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​​SOMOS EN ESCRITO
The Latino Literary Online Magazine

POETRY
​POESÍA

To the music of cruel spurs

11/28/2021

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This photo is of the Mireles family men who were vaqueros in South Texas. Third from the right, front row is the patriarch, Julio Samudío Mireles, my great, great, grandfather who was born in 1830. Next to him on the right are his son-in-law Dario Talamántez and his son. He also had 5 daughters with his wife María Francisca Silva, known as "Mama Kika."

Vaqueros
​by ​Robert René Galván

Inspired by the Moorish horsemen, 
the Castellanos
set out in wooden ships
across an alien sea
with stalls of stallions
treated better than men,
fed and lovingly groomed
for the day they would
dance upon the land
to the music of cruel spurs.
 
The Aztecas had never seen
such a creature
and thought it was an enormous,
sweating stag of which the rider
was a part – a mystical beast
to be feared, and yet the indios
became its master with lazos
and chaparras,
estribos and botas,
and when strays escaped
to the north and multiplied masteñeros gathered
and broke them for the gringos.
 
Alla en el rancho grande,
Grande Julio Mireles
went out with his nine sons
after a pot of café del campamento
and cigarros, huevos rancheros.
 
He taught the Tejanos
his craft, his charros
begat Kings in the fields
claimed by barbed-wire
and rifles (to steal a horse meant hanging), 
and when the dueño learned
all his secrets, vaqueros
gave way to “buckaroos”
with their chaps and lassos,
stirrups and cowboy boots,
mis padientes,
mojados.
 
Robert René Galván
11.6.21
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Robert René Galván, born in San Antonio, Texas, resides in New York City where he works as a professional musician and poet. His poetry collections include Meteors (Lux Nova Press), Undesirable – Race and Remembrance (Somos en escrito Literary Foundation Press), and The Shadow of Time (Adelaide Books). His  poems also appear in Puro ChicanX Writers of the 21st Century and various magazines, including Yellow Medicine Review: A Journal of Indigenous Literature, Art and Thought, Adelaide Literary Magazine, Azahares Literary Magazine, Gyroscope, Hawaii Review, Hispanic Culture Review, Newtown Review, Panoply, Somos en escrito Magazine, Stillwater Review, West Texas Literary Review, and UU World. He is a Shortlist Winner Nominee in the 2018 Adelaide Literary Award for Best Poem. Two poems by Galván have been nominated for the Pushcart Prize and another for the Best of the Web for 2020.

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Robert René Galván's latest poetry book published!

1/3/2021

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Robert René Galván's Tía Luz Ruiz, center
Undesirable – Race and Remembrance is a collection of poems by Robert René Galván, inspired by a boyhood raised in the heart of Texas, days spent between his folks’ home in San Marcos and family in San Antonio. René has a way not only of shaping the meaning of words but how he wants us to see and feel what he has seen and felt: in this book, his memories become ours.

​​Born in San Antonio, he now lives in New York City, a noted Chicano poet and multi-talented musician. He is the product of a legacy fashioned by Galván’s antepasados who survived the Great Depression, the WWII years, the decades of discrimination and deprivation–a communal memory that he treasures and preserves in this book.
Two recent poems by René have been nominated for the Pushcart Prize and one other for the Best of the Net competitions for 2020. 
Born in San Antonio, he now lives in New York City, a noted Chicano poet and multi-talented musician. He is the product of a legacy fashioned by Galván’s 
antepasados who survived the Great Depression, the WWII years, the decades of discrimination and deprivation–a communal memory that he treasures and preserves in this book.

