Two Poems by Ivan ArgüellesXIBALBÁ seeing a head hanging in a tree they asked which is the Way it replied and said use the feminine plural for whatever you encounter first is the House of jaguars infinite followed by the cold that precedes and supersedes space and time then the House of bats eternal and the world ruled by centipedes no book is safe no knowledge sure they wandered up and down black and green and white and red growing up the twins of Xibalbá from the east they took the mountain that dwells beneath the sea and set it on its peak in the west of never-be great clouds of reddish dust swarmed north and south but the only path they ever found was the route infernal into earth’s seething bowels of smoke they went playing ball with skulls of discarded gods and learned to speak in Spanish and court royalty from afar and as knights from some strange tale of yore they sported with conquistadors and landlords and built cities overnight that stretched from lake to lake and sank within a week its pyramids and ocelots and incense altars loud all vanished but for the hieroglyphs that narrated in literature’s fac-simile the true story of the rising solar vowel in innocence and betrayal and deaths as countless as the stars that swirl unseen by the denizens of Xibalbá and of the moon’s twenty-eight mansions each an error of motion and sound and of other celestial bodies and cigarettes and stairways the twins repeated in their unaccounted births will come a day they will return to the tree of the hanging head to enquire again which is the Way & set forth once more to Xibalbá 06-15-21 YESTERDAY there were profanities and jingles the ruckus and confabulation of the origins when gods no larger than saliva or ink demand form and shape the arms and excrescences of salt and helmets the full panoply of the demons lurking behind the cherry or poplar and the hills growing slow but dense with sounds and commas and asterisks speech was an impediment and the size of clouds thunder rumbling and toxic in the shells where nymphs take birth and hair and legends of opium darker and stress of nightfall unexpected charms the ululation behind the groves spark and tissue will resignation and salvation ever be the same ? somewhere the myth of time and the lesser entities the moon plunging out of a comb or threads knotted and the slender graceful waist of the woman whose backside is missing or it is a lunation a shining from afar when distance is only an echo the syllable of a leaf shaking in the tiny fragrance of sleep what it is to dream that there is no beginning only the surfeit and promise of death the marvel and to learn to read before the hour is up and signs written in erasable red and fictions tales of demigods beings who stalk the backlands and ivy thick and humid the steaming iridescence of the newest sky can you remember a day when there was no light ? 06-12-21 Ivan Argüelles is a Mexican-American innovative poet whose work moves from early Beat and surrealist-influenced forms to later epic-length poems. He received the Poetry Society of America’s William Carlos Williams Award in 1989 as well as the Before Columbus Foundation’s American Book Award in 2010. In 2013, Argüelles received the Before Columbus Foundation’s Lifetime Achievement Award. For Argüelles the turning point came with his discovery of the poetry of Philip Lamantia. Argüelles writes, “Lamantia’s mad, Beat-tinged American idiom surrealism had a very strong impact on me. Both intellectual and uninhibited, this was the dose for me.” While Argüelles’s early writings were rooted in neo-Beat bohemianism, surrealism, and Chicano culture, in the nineties he developed longer, epic-length forms rooted in Pound’s Cantos and Joyce’s Finnegans Wake. He eventually returned, after the first decade of the new millennium, to shorter, often elegiac works exemplary of Romantic Modernism. Ars Poetica is a sequence of exquisitely-honed short poems that range widely, though many mourn the death of the poet’s celebrated brother, José.
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