass, but nothing.
 
Iggy hands me the lighter, “Do the honors and spark it up, Guill! Ah! Ah! Ah!”
 
I light one side of the blunt and roll it around slowly as if I’m hot roasting a pig, making sure the cherry got an even burn. I take a couple of light hits as if I was smoking a cigar to get the cherry just right. As the smoke enters my lungs, I can feel it spread throughout my chest making me want to cough. I hold it in and exhale through my nostrils, feeling the euphoria of both weed and Krayzie Bone’s lyricism.
 
Iggy is chain-hitting the blunt and seemed like he forgot I was in the session with him. He looks halfway towards me from the driver’s seat, “…Guill, I wanna tell you some shit that some OG told me a while back. This vato was a firme ass foo, a real one. The shit he said was the truth dog, palabra, and I still believe this shit to this day.”
 
I looked at Iggy thinking ahh shit, this foo is faded. “Handles, G.”
 
Iggy put the blunt down to his chest as it continues to burn, “And I don’t give a fuck what anyone says, don’t let anyone tell you otherwise either. You gotta believe this shit, Guillermo. You’re gonna have foos try to press you, call you a bitch and all that…but fuck that.”
 
I was thinking, Iggy is never going to get to the point, “Yeah Iggy, handles, I hear you foo.”
 
Iggy turns as much as he could to the seat behind him where I’m sitting, “You don’t got to be from nowhere and still be G wid’ it. A lot of foos think you gotta be from somewhere to be hard, claim a hood, get into mamadas and put in dirt, and all that bullshit, but chales, güey.” He pauses and takes another rip from the blunt.
 
“Escucha güey…Just be you dog…and that’s keeping it gangster.” A bit of mota and street wisdom Iggy shares as he takes one big rip and lets out a huge cloud of smoke that makes him start choking and laughing.
 
Iggs passed the almost finished blunt back to me as he was coughing all over the place. “Damn, foo, you aight, haha!” “Hit that shi…that shit…Mem…” Iggy kept coughing and all I could think about was why he was telling me this.
 
I sit there as Iggy is coughing his lungs out and felt this was the most genuine thing my homeboy ever told me. Growing up in the hood, I always thought I would eventually get jumped in the hood when the time came. But what Iggy just confided hit me profoundly. I couldn’t stop thinking about it during our session.
 
We kill the blunt and hear a few of Iggy’s primos coming back to interrupt our private hotbox. Fuck. Who is this? There are a chingo of us on the block and whoever comes to a session either has weed or none.
 
“Eeeeee, look at you scandolosos right here,” Iggy’s primo Fat Boy always loves putting people on blast.
 
Iggy looks up and blasts back, “fuck you dick, where were you when I hit you up earlier to blaze it?” Fat Boy smirks. “Don’t even trip, I share my shit homie, not like you assholes,” Fat Boy starts opening up a bag with his own weed that he had.
 
Looking to me, Fat Boy laughs, “’Sup Memo, where’s all da bud at? You and Iggy are straight holdouts.”
 
I smirk and laugh. “Dick, you foos had your own VIP sesh, so Iggs hit me up. Got ends? Still have some leftover yesca.” Fat Boy ignores me as his brother Scraps and Cheddar come through pushing themselves in the van talking mumbling and complaining that Iggy and I were smoking without them, although they just smoked without Iggy and me.
 
“Hey dick, my Jefa is gonna come out trippin’ with all you foos in here being all loud and shit,” Iggy always snapped when unexpected dudes came, even if they were his primos.
 
“Don’t even trip, my Tía loves me,” Fat Boy said as he was breaking up some of his bud nudging me for the cardboard with the leftover bud on it.
 
“Not you fat ass, you’re burning the spot,” Iggy capped back as he was looking for a track to play on the van’s CD player stereo. Scraps, Cheddar, and I all started busting up laughing from the exchange between Iggy and his primo, Fat Boy. DJ Quik’s “Pitch in On a Party” surrounds the van’s speakers as the van gets louder and I kept thinking about what Iggy told me.
 
Fat Boy looked back at Scraps and Cheddar, “Shut the fuck up turkey and you too cheddar.” Fat Boy’s hermano Scraps was chubby like Fat Boy, but shorter. Everyone called him “Turkey” or “Danny DeVito,” which he hated. Cheddar had pretty poor hygiene when it came to his teeth. He never brushed his teeth, and the result made his dientes look like picante corn nuts.
 
“Dick, you’re fucked up,” Cheddar shakes his head.
 
“You’re a scandalous vato too, ‘Gay-mo,’” Fat Boy looks to me. The homies would either call me “Guill” or “Memo,” short for Guillermo. Other times, “Gay-mo,” because it sounded funny to them, and I also hated it.
 
“Just be you dog,” I pat Fat Boy hard on the back of the shoulder.
 
“Fuck, let’s go finish this shit out in the front of your pad Fat Boy, you burned the spot.”
 
“Fuck it, let’s bounce then,” Fat Boy said as we all get up to leave the van.
 
We all walked to the front of Fat Boy and Scrap’s pad. Their mom was asleep, so we had to creep and crawl if we didn’t want to get kicked out of the yard. Fat Boy and Scrap’s oldest brother Beaker wasn’t home either, probably getting all pedo with some lady that he would always say he was going to marry but then break up with weeks later.
 
We all post up on the bed of Beaker’s 1987 El Camino, laughing quietly, talking about how cold the night was. We start packing bowls from Cheddar and Scrap’s weed pipes and begin a new rotation. Iggy’s stomach was bothering him, so heads to the restroom. The four of us, without Iggy, sit in the back of the El Camino getting faded as the night continues to get colder and quieter.
 
Suddenly, a car comes out the cut from the corner of the yard where we are posting up, on the Boulevard. Fat Boy and Scraps lived at the corner of our street and had thick bushes that made it hard to see who was walking or driving by, especially at night.
 
      *                              *                              *                              *
 
We then see four shadows running around the corner of Fat Boy and Scraps’ pad outside the fence. The moonlight was our only aid in seeing through the darkness. One shadow stood at the corner keeping trucha, while one other dude stood outside of the gate. The other two shadows came up to us in front of the fence where we happen to be sitting.
 
“Where the fuck you from, Ese?! This is big bad Southside Greenwood Gang! Fuck ‘Scrape’ Street!”
 
The bald shadow brandishes a .45 cuete and points it to each of our stunned skulls. All of us with our sweaty palms open, shield our chests, afraid and frozen in an already cold evening. The nefarious shadow, only three feet away from the silver diamond-shaped fence that separates us, stands fiercely. The streetlight reveals his inked face, a black spider web trapped his entire face with the center of the web starting from the shadow’s nose. Eyes as black as obsidian, stabbing us with his soulless glare, listo for anything.
 
“Hey dog…we’re from nowhere…we don’t bang. I live right here,” Fat Boy being the oldest of us speaks, shaken up, choosing his words carefully. The shadow looks at him with disdain and then all of us. He points his cuete at each of us asking us individually if we claimed Sapro Street. With our arms raised, palms open, not knowing what to think or do, we deny because we are in fact not from the hood, yet.
 
“I don’t give a fuck! You’re caught slipping out here! This is Southside Territory! Fuck Sapro Street! Bitch ass levas! The spider webbed shadow looks to his homeboy for confirmation to off us right then and there. The shadow raises his less dominant hand and cocks his cuete. Coming back from the restroom, Iggy comes out to a situation he was somewhat familiar with.
 
The second shadow by the fence gate sees Iggy and hails out, “Who the fuck are you?! Southside Greenwood Gang, ese!”
 
Iggy opens his palms towards the second shadow, “Hey, I don’t bang dog. I live right here in the back, this is my Tía’s pad. These are all my primos, we’re just right here burning some bud. My primos are kids G, they ain’t soldiers. We are family right here.” Iggy being much older than us already knew the street lingo—along with his street intellect and rhetoric, Iggy’s response disheartens the shadows.
 
Although this was a typical night in my barrio, we never had a neighboring group roll up on us like that. This night made me realize the brevity of life, the choices I make and the words I choose influence what can happen next. Iggy’s words echoed in my mind and made me realize a lot of shit—life is short and can be taken in an instant. I want to change and do better, but it’s difficult when you have no direction or positive influences. But Iggy made me think and that was perhaps one of the most impactful things someone ever told me.
 
The dude with the cuete throws up his insignia, claims his hood one last time so we could all remember it, and dashes off to the car with the other shadows and drove off into the abyss.
 
The rain never came but the smell remained…Some fuckin’ quiet night.

​Jacob “Jake” Teran is a proud Chicano living in the San Gabriel Valley, Los Angeles. Jake is a 2nd generation Chicano who was born in Montebello, Los Angeles, east of Los Angeles. He has published one short fictional story at his community college at Rio Hondo College and a master’s thesis for his graduate program, where he obtained his Masters Degree in Rhetoric and Composition. He is currently teaching composition to several departments in two colleges that include indigenous and Chicanx literature. Jake currently lives in the San Gabriel Valley where he is working on a novel based on his experiences growing up in his barrio that deals with gang lifestyle, drugs, violence, and finding one’s identity in a chaotic concrete jungle. 

​by Shaiti Castillo

My grandmother would tell me about the little bug people that would roam her garden back in her small pueblo deep in México. This was only when Mamá wasn’t in the room because she’d scold her from spreading tales of brujería in a house that worshipped God. Even as the disease ate away at what was left of my grandmother’s brain, her stubbornness had continued to grow. Rooted deeply within her like an oak tree. I would trade cups of cafecito for tales of the little bug people while Mamá was out running errands.
 
“Who were they?” I would ask in a whisper, as if Mamá would barge in at any moment and catch us exchanging sins.
 
“They didn’t have names. They didn’t speak either.” She would reply. I’d sit there patiently, processing the information before asking another question. Time with her was precious. The more questions I asked, the more lost she seemed to get.
 
“How do you know they weren’t just normal bugs?” I’d ask. She would sit there for a moment and take a small sip of her hot coffee, surely burning her tongue.
 
“Because they looked like people.” The answer was simple, but it wasn’t enough for a curious child like me.
 
“How so?” The slight tapping of my feet against the tile floor exposed my growing impatience. She didn’t seem to notice.
 
“They had faces. Eyes, a nose, a mouth…” She would go on to list general anatomy. I bit my lip.
 
“Bugs have faces.” I interrupted and she stopped speaking. Then a hoarse laugh escaped her thinning lips. It was an unpleasant sound, like tv static. Her childhood spent working in factories had caught up with her lungs.
 
“Smartass,” She said just loud enough for me to hear in her thick accent. It caught me by surprise.
 
“Nana!” It was my turn to scold her. She never cursed, always said it wasn’t very lady-like.
 
“As I was saying,” She paused to let me settle down. “They had faces. But not bug faces. They looked like you and I. Except they were little.”
 
She slightly pinched her fingers together to show me an estimated size of the bug people. I nodded.
 
“They had the body of the bugs, but they all could stand on two feet. Like you and I,” she explained, pushing herself off her seat. I scrambled next to her in case she fell but she swatted my hands away. She set down her mug and proceeded to put her hands on her hips. Stretching her back just a bit to stand proudly. I couldn’t help but giggle at her display.
 
“How’d you find them?” I asked as she slowly sat herself back down. Retreating back to her caffeine.
 
“They were stealing,” She shook her head in a feigned disappointment. “I had planted some sweet grapes for the summer and I caught them in the act!”
 
“Maybe they were hungry, Nana.” I said in defense of the bug people. It’s not a crime to be hungry.
 
“That is no reason to steal.” She sighed. “I forgave them, of course.”
 
“Then what?” I began to grow eager. This was the most I had gotten out of her in a while.
 
“Then we became friends. I would visit them every day after work and bring them whatever I had left over. Even if it was a few beans.” She smiled to herself. “I would make them little chairs and tables out of sticks and leaves I found around the yard. I would sew together little dresses using paper magazines. I left them gifts, and they would leave me some as well.”
 
“What did they bring you?” My hands were resting under my chin. Eyes wide like an owl at midnight.
 
“Random trinkets they would find. Shiny stuff. Sometimes it’d be silverware, sometimes jewelry. Sometimes it’d be a coin or two which made a big difference at the time.” Her smile grew, but stayed closed. Her wrinkles stretched themselves across her face, but the glossiness in her eyes brought a sense of youth.
 
“Then what, Nana? Where are they now?” I jumped up a little in excitement which startled her. She dropped the mug and it shattered across the floor, spilling what was left of the brown liquid. She stayed silent.
 
“I’m so sorry! Be careful and stay there while I clean it up, there’s glass!” I stood up immediately. She sat there, unfazed. I slipped on the sandals that were beneath my chair and stepped out back to grab the broom. When I slipped back inside, Mamá had made her way into the kitchen.
 
“What happened?” She let out a dramatic breath. Throwing the groceries she had carried inside onto the counter. She ripped the broom from my hands and began to sweep. “¿Estás bien, Ma?”
 
There was still no response from my grandmother. She sat there, frozen in time. Her frail hands still shaped around the non-existent mug.
 
“What did you do?” Mamá turned to face me and I stuttered. “Her mind is very fragile right now, you know this.”
 
“I didn’t do anything, I swear! We were just talking.” I aimed to defend myself but the weight of guilt sat itself like rocks, heavy in my stomach. I had asked too many questions. “I’m sorry.”
 
My grandmother spoke a few words for the rest of the day. Simple responses that would please Mamá. I had refrained from speaking to her in fear of only hurting her more. She would trade sweet glances and small smiles with me over dinner. Her way of letting me know things were okay.
 
That night I joined my grandmother in her bed. The window was open and it let a cool enough breeze in that encouraged us to be under the covers. I laid my head on her shoulder, adjusting my weight so as to not crush her feeble body. We laid there in silence as we usually did. There was a full moon out and the sound of crickets chirping lulled us to sleep. As my eyes grew heavy and my breathing became steady, she spoke.
 
“I’m going to die,” She faintly said. My eyes became watery saucers at her sudden statement. When I gained the courage to look at her, she had already fallen asleep. Her eyes were closed, thinning lashes falling over her cheeks. Paired with the same small smile she had given me earlier. To her, everything was going to be okay.
 
She didn’t wake up that morning. The doctor said she had died peacefully in her sleep and that in her position it was the best way to go. I stood at the doorway as Mamá wept at the foot of the bed. A blanket had been thrown over my grandmother’s body as we waited for someone to take her.
 
My puffy eyes looked out the open window. The sun was bright and it was a beautiful day. Something that my grandmother would have appreciated dearly. She hated sad events. The sounds of chirping crickets had transitioned into the chirping of sparrows. Light and airy.
 
At the corner of my eye, I noticed a pop of color. I tilted my head in curiosity, walking over to hover over the windowsill. Sitting there were two red grapes. Perfectly ripe and gleaming. I looked up to the sky and smiled.

La elotera swung by the brown condos, the ugly ones by the 101 freeway in So Cal, flanked by decaying but still fragrant eucalyptus trees. It was night as she figured that was the best time for her to make a sale. Her shopping cart with dual blue Igloo coolers and a shiny aluminum tamalera pot rising like Medieval towers from its interior squeaked into the noisy complex stifled with chants of playing children and tamborazos of ranchera music.
 
