Giggles y Yo
by Tommy Villalobos
Giggles walked like she was dancing to Oldies But Goodies, Volume One. But she also looked sad all the time. It was like she wanted to be sad. Her friends already had a Sad Girl so they called her Giggles.
People called me Gordo. I wasn’t fat. Maybe just a little.
But let me get back to Giggles. She was the finest one in the Projects, 1950’s.
One day, Lil’ Chango, skinny with a face that not even a madre could love, tried talking to her. He was barking like a seal up the wrong playa. I looked at her face when she was listening to the bato. Her lips were twisted. Like he was making funny noises with his nariz.
He walked away with his head looking down, like he didn’t care if a carucha hit him. She looked at me and I made a serious face. Inside, I was laughing like when I saw that cartoon where the coyote gets hit by a giant rock when he’s chasing the pájaro loco.
Giggles started walking again with that special wiggle. I wanted to tell her something like a priest. I walked fast.
“Hija, you can tell me,” I said.
She turned to look at me like I was a cucaracha walking around her sopa.
“I don’t know you.”
“I want you to.”
“I like someone.”
“Never saw you with someone. Never saw you with anyone.”
She looked at me like I was another cucaracha but this time in her sopa.
“Are you following me around?”
“Even when I sleep.” I was trying to sound romantic like in a song.
“All girls like being looked at.”
“We’re meant to be.”
“Uh-uh.” She walked quickly away. Almost ran.
People could ask me why I didn’t give up. You know, chase other girls who liked gordos.
I would tell them that girls act in different modos. They can hate you but then you say or do something they really like, they grab you and put your arms around them. You feel like an octopus wearing a Pendleton.
“Where have you been, Felipe?” said my mother as soon as I walked in the door.
“Getting fresh air.”
“There isn’t any.”
I wanted to tell her about Giggles but she might not like her walk.
“Áma, I like this girl and—”
“She won’t be the last.”
“This one is the first and only. She is special.”
“She lives in Beverly Hills?”
“Take out the garbage.”
I took the garbage outside. A chavalo called Freddie saw me.
“Hey, Phillip,” he yelled. He was the only one who called me by my name.
“What?” I said to the mocoso.
“You want to play baseball?”
He didn’t see that I was grown up. Baseball was for chavalos. Girls were more fun now.
“Freddie, I like girls now,” I said like I was confessing to a priest.
Freddie was stunned, making a cara like I said I liked wearing dresses now.
“One day, you’ll throw your baseball to your sister because you won’t be able not to.”
I really thought of saying that because his sister Lydia was a better baseball player than him and she was only seven.
“You’re talking crazy, Phillip. Go get your mitt, let’s play.”
“Maybe later,” I said, knowing “later” really meant never.
He turned and walked away. He turned back to look at me as if he wasn’t sure who I was. Then he disappeared into the Projects. I felt kind of sad. Like my childhood was disappearing with him.
Then I thought again about Giggles and I wanted to kick Freddie and my childhood further into the Projects. God made something more fun than baseball.
Then my friend since I forget how long, Jimmy, saw me. We were the same age. He was more serious than me. Of course, my mother would say everyone was more serious than me.
Jimmy loved math and collecting baseball trading cards. His cards took up most of his life.
And the girls all looked at him like he was Elvis. It didn’t seem to matter to him. He spent his time with his math books and cards. Everything else was for other guys.
“Gordo, why are you standing there?” he said.
“Not sure. Where are you going walking all fast?”
“My mom needs butter.”
“You still run mandadas?”
“Sure. You don’t?”
I nodded slowly.
“Jimmy, oh, Jimmy!” said a high voice belonging to a running flaca with flying pelo.
It was Lorna Ritas. She was in a race for Jimmy with Sally Lomenez, Linda Mistasosa and Maria Lobermie. They had a better chance with the real Elvis. Jimmy barely said “Hi” to them but each time they took it like he wanted to make out with them at Belvedere Park.
Like that song, Jimmy only had eyes for Rachel Apenuz.
Rachel Apenuz had no personality I could see. Jimmy saw something the rest of the world didn’t, like in those spooky movies.
Compared to Rachel, Giggles was a shiny pair of spit-shined calcos. Rachel was like my sister’s paper dolls she used to play with. She was like cardboard. Her hair looked tired. In fact, she looked tired.
But I was glad Jimmy didn’t see Giggles. Then I panicked, my mouth turned dry. Maybe he hadn’t seen her glide like a lowered carucha down Brooklyn and Mednik.