​
​Galván tells of his elders riding on aging trucks to harvest a few dollars from the fields in the ’30s and ’40s, of his writer father filling his ink pen, its “barrel, incandescent as opal,” of the childhood home bought through a white friend so his family could buy it, even of the relentless reach of racism when recently a white man cursed him for being brown in a NYC supermarket.
​The subtitle, Race and Remembrance, speaks to the dark undertones of the obras in his book; the cover hints at the seemingly fun trips his elders made from Texas to California to harvest the grapes, pick clean the beet fields, and whatever other crop farmers were hiring workers to pick.
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The cover photo shows his mother, Eva Mireles Ruiz, third from the left, with some of her siblings and cousins, seated, legs dangling, on the bed of Abuelito Toño's truck, which carried the family to California and back as migrant workers. His Aunt Belia is far left and his Uncle Reyes (of the poem, “Hero”) is on the far right.
​An earlier collection of poems titled, Meteors, was published by Lux Nova Press (1997). He is also featured in Puro ChicanX Writers of the 21st Century (2020). Another book of poems, The Shadow of Time, is forthcoming from Adelaide Books in 2021. Other poems are found in Adelaide Literary Magazine, Azahares Literary Magazine, Gyroscope, Hawaii Review, Hispanic Culture Review, Newtown Review, Panoply, Somos en Escrito Magazine, Stillwater Review, West Texas Literary Review, the Winter 2018 issue of UU World, and Yellow Medicine Review: A Journal of Indigenous Literature, Art and Thought.
Copies are available in print and e-book formats from online booksellers (including Amazon and Barnes & Noble), but we ask that you support your local bookstores. 
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FLASHBACK: Lives, and deaths, by the roadside

6/18/2019

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Poems, Iconic White Crosses, and Memories

First published on September 22, 2013, in Somos en escrito Magazine
By Sarah Cortez

Vanishing Points: Poems and Photographs of Texas Roadside Memorials, edited by poet Sarah Cortez, is a memorial in itself to the thousands of spontaneous roadside memorials, usually marked by small metal crosses, which line Texas highways. The prominent display of these iconic white crosses, some with accumulated mementoes, is often ignored by motorists.  
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Yet these roadside memorials are invitations to pause, invitations to ponder the meaning of life and death. This volume of poems responds to these invitations with an array of stunning black and white photographs of these Texas roadside memorials accompanied by poems written by some of the state’s finest poets.
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​Bro
That day you grabbed
the armadillo’s tail
and jerked it upside down
as it snarled and raked
air with black claws.

Remember?  All of us laughing
at the squirming, silver ball
of scaly, pissed-off critter
who’d thought he’d burrow
into safety when chased.

It’d be on that day—if
I could have you back—that
exact moment.  Your right arm
outstretched under scrub oak
alongside a one-lane road.

You, flushed, breathing hard,
sweaty—that instant suspended
the same as that armadillo
who’s now probably as dead as you,
alongside some other back road nearby.
 Faith
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​By Sarah Cortez

But the sky, Nate, the big blue sky
crowns this cross so far above
both you and me that I get scared
just trying to think about it.  And
I promise you I still believe in God,
and I believe in His Only Son Jesus Christ,
and I believe in the Spirit sent down
upon us like the dewfall.  I believe, I
believe, I’ve always believed, but
I have a hole in my chest
where my heart loved you, and I
walk around like a clock without
a mechanism, and I’m not joking
when I say I’m dead too
now. Not just inside, the cold
blackness, but outside, and only,
and only this wind up high here
and the burning sun and
the million pesky grasshoppers buzzing
remind me that God’s ways
are so infinite and beyond,
so far above my mind, my pitiful
body, my heart-no-longer-there
that I’d just better go on
into whatever I have
left after losing you.  Not
that I know what
that is.  But there’s something.
There’s bound to be
something
worth living for.

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Sarah Cortez is a Councilor of the Texas Institute of Letters and Fellow of the Virginia Center for the Creative Arts. Winner of the PEN Texas Literary Award, she has placed finalist in the Writers’ League of Texas awards and the PEN Southwest Poetry Awards. She has won the Southwest Book Award, multiple International Latino Book Awards, and the Skipping Stones Honor Award. Sarah edited Vanishing Points: Poems and Photographs of Texas Roadside Memorials (Texas Review Press, 2016) with original poems by Larry D. Thomas, Jack B. Bedell, Sarah Cortez, and Loueva Smith. Its driving force has been the photography of roadside memorials taken over a ten-year period in the San Antonio-Austin area by Dan Streck.
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