Two squeezes from the rubber ball from the horn attached to her carrito salute the complex and the murky night. A gust of wind quivers the leaves of the eucalyptus trees, making a resonance like a flow of a river. The aromatics of the suddenly alive leaves smell like Vicks VapoRub. It opens the tamaleras nostrils, expands her lungs. She inhales deeply.
 
La elotera opens the lid to the cheap swap meet tamalera pot liberating a vapor of sweet corn scent that swirls and embraces the complex in a heavenly fog like a kiss from the marine layer. The familiar smell of boiled elotes attracts her first customer.
 
A cholo, todo pelón, wearing a Dallas Cowboys E. Smith 22 jersey, with two purple bullet holes to the dome materializes like a Vegas show hologram from aside a dry manzanita shrub embedded in crusty cracking soil. The cholo stagers towards her like a drunk. La elotera sees the entity approach but doesn’t seem frightened. She seems pleased and welcomes the pelón with a smile. Her first sale of the day!
 
“¿En qué te puedo ayudar joven?” the older elotera asks the spirit as she irons her brown checkered mantil with her hands. Pues, she is a classy lady.
 
“I can’t rest. I need something to go to sleep,” complains the cholo with his brains blown out. La elotera can see his tired white eyes floating in a sea of black like lifeboats waiting to be rescued by the Coast Guard.
 
“I have something that will help you rest,” she responds in English. She reaches deep into the tamalera pot, pulls out a steamy white and yellow corn on the cob. The vapor expelled from it swirls and rises to the heavens like a serpent in retreat. The elotera slaters the corn with mayonesa using her wooden pala, sprinkles crumbling white cheese all over that stinks like patas. All while twisting the palito she jabbed at the bottom of the sweetcorn. She then spritzes the corn with artificial neon yellow butter from a farting blue plastic jug, sprinkles earth red chile piquín until the elote is covered with a red furry blanket.
 
“Ya mérito, mijo,” she tells the lost soul. La elotera reaches for a mason jar with a sticker of the Virgen Maria on one side and La Santa Muerte on the other. She tightens the lid with the tiny nail size holes to make sure the valuable greenish-black powder inside doesn’t spill out. She sprinkles some of the unprocessed-looking emerald powder onto the elote and hands it to the cholo ghost. He takes a bite.
 
Three miles away in the neighborhood beyond the tracks, the vatos Sleepy and Chato are sitting in rusted lawn chairs drinking cheap beers and listening to ‘80s style corridos on their ‘80s style boombox. The big grey ones with twin woofers in the front and a cassette deck serving as the hocico. The grease from their too full grease collector on their grill steadily drips grease to the dirt, accumulating into a thick viscous puddle. That is unless the wind carries a rouge drop here and there to the neglected lemonade grass.
 
“Hey, carnal. You’re burning the tri-tip,” warns Sleepy lazily pointing to the flare-up charring the piece of meat. “And you’re going to set the grass on fire, just like the carne.”
 
“What grass foo’?” Chato unzippers his fingers from on top of his head and displays the backyard with a flat hand like a model from the Price is Right. “Y la carne está bien. No pues que you like it well done.”
 
Suddenly the back gate explodes open in a squall of splinters and rusted bolts. “Get the fuck down,” barks a gabacho cop with a nervous trigger finger. He points his Glock at the brothers, nervously alternating between all four of their concha bread eyes. Four more swat officers rush in like Clint Eastwood from Dirty Harry, .40s in hand. One of the police officers tosses the back door breaching a battering ram onto the dirt. It rolls and knocks down the BBQ. The mesquite embers splash out like neon rubies when the asador hits the ground. The tri-tip lays in the yellow and scorched grass like a slaughtered rhino in the African savanna.
 
“We’re taking you guys in for murder,” says the lead swat officer holstering his hand cannon. The brothers get zip-tied by the wrists and are taken away to an idling Ford Explorer police car. The detectives that figured out who were the perps watch from their Crown Vics a block away. Cigarette smoke rises from the half-open windows like a grey aura. It gets swept up by a gust.
 
Back at the brown complex, the cholo is finishing his corn. He is so into it; he doesn’t notice the white goo building up in the corner of his mouth like yeso. He takes his last bite of the corn.
 
“Man. That was the best corn I’ve ever had,” he says yawning widely like a lion that has cemented his future cubs with his pride of pussies. “I feel sleepy now,” he tells la elotera. He raises his arms into the heavens, begins to stretch his thin torso. El cholo begins to fade and turns into dust. His powder conforms to the laws of the wind and is swept up in the gusty breeze. La elotera sees his purplish blueish particles fly between the dancing eucalyptus trees, twisting and dodging bug-eaten leaves. His hue shoots into heaven like blue smoke from a vape.
 
“Ojalá que ya puedas descansar, mijo,” la elotera whispers starring at the crescent moon. She sees her next customer materialize from under the stairs of the crumbling second floor of the complex. An older lady, not too old, with a cord around her stretched-out neck, a swinging plancha at the end of it like a pendulum, walks up to la elotera. Her tight black leather pants let go of a chirrido every step she nears la ex curandera turned corn entrepreneur. Her round and too big for her small frame tits hit her chin like dribbling basketballs.
 
“Hola Doña.” She kisses la elotera’s bony, spotted brown, and loose-skinned hand. “¿En qué le puedo ayudar?”
 
“Mi marido. Ya no me quiso and cheated on me. Look at my clothes.” She raises her arms and whirls like a slutty amateur ballet dancer. The plancha almost bangs la elotera in the hips when she twirls. “He wanted me to dress like this. Like a hoochie. He stopped looking at me the same way. He didn’t touch me the same. Y yo ya estaba harta y cansada.” She cups her hands, places them on her face, and wails into them like an Irish banshee.
 
“No llores, criatura,” says la elotera. “Eres preciosa. You should never have to change who you are. Y menos por un puerco.” Like an ‘80s homicidal movie killer, she busts out with a huge chef’s knife from underneath the shopping cart and the blade shimmers like platinum in the sharp moonlight. She reaches into the pot; pulls out a sweaty elote, begins shaving the kernels of the cob with the blade too big for a viejita. The kernels tumble into a short but wide Styrofoam bowl. She wields her trusty wooden pala in the direction of the mayonesa jar and drops a big spoonful of the white oily condiment into the white bowl. She farts out artificial butter again from the farting blue bottle. Following her method to a tee, she sprinkles stinky pata cheese on top. But this time reaches for a Ziplock baggy containing crushed red hot-Cheetos. She sprinkles some of the jagged neon-red rocks on top. One last ingredient. She sprinkles some of the emerald powder gingerly on top of the esquite she lovingly constructed for the older fox. Wha-la, her pièce de résistance.
 
“Tome,” she says handing the resented lady her esquite. She takes it in her right hand, grips the plastic fork with her left, tight. The nails on her thumb and index finger bleach to white from the death pinch she has on the fork. She begins to scarf down the esquite like she hasn’t eaten a meal in a lifetime.
 
Meanwhile on the other side of town, at a grimy motel where the rate could be paid by the hour or the day, lays her husband on a lumpy mattress with its fitted sheet unfitted. His half-naked mistress sits on the edge of the bed with her arms behind her back hooking her bra back up.
 
“That felt incredible,” says the cheater laying with his hands behind his head as an extra pillow layer. “When can I see you again?” The sancha gets up and sparks up a cigarette next to the window overlooking the freshly repaved parking lot. She stares at a rouge cheeseburger wrapper kite in the gusty wind.
 
“Hey. Is that your S-Class on fire?” she casually blurs out pointing at a car engulfed in flames with her smoldering menthol frajo. She takes a long puff of her cigarette como si nada pasara.
 
“What!” the cheater roaringly shouts out. He lunges the sheets clinging to his sweaty body like saran wrap, jumps up from the bed as if a compressed spring on the mattress was liberated from the weight bearing down on it from above. He runs to the window. He sees red-orange and blue flames ravaging his interior. The flames flicker with tormented life. “My car!” he yells gripping the last few hairs he’s got on his head with his shaky fists. He pulls them out. His sancha takes another menthol drag, como si nada pasara.
 
The cheating husband runs out of the motel room tying his robe to make sure his wrinkled balls don’t make an appearance. He stops dead in his tracks upon walking outside to the parking lot. He can’t believe what he’s seeing. Between red flashes and the buzz of a neon sign advertising vacancy, he sees his adult son holding a red plastic gas tank. His daughter hugs numerous road flares. She waves to him with a road flare. The S-class blows up in a spectacular release of kinetic and chemical energy behind them. The bubbling hood lands in front of the cheater. A tire rolls by minding its own business.
 
“That’s for mom,” says his son with savage eyes. They are more alive than even the fire.
 
“I hate you,” spews his daughter with a scowl. “Mom killed herself because of you. You bastard!”
 
Meanwhile, in the complex’s courtyard the fork the neglected fox was holding falls through her grip. It lands in the dirt. The mayonnaise and butter concoction on the fork is like a magnet to the pebbles of dirt que se comportan como nails. The lady with the plancha around her neck begins to dematerialize. Her aura turns into floating spheres that in-ribbon la elotera for a moment, go over her head like a flyover from the Blue Angels at a ball game, and disperse into the heavens.
 
La elotera has enough time to check her cell phone when a señor walks up dragging his feet. He’s wearing a tan cocodrilo suit ready for the baile. He floats through a tirade de empty beer bottles and decomposing couches and mattresses with yellow stains left for dead in the complex and trash.
 
“Señora,” he cries bringing his hands together as if rezando El Padre Nuestro. “I need your help. I can’t stop thinking about my daughter’s quince and the father daughter dance I’m going to miss.”
 
“Ya ya, joven,” responds the old lady to the ghost of a gordito, ya middle-aged señor. His chaleco can barely contain his Mexican beer belly.
 
“I will give you something to calm your thoughts and guide you to the light.” La elotera fixes up an elote, but not a normal elote. A blue one. She puts the usual fixings on it but instead of putting chili powder on it how she usually does on corn on the cobb, she dredges it with crushed Taquis. She sprinkles some of her emerald powder on it but this time before handing the specter the mouthwatering elote, she hands him a pickled jalapeño. A dark green veiny mean-looking motherfucker. Cosa de maravilla!
 
“Toma,” she says handing him the jalapeño. Then the elote. “Take a bite of the chile first. Then the corn.” She turns her back on the ghost in the cocodrilo suit, begins rearranging her messy carrito, confident the elote will do the trick.
 
“Oh, shit this thing is hot,” dice el specter, fanning his hand towards his burning mouth trying to induct oxygen from the cool night. He makes duck lips, sucking in air like a vacuum.
 
“It’s supposed to be hot. To get all the endorphins going,” says the elotera leaning on her now organized carrito with her elbows.
 
Dela is nervous about her quinceañera dance. Her dad was her pillar of granite, her cheerleader, her guiding light. Y ya no está. “You were supposed to be here to dance with me, dad. You promised me,” she mutters starring into her glossy eyes in the mirror. A door bursts open from behind her. A lady wearing a purple ruffled cocktail dress sticks half her body into the dressing room. Dela wipes the tears from her cheeks and chin. Sniffs a little.
 
“We’re ready for you, mija” the lady with the ruffled dress announces to the down quinceañera. She shuts the door gingerly. Dela pulls down her white princess dress that keeps riding up. She takes in a deep breath, grudgingly gets up. She heads for the door of the salón’s dressing room, steps out, and shuts the door behind her.
 
“Your attention please, ladies and gentlemen,” announces the spiky orange-haired DJ. “Your aplausos to the pista, por favor.” The chatter fades to a whisper. The lights go black except for a spotlight in the middle of the dance floor. “Tennesse Whiskey” bumps out of the JBL speaker set up by the DJ. Dela and her chambelán, her older brother, begin their choreographed walk towards each other, like marching soldiers. The fog machine makes them look like they’re floating on wispy clouds. They reach each other and Dela’s brother takes the lead. He holds her by the hips, she puts her arms around his neck. She begins to cry.
 
“No llores, Delita. I’m here like I promised.” Dela lets go of the hold she had on her brother’s neck and shoves him in the chest.
 
“You mother fuc...,” she begins saying but is unable to continue her tongue-lashing because before her eyes are not her skinny brother but her deceased thick father in the tan cocodrilo suit they had picked out together for her day of transformation from a girl to a woman. “Apa,” she half whimpers. She rushes to her dad and hugs him; he picks her up and spins her around as he used to when she was only to his knees.
 
“Un aplauso para la quinceañera y su hermano, por favor,” the obvious DJ advises the uncaring crowd. “Que bonito. ¡Que bonitas memorias!” Dela rests her head on her dad’s shoulder.
 
A beam of light resembling the glare from the transporter in Star Trek begins to dematerialize the man in the cocodrilo suit enjoying his elote. A police officer rushes into the courtyard with a beaming flashlight that punctures the dark of the night like a knife versus skin. What was left of the spirit gets skewed away by the coned LED light of the flashlight. The half-eaten elote falls to the floor.
 
“What are you doing here?” the jura questions la elotera with the tenacity of a junkyard guard dog. He shoots his beam of LED light at her face. Then without letting her respond, illuminates her shopping cart with Medieval towers. “This place is off-limits. This is a crime scene. Can’t you see the crime tape up?” He shines his light on a unit with yellow crime scene tape tacked to the door. “What are you doing here? This place has been abandoned for years.”
 
The elotera grips the rubber handle to her carrito tight. The playing children’s laughter and cries and the tamborazos of music fade like a distant memory.
 
“No hablo pitinglish,” she says, looking into the blue of the cop’s eyes.
“Well, it don’t matter. This place is off-limits. Get your cart and get out of here before I give you a ticketo,” he acts like he’s filling out a phantom ticket in his phantom ticket book with his phantom white right hand,” for not having a seller’s permit.”
 
“Sí, sí,” the elotera responds, shaking her head up and down like a bobblehead. She begins to push away from the center courtyard. She looks around the complex and there are broken windows and tagged-up walls and empty syringes and sliver spider webs and a few abandoned rusting shopping carts with tall grass growing from between their steel mesh. The cop finds the half-eaten elote and holds it from the palito. He looks at it, scrutinizes it.
 
La elotera stops at the end of the abandoned property. She looks back at the brown condo complex. She sees the bouncing white light from the cop disappear and reappear behind the corners of the dead complex. She takes one last deep Vicks breath and mumbles, “All cops are assholes.”​

​Chicano. Lisiado. Storyteller. Enrique C. Varela hails from Oxnard, California, the land his parents immigrated to from the state Guadalajara, Jalisco, in Mexico. He holds a BA from the University of California, Santa Barbara, and a Writing minor to accompany it like a solid friend. Two of his short stories have been published in Chiricú Journal & The Acentos Review, respectively. His upcoming memoir, twisted: Tales from a Crip(ple) is slated to be published by Between the Lines Publishing in the coming year. He is beyond excited. His ethnic background is Mexicano. Though his skin pigment tells another story. 

​Heading into Los Angeles, Cisco activated the channel to Gus. “Gus, what do you have for me? I’m fifty miles east of downtown Los Angeles.”

“Nada. I don’t have an exact address yet, but I’m working on it. The old area is setup weird with common garages on the street,” Gus responded. “I know it’s near Sunset and Echo Park. The area will be like Old Town. They can still drive on tires there.”