“So, are any new girls waving at you?” I said, my mouth even drier now.
He looked at me like I said something in Chinese real fast.
“Yeah, like hot off the comal?”
“What are you talking about?”
“Is Rachel still your, you know…?”
He nodded with a strange smile.
“I still like Rachel.”
I could breathe normal, again.
Jimmy’s sister whistled for him from away off. She had the loudest whistle in the Projects.
Jimmy ran off. I went back inside.
I played “Earth Angel” by the Penguins on my sister’s record player. I played it over and over. The title said what I wanted to sing to Giggles. Then I fell asleep on my sister’s cama. The record player needle was stuck on the end of the record.
“What are you doing?” my sister screamed, making me jump. My heart wanted to leave my chest and jump out the window to find somewhere better to live.
“Man,” I screamed back, “you nearly gave me a heart attack.”
“And I hate to fail. Now I’m really mad.” She got good grades in school. I think that’s why she said that. But she also had a big mouth my mother was always trying to slam shut.
Hearing my sister’s big mouth, my mother came running like my sister was on fire.
“¿Qué está pasando?” she screamed louder than even my sister.
“I have to wash everything,” my sister said, looking around the room like I spread pulgas all over.
“Don’t exaggerate,” my mother said.
“He’s a pestoso,” she screamed in her chavala voice so all the Projects could hear. I think all the people in the Projects were smelling the air.
My mother was quiet as if my sister said something like the president.
“I was only playing a record,” I said, explaining things to the judge, my mother.
Like a bailiff, my mother escorted me out of the room. My hermana had a crooked smile. The door slammed behind us. I would aim pedos into her room next time she wasn’t home.
To feel better, I went back outside. In the Projects you always ran into someone who either made you laugh or was madder than you.
Right now, it was Pete. He never made you laugh or mad. But he always had a problem to share. I tried telling him that was why he had a mother. That’s how they got gray hair.
But today, I think I caught him at a moment when people feel like unloading a problem on the first person they catch.
“Gordo,” he said, “I have a problem.”
“You’re the last bato I would guess had one.”
“I met the finest weesa ever made.”
“When you see her walk, it’s like seeing the ocean at Long Beach.”
“Go write a poem.” I said. It sounded like he was talking about Giggles and I didn’t want to hear.
“I have to win her heart first.”
Pete wasn’t a bad looking guy like some of the truly ugly ones around, but right now he looked like the ugliest feo of all time.
“I love Giggles,” he continued and I wanted to give him a Popeye-sized cachetada.
“Who is ‘Giggles’?” I said with a shaky voice. I was a nervous liar.
“She is a walking angel, like in the song, ‘Earth Angel’.” He said this with a stupid, faraway look.
“You okay?” he then said.
I felt mad then sick then mad again.
“Are you sure-sure?”
“My problem is that she is related to Jimmy and likes Loco.”
I sat on the sidewalk. I saw Loco’s crooked right eye. I think he hated the world and everyone in it because of that eye. He was born that way. God wanted him to look loco so he took the hint and became one.
“You look weird, man.”
“Why Loco?” I croaked.
“That’s what I want you to tell me. He is one ugly bato with an even uglier way with people.”
“And she is Jimmy’s cousin?”
He nodded weakly.
“How do you know that?”
“Oh, yeah. Your sister Rosie talks with everyone about everyone. The Queen of Maravilla Chisme.”
“Hey, that’s my hermana.”
“Everyone knows Rosie, Pete.”
“Yeah, but you’re wise.”
All those times talking to Pete, I was mostly trying to get rid of him.
“So, what do you think?” he said. He wasn’t going nowhere till he got an answer.
“Loco has that name for a reason. Jimmy is probably thinking of a way to stop his prima from getting hooked up with him.”
I said that for myself.
“What do you mean?”
“He wants to stop him.”
“Oh.” I always liked hearing Pete say “Oh.” It meant he was accepting what I said and would go away. Not today.
“You know, Jimmy invited Loco to the show with Giggles?”
I lost my words and thinking.
Pete batted for me. “I saw them walking back to the Projects after they got off the Kern bus. Loco was laughing like a hyena.”
My mother said life has surprises. One just kicked me in the head.
“Should we jump him?” said Pete.
“He would wrap you around me like a pretzel.”
“So, what are you going to do?” he said.
What I wanted to do was pluck Loco’s good eye out and do a pachuco hop on it.
“It’s up to you.”
“Then what should I do?”
I felt like I was running his life when he should be running his own.
“Find another one.”