“Traffic is crazy. I’ve had some weird looks from people. This ranfla sticks out like a sore thumb.”

“Oh yeah, something you need to know. I’m getting cross-reference blips from some source I think is trying to track you. I can’t get to the source because it keeps moving around, but will keep trying,” Gus continued sounding a bit worried.

“Is it security headquarters?” Cisco asked.

“No. It is some other source, a low-level old-fashioned scanner. I can’t isolate it.”

“Keep trying Gus.”

The news that someone was tracking him was not a surprise, however it made him uneasy. When Comsys alerted him to his destination, he descended from the aeropath and found himself hovering over the dilapidated baseball stadium. The open air baseball stadium with blue seats sat in a large ravine surrounded by an empty parking lot. A weathered large blue and white sign was still legible as Dodger Stadium. The Los Angeles Dodgers were big rivals for the Chihuahua Cubs and Cisco had seen them play at the Chihuahua stadium numerous times. Apparently, this was the old stadium and no longer in use.

Flying west, Cisco caught his first view of the older area of Echo Park. Surprisingly, he found it hilly with lots of green vegetation. Small houses dotted the tree covered hills. Circling the area again, Cisco looked for a place to touch down. He got lucky and a spot opened near a busy eatery. Parking the red car not too far from the Pioneer Chicken Ranch on the corner of Sunset Blvd and Portia Street, he sat watching lines of people waiting at the restaurant for their food.

The gaudy neon lights of the Chicken Ranch were lit even though it was daytime. Reflections from the neon lights sparkled on ranflas parked around it. They all had a similar style, though very different than the red one he drove. Six or seven ranflas were parked near the restaurant and dozens of young men dressed in an unusual style were standing nearby.
 
Arturo and his gang tailed Cisco into Los Angeles, keeping close as they followed the blip from the red car. They saw him park near a busy corner, but they had to park around the corner and down several streets.

“Flaco, go keep an eye on him,” Arturo demanded. The area worried him. Perhaps the driver had brought the red ranfla to L.A. to sell.

Flaco jumped out quickly, heading in the direction of the red car parked several blocks away. The intersections were busy with people, and he was surprised by functioning traffic signals for both pedestrians and ground-level vehicles.
 
Sitting in the red car Cisco activated the Pcom and heard Gus pick up immediately. “What’s the matter?” Gus asked.

“I hope you got something for me, cause it is not good here.”

Gus had told him the area was rough, though this was not what Cisco expected. The Chicken Ranch seemed a hangout for gangbangers and lowriders. Small groups of young men gathered at the corner whistling and yelling at passing cars and flashing hand signs. A row of decked-out motorcycles were parked near each other and several men in heavy boots and jackets stood near them. They were definitely Hispanic and all wore the same color bandana tied around their foreheads.

Another group of young men were dressed in karate-style clothes. Two were pushing each other, while several others egged on a fight. The situation made Cisco cringe. When Gus said it made Old Town look like Disneyland, he was making an understatement.

“I’m in the middle of a biker and lowrider convention and it doesn’t look good for me,” Cisco said.

“Oh, those must be some of the gangs that control that area. During the financial collapse of the United States, gang wars started in most of the large cities. Los Angeles was overrun by several ethnic gangs who sectioned off the city, running drugs, and taking protection money. The gangs or locals invented names for themselves. The bikers are the Mayans, if they are Hispanic,” Gus explained.

“Yes. I can see that name on one of the biker’s jacket. The lowriders look different. They look more Asian to me,” Cisco said.

“Those may be the Kudo kai, a minor arm of the Japanese Yakuza syndicate. Lots of people just refer to them as japovatos.”

“Japovatos?”

“The Japanese word for mixed is japa, so the locals just started calling the downtown Asian gangs, japovatos. Mostly they are a mixed race of Hispanic and Japanese families who have lived in the area for ages,” Gus explained. “They speak some weird mixed Spanish and Japanese slang.”

“How dangerous are they?” Cisco asked.

“The Mayans are more dangerous. The japovatos can cause trouble, but now the gangs in Los Angeles are more like our Old Town gangs and most of it is show. They usually don’t make serious trouble outside of their area,” Gus told him.

“Well I hope not, because here comes four of them.” Cisco terminated the call.

Cisco watched four japovatos approaching quickly. They wore skin tight shorts with gray silk tops that resembled karate tops. Two wore an orange silk belt wrapped around their waists, another one wore blue, while the man in front had a black sash.

Cisco briefly thought about lifting off and leaving, then decided to get out of the car to meet them instead. In an instinctive move, he removed the Chihuahua Cubs baseball cap.

“Ano, ese, doko vienes?” the black belted japovato asked Cisco as he walked up. His speech was deep and guttural. He pulled at Cisco’s t-shirt saying something else to his friends and laughed. Cisco figured they wanted to know who he was and where he came from. The one wearing a blue belt walked around the red ranfla nodding his head up and down.

“Española, New Mexico,” Cisco lied, forcing a wide grin. At least the car was from Española.
 
As Flaco rounded the last corner, the neon sign of the Pioneer Chicken Ranch blazed in the afternoon sun. Parked on one side of the restaurant was a line of motorcycles. Bikers dressed in leather jackets and black boots stood nearby. On the other two sides, odd looking ranflas gleamed in the sunshine. They were nothing like the lowriders of Española or Old Town Dublán. These were sleek and streamlined. Young men wearing tight-fitting outfits milled nearby. Four of them were talking to the driver of the red car. Turning around, he walked quickly back to where Arturo had parked.

Leaning in the window he said, “Crazy shit, ese. There are crazy-looking ranflas. Some of their gang are talking to the vato. This is not so good. We need to get out of here.”

“You’re a culón,” Arturo called Flaco a chickenshit. “Go back and keep an eye on him,” he growled.

“I’m telling you, we got to get out of here. There is a biker gang and a bunch of weird looking ranflas. There are four of them talking to the driver of your car.”
 
Blackbelt’s dark slanted eyes turned into long slits. “Nani ases koko?” He demanded to know why Cisco was here, making hand gestures when he spoke. Cisco noticed calloused formations on the first two knuckles of each hand.

As Blackbelt continued to express his displeasure at Cisco’s presence, his three cohorts walked around the car making comments and touching it. Cisco was not sure if they liked it or thought it was weird.

“Mi primo vive aquí en Echo Park, ese,” Cisco told him he was he here to visit his cousin. Very slowly he slid his right hand down to the side of his pants and felt for the tiny laser in his pocket. “¿Ese, tienes problema con eso?” he asked calmly if that was a problem. He tried to speak in street slang like a lowrider and made no threatening moves.

Blackbelt’s lips tightened and his right hand retracted to his side into a fist. “Anata wa koko no eres bienvenido aquí debes irte,” he hissed in his lingo near Cisco’s ear. The odd mixtures of Spanish and Japanese slang told Cisco he was unwelcome and should leave, now.

“No problema,” Cisco assured him, “I’m just visiting my cousin, ese. I’ll be gone in the morning.”

“Horale mishiranu hito,” BlackBelt hissed. “¡Ano ne, vamonos!” Blackbelt called to his friends to leave.

As the four japovatos strode away, Cisco watched them jump into a sleek silver and black aerorider. It lifted and headed west above Sunset Boulevard. He got back in the red car and sank low into the seat. Slowly he breathed in and out, trying to relax after the encounter with the strange japovatos. He activated the channel to Gus.

“Hey Cisco, you okay?” Gus asked.

“Yes, so far. The japovatos spoke in a mix of Japanese and Spanish, good enough for me to understand. They told me to leave now. I need a place to go.”

“The car is still parked on Echo Park Ave. I just can’t figure out for sure which house they might be in. I’m searching the utility records and stuff like that to try to figure it out. Is there a shopping center or parking lot where you could chill for a while?” Gus asked. Cisco thought and remembered the empty Dodger Stadium parking lot and told Gus about it.

“Good. Go there and I’ll call you as soon as I know something.”

Cisco started the ranfla and drove ground level on Alvarado Street. Staying on ground level seemed like a good idea with the japovatos patrolling the sky. Shortly, he found Stadium Way and wound toward the stadium parking lot. The parking area’s gate was ripped from the hinges and hung as a twisted reminder of a bygone time. The asphalt was cracked with humps of pavement buckled in a long ridge across a wide area. Weeds and small bushes pushed up through the cracks. Cisco wondered why the old stadium had not been demolished. Parking in the shade of a large tree, he opened the windows and stretched out his six-foot frame as much as possible and tried to relax.
 
Flaco headed back toward the corner of Sunset and Portia. He was a block away when he realized the red car was gone from the parking space. “Mierda,” he cursed. Running back to Arturo, he was out of breath when he jumped into the blue car.

“He’s gone!”

Arturo glanced at the scanner, which had not blipped. “Fuck, he’s on the ground. You fucking let him get away you idiot,” Arturo cursed.

“He can’t be far, ese, he’s tire level. We’ll find him,” Flaco whined.

Arturo lifted the blue car and headed down Sunset Blvd hoping to spot the red car driving on ground level. The hand held scanner showed nothing. Not a very powerful scanner, it could only locate the beacon if it was airborne and within about ten miles. He crisscrossed Echo Park Lake, flew back over the Chicken Ranch, and hovered over a large park. The red car was nowhere. Arturo lifted higher and flew off west on Sunset Blvd.

A sleek black and silver ranfla came up behind him and one of the passengers made hand signs. Arturo knew the signals were not friendly, but there was no way he was leaving without finding his red car.

“Hey,” Flaco said. “I saw that ranfla at the chicken place. It’s the same guys that talked to the pinche vato.”

Flying above street level, the late afternoon traffic was getting heavy, forcing Arturo’s car to slow down. The silver and black ranfla was on his tail. After several blocks, Arturo grinned when he saw Comsys light flash red to indicate an impending stop. Accelerating, he deliberately flew through the intersection and made a sharp left turn. The traffic infraction set off an alarm on his Comsys. The black and silver ranfla tried to follow, but was stopped in the middle of the intersection.

“With luck the police will get them and not us,” Arturo said hoping the traffic control police were the same here in Los Angeles as most of the rest of the Jalapeño Republic. With any luck, the traffic police would assume the local gang was the source of the problem. Arturo circled another corner and landed on a street not too far away.

It did not take long for the LAPD’s traffic control officers to recognize a familiar ranfla stopped in an intersection. The LAPD officers forced the Comsys of the black and silver car to land. The japovatos were not surprised by the turn of events. They knew the procedure well.

“Baka, pinche vatos, los mataré,” the driver swore, vowing to kill the fucking vatos in the blue car.
 
Cisco groaned bumping his knee on the dashboard as his body stretched on the uncomfortable seat. Disoriented, his brain thought he was back on Mars in his small sleeping pod. The single bed in the pod was barely enough for his large frame and how he and Monica managed to have sex took a bit of contortion. Dozing off again, he pictured Monica’s face, but it quickly morphed into Vivian’s. Images of stripping the rose-colored bodysuit from Vivian’s firm body were etched in his brain. Her body had only aged in a good way from when they were teenagers. Her breasts and hips slightly plumper, while her body tone was tight and muscular.

Suddenly the Pcom chirped him out of his visions. “Shit,” he cursed shaking his head as he opened the channel on the Pcom. It was after 6:30 PM and deep twilight shadows cut across the Dodger Stadium parking lot.

“Did you have a nice sleep?” Gus asked and laughed. “I was going to wake you, but not much is happening, so thought I’d let you sleep.”

“You got the address for the sedan yet?” Cisco asked trying to shake the sleep from his brain.

“The car is parked in a single garage on Echo Park Avenue between 2225 and 2227 on the west side of the street,” Gus answered. “It’s moved twice today, but always comes back. I checked the satellite records. The satellite signal from 2227 had 97 calls for 245 minutes, 2225 had one. My guess is that’s the house, but you’ll have to check it out from the ground.”

“You sound groggy,” Gus said.

“Still a little space weary, I guess. Have you picked up anything from security headquarters?” Gus had told Cisco he would monitor the secure channels of the Republic for any chatter about the case or anything he thought odd.

“No. Nothing much. They sent out two operatives in opposite directions, maybe as subterfuge or maybe on legit assignments. Not sure. I saw your report to headquarters go through. The beacon is not working, so they are most likely confused.”

“What about the tracking signal you noticed?”

“It stopped. It was probably nothing.”

“Thanks. I’ll call you when I get to the location. I just want to get the girl and get out of here.”

Starting the car, he lifted from the old Dodgers Stadium parking lot and turned northwest. Flying low he told Comsys the address and let it map the route. According to Gus, it should not be far.
 
Arturo had almost given up finding the red ranfla. It was like finding a needle in a haystack without the use of the scanner. They had been cruising for several hours and the rush hour traffic was getting crazy and busy.

“This is stupid, Chingon,” Oso whined. “It’s getting late and I’m hungry.”

“Me too,” Flaco chimed in. “Drop me off and I’ll pick up some chicken. That place on the corner is always busy, so it must be good.”

Turning back toward the Pioneer Chicken Ranch, Arturo landed nearby and Flaco jumped out. About ten minutes later, he returned with three bags and sodas.

“Damn this is good,” Oso said as he devoured the crispy chicken. The breading of the fried chicken had a spicy kick.

Suddenly the scanner chirped. A blip was moving and it was nearby. Throwing his bag of half-eaten chicken on the seat, Arturo lifted the blue car and headed toward the blip. “I got you now vato,” he grumbled.

​Robert Alvarado is a native of Phoenix Arizona. His award-winning saga, The Young Pistolero Series, won several first place finishes in The Latino Author top-ten list and the International Latino Books to Movie Award. Three of his recent works, Jalapeño Republic, Just Vanished and The Spanish Sword were finalists for an International Latino Book award in several categories. He holds an Engineering Degree from Arizona State University, although spent most of his career representing a large computer company throughout Latin America. Proud of his ancestry, Alvarado’s passion radiates in his writing of stories from a Hispanic perspective.

I was sitting in my favorite easy chair, rocking back and forth to some firme rolas, thinking about the Dodgers, my next meal and the llantas my ’64 Chevy Impala needed. I looked over to Tío Juan who was sitting on the hardest chair in the house and in the same room, which is our sala. I share it with the old bato who helps pay la renta. I knew he saved a lot of money, only spending a lot of feria for books. In fact, he was reading one, lost in some thought from some writer who lived back before gente had TV, laptops and iPhones. Half the people now living would go crazy if they had to live only with those three toys. Me? I’m Old School. As long as I have my ranfla, the Dodgers on radio, Oldies, and decent menudo now and then, I’m happier than any one of them.
 
Tío Juan’s iPhone let out a few notes of classical music by some guy wearing a wig wrote before anyone could stop him. Tío Juan made a face because he was being taken away from his book just when he was going to make a juicy mental note, it looked like. When he said “Hello,” a voice roared from the tiny box that told me it was my Tía Rosa who talked as if she was trying to summon her dead marido, the first one, del otro lado. The viejo jumped like some malvado lit a cuete under his silla. His book flew out of his wrinkled copper-colored manos like a spooked gallina. The libro, a thick one, landed at my feet making a loud noise.
 
“It’s your Tía Rosa,” he said all serious as he walked over to hand me his phone and retrieved his fat book.
 
“Hello Tía,” I said, sounding all happy. She promised to leave me her ‘39 Packard. She hadn’t driven it since her viejo Richard died, the Indio from Washington State with the genio of a wart hog. The carrucha had under 40,000 miles. No dents or scratches. The clock even worked.
 
“You sound triste,” she shot back and I moved my ear the standard six inches when talking to the Mejicana bullhorn.
 
I had to think since I wanted to make her feel happy so she would call me her favorite sobrino y gordito.
 
“No, no, I feel happy like it’s your birthday.”
 
“Gordo, I want you to do something for me.”
 
There was a pause. I thought she would then follow through like always with her rapid fire of words like so many balas.
 
“Well?” the tía vieja then said. I guess she wanted some kind of reaction from me.
 
“Uh, what is it?” As much as I wanted to be there for her and live up to her expectations, her idea of favors tested my ‘tude.
 
“You don’t sound too enthusiastic for someone in line to inherit my rancho in El Monte and my 1939 Packard.”
 
“I’m trying to hold my ganas so I can talk.”
 
“I’ll do the talking. My brother Fulgencio’s son Candelario from El Paso is crazy over some muchacha. He is lavishing her with money he doesn’t have, buying her this and that. He’s up to his usual tonterías.”
 
“I say leave well enough alone in El Paso. They take care of their gente, we take care of ours in East Los.”
 
“Listen fat head. That other fat head, the flaco, isn’t in El Paso.”
 
“That, too, is your brother’s problem. Did he run down to Mexico?”
 
“I should disown you and then put out a contract on you, that’s what I should do. No, if you would listen, maybe you too can put your life together. That other sobrino without any common sense is in L.A.”
 
“Why?” My stomach began to churn the enchiladas Tío Juan made for dinner. He is the best cook in our familia although not officially a member but an honorary hanger-on. Showed up one day looking for yard work and sort of grew on me like a grano. But that’s for another story.
 
“For love. Or what his distorted thinking calls love. He fell for some muchacha in El Paso and proposed to her.”
 
“Another one?”
 
“Yes, he collects these females like others collect botes.”
 
“It seems like he falls in love once a month. Like a novia-of-the-month club.”
 
“So now you can see why your Tío Fulgencio is concerned about his only hijo. Candy will spend all kinds of dough on her only to see it broken off by him and/or her.”
 
Candy was the family name for Candelario. I never thought it fit him since even as a chamaco, he had a sour look on his face like he was weaned on a pickle. I guess he eventually rearranged his face in order so he could hit on all these girls.
 
“Someone should remind him of all the other females he has gone through,” I said.
 
“His father did.”
 
“What did the loco say?”
 
“This is the one.”
 
“He said that with the first one, what’s her name?”
 
“Christina. She turned out to be married and went crying back to her husband from whom she was separated from for over two years.”
 
“Candy has that effect on women,” I said.
 
“So, I want you to track him down there in L.A. and pal around with him. Make him see he has no business chasing a woman in show biz.”
 
“Show biz?”
 
“Yes, she has aspirations of getting onto the stage or movies. I hear she is a looker.”
 
“I don’t see how I can help?”
 
“I do!” she said with a slam of the phone, a Chicana force unequaled by man or beast. I stood there, wondering what her next move would be.
 
“Did your Tía slam the phone on you again?” said Tío Juan from his silla.
 
“How can you tell?”
 
“The agitated look on your face, chubby cheeks and all. Did she say she was charging over like a mama bear after a biologist innocently swatting at butterfly specimens near her cub?”
 
“She didn’t get into that much detail. But that is usually her modus operandi. She’ll be rudely rushing into the house without a hello and a lot of do-this-and-do-that’s.”
 
“You better pull up the drawbridge because she can walk through walls by knocking them down if she is agüitada.”
 
“I can’t say no to her. I have too much invested in her being agreeable.”
 
“You can tell her that you have a bad muela that is dark, rotten and painful.”
 
“Even then, she will make my life very dark, very rotten and very painful.”
 
“What is she asking of you?”
 
“Part of my life.”
 
“She needs a transplant? One of your kidneys?”
 
“I’d take that over what she is demanding. She don’t ask. She wants me to babysit her nephew Candelario who, I hate to say, is also my primo.”
 
“Doesn’t he pass the time away in El Paso proposing to every other muchacha?”
 
“That was my reaction, a logical one. But you know Tía Rosa.”
 
“Like the bottom of my chanclas. How many names did she call you before she explained?”
 
“Just a few choice ones. She seemed in a hurry. Candelario is in L.A. chasing some loquita who thinks she is the next Eva Longoria. And, of course, he wants to marry her.”
 
“Why does your aunt care whom he marries. She don’t seem to care whom you marry, her favorite punching bag.”
 
“She says I got no worries. Women don’t like gordos who sit around listening to the radio, eating nonstop and letting out smelly pedos.”
 
“Your aunt is direct with you, isn’t she?”
 
“Yeah, but she wants me to be thin, happily casado.”
 
“Those are two demands for the ages.”
 
“Here’s the problem Tío Juan. I can’t stand being around the bato.”
 
“Why?”
 
“I knew you’d ask that.”
 
“For every action, there is a reason.”
 
“Yeah, you read all those books.”
 
“Actually, I got that from a fortune cookie at the Eternal Garden Chinese place on Soto near First. They went out of business soon after. No one cried. With good reason, like that cookie said. Their food was bound to kill their business if they didn’t kill a customer first.”
 
“I don’t like the way Candelario chews food, talks about himself and his love life nonstop, and sings those songs he claims he writes. Well, he can’t sing and he can’t write songs. And he always has something to say about the way I live, how much I eat and how much time I waste riding around and hopping my ranfla.”
 
“And he has the short list. Your Tía could give him the official list.”
 
“How come you’re always giving me patadas? You should be telling me stuff from all those books you always have your nose in. You know, how Aristotle, Casanova and them handled cosas.”
 
“I apply them and other minds I have absorbed in libraries and cantinas to your daily gripes. I guess you weren’t aware of that.”
 
“What do you say about the payaso Candelario?”
 
“An interesting case study.”
 
There was a pause. I was heaving as I inhaled and exhaled.
 
“Well, what should I do?” I said. “Should me and some homies jump him and FedEx him back to Tejas?”
 
“I take it you are trying hard at a chiste.”
 
“Not even.”
 
“Your Tía Rosa would disown you, not to mention your other tías. They work as a team during a crisis. Like a herd of elefantes protecting a valuable water hole during a draught in the Serengeti.”
 
“Then tell me the way.”
 
“That is for another counseling. I will make a suggestion regarding your current pickle after I have my Té de Canela.”
 
“Yeah, get that egghead of yours on the problem.”
 
I went outside to sit in my ranfla. I knew Tío Juan would think of something with that oblong head of his once he had his canela. He has saved me from all kinds of trouble, including girls, money, bills, stomach aches, headaches, plumbing, neighbors, and, of course, my tías who can be pushy.
 
I went back inside like I needed to get something important. I walked past him and he didn’t stop his musing, ignoring me like I was a passing mosca on a hustle.
 
I went back to my Impala to play some firme rollas, the background music to my vida. The first rolla that came on was “You’re No Good” by Betty Everett. I took it personally. Felt like she was singing to me and no one else. I could see her dedo touching my nose, making me cross-eyed right there in my driveway.
 
I was in that pickle Tío Juan talked about. I saw no way out. My Tía Rosa had heard my standard excuses, several times. I had used a dolor in every part of my body. And every part of my ranfla. I was lucky to be living with a man like Tío Juan who had the mind of a master criminal. He always found a way to cheat fate. I’d bet Candelario’s right leg he would find a way.
 
I fell asleep. Then I heard a knock on the window as “Workin’ On A Groovy Thing” by Patti Drew was playing. Tío Juan was signaling me with his arms flailing sideways. Someday I have to tell him the signal for lowering a car window is down.
 
I rolled down the window but then he again waved his hands in that sideway motion. I guess he now wanted me to lower the music. I also have to tell him that he has to point to the music with one hand and make a downward motion con la otra.
 
When I shut off the music, he cleared his garganta with a lot of noise I didn’t think could come out of the human cuerpo. He didn’t say anything so I gave him my So? mirada.
 
“I thought of something. Actually, it’s multiple choice with all the answers being right.”
 
Then came another pause. I gave him another So? mirada, this time punctuated with my hands raised to face level and to both sides of my head, palms up. He studied my gesture for a few moments, like he found the gesture amusing. I guess that’s what happens when your only entertainment is libros.
 
“Here’s the deal. Listen up.”
 
I waited this time, poker faced. He studied my face for a bit then spoke.
 
“You can introduce him to someone more feasible.”
 
“He would find any jaina feasible.”
 
“Not a problem. Your aunt is also his aunt and would probably find any girl too good for him.”
 
“You’re right. Tía Rosa is funny.”
 
“Hilarious. Okay, the second option is to introduce him to a decoy.”
 
“Like a pato?”
 
“No, too risky. He is not beyond proposing to a duck, wooden or otherwise. I mean, a real good looking female with even odds and ends of intelligence who he would propose to on first sight.”
 
“Heck with him. I’d keep her for myself.”
 
“That’s the problem I see here. You have as many character defects as Candelario and any other bato with hanging tongue in the 7.47 square miles that is East Los. And there are over 125,000 folks trotting around those square miles. A whole bunch of those guys like you and Candelario, guys getting wide-eyed and tongue dripping at the sight of any beauty who smiles momentarily at you, even by accident.”
 
I calculated that 125,000 was two fair-sized Dodger crowds. Tío Juan had slipped silently away and back into the house while I was calculating.
 
The following morning, Tía Rosa was at the foot of my bed as I opened my eyes. She was like a fantasma lleno do corajes. Before I could say, “What The Fudge!” she started to evaluate my life.
 
“You’re going to sleep right through your existence.”
 
I looked at the clock on the rickety nightstand near my pillow. It said quarter to six.
 
“Who let you in?” I said.
 
“That skinny viejo.”
 
Tío Juan rarely slept past 5 a.m. He had his morning tea and one scrambled egg burrito, chewing serenely at the kitchen table.
 
“Oh, yeah,” I said.
 
“I have a plan. Join me in the sala when you get dressed and brush your teeth. You know I don’t like bad breath.”
 
She left with a slam of my bedroom door. Where is the privacy in East L.A., I said to himself. I dressed quickly and brushed my teeth even quicker, knowing my Tía to have no patience when anyone made her wait. I guess she always had to feel like the most important person in a room.
 
I headed for the kitchen in search of coffee, but like a mama grizzly annoyed by a mocking visitor to Yellowstone, she growled then waved a paw toward a chair opposite where she was holding court. I responded submissively by sitting right away where she had pointed to.
 
She stared at me as if I was a chunk of questionable pancita de res she was going to toss into a pot of menudo.
 
“Candelario is a tonto. The only thing that keeps him fed is his good looks. His family doesn’t have the money to sponsor his viajes of tonterías. But they are proud and want us to lasso him and send him back to El Paso. When he first texted his family, they were happy. He said he finally met a girl they would love, too. He followed that with more texts. The last one said that she was going to be a movie star and was dancing to support herself. He knew that they would understand.
 
“Well, they didn’t. They called me and told me they were sure she was a stripper in some barrio who knows where. Do they have strippers around here, Gordo?”
 
“I heard they might,” I said, trying to sound like I didn’t know.
 
She looked at me as if to say, Mentiroso.
 
“I’ll bet Tío Juan knows a few,” she said.
 
“Only if they have an exceptional reading room,” Tío Juan said as he had silently appeared, as usual, like a gato sneaking up on a ratón. He sat in a corner, stirring his tea, observing me since Tía Rosa had her back to him. She kept talking to me like he had been Hip-Hop coming from a passing car.
 
“From what the familia put together from his jumbled text, much like his mumbled speech, is that the girl’s name is Latina Destiny. At least her stage name. They’ve yet to hear her Tejas name. According to Candelario, she does something called a Banana Split on a pole. What that name means, I don’t want to know. He went on in his text to say that she had them all loco at Mr. Zapp’s. Who she or Señor Zapp is I never want to find out.”
 
For a person who knows everything, I found it hard to believe she didn’t want to know those things, too.
 
“It’s messed up, huh?” I said.
 
“More than that, payaso. He would be the shame of all the familia, both sides of the frontera.”
 
“Every family has one of those. We just have to take hold of our chones and still walk proud.”
 
“No seas ridículo, Arturo.”
 
“Tía, I remember hearing that Tío Fulgencio met his wife Claudia in Nogales, Mexico. He was stationed across the border at an Army base. She was a singer in a nightclub. So Candelario might have his father’s DNA and is attracted to women on stage. He can’t help it. His father grabbed his and took her home to El Paso. The familia worked on her and she became a domesticated Mejicana stirring frijoles on the stove. You could never tell she sang and moved her hips for a living. Mejicanas go with the flow since that one who whispered in Cortez’ ear and helped him jump our people.”
 
“What are you driveling about, Gordo?”
 
“Our history according to Tío Juan. He knows all that stuff about our gente going way back.”
 
“Well, right now we’re talking current affairs. And you are part of it. So, open up those oversized ears of yours. You will come to the aid of your primo.”
 
“It may be a family disorder or whatever it’s called. Maybe his chavalos in the future will be chasing and marrying ruckas like this Latina Destiny. We shouldn’t try to stop it.”
 
“The only disorder I see, Artie, is in your thinking. Wiggling around on stage while yodeling doesn’t make a good match for a man. Do I need to whack you on your chaveta to bring you back to the problem facing the family? This is a family crisis and you’re going to find Candelario and steer him to what is right.”
 
“Why me?”
 
“Why do you even ask? You are too difficult, Arturo. What about familia? Your sangre. You are too flojo to accomplish something meaningful en esta vida. You should jump for joy to help stop Candelario from bringing shame on the family for generations to come. You will find your primo. Besides, you used to be pals when growing up. You are the only one on both sides of the family who has nothing to do but ride around in that jalopy and hang around with cholos on Whittier Boulevard.”
 
“My car is not a jalopy. It’s a classic bomba. And my friends are not cholos. Not full time, anyway. And I listen to the Dodgers on the radio. Good, clean fun.”
 
“My point. You’re just sitting around that radio, getting fat eating and doing nothing else. Besides, I’m asking you to do this as a favor from a person that can determine your future way down the line.”
 
I know she was telling me that if I didn’t go along peacefully, she would show me what a malvada she could be by messing up my life forever. Her eyes focused on me like a spider she was about to swat with a wave of her chancla. She reminded me of La Llorona on a bad day.
 
“So you will jump on this right away, right, Artie?”
 
I thought quickly.
 
“Simón.”
 
Tía Rosa left like a drill sergeant, confident her orders would be followed. I almost saluted the rucka.
 
I looked over to Tío Juan who had his nose in a book like always.
 
“Tío Juan, we have to find Candelario and tell him what’s what.”
 
“Might have to slap him around some,” he said while slowly turning a page.
 
“I will text him and tell him to meet me on the corner of Sunset and Vine, like in the movies.”
 
L.A. can be confusing and if some bato gives you an address, even with GPS, it ain’t easy. And I didn’t have GPS.
 
I did receive his address in a text on Tío Juan’s phone from Tía Rosa. It was a bungalow on a residential street on the edge of Hollywood. I rang the doorbell, knocked on the door and pleaded with Candelario to open the door because I wanted to save his life. He didn’t come to the door and it sounded like no one ever would.
 