“There ain’t no other around,” said Pete, looking around as if to prove it.
“All good times don’t lead to Giggles.”
At this point, I think I was again giving advice to myself.
“Yes they do.”
“What if she hates you? And your family? And your dog.”
“She don’t know me. Or my family. And this is the Projects, we can’t have a dog.”
“Maybe she has a drinking problem. She’ll start making ojitos at other batos.”
“How do you know she has a drinking problem?”
“Just looking at all angles.”
“She could wet her bed, chew food with her boca wide open, have a voice like Jimmy Durante, and I would still like her.”
“What if she has a record?”
“Even if she was serving life at juvie, I would still visit her every day.”
He was almost as crazy over her as I was.
“Don’t you have a girl you liked? What about Edith?”
“Edith was in the second grade. Her family moved out of the Projects when I was nine.”
He looked at me real let down. He walked away.
I went and sat on my porch. I saw a girl coming toward me on the sidewalk. She was walking like a wave at Long Beach, like Pete said.
It was Giggles.
“Hello,” I said, trying to sound like some actor I heard in a movie.
She kept walking like I had been a squawking perico.
I was hoping for a “Hello” back or at least her head to turn up all conceited. But she kept walking.
But then for a little bit, she turned her head toward me. Not mad or happy.
Jimmy would make everything right. He would talk to his cousin and tell her that he and I were closer than gum under a zapato and she should grab me, crying.
Jimmy said that they were cousins when he came to the door.
“So, she just likes him like a cousin?” I said.
“She and Loco are closer than gum in your hair,” said Jimmy.
“So she likes him like a favorite cousin?”
“She likes him like she likes to kiss him.”
“He kisses her back.”
“You know Loco. You know what he’s like.”
“Since we were babies.”
I swallowed hard. Then I swallowed hard again. Then a third time and maybe a fourth.
“You look like you swallowed a moco,” he said.
“Why do you even know him?”
“He’s my step brother.” Jimmy didn’t even say that like he was sorry.
“I don’t make the rules. Loco’s dad married my mom years ago. My mom had kids. He had one, Loco.”
“So he can’t love Giggles?” I said.
“Why can’t he?”
“She is my cousin but she is nothing to Loco. Well, that could change, but that doesn’t keep them from liking, maybe loving each other and making a whole bunch of kids to spread around Maravilla.”
“That shouldn’t be allowed.”
I walked away, stomping on the ground like it was Loco’s ugly ojo.
I went to Pete’s house to report.
He opened his door then smiled like if I was going to say that Giggles loved him.
I broke the news over his head. But it was my own cabeza that hurt.
Tommy Villalobos was born in East L.A. and also raised there. He thinks of the lugar daily and love the memories while remembering the tragedies of his neighbors and of his madre. Tommy’s mother had a great sense of humor and he inherited about ten per cent of it. She had a quick wit and response to all verbal attacks, whether to herself personally or to her Catholic religion that she loved. Tommy dedicates all his works to her, knowing she had him when she had no idea how she was going to feed him and his four siblings. She was a single mom until the day she died. He lives in a boring suburb now, outside of Sacramento, but his heart and soul will always be in East Los Angeles where his mother was always by his side to protect him.
A Quiet Night on the Boulevard
by Jacob Teran
The block was not as active tonight. Olympic Boulevard is one of the gateways to enter our urban domain known as South Sapro Street and, on this night, it is absent of travelers and hostile combatants.
You can hear the last metro bus making its way down the Boulevard to the depot drop off—final destination. A long day of picking up hard workers, tweakers, cholos, and dropping them off to where they need to go.
Neither juras pass by with sirens, nor local tweakers roam the block looking for a potential vehicle to break into, just, the calm and quiet sound of the wind and train that makes its presence known to our barrio. These nights seldomly visit my barrio and when the sweet sound of silence makes its way to Sapro, the tranquility is always welcomed.
I am in my messy room of my mom’s 2-bedroom apartment that I have not cleaned for days, lying in bed. I can feel the temperature drop from my open window as the smell of rain and burnt cannabis roaches permeates my room. I slip on my already tied DVS skating shoes, grab my hoodie, and make my way out into the abyss of my barrio.
I head to the local Valero Gas Station to pick up a blunt wrap to indulge with my homeboy, Iggy. A light haze of cool droplets penetrates the dark sky making the lonely night that much colder. The smell of wet asphalt is refreshing with each sloshing step that I take. The local Valero was the place to buy a 3-pack of some cheap beer if no one was in the mood to go to Superior Market. The fluorescent lights beam blue and yellow, and read, “Valero Gas Station” with the “o” turned off or perhaps, dead. The people inside know me and even though I am still a minor by age, they never card me when I buy a pack of frajos, especially blunt wraps.