It was a letdown. I was in a strange part of L.A. and Candelario was nowhere to nail. Walking around, away from my ranfla, I couldn’t think smoothly. My Impala and me are a team, like a charro and his horse. I didn’t know where to go. I started to walk around and something told me to go to the front bungalow. There a sign said Manager, Knock First and I guess the same thing in a list of words below that in four other languages. I rang the doorbell not once but four times. Out of habit, I thought I’d see a Chicano brown face and had to step back when the pinkest dude I had ever seen opened the door. He was also one of the skinniest dudes I’d ever seen. He was tall and looked down on me as if I was an abandoned perro.
 
He grunted something. I said, “Huh?” He cleared his throat and said, “What you need?” in some accent from somewhere. I told him and he brought me up to date regarding my person of interest, Candelario.
 
He laid out Candelario’s schedule as if he had planned it himself. He said Candelario was like a trained something—I couldn’t make out the word—and did everything at the same time every day. It was a long schedule the bony bato had memorized. I remembered that he got home at six, stayed for an hour then went out. After that, he said he got back to his bungalow at all hours, sometimes after midnight.
 
The streets around here were full of fast cars and people walking like they were going to meet someone with lots of money. The buses were packed with Raza going to work in Westside restaurants and homes, working from morning till night.
 
I felt a strange new respect for My Gente as they travelled from East Los, Maywood, Downey, and other lugares miles away to provide for their familias. I couldn’t wait to get back to Tío Juan to see what his take was on all this. He always has something to say about everything I see and do.
 
Then something hit me like an electrical shock I once got when I plugged in a lámpara while I was desnudo and wet. I felt like Dios himself was smiling down on me and everything around me. Why? Because I was safely miles away from Tía Rosa, the big mandona.
 
Back to Candelario. Reminds me like when you’re looking for something and you start getting mad at everything and everybody but yourself. It’s like Tío Juan looking for his iPhone, he doesn’t find it until someone calls him. Could be days. I was hoping for something quicker in my search. Seeing the fine jainas walking and driving around, I didn’t care if I ever found Candelario, but then I saw the bato walking in front of me at a red light.
 
I honked but he kept walking and bouncing as if he heard music no one else did. And he did. He had ear buds on. I pulled over in a red zone, the only spot nearby that was open and saw him bouncing down the boulevard like he was rengo since, like I said, he couldn’t dance. I then saw him go into an office. It took me about ten minutes to find parking a block away. I half walked and half ran toward that office.
 
I tried the door but it was locked. I called out his name. The name on the door said Alphonso Bolinso, Agent For New Talent. From the other side of the puerta, I heard all kinds of voices, some in Spanish, some in English and one in some language that I never heard in the barrio.
 
I pounded on the door. Appearing in a small window was a face I didn’t like but had to look at. It was Candelario. My suerte was kicking in, the good kind for a change.
 
He unlocked the door after several turns, the last one sounding like an industrial strength bolt lock. “Artie, what do you want? How’d you get here? Did you make a wrong turn and finally make it out of East L.A.?”
 
“I went to where you lived and the manager and all those other things gave me your schedule. I didn’t remember most of it and I didn’t expect to see you hustling across a street.”
 
“I gave him that schedule but I really don’t have one.”
 
“Why?”
 
“Well, people around here are all nosey and want to know what you’re up to. Like they’re ready to call the cops. You feel like you’re being watched all the time from behind windows and from rooftops. And I have more reasons, ese. I might tell you later. No, I’ll tell you now, Artie. I fell for a girl. It was like Canelo hit me with his left hook. She is the finest jaina in any barrio you can name.”
 
The loquito looked at me like a bato who has just lost his mind, a hideous smile on his face, waiting for me to give him un abrazo. I had to tell him all he was telling me was already family chisme flying around Texas, and that I was sent by our Tía Rosa to slap him back to his senses.
 
So, I didn’t hug him or anything, but just gave him the standard Órale.
 
“Thanks, you’re true Raza from way back,” he said. “I may be jumping the gun, pero I think it will turn out right. Come in. I’ll give you all the happy details.”
 
“What are you doing here? It looks like a dump.”
 
“It’s part of the deal. Let me tell you how it is.”
 
He opened the door and I followed. There were people packed into the room like when you go to a firme party in the Hood. But these people didn’t look like they knew how to have any fun. They talked all serious. They were talking and talking, not even paying attention that I was watching them, like they were all high on a new droga going around.
 
Candelario saw my face, probably looking all confused so he gave me some details.
 
“Performers of all kinds,” he said, “waiting to see Alphonso Bolinso. It’s summer so clubs need people with even a little talent to sell drinks and demand a big cover charge. Summer is Christmas to club entertainers. All over this city, as June sets in, standups stand up, blood gushes in the veins of dancers, and hypnotists make their eyes big to make people believe they are dogs barking in a junkyard. It’s time to book your act and people are paying tribute to the legendary Bolinso.”
 
“What’s all this have to do with you, a flojo from El Paso?”
 
“Plenty. If you see a skinny bato who looks homeless come from that office, jump him because that will be Alphonso. The more money he makes, the more he dresses like he don’t have any. Years ago, they said he was mugged because of his flashy dress. If you do corner Alphonso, he might not remember me.”
 
“You said you’d tell me about some deal that brought you here.”
 
“Okay, man, I got into—”
 
Suddenly, Candelario’s eyes opened as if he just saw a twenty waving at him. He jumped and sprang at this frumpy-looking dude with hair shooting here and there. Candelario got to him before the others even turned their heads. The singers, dancers, standup comics, piano players and comedy teams had the look of defeat as they saw Candelario get into the face of Alphonso Bolinso as if he wanted to kiss him. Alphonso turned and Candelario followed closely as they walked by me.
 
Mr. Bolinso lit a cigar, sat then looked at us like he wanted to throw us back into the streets. “Let me tell you something Candel” he said. “And listen.” Candelario sat, then put a fist under his chin as if to signal he was hanging on every syllable. Mr. Bolinso studied Candelario for a few seconds then shot an imaginary basketball at an imaginary hoop.
 
“Let me tell you,” he then spoke again. “I saw you do your act as I promised La Destiny. You got a hint of talent here and there. You got a long way to go but you are on the road. I can get you into a club if you accept seventy-five per cent. I don’t have to offer you even that but the young lady kept texting me. It’s yours for the taking. Do I hear a ‘sure I’ll take it’?”
 
“You sure do, I accept,” he said in the deepest voice I ever hear come out of the bato.
 
Outside on the sidewalk, Candelario laughed all crazy and waved a hand for a high-five. I waved a hand sin ganas.
 
“Oh, yeah. I was saying when Alphonso came out that L.D.’s mother used to be in entertainment. She was from back in the old days but I think I heard of her somewhere from somebody. She sang but also danced. Muy sexy. I met her and I could see she must have been fine when she was young. But she says I don’t sing and then added that it doesn’t look like I do anything. She told Destiny that I didn’t look like I could support her for a week. Said no to our joining hands like she meant business.
 
“You remember how great I sing and write songs, so Destiny got hold of the sloppy viejo Bolinso and got him to say he would spare me a few of his precious moments and put me somewhere if I showed him. She can make him listen. He then said he would get back to me. Well, today, I made him get back to me. You heard him. I get to keep seventy-five per cent of what I make and he will find a place for me to sing.”
 
“He’s taking a lot,” I said, “but that’s better than the IRS if you win the Lotto.”
 
I felt weak at the knees. I could see Tía Rosa’s cara when she heard Fulgencio’s hijo was not only still chasing the loose woman but also was going to get on stage, too. Tía Rosa felt nothing came before familia, not even someone’s happiness, including mine. She’s always telling me that our family tree goes way back on both sides of the border and that we had all kinds of history that had important people doing all kinds of things everywhere. She tells me in detail but she talks so fast that I can’t remember everything. She tells me when I do something to make her agüitada so that’s why she says the family stuff so fast. What she would say when she heard this breaking news, I don’t even want to think about.
 
“Let’s go back to East Los, Candelario,” I said. “Tío Juan can fix us some comida to make you think right. I could eat a dozen of his tacos right now. And hold on while I call somebody.” I walked a few feet away.
 
I knew at the start that Tía Rosa shouldn’t have picked me to get this tonto away from someone he wanted to marry. I needed backup. I thought of Tía Rosa herself but that was like asking for problemas on top of all the current ones. I thought things out and thought I would text Candelario’s father and tell him he needed to show up as fast as he could.
 
“Who were you texting?” asked Candelario when we got to my car.
 
“Just Tío Juan to find out what he was preparing for cena,” I said.
                                                                        ֍
On the following Tuesday, Candelario appeared at a Mexican restaurant in Pasadena that had singing on a stage right next to where people ate, which was risky for the restaurant. He had practiced in his bathroom with a neighbor banging the wall after two hours. I drove around with the ventanas all the way up so he could let out his lungs. I was encouraging him, which encouraged me since he sounded worse with every mile. I wanted his first gig to be such a relaje that he would never again try to inflict his singing on anyone; and that would end his chances of being Latina Destiny’s marido. So, I stepped to one side.
 
But the bato was determined. On Saturday and Sunday, we almost lived in my Impala as I drove around while he sang all kinds of songs, all out of tune. He had a special CD with just the background music of songs I never heard of. The bato never got tired. It was like he would die if he stopped singing.
 
Candelario makes a strange noise with his tongue, then a stranger noise with his garganta and starts:
 
“There’s a streetcar at the corner.”
CANDELARIO with a deep voice: “Why?”
CANDELARIO in a high voice: “To take me to my destiny.”
CANDELARIO with the deep voice: “To your destiny?"
CANDELARIO with the high voice (staying with his goal): “To take me to my destiny.”
CANDELARIO with the deep voice (not believing him): “No kidding?”
CANDELARIO with the high voice: “I’m from the stars.”
CANDELARIO with the deep voice: “I’m from Eagle Pass.”
 
He repeated those words over and over. I told him ya trucha, I’m going to drop you off on the corner. But the bato said this is what performers do, even in opera. This would get him Destiny. I said he needed all the getting he could get. And then the bato said to me, “So you have my back, ese!” And he sang on.
 
He then switched to some song about lovebirds. He told me that that was a song Destiny sang at a Hollywood club. It was like he was telling me a miracle performed by a saint.
 
No lie, but the restaurant expected Candelario to be there in time to start crooning at 12 noon for the lunch crowd. I said they had to be delusional since he was still snoring at that hour, but Candelario said if he was to eat while in L.A. he had to be there. I was nodding like what he said really made sense, until he made it plain that I was supposed to be there with him. I had expected just to go to his bungalow at night to see him all sad because he had bombed. But I never let a homie down. So, I had to drop plans to go to a Mexican restaurant I found on Cesar Chavez Avenue that has better corn tortillas than even Tío Juan’s. I followed Candelario, instead. They were playing soft instrumental Rancheras over an intercom for atmosphere, I guess. I sat down. It wasn’t much of a lunch crowd that ate in the atmosphere, which seemed to trigger yawns from one table to the next. I didn’t know if it was the bland décor, the food or the music. I was just going to order a taco till Candelario came on. I joined the yawns of some guy who looked like he’d rather be eating a hot dog with plenty of mustard as he forced an enchilada into his boca and down his throat. It was then that I noticed an hermosa for the ages sitting at the next table.
 
Órale. I don’t like lying. When I came in, I saw an hermosa sitting at a table, so I went a de volada to the one next to it. I began to check her out like I was shopping for hydros to put in my Impala. I wanted the lugar to have better lights so I could appreciate her curves and finish. She was small, with big Chicana eyes and the reddest lips I have ever seen. It was a wasted work of art that was sitting in the dark.
 
Then the lighting got better, and the speaker system began to blast a tune which sounded like I’d heard many times before, which I had. Then Candelario came out in a maroon coat down to his knees, pegged black pantalones tucked into high-top calcos, his chaveta topped by a burgundy Fedora hat with a white feather that nearly reached the ceiling or so it seemed to me. He bumped into a chair on stage, turned maroon himself and began to sing that destiny song.
 
It was messed up. The pobre loquito got scared that his voice came and went. Mostly went. He sounded like a bad cell phone connection going in and out.
 
I got relaxed. I saw that he was not going to be around that Destiny girl after today. I felt bad for the pobre, but it now looked like things were looking up. Nobody’s gonna pay good money or any money to see Candelario drive customers into the streets. This would be “one night only” appearance. He would have to sell chicle in the street. The vieja would say, “Lárgate and don’t think about my hija ever again.” And if things go like they’re supposed to, I could see me pushing Candelario into a Greyhound bus with the destination “El Paso Express” then getting an abrazo from Tía Rosa and then the keys to her ’39 Packard. Then I saw myself cruisin’ down Whittier Boulevard with all eyes wide, and fine jainas wanting a ride.
 
He finished his song sin ganas and dragged himself away with deafening silence, como dicen. I was hoping to see him sneak over to me, but he stepped onto the stage again.
 
I think I heard a gasp from a few people eating and that was with comida in their bocas. He started singing. I expected beer bottles and salsa to start flying. It was a normal song about walking under stars with a rucka by some river with a name that wasn’t the L.A. River, with some other words, pero Candelario sang it like it was about somebody dying and soon, leaving an esposa and all kinds of chavalos. Halfway through the song, I wanted to jump on the stage and hug the skinny tonto. It was like everything was messed up and nobody could do anything about it.
 
He got to a romantic part, then it got weird. The girl at the next table got up from her chair, stepped back, spreading her arms and began to join him. I say, “joined him,” but it really didn’t go down like that because as soon as she started Candelario stopped as if he was clotheslined.
 
I never felt so let down since I was born. I wanted to raise the collar of my Pendleton and lowride on my silla. It felt like everyone was checking me out.
 
All embarrassed and hunched in my chair, I saw Candelario. He looked different. He was standing there with an attitude. The chavala was singing pretty good, and it seemed to make Candelario stand straighter with a serious look. When she got to some words, he jumped in, and they sang the song like Johnnie and Joe. He left the stage like he was popular. The few people around told him to come back, and only quit when they piped in some girl singer like Arianna Grande or Lady Gaga.
 
I looked over to the girl but she had disappeared from my life like other girls. I sat up and made the walk toward Candelario behind a curtain. He was sitting on crate full of beer, looking like he just saw the Virgen.
 
“Isn’t she special, Artie,” he said like he was talking about the Virgen. “I didn’t think she’d be around. She has to dance this week somewhere in Montebello, so I think she will get there barely in time for her afternoon performance. She risked it all just to come and see me. She’s my special angel, Artie. My savior. If she wasn’t here, it would have been a disaster. I got rattled, I couldn’t think. I will make it through the next show easy.”
 
I was happy I had texted his father. He would come in handy. I was losing my grip on things.
                                                                        ֍
The following semana, I saw Candelario and got to meet the chavala. I also shook hands with her mother, a mean looking Mejicana of the old school. She had a real chingona look. She made sure I knew her name was “Mrs. Sanlego.” Then Candelario’s father rode into town. My Tío Fulgencio is the classiest old bato in the familia. He doesn’t have Tía Rosa’s tongue but neither does anyone else. Still, since I was a chamaco, Tío Fulgencio made me feel I was taking in too much oxygen that could better be used by moscas. He doesn’t mess with me like Tía Rosa, especially since he lives in Tejas and has his hands full with Candelario. The way they bother me is different. Tía Rosa blames all problems in the barrio and surrounding calles on me, while Tío Fulgencio just likes to blame me for being me.
 
I know for sure Tío Fulgencio sang Rancheras here and there years ago. He likes the stage himself. He couldn’t sing. So, it’s in Candelario’s blood to be on stage without a reason.
 
Tío Fulgencio is one bossy dude, always telling people to go here, do that and don’t do that. Even other people’s kids, which causes him problems in public. But he looks like a boss of something, no matter where he goes. At Walmart, they always mistake him for the manager even when he’s loading cerveza onto his cart. Still, like I said, I heard he was singing Rancheras and Norteño/Conjunto years ago in bars. They say he played the accordion sometimes but not good.
 
I can imagine a lot of things but I can’t see Tío Fulgencio singing anything in any bar.
 
I prepped for a long abrazo but he backed off as if I was the Diablo wanting his soul.
 
“What are you up to, Arturo? Why did you text me like someone was dying?”
 
“It’s complicated,” I said, “and goes on and on. Con permiso, I’ll tell you in slow, easy parts like a telenovela. Let me take you on a quick trip to a club in Montebello.”
 
The muchacha Latina Destiny was going on her second week at The Flyers club in Montebello. She was that good. And she just sang three songs while she danced around. And by dance, I mean she got a big workout matched by the men’s eyes and lungs. Her outfits and music selection were both thin. Tío Fulgencio just stared like he was watching a magic show up to the moment she dashed off the stage to whistles and howls.
 
“Han pasado muchos años desde que canté con mi grupo.”
 
That’s all he said even though he continued to stare at the stage as if he were watching himself in some kind of spooky flashback. The pariente was making me nervous.
 
Some dude then came out and asked everyone to give Latina Destiny a big applause, which they did along with the whistles and howls.
 
“What do you think, Tío?” I said.
 
He just went on staring.
 
“Muchos años. Did you say something, Arturo?”
 
“You saw her. Tell me what you think of her.”
 
“Who? Oh, the Destiny girl.”
 
“Yes. The muchacha your muchacho is engaged to marry.”
 
He looked away like he had to take in the news slowly, wearing a serious face. Like always.
 
The muchacha came out for more whistles and howls and she heard them with a big smile. The men wanted her to shake some more. Finally, she wiggled off stage and I looked at Tío Fulgencio again.
 
“What do you think?” I said.
 
“She can sing. And dance, although I don’t like the way she dances but she has the moves.”
 
“Okay, Tío, let me take you a few miles from here on the other side of East Los.”
 
I drove him in my ranfla to the restaurant where Candelario was going to get me in good with Tía Rosa after I got him back to El Paso. I could already see the `39 Convertible Coup Packard in my driveway. As soon as we sat down at a table, the bato came out.
 
“Next to solve your problem,” I said, “Candelario.”
 
I didn’t know what the uncle from El Paso was going to do, but what he did confused me—he just sat there, not saying anything. He sat there like a stuffed tío staring at Candelario as he went on about love and all its confusion. I was feeling for the old bato because it had to be a jolt shot through his cuerpo to see his only hijo in a red shirt and purple pants, but it was best he got the details of the problem with his own eyes. I didn’t want to explain to him what was happening to his son’s life and with just words and without living proof. With just words, he would just think that Candelario was marrying someone somewhere for whatever reason.
 
When Candelario shuffled out I couldn’t believe my ears. Candelario was sounding better. He found a singing voice from somewhere and was showing it off like a fine woman. It was like when he went to Garfield High and was wailing, “Let’s take a trip down Whittier Boulevard” over and over on top of the Garfield High School sign. How he got up there and back down is an East Los mystery to this día. He was using the same fuerza now.
 
After Candelario left the stage, my Tío sat squeezed into his seat like he was sitting between two fat borrachos. He then looked at me with narrow eyes like I was trying to trick him.
 
“¿Qué está pasando, Arturo?”
 
He said it in a low voice like juicy chisme, but it sounded like a threat of cachetadas if I didn’t give him the right answer.
 
“He got into show biz,” I said in a low voice, “porque, he wants to do what her mother wants him to do. He can’t marry her unless he does something on stage. Maybe you could talk to the woman. She’s old school with an attitude to match. She is more reason why you should crash this whole party. After you talk to him, I can lowride back to the Hood and let you take further action.
 
The Mother and daughter were living in a part of West L.A. in an apartment building that looked expensive but once you get to their little space in that building, you see it would be just survival space in East L.A. and with minimal rent. Here, they were paying way more than minimal anything. The madre answered the door and seeing me, she let us in, my Tío hidden behind my wide body. We only saw her back as she pointed to two wooden chairs in the middle of the room.
 
“Nice to meet up with you again, Mrs. Sanlego,” I said all convinced I was nearing the end of my journey. She turned at last and I heard a choking racket from behind me, like my Tío had a chicken bone atorado in his throat.
 
“¡Carmelita!” Tío Fulgencio said, then making a sound like air being let out of a llanta. He leaned on me like he was drowning.
 
The Sanlego woman stared at him, then she squealed and her arms went up like Fourth of July Fireworks.
 
“¡Fulgencio! You are Fulgencio, aren’t you?” she said as if she might be wrong.
 
But Tío Fulgencio himself looked like he was almost ready to cry. They hugged like they were never going to part again.
 
I need some kind of legal notice to deal with stuff like this. The look on Tío’s face made me feel like I was seeing him in some kind of altered state like you see in movies. The horror kind. He didn’t look like the all-knowing Tío Fulgencio who never said anything funny, never laughed. He was smiling and acting like a bato on a first date. I don’t mean no disrespect, but the old bato was riendo, like, for no reason. The Señora Sanlego, who always looked like she was ready to pull greñas, was now acting like a chavalita on Christmas morning.
 
“¡Fulgencio!”
 
“¡Carmelita!”
 
“¡Querido Fulgencio! I never thought I would see you again!”
 
“I thought you never left El Paso for anything.”
 
I didn’t know what was going on, but I felt left out of something.
 
“My Tío wants to tell you something, Señora Sanlego.”
 
“I knew it was you right away, Carmelita!”
 
“Ya hace muchos años since I was around you, hombre, and you look the same.”
 
“¡Hay, Carmelita! ¡Soy un viejo!”
 
“¿Why are you way over here? I guess”—Señora Sanlego’s smile disappeared—“¿tu esposa está contigo?”
 
“She died years ago, Carmelita.”
 
Señora Sanlego looked at the suelo. “You should have stuck to your own kind, Fulgencio. I don’t want to talk about the pobre who is dead, you know her name, I forget it, pero it would have been better if you had gone after a singer. I still remember you made muchachas cry when you let out a grito then sang, ‘Me cansé de rogarle, que yo sin ella de pena muero...’”
 
“Qué guapa te veías Carmelita vestida, como una charra,” Tío said like he was choking again. “Do you remember the zapateados you did on the stage? I used to say that you did the sexiest zapateados in all of Tejas.”
 
“I wouldn’t even try now. Dios mío, Fulgencio, you knocked them out when you were on stage, even the bien borrachos,” said Señora Sanlego in the saddest voice I ever heard in a Mejicana, since my abuelita’s on Arizona Avenue who was always saying that the world was pitiful and was ending, which she repeated daily.
 
“Te acuerdas Carmelita how we let them have it at the feria in Luling? The Watermelon Thump Festival? I had to sing most of the songs in English, making up lyrics to keep people’s attention. I think even Mejicanos there didn’t speak Spanish too good.”
 
“We were happy.”
 
“Tell me Carmelita, how come you left Tejas?”
 
“I wanted to watch over my mija Dolores, make sure she is safe. But I shouldn’t worry. She is a strong girl. I heard through the chisme network that your son ran off chasing a girl. Then I heard through more chisme that my girl Dolores ran off to L.A. to act. Then I heard through even more chisme that you followed your son here because he was in L.A. I lied when I asked about your wife. I knew you were single. I had hoped you would look me up but when that never happened, I saw my chance to run into you here.”
 
Tío Fulgencio was looking at her as if he was looking at someone he had never seen before. The viejo still looks pretty good. I could see the dude when he was younger would have made jainas of his time lick their chops, grab their chones and check their hair. I saw uglier batos with good looking chavalas. I figured they had the feria to do that. Tío has that wavy gray hair, trimmed mustache, just as gray, and the right wrinkles to make him look distinguished, like women say they like. And maybe with a few bucks in his pockets they can feel for.
 
“You mean you had the hots for me, like I did for you?” he said.
 
“Por supuesto. Why do you think I let you sing most of the Ranchera and Norteño tunes? I was always around the stage even when I wasn’t doing any dancing or singing just to be near you. ¿Recuerdas how I often had a bag of pan dulce for you after a show? And I always bought extra puerquitos because I found out they were your favoritos.”
 
“Pero—”
 
“And remember when I gave you my half of a burrito at the San Antonio Fair when we only had enough money for one. We performed there but they didn’t pay us right away.”
 
“¡Carmelita!”
 
“And don’t forget the Tlayudas I made you from my family recipe from Oaxaca. Do you think I just did that because you looked hungry? I was working on your estómago until that hip-shaking chavala took you from right under my clay comal. That’s why I wouldn’t let Dolores marry a joven called Candelario, till he went on stage somewhere, anywhere. She’s a rising star—”
 
“Estoy en acuerdo, Carmelita. She has what it takes.”
 
“You mean, you saw her somewhere?”
 
“At the place in Montebello. Gordo there (pointing to me like a witness identifying the alleged criminal), I mean Arturo, drove me there. But if he loves her, Carmelita, you should let him love her. He is singing now just for her.”
 
“Mija tells me he sings at a restaurant that’s not very good with just a few people clapping for him.”
 
“We went through that, Carmelita, remember? We sang at a bar with only two pool players who never looked up from their game then there was pedo between them and they both got tossed. After that, we had no audience. So, don’t make Candelario feel like a pestoso. I can understand you feeling like your mija is going to marry an obstacle—”
 
“How come you want this Candelario sinvergüenza, to go after Dolores?”
 
“He’s my hijo.”
 
“¿No?” she said, sounding like a gato someone was choking.
 
“Así es, Carmelita. I just heard him sing. ¡Carmelita, me dio mucho gusto! He has what it takes. It was meant to be. He’s my son and could one day be singing the old Rancheras. He’s been a cabrón up to now. I really worked hard, almost breaking my back on some jobs. I did it so I had money to invest in him, so he could become something. I wanted to be an example to him. The hours were long and the sudor was constant. I had to eat right, cut out the cerveza, or at least drink less of it, and I was afraid to lose it on a job and be laid up for good. I did it for him so he would work hard, seeing how good we lived, but I, myself, really wanted to be singing on stages everywhere. That’s where I belonged.”
 
Señora Carmelita, not a spring chicken, leaped at him and fell into his arms like he had just won the lotería.
 
“Let’s get back together, like it’s supposed to be!” she whimpered. “Your esposa is buried and gone, your hijo might have some talent. Dolores’s father left one day and never came back. Return to me! Too many years have been wasted, so I am ready to jump back on stages donde sea. I still want to be with you like before as if no time has gone by. Like we’re still young and reckless. We belong singing and bailando together till we reach our sunsets.”
 
Tío Fulgencio made a weird noise with his throat or nose, I couldn’t tell which one, then stared at her.
 
He whispered something that wasn’t her name but something in Spanish that sounded like a pet name.
 
“Estás aquí, muchacho,” said the rucka like a girl. “You returned to me after all these years!...You are here. I’m not going to let you wander off this time!”
 
He fell forward and they fell into another major abrazo. I’m not sure if he was ready to faint or he just lunged at her because he got all worked up. “Ay, Carmelita, mi Carmelita, sweet Carmelita! Squeeze me tight. Tighter. Let me watch over you from now on.”
 
I moved slowly toward the door and snuck out. I felt funny. I can deal with a lot of things, but this was different. It was at another level. I walked like a buzzed bato to my ranfla.
 
Candelario called me at home while I was eating Tío Juan’s specialty, Pozole de Guajolote. Candelario sounded like he was now Number One on the Billboard’s Hot 10.
 
“Artie,” he said, “I’m going to be a big star.”
 
“We all feel that way, sometimes,” I said, and looked at a text message that had arrived ten minutes before from Tía Rosa. I had been reading it then re-reading it since it arrived.
 
“Destiny and me got to her apartment tonight. Guess who we found there? Apá! He was holding hands with Señora Sanlego.”
 
“¿De veras?”
 
“Simón. They were sitting close.”
 
“No lie?”
 
“He is going to marry her.”
 
“Not surprised.”
 
“I’m going to marry Destiny.”
 
“No surprise there either.”
 
“Artie, foo, I feel like un hombre reborn. The fates are working overtime. Apá is twenty years older than her. He and Señora Sanlego want to get back together to sing and dance like they used to, even going all over Texas again with their act.”
 
I stopped chewing.
 
“Candy, ese,” I swallowed then said, “lemme think. I need my space. I think my brain is shorting.”
 
“Sorry, man. So, you are now going to lowride into the sunset?”
 
I looked down at Tía Rosa’s text.
 
“Not even.”
 
He hung up and I read the text again.
 
“What have you done? I should go see you.” And she added a skull emoji that made me sit up, all three-hundred pounds of me.
 
I grabbed a Squeeze Ball in the shape of an aguacate Tío Juan bought me on his last trip to Tijuana, knowing I hate aguacates because I can’t eat them. They give me chorro. I then texted back. I didn’t know what I was going to say but the words came. Maybe that has happened to you, I don’t know. “No,” I texted, “don’t move. Everyone here is singing their cabezas off.” 

Tommy Villalobos  was born in East L.A. and also raised there. He thinks of the lugar daily and love the memories while remembering the tragedies of his neighbors and of his madre. Tommy’s mother had a great sense of humor and he inherited about ten per cent of it. She had a quick wit and response to all verbal attacks, whether to herself personally or to her Catholic religion that she loved. Tommy dedicates all his works to her, knowing she had him when she had no idea how she was going to feed him and his four siblings. She was a single mom until the day she died. He lives in a boring suburb now, outside of Sacramento, but his heart and soul will always be in East Los Angeles where his mother was always by his side to protect me. 

by Carmen Baca

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The double doors of the capilla closed, pulled shut by the hands of el Hermano Mayor, the lock clicking into place before he removed the key. The interior lay in the muted sunlight coming in through hand-made curtains with crocheted hems. I came to awareness there in an atmosphere of silence meant for introspection and devout prayer. I stood to the right of the entry beside a large bin of wood filled and ready to feed the box stove in the center of the space between door and pews. A wide aisle between two columns of wooden pews led to the altar. Saints, crosses, candles, and statues of Mother and Child, Mother holding dying Son, and various other religious relics stood in no particular pattern. The rustic simplicity pleased me. There was a sacredness to the place, a peace I missed from when I towered atop the mountain.