As I make my way back on the wet asphalt of the Boulevard, I can smell and hear all sorts of familiar elements that ignite my senses. Across the street from the Valero was Cedar Ave. Someone was always washing their clothes on the corner of Cedar and the Boulevard in the evening. An old steel clothesline is engulfed with colorful socks, white t-shirts, and blue jeans. Probably a small family since I always see a group of three to four kids playing in the street just before the sun sets. The scent of Suavitel Fabric Softener always reminded me of my Abuelos in Boyle Heights, as their neighbors used a similar product for their clothes.
The next thing I immediately notice is the fresh scent of cannabis burning nearby. It must be the homies from my block congregating at Cheddar’s pad since he lived two houses from the corner of Cedar. The thick skunky aroma of indica burning in the street at night always felt like I was home—a comforting feeling. Suavitel and marijuana were the telltale signs I am home.
Between Cedar and Sapro, an area on the Boulevard, is where I feel the most alone as I walk. As I walk pass Cedar, I look to the left side of the Boulevard stretches to its desolate side of abandoned buildings bathed with graffiti. To my right was a long fence of white wood that closed off the side of an apartment. This wooden canvas is marked “SLS,” for SAPRO LOCOS, the acronym for the locotes on my street. Other times, they were crossed out by the rival barrios in the surrounding area and down south of us, passing the railroad tracks, beyond the Boulevard and away from the domain of Sapro.
The spray on walls, scribes on windows, markings on wooden fences, trees, light posts, and curbsides, are all voices without faces that speak. A language that only people that live here understand.
I walk under the streetlight between Cedar and Sapro, probably the most remote section of the Boulevard where peculiar occurrences would take place. In this desolate part of the Boulevard, voices could be heard with not a single person around, tall, shadowy figures have followed people only to disappear in a blink of an eye, and the streetlight itself would flicker violently when someone walked under. I could never account for the first two things that homies and neighbors have spoken of, but the streetlight flickering, that was real. Probably some glitch with the wiring under the asphalt, but, whatever rationale could explain, it always made me feel like some ominous entity was following me.
I walk under it tonight. It does not flicker.
I pass by the streetlight and eventually the Cliff to walk across Sapro to a dark grey Astro van. I could see the radio’s light slightly brighter as I approach the van’s sliding door. I knocked on it twice before opening it to be greeted by my homeboy, Iggy,
“Fuckin’ Guill! Finally! Ah Ah! Ah!” Iggy’s laugh was always amusing. Iggy or Iggs, always sounded like his laugh was backwards.
“’Sup G, was’ crackin’?” Coming into the van, we shake hands.
“Nada güey, posted trying to get faded. ’Sup with you? Where da bud at?”
“Shit, I thought you had it.”
“Lying ass vato! Ah! Ah! Ah!”
I pop out the grape flavored swisher I bought from Valero as I come in slamming the sliding door after me.
“Firme! Grape will go good with this shit.”
Iggy starts cutting up the swisher with a dull razor as I begin to break up the sticky indica from the baggie I was clenching since the odd streetlight. Iggy hands me a ripped Home Depot cardboard he used to dump out the tobacco from the swisher. Bone Thugs’ “Resurrection” is playing in a CD player he installed for his mom’s van’s radio. The music suits the quiet night and the session we are about to have. The dank bud begins to stink up the van with a skunky aroma as I break up the sticky flower that sticks to my fingertips.
We start conversing about the extracurricular activities that have been making the block hot: South Siders and Veil Street have been coming through our block and hitting up their placas in our area. A few tweakers from a few blocks away stealing the vecinos’ recyclables. Really typical mamadas that occur in our barrio. Sometimes we laugh about it. Sometimes we get into heavier conversations.
I hand the cardboard with the potent shake I just broke up to Iggy, “Trip out G, isn’t tonight quiet as fuck?”
“Fuck yea, Guill…but…” Iggy licks the wrap’s end to seal the blunt, “…it’s firme, I like nights like this. Don’t you?”
“Yeah, it’s just trippy,” I kept looking down the Boulevard from the second-row window of the van. Usually, a suspicious car or jura patrolling would pass, but nothing.
Iggy hands me the lighter, “Do the honors and spark it up, Guill! Ah! Ah! Ah!”