The day I was brought down, I ascertained I was now at the bottom in the valley I had viewed every day. Day after day, the young man laid his hands on me in one way or another, with a small ax and wood carving tools, sandpaper, a soft cloth. His confident touch gave me no apprehension. I knew whatever he did to me would be pleasing to the eye. The young carpenter spoke to me as he worked. I knew from his fastidious attention to detail and his scrutiny of his handiwork I was intended for a special purpose. I tried to make him feel the joy he gave me by exuding a warmth from deep within me.

Day after day, I looked forward to seeing my visage in the reflection of his eyes. Where before I had been a round trunk of great size, then transformed into long blocks of wood, I was changed again into a cross, some symbol the people seemed to associate with their beliefs in the same power as I. The someone, the all-powerful who created us all. That realization gave me gratification deep in my heart, what was left of me. From a giant of a tree, I emerged as a thing of beauty, intricate carvings adorning my exterior, while the inside of me remained unchanged. I had been grateful to be alive in the shell I had been given and in that place where I spent the first century of life. I was now overjoyed to be of service to man as a symbol of hope for them for however much time I had left.

The heart of me which had been carved by the young man’s hands rejoiced for myself. But my keen sense of empathy allowed me to read into his eyes. They revealed an internal conflict I hoped perhaps to influence into giving him the spiritual awakening he so craved. I had to try; we were bound, he and I. There was no putting it off. It was time for his evolution as it had been mine from the moment he had cut me down. ​

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Much time passed as I grew old and weathered. The delicate carving of biblical scenes on my crosspiece had faded with the constant touch of los Hermanos’ hands over the many, many trips of the sun and the moon. While I stood against the back wall of the prayer room in the morada for long periods, I was taken out for special ceremonies. I was the centerpiece of the brotherhood’s attention during a time they called la Cuaresma, Lent. I came to understand when the morada’s doors and windows remained open and the fresh spring breeze blew through the three rooms for that duration, and my core throbbed with renewed energy from the excited noise of the men, women, and children of the community.

Each Lent I looked forward to a special day they called Jueves Santo when an Hermano carried me at the front of a procession from the morada to the capilla, the campo santo, and then back again. I was the center of every eye on this day, and I sensed my importance more, but not in a self-aggrandizing way. It was a deep honor to be a part of the community. I knew I  symbolized something great, something beyond my ken.

But this afternoon, with Matías now an old man at the edge of passing into the afterlife, carrying the cross despite his brothers’ protests, I sensed this day would end unexpectedly. The old Hermano bore the brunt of my weight on his shoulders and upper back, but it was made more bearable by his brothers. They shuffled along close by, shifting one out for the other after every Station of the Cross when they stopped to kneel in the dirt and pray. In this manner, each brother held the cross, three at a time beside and behind Matías, and all shared the burden of man’s sins as they walked.

A short rest after they returned to the chapel preceded the brothers finishing the procession to the morada where they ate their last supper together and prayed behind the locked doors. I had seen the Verónicas who came when the men rested earlier to leave pots kept warm on the stove and dishes filled with food, the table laid, and the rooms spotless. The women’s society—the wives, mothers, sisters of los Hermanos—served as an auxiliary to the brotherhood with their own leader and rules of conduct. They were freer in their discourse around me than the men when they cleaned the prayer house, and I was privy to their thoughts more than those of los Hermanos.

They and the rest of the community members were invited to attend the final ceremony

marking Christ’s last day on earth. The people walked by lantern from their homes to the morada. I remember seeing this display of bobbing illuminations from the mountain top. Groups and lines of lights traveled winding paths, single shining dots joined them at junctures, and the large body of lights made its way to the morada where I stood at the front of the altar with Santa Muerte to my left. The carved effigy sat perpetually poised in a small picket fence enclosure with an arrow pointed at any who stood before her. She faced me across the room every day since my usual location was against the opposite wall from her.

In the darkest hour of the night, the ceremony began with the lighting of thirteen candles placed along a triangular-shaped candelabra about five feet long standing on a four-foot-high pedestal. The candles, symbolic of Christ and His twelve apostles, illuminated the room with a soft, deceptive peace. We all knew the flames would be extinguished one by one, plunging us into the deepest black both physically and spiritually, evoking a most intense personal penance.

This was the most horrible and holy of nights, Las Tinieblas, the Earthquake Ceremony. It took us all back in time to listen and to participate in our own ways. Each attendee, whether Hermano, a Verónica, or layperson, chose the method best for them to experience with most poignancy the night of Christ’s death. Following each prayer, the mournful chanting of the alabados, like dirges, sent chills up our spines. 

“Mother Mary, look at Your Son…see the cross on His shoulders…His body bathed in blood…His head crowned with thorns…His final day has come…”

I felt the human pain as I envisioned the scenes of that day in the flickering of the candles on the walls. As though they cast shadows of those acts so many years before on the night of Christ’s death, those humans felt the pain of culpability which they projected toward me, the physical cause of their Maker’s mortal suffering.

Since my evolution, I had felt revered by the community. Only on the nights in all those years of performing Las Tinieblas was I made to feel abhorrent. I deflected their pain, accepting the reverence they also felt deep inside. I was a symbol of death, but also of the redeeming Passion and resurrection. I stood tall as after each alabado, a candle was extinguished. The act brought more darkness into the room as though it physically and slowly wrapped a shawl over us all or perhaps a death shroud, I ascertained after this night.

By midnight, we would experience His descent into hell when the last candle went out. The complete and utter darkness of the shuttered room, cloying with the scent of wax and incense, stifling with the fifty or sixty people crammed into the rooms—all contributed to the atmosphere of hell. The human wails and swift whooshes of whips, snapping and striking skin, the rapid turning of the multiple and different sized matracas, the noisy clackers, made the ears hurt. The cacophony symbolic of the chaos that is hell lasted only minutes, but always, always penetrated my heart, the heart of the tree I once was.

Our internal pain made worse by the doleful alabados, sung by los Hermanos, sent many of the women into tears. The children cried because their mothers did, and I thought perhaps they too sensed the solemnity of the ritual in their own ways. Then by some unspoken signal I didn’t understand, all quieted. One by one, the candles’ flames brought light and peace into the room, kerosene lanterns were lit, children quieted at mothers’ shushes, and deep breaths restored life to the prayer house. Quiet conversation, some with nervous, shaking voices, commenced.

Usually, no one lingered. The rooms were straightened out, the fires banked, candles and lanterns extinguished for the last time that night. The Hermano Mayor locked the door, and the humans left me alone again in the dark with la Muerte on her stool directly across from me.

This night was an anomaly I hope I never witness again. Bittersweet with great sadness and joyful rejoicing, the end of another beginning had started sometime during our clamorous man-made hell. Matías had evolved for the final time. Santa Muerte had aimed and penetrated the heart of the old man. But it was I who caused his death. Although it pained me greatly to know I played a crucial role in transforming him, I acknowledged our connection had been inevitable.
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He had changed me for good, and I had repaid him by transforming him into something better. The wailing and the praying commenced. The fast preparations for the wake of the long night ahead ensued. I observed from my place in back of the prayer room, but I knew only the shell of the man remained. I knew Matías had already emerged from the morada with wings. 

Carmen Baca retired in 2014 from teaching high school and college English for thirty-six years. Her command of English and use of her regional Spanish dialect contribute to her story-telling style. Her debut novel El Hermano published in April of 2017 and became a finalist in the NM-AZ book awards program in 2018. Her third book, Cuentos del Cañón, received first place for short story fiction anthology in 2020 from the same program. To date, she has published 5 books and close to 50 short works in literary journals, ezines, and anthologies. She and her husband live a quiet life in the country caring for their animals and any stray cat that happens to come by.

by ​Toni Margarita Plummer
 
The dermatologist lifts the gown as she needs to, checking my limbs, my stomach, my back. Her hands are pleasantly cool, and she speaks intermittently of the various marks and spots on my body.

“This is fine.”

“I’m not worried about this.”

When she is finished, I sit up on the crinkly tissue paper and pull the gown closed over my chest. Dr. Baer is attractive, with blond hair, fair skin, and a wide face that needs no makeup. I detect a very slight accent. Maybe Eastern European. She hardly smiles, and I wonder if she thinks Americans like me smile too much.

I first met her two years ago, when I felt something buried in my right palm. She numbed my hand, dug out the mass while I looked away, and stitched me up. When I returned later to have the stitches removed, the nurse praised the perfectly even sutures. Now Dr. Baer has opened up her own office.

“If you come back this month, we’re giving facials half off with all skin cancer screenings.”

I am used to getting my facials done at a salon under the 7 train where a woman threads my eyebrows in quick, heated licks and squeezes the pores on my nose until I want to curse, all for $20 and a tip. Rather than ask the price of the discounted facial, I say, “That’s okay.”

“Just call if you change your mind.” Dr. Baer zeroes in on my face. “I see some extractions I could make.”

I nod politely, sure I will not call. The word “extraction” takes me back to geology class, where we learned about removing things from the ground, usually valuable things.

“What about these?” She catches me off-guard, her hand moving to my neck. “Have you thought of removing them?”

My hand follows hers, finding the familiar nubs. It had not occurred to me to ever ask a doctor about my longtime skin malady.

“Insurance wouldn’t cover it because it’s cosmetic, but I could remove them for $100. I’d freeze them off. You have a lot so we could do it over two visits.”

I have not been keeping up with my neck situation, and the idea of having someone else take care of it is appealing. I agree, and she finally smiles.
 
                                                                        ***
 
I don’t remember when they first appeared. But one day I must have noticed them. Then I noticed the necks of my great aunts, which were spotted with dark pouches of skin, some quite plump and shiny like rubber. Las tías were sedentary women, keeping to the shade during family parties, sometimes erupting into cackles over a joke in Spanish I did not understand. I spoke little to them, my mother serving as the link between generations by handing me clothes they had crocheted for my dolls and telling me to say gracias.  

Mamá’s neck was also afflicted, but I learned she had a way of dealing with it. She began sitting me down at the kitchen table every several months. She would pull out a long, dark hair from her hairbrush and make a slipknot. I’d tip my head back, exposing my neck like a supplicant of Dracula, and she would slip the hair-lasso over one of the little sacs and pull until it stung. I was always happy to feel that sting. It meant she’d caught one. She’d pull more hairs from the brush and tie up the rest, whichever ones were not too small and close to the skin. And then she’d take the scissors and snip the ends of the hairs so they wouldn’t hang so long. Out in public, I would cover my neck, and over a few days the strangled sacs would harden, go dark. It was easy then to pinch them off. Sometimes I would drive my nail through their centers and feel them come apart like earth.

Some might call them skin tags. A date I had in college called them growths. You could even call them tumors, technically. But I always preferred my mother’s word for them—las quetas. Short for etiquetas de la piel. I led a mostly English life, but that was one of the words I did not translate.

I accepted las quetas as my inheritance, like my dark, straight hair and long eyelashes. They were passed down through generations of women. Women of Mexican extraction.
 
                                                                        ***
 
Mamá did not want me to move out. She thought I should live with her until I got married, whenever that might be, like my engaged brother was. But I was eager to be out on my own. In my new apartment, I tried to do what my mother did and tend to my quetas like weeds in a garden. But I did not know how to do a slipknot. Foolishly, I double-knotted my ties, an inferior method. The hairs came undone before I even got in the shower. Most of las quetas were impossible for me to grab hold of in the first place, because of the incompatible angle of my hands and neck. I’d stand in front of the mirror, frustrated at another failed attempt, longing for Mamá’s hands at the same time I cursed this trait. I was reluctant to ask her for help. The ritual tying of las quetas was never scheduled. It was just something that happened when we were both home at night. She would gather her supplies and beckon me, “Míramos tus quetas.” And the reason I was not home at night anymore was because I had chosen to leave, against her wishes.

The proliferation of las quetas weighed on me. I would find myself tugging on them. They itched. I considered simply cutting them with scissors. But when I raised the blades to my skin, I imagined a fount of blood pouring out my neck, saw myself passed out on the floor, my unsympathetic landlord standing over my body and telling himself he would keep my deposit.

My brother’s wedding was in a few months, and he had cruelly informed me that las quetas could not count as my anonymous plus one. So Dr. Baer’s offer was well-timed. That is what I thought at first.
 
                                                                        ***
 
For the first round of cryotherapy, Dr. Baer approaches me with a pressurized metal can. She aims the little straw pointing out of it like a gun. “Ready?”

She said we were freezing them, but it burns. It burns like hell. I am grateful I won’t have to endure the scorching of them all in one visit. My neck on fire, my mind turns to thrift. There doesn’t seem to be much technique involved. I try to sneak glances at the lettering on the can. Is this something I can buy myself and enlist a twisted friend to wield?

“All right. You’re all set. You can make the next appointment a few weeks from today.”

“Will there be scaring?” It’s a silly question coming after the fact, but I can’t help myself.  

“There shouldn’t be. But if there is, I can take care of that too.”

Back in the waiting room, I see myself in the mirror. The red-hot riot of my neck. Mamá’s tying was a gentle smothering by comparison. This is something different. It is chemical warfare. It is cigarette burns. My neck is inflamed, but the result is the same. Over a few days, las quetas harden and fall off. A smooth neck is within reach.
 
                                                                        ***
 
The second visit begins like the first. It is no less painful, and I find it hard to believe there are still so many left.

Finally Dr. Baer steps back. “One more to go.” She hands me a mirror and points at the brown spot just below my collarbone.

“Is that one of them?” I ask, feeling the familiar bump. The skin is slightly raised there, the spot shaped like a cameo. It is nothing like the ones on my neck. There is no stalk, nothing to pull.

Dr. Baer nods, her blue eyes boring into mine.

I imagine how the burn will feel there, on my chest, but I also think of that mark missing. It’s the mark I see in the mirror every day, in pictures of myself. For it to disappear… “No thank you, I need to keep that one.”

She watches me, and I instinctively finger my remaining queta, protective.
​
At last she sighs, as though she is the one who has been getting her neck singed the past fifteen minutes, and sets the can back on the counter. “You’re all done.”
 
                                                                        ***
 
I know my future sister-in-law’s favorite color is red, but a red bridesmaid dress strikes me as tacky. Make it red tulle on red satin, and you have something unholy.

The dresses are sleeveless, so we wear tulle shawls to cover our bare shoulders during the church ceremony. In the church restroom, I remove the itchy fabric, glad to be free of it. But my relief vanishes when I see my neck has broken out in some kind of rash. It must be the cheap fabric of the shawl. We’re about to take group photos, so I have but little choice to redon the offensive garment. A rashy neck would not be tolerated.

We arrive at the reception hall for cocktail hour, and my neck is flaming. I don’t want to remove the shawl though. I don’t want to draw attention to myself. I flee to the restroom, certain I am breaking out in hives. There I see it’s worse than I feared. I am bright red, and not just that, but I see something small, something brown on my neck. It can’t be, I think. They were all gone. But it’s there, and as I watch it, it grows.
​
I think I must be seeing things. But la queta is there, and it is becoming too big to be imagined. Panicked, I run into a stall and sit on the toilet seat. Someone knocks on the door.

“Estás bien?” My eardrums are pounding with blood, and I can’t even make out the voice.

“Sí! I’m fine!” I am not fine, but what can I say? I nuked my quetas and now they are returning to exact revenge?

La queta continues to balloon. I can feel it. I will die here, I know. I will die a virgin sitting on a toilet in an unbecoming dress. La queta will grow until it absorbs me, the lesser lifeform.