I light one side of the blunt and roll it around slowly as if I’m hot roasting a pig, making sure the cherry got an even burn. I take a couple of light hits as if I was smoking a cigar to get the cherry just right. As the smoke enters my lungs, I can feel it spread throughout my chest making me want to cough. I hold it in and exhale through my nostrils, feeling the euphoria of both weed and Krayzie Bone’s lyricism.
Iggy is chain-hitting the blunt and seemed like he forgot I was in the session with him. He looks halfway towards me from the driver’s seat, “…Guill, I wanna tell you some shit that some OG told me a while back. This vato was a firme ass foo, a real one. The shit he said was the truth dog, palabra, and I still believe this shit to this day.”
I looked at Iggy thinking ahh shit, this foo is faded. “Handles, G.”
Iggy put the blunt down to his chest as it continues to burn, “And I don’t give a fuck what anyone says, don’t let anyone tell you otherwise either. You gotta believe this shit, Guillermo. You’re gonna have foos try to press you, call you a bitch and all that…but fuck that.”
I was thinking, Iggy is never going to get to the point, “Yeah Iggy, handles, I hear you foo.”
Iggy turns as much as he could to the seat behind him where I’m sitting, “You don’t got to be from nowhere and still be G wid’ it. A lot of foos think you gotta be from somewhere to be hard, claim a hood, get into mamadas and put in dirt, and all that bullshit, but chales, güey.” He pauses and takes another rip from the blunt.
“Escucha güey…Just be you dog…and that’s keeping it gangster.” A bit of mota and street wisdom Iggy shares as he takes one big rip and lets out a huge cloud of smoke that makes him start choking and laughing.
Iggs passed the almost finished blunt back to me as he was coughing all over the place. “Damn, foo, you aight, haha!” “Hit that shi…that shit…Mem…” Iggy kept coughing and all I could think about was why he was telling me this.
I sit there as Iggy is coughing his lungs out and felt this was the most genuine thing my homeboy ever told me. Growing up in the hood, I always thought I would eventually get jumped in the hood when the time came. But what Iggy just confided hit me profoundly. I couldn’t stop thinking about it during our session.
We kill the blunt and hear a few of Iggy’s primos coming back to interrupt our private hotbox. Fuck. Who is this? There are a chingo of us on the block and whoever comes to a session either has weed or none.
“Eeeeee, look at you scandolosos right here,” Iggy’s primo Fat Boy always loves putting people on blast.
Iggy looks up and blasts back, “fuck you dick, where were you when I hit you up earlier to blaze it?” Fat Boy smirks. “Don’t even trip, I share my shit homie, not like you assholes,” Fat Boy starts opening up a bag with his own weed that he had.
Looking to me, Fat Boy laughs, “’Sup Memo, where’s all da bud at? You and Iggy are straight holdouts.”
I smirk and laugh. “Dick, you foos had your own VIP sesh, so Iggs hit me up. Got ends? Still have some leftover yesca.” Fat Boy ignores me as his brother Scraps and Cheddar come through pushing themselves in the van talking mumbling and complaining that Iggy and I were smoking without them, although they just smoked without Iggy and me.
“Hey dick, my Jefa is gonna come out trippin’ with all you foos in here being all loud and shit,” Iggy always snapped when unexpected dudes came, even if they were his primos.
“Don’t even trip, my Tía loves me,” Fat Boy said as he was breaking up some of his bud nudging me for the cardboard with the leftover bud on it.
“Not you fat ass, you’re burning the spot,” Iggy capped back as he was looking for a track to play on the van’s CD player stereo. Scraps, Cheddar, and I all started busting up laughing from the exchange between Iggy and his primo, Fat Boy. DJ Quik’s “Pitch in On a Party” surrounds the van’s speakers as the van gets louder and I kept thinking about what Iggy told me.
Fat Boy looked back at Scraps and Cheddar, “Shut the fuck up turkey and you too cheddar.” Fat Boy’s hermano Scraps was chubby like Fat Boy, but shorter. Everyone called him “Turkey” or “Danny DeVito,” which he hated. Cheddar had pretty poor hygiene when it came to his teeth. He never brushed his teeth, and the result made his dientes look like picante corn nuts.
“Dick, you’re fucked up,” Cheddar shakes his head.
“You’re a scandalous vato too, ‘Gay-mo,’” Fat Boy looks to me. The homies would either call me “Guill” or “Memo,” short for Guillermo. Other times, “Gay-mo,” because it sounded funny to them, and I also hated it.
“Just be you dog,” I pat Fat Boy hard on the back of the shoulder.
“Fuck, let’s go finish this shit out in the front of your pad Fat Boy, you burned the spot.”
“Fuck it, let’s bounce then,” Fat Boy said as we all get up to leave the van.
We all walked to the front of Fat Boy and Scrap’s pad. Their mom was asleep, so we had to creep and crawl if we didn’t want to get kicked out of the yard. Fat Boy and Scrap’s oldest brother Beaker wasn’t home either, probably getting all pedo with some lady that he would always say he was going to marry but then break up with weeks later.
We all post up on the bed of Beaker’s 1987 El Camino, laughing quietly, talking about how cold the night was. We start packing bowls from Cheddar and Scrap’s weed pipes and begin a new rotation. Iggy’s stomach was bothering him, so heads to the restroom. The four of us, without Iggy, sit in the back of the El Camino getting faded as the night continues to get colder and quieter.
Suddenly, a car comes out the cut from the corner of the yard where we are posting up, on the Boulevard. Fat Boy and Scraps lived at the corner of our street and had thick bushes that made it hard to see who was walking or driving by, especially at night.
* * * *
We then see four shadows running around the corner of Fat Boy and Scraps’ pad outside the fence. The moonlight was our only aid in seeing through the darkness. One shadow stood at the corner keeping trucha, while one other dude stood outside of the gate. The other two shadows came up to us in front of the fence where we happen to be sitting.
“Where the fuck you from, Ese?! This is big bad Southside Greenwood Gang! Fuck ‘Scrape’ Street!”
The bald shadow brandishes a .45 cuete and points it to each of our stunned skulls. All of us with our sweaty palms open, shield our chests, afraid and frozen in an already cold evening. The nefarious shadow, only three feet away from the silver diamond-shaped fence that separates us, stands fiercely. The streetlight reveals his inked face, a black spider web trapped his entire face with the center of the web starting from the shadow’s nose. Eyes as black as obsidian, stabbing us with his soulless glare, listo for anything.
“Hey dog…we’re from nowhere…we don’t bang. I live right here,” Fat Boy being the oldest of us speaks, shaken up, choosing his words carefully. The shadow looks at him with disdain and then all of us. He points his cuete at each of us asking us individually if we claimed Sapro Street. With our arms raised, palms open, not knowing what to think or do, we deny because we are in fact not from the hood, yet.
“I don’t give a fuck! You’re caught slipping out here! This is Southside Territory! Fuck Sapro Street! Bitch ass levas! The spider webbed shadow looks to his homeboy for confirmation to off us right then and there. The shadow raises his less dominant hand and cocks his cuete. Coming back from the restroom, Iggy comes out to a situation he was somewhat familiar with.
The second shadow by the fence gate sees Iggy and hails out, “Who the fuck are you?! Southside Greenwood Gang, ese!”
Iggy opens his palms towards the second shadow, “Hey, I don’t bang dog. I live right here in the back, this is my Tía’s pad. These are all my primos, we’re just right here burning some bud. My primos are kids G, they ain’t soldiers. We are family right here.” Iggy being much older than us already knew the street lingo—along with his street intellect and rhetoric, Iggy’s response disheartens the shadows.
Although this was a typical night in my barrio, we never had a neighboring group roll up on us like that. This night made me realize the brevity of life, the choices I make and the words I choose influence what can happen next. Iggy’s words echoed in my mind and made me realize a lot of shit—life is short and can be taken in an instant. I want to change and do better, but it’s difficult when you have no direction or positive influences. But Iggy made me think and that was perhaps one of the most impactful things someone ever told me.
The dude with the cuete throws up his insignia, claims his hood one last time so we could all remember it, and dashes off to the car with the other shadows and drove off into the abyss.
The rain never came but the smell remained…Some fuckin’ quiet night.
Jacob “Jake” Teran is a proud Chicano living in the San Gabriel Valley, Los Angeles. Jake is a 2nd generation Chicano who was born in Montebello, Los Angeles, east of Los Angeles. He has published one short fictional story at his community college at Rio Hondo College and a master’s thesis for his graduate program, where he obtained his Masters Degree in Rhetoric and Composition. He is currently teaching composition to several departments in two colleges that include indigenous and Chicanx literature. Jake currently lives in the San Gabriel Valley where he is working on a novel based on his experiences growing up in his barrio that deals with gang lifestyle, drugs, violence, and finding one’s identity in a chaotic concrete jungle.
Artie Finds The Right One—For Someone Else