But the stall door bursts open. There stand las tías, and by their faces I can tell they mean business. Without hesitation, one punctures the giant queta with her crochet needle while another ropes it with a loop of yarn and the rest of the women yank. I think I am going to pass out from terror when there is a deafening pop and blood splatters us all. Grasping my neck, I look down to see the severed queta lying on the floor.

My mother steps out from behind las tías and looks at it on the tile. “There is more than one way to skin a cat.”

“How did you know?” I ask, gasping, incredulous.

Tia Meche, the eldest, scoffs. “Mi’ja, tú eres una de nosotras. No necesitas decir nada.”
​
Mamá pulls me out of the stall and holds my hands out to the sides. “At least the blood blends in with your dress.” Las tías start to cackle.
 

Toni Margarita Plummer was born and raised in the San Gabriel Valley of Los Angeles, the daughter of a Mexican immigrant mother and white father. She is the author of the story collection The Bolero of Andi Rowe, won Honorable Mention for the 2019 Reynolds Price Prize in Fiction given by the Center for Women Writers, and was a finalist for the inaugural Tomas Rivera Book Prize. A Macondo Fellow and graduate of the Master of Professional Writing Program at USC, she is a contributor to the anthologies East of East: The Making of Greater El Monte and Latina Outsiders Remaking Latina Identity. Plummer lives in the Hudson Valley.

​Synopsis:

Felon turned private eye Gus Corral isn’t doing too well after getting whacked in the head with a baseball bat following his last big case. He was unconscious for a couple of days and still can’t see right. Plagued by headaches, there are days he can’t think straight. Tired, sore and disoriented, he takes his sister’s advice to get out of Denver and help their cousins in Eastern Colorado.

George Montoya’s son, Matías or Mat, has run off again. The seventeen-year-old has run away before, but he always came back. This time, his dad and Aunt Essie know there’s something wrong. As Gus begins to talk to the boy’s family and friends, a picture emerges of a smart kid with strong opinions who fought a lot with his dad. 
 
Did he run away because of his father? Or did he leave because his girlfriend broke up with him? Her father, the town doctor, definitely didn’t want his daughter dating a Mexican. But when Gus tracks the missing boy to a shelter for runaways in Pueblo, the ailing investigator discovers something much more sinister. The boy was helping victims of human trafficking. Could the criminals have caught on to him? All too soon, men with guns are threatening Gus, warning him to get out of town, or else! 

​Manuel Ramos is the recipient of several literary awards and the author of numerous books, including The Golden Havana Dream: A Sherlock Homie Mystery (Arte Público Press, 2018), My Bad: A Mile High Noir (Arte Público Press, 2016), Desperado: A Mile High Noir (Arte Público Press, 2013), The Skull of Pancho Villa and Other Stories (Arte Público Press, 2015), Brown-on-Brown: A Luis Móntez Mystery (University of New Mexico Press, 2003) and The Ballad of Rocky Ruiz (St. Martin’s Press, 1993; Northwestern University Press, 2004), an Edgar Award finalist. He lives and works in Denver, Colorado.

Maceo Montoya is an author, artist, and educator who has published books in a variety of genres, including four works of fiction: The Scoundrel and the Optimist, The Deportation of Wopper Barraza, You Must Fight Them: A Novella and Stories, and Preparatory Notes for Future Masterpieces. Montoya has also published two works of nonfiction: Letters to the Poet from His Brother, a hybrid book combining images, prose poems, and essays, and Chicano Movement for Beginners, which he both wrote and illustrated. Montoya’s paintings, drawings, and prints have been featured in exhibitions and publications throughout the country as well as internationally. He has collaborated with other writers on visual-textual projects, including Laurie Ann Guerrero’s A Crown for Gumecindo, Arturo Mantecon’s translation of Mexican poet Mario Santiago Papasquiaro’s Poetry Comes Out of My Mouth, and most recently, David Campos’s American Quasars. Montoya is an associate professor in the Chicana/o Studies Department at UC Davis where he teaches courses on Chicanx culture and literature.

Cumbia Therapy is an intergenerational story told in three distinct sections, each exploring intimate relationships and la maldición put on four generations of women and meant to undo those relationships. Part I, Alzira, tells the story of Elena, a Mexican-American woman in her early twenties, and her Brazilian girlfriend, Alzira, as they meet in Italy, travel through Spain and Morocco and live for a time in Seattle in the mid-1990s. Part II, The Curse, explains the origins of la maldición, starting with Adela in revolutionary México and continuing in New Mexico. Part III, El Camino, explores how each generation of women questions the validity of the curse and deals with it in her own way. Cumbia Therapy has received an Illinois Art Council Fellowship. “Better a Bridesmaid” is an excerpt. 

When Tío Freddy finally married Natalia, my sister Sofía and I had to be bridesmaids. We’d never been in a wedding and, as I had no interest in them generally and didn’t want to have one personally, I was not looking forward to all the hype.  It didn’t help that Cristina, Natalia’s best friend and maid of honor, wasn’t thrilled about our inclusion and wanted to argue over every chingadita, including the scriptures Natalia had chosen for us to read at the cathedral.
 
Cristina barked at me, “El pasaje tuyo is longer and more dramatic.”
 
“Has leído ​El Anarchist Cookbook​?” I asked.  “If you want dramático, maybe slip in a paragraph or two from that.”
 
She moved on to the dresses.  “Este no me queda bien.  These dresses aren’t suited for a mature figure.”
 
Sofía said, “Ay, por favor.  You’re just jealous because our figures are fifteen years younger.”

Cristina stopped speaking to her and that meant she wouldn’t stop chatting me up.  In truth, I hated the teal taffeta dresses and thought they suited Cristina much better. With the exception of a few hours on Sunday that included Mass, she wore miniskirts and midriffs everywhere and, after getting her chichis done, she liked showing off her cleavage—which the dress definitely did.  
 
By the second fitting I was tired of looking at dresses and hearing about Cristina’s date for the boda: a paleta man from Potosí.  So, I decided to convince her to let me feel her chichis.  The fitting area of Betty’s Bodas was crowded and stuffy and I whispered to her that we should step outside for some air.  Then I slid around the corner, to the quieter side street, and as innocently as possible, said, “All this looking at women in dresses made me curious about your operation, Cristina.  And I was wondering if I can touch them.”
 
She stared at me a moment.  “If you give me one good reason for wanting to, I’ll let you.”
 
“I’ll give you two.  First, I’ve never felt chichis other than my own.  Second, I’ve never seen falsas.”
 
“They’re not falsas,” she sniffed.  “They just needed a little ​lift.”
 
“Why not just get a good bra?”
 
“You’ll understand someday.”
 
I doubted it, but when she straightened her back and said, “​Á​ndale,” I reached out and touched them.  They felt like plastic baggies filled with Jell-o.
 
Cristina lifted her shirt and bra and quickly showed me the scars.  “¿Qué piensas?” she asked.
 
“Pues...in my humble chichi opinion, the scars look painful, pero las chicas look nice and lifted.”
 
The day of the gran ceremonia toda la familia met at mi abuelita’s to pick up boutonnieres and corsages.  Mi Tía Gisela had a summer cold, but she didn’t let it stop her from walking around snapping fotos of everyone.  Her fotos always came out blurry, off centered and with our heads chopped off, so no one bothered to pose.  
 
Abuelita was following Freddy around the house trying to convince him “to groom himself.”  His reddish-brown hair fell to his shoulders in waves and he brushed it frequently and was careful about what he put in it.  Women loved it, pero abuelita thought it made him look uncouth and insisted he tie it back, at least for Mass.
 
“Do it for me, hijo,” she pleaded as he went from room to room, inspecting himself in every mirror.
 
“Pero, mami, Natalia won’t recognize me.”
 
“Then, por lo menos, shave your face. Natalia should see what you really look like.”     
 
“Oh, she’s seen me...”
 
“No quiero saber, Freddy.  Listen to me, please.  You’ll thank me years from now.”
 
We were just about out of time when abuelita and Freddy went into the blue baño and closed the door.  When he emerged with his hair in a ponytail, without his mustache and forked-beard, we couldn’t believe it.  Abuelita beamed and Freddy walked out of the house like a chamaquito forced to attend his big brother’s wedding.
 
We got to the church and smashed into the back room where everyone congratulated each other on how lovely they looked.  Cristina was wearing a pair of aqua-colored contacts that matched her dress.  Abuelita took one look at those eyes and said, “¡Ay, Cristina, qué susto!”
 
When the first few notes from the organ flooded the cathedral, I joked, “No turning back now,” and Natalia burst into tears.  Sofía and I shared a we’ll laugh about this later look, then we grabbed our partners—Natalia’s cousins, shy as feral cats—and we headed up the aisle.  After taking our places in the pews, we watched Natalia in her weeping moment of glory.  When she got close enough to see Freddy’s face, she did a double take and Tía Gisela’s flash went off. 
 
As soon as everyone settled into the hard creaky benches, the priest began the old New Mexican tradition of roping the novios together with a large wooden rosary that resembled a lasso.
 
I whispered to Sofía, “Ya vez, that’s what marriage is.”
 
When the novios knelt, we saw someone had taken Kiwi’s white shoe polish to the bottom of Freddy’s shiny rental shoes. The left said ​Help and the right said ​Me. ​While the congregation attempted to stifle their laughter, Gisela started a stream of squeaky sneezes.  Her gringo-date kept passing her tissues as if they were love notes, not snot catchers.  The novios got to their feet and the sin vergüenza Cristina began motioning for Natalia to look at the bottom of Freddy’s shoes. Instead, Natalia snuck a peek at her own and, finding no chicle or puppy poop, shot Cristina a ​watchale!​ look.
 
It didn’t take long for the ceremonia to lag.  Prayers, preaching, promises to do this and not do that.  I was ready for the fiesta.  We’d already had a few, including an underwear party where we bought Natalia new chones, ate taquitos and played silly games for silly prizes.  I knew that, in the hall adjacent to the church, kegs were being tapped, wine uncorked and champagne chilled.  It was easy to imagine la cocina full of aromas and comadres arguing over who put too much salt in the frijoles and how picante the chile should be.
 
The wedding finally concluded with a big beso where Freddy bent Natalia back like they were doing the quebradita.  Then we marched into the hall that Natalia’s friends had decorated with blue-green streamers and purple paper flowers.  Tío Freddy let down his hair and I traded my heels for Vans.
 
The mariachis started with “Un rinconcito en el cielo.”  They invited abuelita to sing a few songs with them and, after applauding louder than anyone, Sofía and I tried sneaking a beer to the bathroom.  Tía Gisela, who should have been paying attention to her gringo-date, intercepted us.
 
I said, “It’s for Carolina.”
 
Our older cousin never drank, but Gisela just said, “In the baño?”
 
“Yeah, she doesn’t want anyone to see her taking a swig.”
 
I looked at Sofía and followed her eyes to Carolina, who was in a bright red dress talking to a group of people not far from us.
 
“Hand it over,” Gisela said, holding out her germy hand.
 
“¿Qué te importa?” I snipped.
 
“¿A ti te importa if I tell your mamá?”
 
We handed it over.
 
After dinner the novios knelt again for La Entrega, which must have been uncomfortable con panza llena.  It’s supposed to release the newlyweds to their new life and, though some people stage it at end of the night, my familia does it right before the dance, to release the novios to their fiesta.  As the band tuned up, los compadres roped Freddy and Natalia together with a sandalwood rosary and gave them la long bendición while people tossed money onto Natalia’s long white train. Con el último amen Gisela tossed a dirty green bill that slid down Natalia’s silky back.
 
As soon as the money was scooped up the band began to play.  They waited about an hour for people to start feeling buzzed and generous before they started The Dollar Dance.  I paid $4 to dance with Natalia and $3 to dance with Tío Freddy.  He told me he liked my Vans, then he picked me up and spun me around.  Sofía said it was dumb for me to dance with Natalia and I said what was dumb was her pinche statement.  Natalia looked so stunning with her heavily outlined eyes and her blue-black hair pinned up that some men paid twice to dance with her, making The Dollar Dance nearly as long as the wedding.
 
Freddy’s best man pinned dollars on my tío’s tux, but everyone in Natalia’s line pinned the bills on her themselves.  When her train was covered men began carefully pinning money on the front of her dress.  It made Natalia’s mother nerviosísima and she told the band, “Wrap it up, chicos!”  She probably cost the novios fifty bucks.
 
After all the bills were unpinned, one by one, Natalia danced with Freddy a couple of times before Gisela singlehandedly “stole the bride.”
 
To no one in particular, her gringo-date said, “Is that a Mexican tradition?” 
 
I was standing next to him and answered, “No, it’s more of a Southwestern scheme to get more loot.  One that happens to imitate the kidnappings latinos have become infamous for.” 
 
He stared at me and excused himself to get a drink.
 
Gisela led Natalia to a coatroom at the back of the hall where she would voluntarily stay sequestered.  Knowing everyone would just be removing more money from purses, pockets and wallets, when Cristina followed, I went too.  It didn’t take long for Gisela to pop open a $200 bottle of champagne intended for the newlyweds’ private party and, while flattering Natalia and filling her glass, she snapped fotos.
 
In between songs we could hear the bandleader: “Oye, the bride is still missing!  Come and make a contribution to Comadre Yolanda so we can raise enough ransom to bring Natalia back!” 
 
The coatroom hosted more fotos, more drinks and, at last, the band announced, “Ya está.  Tenemos el dinero suficiente and the novios are $453 richer!” 
 
By the time Yolanda tiptoed into the room in impossibly high heels, Natalia couldn’t have subtracted five from ten and she just hiccupped uncontrollably when Yolanda handed her a wad of cash.  She passed it Cristina, who started counting. 
 
“What’d you do to her, Gisela?” Yolanda asked, nodding at Natalia.
 
“¿Yo?’ Gisela sniffled, ‘pues, nada...”
 
They argued, Natalia hiccuped and Cristina, who’d counted the money twice, asked, “What’d you do, Yolanda?  Slip a fiver in your bolsa?”
 
“How dare you!” Yolanda glared at Cristina as if she were a cucaracha.
 
“We all heard the band say the crowd raised $453.”
 
“You don’t know what you’re talking about,” Yolanda scoffed. “I needed to make change.”
 
A new argument ensued that Natalia interrupted with her silence.  Everyone stared at her.
 
“Hiccups are gone,” she giggled.
 
Cristina and Yolanda shuffled her back to the dance and the band said, “Let’s welcome the bride back!  Let’s hear it for Natalia.”
 
The crowd cheered.  But Natalia’s mamá took one look at her daughter and cried, “¡Válgame dios! Natalia missed half the dance and, look at her, she’s as clumsy as a cow!”
 
Natalia probably should have sat down and had some water, pero she fell into Freddy’s arms, in the middle of a Cumbia, and away she went.  He had no idea his wife’s head was spinning like a top when, holding her hand above her head, he spun her halfway around so they both faced the same direction. He held her tightly for a few pulses, her back against his chest and his hand on her stomach. Then he gave her a media vuelta so she faced him again. Finally, he twirled her three hundred and sixty degrees with the left hand, a quick one eighty with the right, another with the left and, with two hundred eyes upon her, Natalia puked like a cat.
 
I turned to Cristina and said, “¿Sabes ​qué? Forget the dinero—better to be a bridesmaid.”